I Want a Story

On August 28, 1946, the amazing Lev Shcheglov was born in Petersburg. Alas, in December 2020, the damn covid took him away. We remember him. How could we forget him? He was the only one like him.

A quote from Dmitry Bykov’s conversation with Lev Shcheglov in 2018: “But look at the faces everyone makes when they look at each other — on public transport, behind the wheel, just walking down street! Look at what a weighty mass of irritation hangs over every city: Moscow and Petersburg in this sense are no better than any impoverished provincial town. This mass of malice — which is completely gratuitous, by the way — puts pressure on everyone and demands to be let out.”

Source: Marina Varchenko, Facebook, 28 August 2022. Translated by the Russian Reader


Source: Zhenya Oliinyk (@evilpinkpics), Instagram, 15 April 2022. Thanks to Bosla Arts for the heads-up. I took the liberty of cropping the seven panels of Ms. Oliinyk’s original message (which I very much took to heart) and stacking them into a single image/text.


Diana and Lena

The group Ranetki, moving to Argentina and the birth of a child — everything about this news story is terrific.

The series Ranetki provided the soundtrack to our youth, but that is a thing of the past. The news is that From the new: Lena Tretyakova (who played the bass guitarist [in the show’s eponymous pop-rock band]) has left Russia for Argentina and become a mother.

Lena recently told her subscribers that she had legalized her relationship with her girlfriend Diana. They got married in Argentina, where their son Lionel was born.

Now Lena is joking about motherhood on her Instagram and sharing photos of her family, and this is such a sweet thing, we tell you!

Source: Side by Side LGBT Film Festival, Facebook, 24 August 2022. Translated by the Russian Reader


In the six months since Russia invaded, the state media’s emphasis in reporting the war has gradually shifted. Gone are predictions of a lightning offensive that would obliterate Ukraine. There is less talk of being embraced as liberators who must “denazify” and demilitarize Ukraine, though the “fascist” label is still flung about with abandon.

Instead, in the Kremlin version — the only one most Russians see, with all others outlawed — the battlefields of Ukraine are one facet of a wider civilizational war being waged against Russia.

The reporting is less about Ukraine than “about opposing Western plans to get control of Mother Russia,” said Stanislav Kucher, a veteran Russian television host now consulting on a project to get Russians better access to banned news outlets.

On state media, Russia is a pillar of traditional values, bound to prevail over the moral swamp that is the West. But the extent of Russia’s staggering casualties in Ukraine remains veiled; only the Ukrainian military suffers extensive losses.

State television has played down the mounting Ukrainian attacks on the strategically and symbolically important Crimean peninsula, but the images on social media of antiaircraft fire erupting over Crimea began to put domestic political pressure on the Kremlin.

The visceral reality of the war, especially the fact that Russian-claimed territory was not immune, was brought home both by the strikes on Crimea and by what investigators called a premeditated assassination in Moscow.

[…]

Glimpses of the war’s cost, however, remain the exception, as news and talk shows have branched into myriad economic and social topics to try to hammer home the idea that Russia is locked in a broad conflict with the West.

Lev Gudkov, the research director at the Levada Center, an independent polling organization, said the government explains European and American hostility by saying that “Russia is getting stronger and that is why the West is trying to get in Russia’s way,” part of a general rhetorical line he described as “blatant lies and demagogy.”

As state television stokes confrontation, the talk show warriors are getting “angrier and more aggressive,” said Ilya Shepelin, who broadcasts a Russian press review on YouTube for the opposition organization founded by the imprisoned Kremlin critic Aleksei A. Navalny.

Source: Neil McFarquhar, “Russian news media covers the war with ‘blatant lies and demagogy,'” New York Times, 26 August 2022


Rediscovering Russia
We have prepared a great guide to our country. We introduce you to amazing people who are not afraid to make discoveries, launch small-scale manufacturing companies, and fly airplanes. We tell success stories and inspire you to travel.

A female pilot of a Boeing 777 aircraft about her work
Pilot Svetlana Slegtina told us about her path to the profession and the difficulties she has had to face during her studies and work.
Read the interview

Who makes cool shoes in Russia
From leather shoes to sneakers made from eco-friendly materials.
Discover

What to show children in Moscow: rare places
We have compiled a list of interesting and free places
Show

Quilted jackets from Russian manufacturers
We selected 10 different models.
Look

Source: Excerpt from a 29 August 2022 email advertising circular from Ozon, a major Russian online retailer. Translated by the Russian Reader


Photographer Dmitry Markov’s friend Alexei, aka Lyosha, aka Lyokha

I have a friend named Lyosha. He lives an ordinary inconspicuous life, but his past terrifies not only the respectable citizens, but also the petty criminals in our glorious city. Lech has managed to gain a bad reputation even among the Narcotics Anonymous community, which preaches open-mindedness as one of its principles. I can’t remember how many times they have stopped me on the street or taken me aside at a meeting and said: “Do you even know who Lyokha is and what he’s capable of? Do you know the things he’s done?”

Yes, I knew what Lyokha had done and how he had done it — mostly from Lyokha himself. We had often sat in my kitchen (not very sober, but very cheerful), and Alexei had entertained me with yet another tall tale about how he had gone visiting and left in someone else’s expensive sneakers. I was won over by the fact that Lyosha did not allow himself to do anything like that to me, and even if I was no pushover myself, Alexei’s skill in duping those around him reached heights only the snow caps of the seven mountain peaks exceeded. Once he was taken to rehab, and the cops came after him and tried to reason with the management of the place. “Do you have any clue who you taken in?” they said. “He’s a stone-cold crook who will burgle your entire place in a single evening.”

Basically, despite his past, I have remained very close to Lyosha. Moreover, when a fucking ugly overdose happened, and an ordinary junkie would most likely have walked away from his dormant co-user, Alexei belabored himself with my body, keeping me as conscious as possible until the ambulance arrived, after which he lay down for the night in the next room and every half hour pounded on the wall shouting, “Dimarik, are you alive in there?”

So, he is my friend, and I feel a certain obligation towards him. And it has nothing to do with that fucking “a life for a life” romanticism and all that stuff… Lyokha is my friend because by his example he shows me that changes happen. That you can become a different person, even if previously your own mother said to her only son: “Lord, would that you’d make it snappy and die! You’d stop tormenting me, and you’d suffer less yourself.”

Nevertheless, years of prison and severe drug addiction take their toll even on the hardiest. Therefore, it is especially important to me that Lyokha is alive and stays close. After all, if he succeeded, maybe sooner or later, I will succeed…

P.S. I forgot to explain the context: Lyosha saved me from an overdose last week.

Source: Dmitry Markov, Facebook, 27 August 2022. Dmitry Markov is a world-renowned photographer who lives in Pskov. Translated by the Russian Reader

Queer Culture (Podcast)

Press release, July 7, 2021

In the Side by Side LGBT International Film Festival’s podcast Queer Culture, festival organizers and invited guests chat with the people creating Russian queer culture. These are cozy gatherings featuring conversations about queer and LGBT topics in literature, cinema, fine art, and art actionism.

The debut issue of the podcast is dedicated to a significant event in Russian literature — the release of the debut novel Wound by Oksana Vasyakina, the first novel published by a major Russian publisher in which lesbian topics are openly discussed.

Oksana Vasyakina. Courtesy of Side by Side Film Festival

We met with the writer and poet Oksana Vasyakina and discussed her book, how it has been received by different communities, the writer’s creative path, and her successes and difficulties on the road to recognition.

Episode #1 features:
Oksana Vasyakina, writer and poet
Ekaterina Kudryavtseva, moderator of the Telegram channel Like a Cultured Person, co-moderator of the Telegram channel Lesbian Lobby and the queer podcast Wide Open
Gulya Sultanova is an organizer of the Side by Side Film Festival

Listen to the podcast Queer Culture wherever is handy for you, subscribe to us on the following apps, and give us your likes!
Buy Oksana Vasyakina’s novel Wound [in Russian]
[Read an excerpt from Oksana Vasyakina’s poetry collection Wind of Fury]

All events and projects of the Side by Side Film Festival, including those online, are for adults only. 18+

Translated by the Russian Reader

Zoom vs. Zoom (Rospotrebnadzor vs. Side by Side)

Peter Gutnitsky
Facebook
November 16, 2020

In a nutshell.

Zoom Cafe has been shut down because the Side by Side LGBT Film Festival announced an online event on Zoom. And it is so easy to confuse us with an online platform.

Fake diners without [anti-covid] masks hired for 500 rubles, a deliberately false statement from the well-known [anti-gay] activist Timur Bulatov, ten police officers blocking the entrance, violations like “Where is the germicidal lamp? Here it is! And where does it say that it is a germicidal lamp?”, a plainclothes officer who refused to introduce himself, a printer that they brought with them to quickly print out the order and seal the front door. That’s all.

We look forward to the court hearing.

Screenshot of Zoom Cafe’s page on restoclub.ru

Rospotrebnadzor Closes Zoom Cafe After Receiving Complaint That Side by Side LGBT Festival Was Taking Place There. But It Was Taking Place on Zoom
Bumaga
November 16, 2020

Rospotrebnadzor has temporarily closed Zoom Cafe on Gorokhovaya Street in Petersburg due to non-compliance with social distance and other violations of the coronavirus regime, as reported by Fontanka.ru, citing the agency’s closure order.

The cafe was inspected by authorities following a complaint by anti-gay activist Timur Bulatov, cafe owner Pavel Shteynlukht told Bumaga. In his complaint, Bulatov wrote that Zoom Cafe was hosting the LGBT film festival, which minors could allegedly attend. (Bumaga has a copy of the complaint.)

Side by Side’s press service told Bumaga that they had discussed an information partnership with Zoom Cafe, but they had not been able to come to an agreement. The cafe was not a venue for the festival, which was moved online after its opening event was disrupted by police officers.

“Unfortunately, Zoom Cafe has suffered simply because the people who make complaints about us cannot tell the difference between discussions on the platform Zoom and the Zoom Cafe,” the festival’s press service said.

Earlier this month, Bumaga spoke with Side by Side founders Manny de Guerre and Gulya Sultanova, who talked about how the LGBT film festival came into being, how the law on so-called gay propaganda has affected it, and why the project had to be closed in Russia’s regions.

Translated by the Russian Reader

 

Before the opening of the 13th Side by Side LGBT Film Festival, Rospotrebnadzor officers accompanied by police came to the building where the event was to be held. They demanded that everyone leave the premises so they could “check for possible violations of the law.” The organizers claim that they had met all the sanitary and epidemiological requirements imposed by the authorities. A few days before the start of the festival, the police had already inspected the venue following a complaint by Russian MP Vitaly Milonov.

Source: Radio Svoboda, 12 November 2020

Side by Side 2019: International LGBT Solidarity vs. Bomb Threats

IMG_9987The crowd at the opening of the Twelfth Side by Side International LGBT Film Festival in Petersburg, 14 November 2019. Photo courtesy of Side by Side

Press Release, 15 November 2019

The Twelfth Side by Side International LGBT Film Festival opened in Petersburg on November 14 despite stubborn attempts by ill-wishers to disrupt it. At 7:00 p.m. on the dot, right at the moment when the festival’s opening ceremony was set to begin, the festival venue, the Sokos Hotel on Birzhevoy Pereulok, received an anonymous phone call about a bomb or other explosive device that had, allegedly, been planted in the building. The numerous people who had come to the festival were evacuated from the building along with the hotel’s guests. For nearly two hours, police and Emergency Ministry officers checked the hotel. Of course, the “warning” proved to be deliberately false.

Despite these criminal attempts to disrupt it, the Twelfth Side by Side Festival began with a necessarily brief but emotionally charged opening ceremony during which the audience was addressed by the festival’s partners and jury, as well as a guest of the festival, Belgian filmmaker Marianne Lambert, whose documentary film I Don’t Belong Anywhere: The Cinema of Chantal Akerman will be shown on November 15.

“What I have seen has reaffirmed for me that this is the place where we need to fight for our rights,” Lambert said.

The opening film was the Brazilian drama Hard Paint, which won the Teddy Award as the best LGBTQ-themed feature film at the 2018 Berlin International Film Festival. Before the screening, film critic Ksenia Reutova said many interesting things about the film’s co-directors, Filipe Matzembacher and Marcio Reolon, as well as filling in this stunning picture’s context for the audience, telling them about the special, unenviable position of Porto Alegre, the setting of the film and the filmmakers’ hometown, and the recent conservative turn in Brazilian politics, which is very similar to what has been happening in our country.

The first day of the Twelfth Side by Side Festival was marked by a fighting spirit and an atmosphere of solidarity. The festival will run for another seven days, featuring a wide-ranging program of documentaries, features, and short films, as well as appearances by special guests from Russia and abroad, and discussions about transgender people, transgender parents, LGBT in big-time sports, non-binary people, and the victories and shortcomings of the LGBT movement in Russia and worldwide.

The opening day of the festival

Festival Schedule

Side by Side on Social Media:

VK Facebook Instagram Telegram YouTube

Translated by Thomas Campbell. Thanks to Gulya Sultanova and Side by Side for the press release, photograph, and their indomitable spirit.

Al Jazeera’s Love Affair with Militant Russian Orthodox Fascist Homophobe Vitaly Milonov

milonovRussian Orthodox fascist and homophobic terrorist Vitaly Milonov is Al Jazeera’s go-to commentator on Russian current affairs. Photo by Sergei Fadeichev. Courtesy of TASS and the Moscow Times

This is how the “progressive” media works.

I accidentally woke up at five o’clock this morning to discover Al Jazeera’s program The Stream wanted me to be on their panel discussing the Moscow elections and protests at 10 p.m. Moscow time this evening.

The only problem was that, aside from a young researcher at Columbia who seemed okay, the other two panelists Al Jazeera had invited were Vitaly Milonov and Maria Baronova.

I spent most of the morning and part of the afternoon persuading the producer who contacted me that inviting Milonov on their program was like inviting David Duke or Alex Jones.

Would she like to see them on her program? I asked her.

No, of course not, she said.

The problem was that she had no idea whom to invite nor did the young researcher from Columbia. (Which is kind of amazing, too, since the subject of her research is protests and civil society in Russia, but I won’t go there.)

The producer asked whether I could suggest people whom she could invite on the panel.

I could and I did. I sent her a long list that included Leonid Volkov, Grigorii Golosov, Alexander Bikbov, Greg Yudin, Elena Mukhametshina, Maxim Trudolyubov, and Ilya Matveev, along with their social media or email addresses.

Any of them, I explained, would make a great panelist, not because I necessarily agreed with them about everything, but because they knew the subject inside and out.

After that, the producer asked me to record a short “video commentary,” which as she explained, would be used in the show.

I choose to speak, briefly, about the Article 212 Case defendants, some of whom were sentenced to harsh prison terms today and yesterday, while some of them had all charges against them dropped and were set free.

When I sent the producer the video, I asked, since several hours had passed by then, who would be on the panel, finally.

Had she managed to invite any of the people I had suggested?

Almost five hours have gone by with no reply from the producer.

Only forty minutes ago did I look at the show’s page and discover that everything I said and wrote to the producer had been utterly pointless, to wit:

[…] Putin has been in power for 20 years and is due to step down as president in 2024. Many younger demonstrators have never experienced Russia under a different leader, and they and others are pushing to take their country in a more democratic direction. This backdrop helps explain why officials are working hard to contain Moscow’s protests. But whether what’s happening in the capital will spread to the rest of Russia remains up for debate.

In this episode we ask, will protests change anything in Russia? Join the conversation.

On this episode of The Stream, we speak with:

Vitaly Milonov @Villemilonov
Member of the Federal Assembly of Russia

Maria Baronova
Journalist at RT
rt.com

Yana Gorokhovskaia @gorokhovskaia
Researcher at Columbia University

In the midst of all that has been happening in Moscow, one of the world’s most respected news organizations has decided their viewers need to hear from a world-famous militant Russian Orthodox fascist homophobe and a certifiably crazy woman who went from working for Open Russia one day to working for Russia Today the next.

This is a complete travesty.

Oddly, the producer said that Gorokhovskaia, too, had “reservations” about appearing on the same panel with Milonov and Baronova.

She should have had them. // TRR

P.S. As I have also discovered, this was Milonov’s second appearance on the program.

___________________________________________

Anti-Gay Russian Lawmaker Disrupts Opening of LGBT Film Festival
Moscow Times
Oct. 25, 2018

State Duma deputy and notorious anti-gay crusader Vitaly Milonov reportedly attempted to shut down Russia’s only LGBT film festival on its opening night Wednesday.

Milonov, a lawmaker from the ruling United Russia party, has earned a reputation for his inflammatory anti-LGBT rhetoric and is best known for spearheading Russia’s ban on “gay propaganda.”

The St. Petersburg-based Fontanka news website reported that the deputy, accompanied by six men, physically blocked the entrance to the Side by Side film festival on Wednesday evening.

In footage posted online, the lawmaker is heard accusing festival-goers trying to get into the venue of participating in an unsanctioned demonstration.

“Dear citizens, you know yourselves that you are perverts; you need to disperse,” he is heard saying.

“We are Russian people who are on our home soil. And you’re not. Your motherland is Sodom and Gomorrah,” he adds.

According to the festival’s organizers, Milonov claimed that a hostage crisis had unfolded inside the cinema and called the police.

Prompted by Milonov’s call, police officers reportedly evacuated the building. According to Fontanka, around 400 filmgoers who bought tickets were unable to attend the screenings planned for Wednesday.

“The first day of Side by Side was interrupted in an outrageous manner and eventually disrupted by State Duma deputy Vitaly Milonov,” the festival organizers were cited as saying.

Milonov denied that he had alarmed the police about a possible hostage crisis, saying that he came to the event because he believed it may have been “violating Russian law.”

The festival organizers rejected Milonov’s claims that they had broken Russia’s “gay propaganda” law — which bans promoting LGBT values among minors — as minors were not allowed to attend the festival.

Side by Side, Russia’s only annual LGBT film festival — now in its 11th year — has in the past been threatened by government officials and nationalist activists.

The organizers said that the festival would continue as planned this week, despite what they described as Milonov’s “illegal actions.”

Victoria Lomasko: 18+

18+

18-1

The subjects and viewers of my series 18+ often ask why a heterosexual female artist would draw lesbian couples. I have a few answers to that question, but the most truthful would be that what is so fascinating about lesbian clubs is not so much the distinctive sexuality there as the separate feminine environment in which the male’s role at the center of the female universe has been reduced to zero. The chance to depict the complex psychological connections between women is captivating. There are few works from this perspective in art. In public life, attraction between women is almost never manifested. By doing a number of drawings in semi-private lesbian clubs, I was looking for a new visual language. Lesbian couples have a different way of gesturing and moving than heterosexual couples.

18-2

If I lived in another country, I probably would have limited myself to this search for a new plasticity. In Russia, though, the topic of LGBT is inextricably bound up with political and social issues. When I agreed to serve on the jury of the Side by Side Film LGBT Film Festival in 2013, I realized the extent to which the LGBT community was persecuted. It was only during the festival, however, that I found out there are different levels of secrecy within the community, in particular, that lesbians are more invisible and stigmatized than gays. Hence I deemed it important to quote the subjects of my series directly.

18-3

“We socialize with other activists, who accept us wholly and don’t think of us as ‘poor things.’”

Simultaneously with sketching in the clubs, I have begun making portraits of lesbian families and couples, including direct quotations from them as well. The main questions I ask are what has changed for them after the law banning homosexual “propaganda”* passed and how society itself is involved in stigmatizing different social groups, including sexual minorities. 

* In 2013, Russia passed a law banning the “propaganda” or promotion of nontraditional sexual relations among minors. Any information, printed matter or cultural event involving LGBT topics must be labeled “18+.”

18-4

18-5

18-6“When I was fifteen, my only source of information was an article about an ex-female convict, who had been arrested at the apartment of her female ‘cohabitant.’ The word was a sign to me that such relationships were possible.”

“As a young woman, I didn’t come out to my female friends. I thought being a lesbian was like being a monster. I was afraid I’d scare them off.”

18-7

“At work, I turn my MP3 player on during lunch so I don’t have to join in the conversations.”

“When the talk at work turned to families, I always felt like I was sitting on a time bomb.”

“I avoid conversations like that. I say I don’t have the time or I go have a cigarette.”

“When I’m applying for a job, in the box marked ‘marital status’ I always write that I’m living with a woman. I want to know right away whether it’s a homophobic workplace or not.”

“The homely old domestic clucks took pity on me.”

“Is there a stigma? We wouldn’t know. We have a very narrow circle of friends made up only of those who get it.”

“Our circle of friends is made up of other lesbians and feminists.”

18-8

“In Russia, the way the majority of people talks boils down to marginalizing others.”

“I think that being a heterosexual public feminist is even harder than being a closeted lesbian.”

“Men think lesbians are beautiful, long-haired young women who kiss each other.” 

“Butches, who model their behavior on guys, bust men’s balls less than cool, beautiful women whose sex appeal is meant for women. The realization they have no need for them bothers men a hundred times more.”

18-9

“Until 2012, the lesbian scene was completely invisible. That was even cool in a way: girls would kiss on the street, and no one paid any mind. Now people are suspicious of everybody.”

“We don’t meet anyone in the clubs. We go there to hold hands openly.”

 “Since the homophobic law has been passed, I suspect that people on the street and in the subway are suspicious of me.”

“Before, you could be blasé, but now things are scary. We cannot believe we live in the same reality with these people. We are thinking about emigrating to Canada.”

“After the homophobic law was passed, people gave us dirty looks in the subway. But now there is a crisis, and no one could give a shit.”

“People are afraid the authorities will remove children from LGBT families. That is a really serious danger.”

“We are not going to flee Russia like rats.”

18-10

Victoria Lomasko
Translated by The Russian Reader

18+ will be exhibited as part of the project Pas de Deux during the Fumetto International Comics Festival in Lucerne, March 7–15, 2015. Ms. Lomasko will be giving a lecture at the festival on Tuesday, March 10, at 5:30 p.m. Check here for more details.

Homosexuals and Homophobes: Victoria Lomasko on the Side by Side LGBT Film Festival

Originally published (in Russian) at soglyadatay.livejournal.com

Victoria Lomasko
Side by Side: Homosexuals and Homophobes

When the organizers of the Petersburg LGBT film festival Side by Side invited me to serve on the festival jury, I agreed right away. I’m no expert on cinema, and I’m not a member of the LGBT community, but given what has been happening in Russia, the festival has become a political event, and being involved with it is a way of clearly expressing your civic stance.

As one of the organizers, Gulya Sultanova, told me, “This time, almost all the movie theaters [the festival approached] decided to support the film festival, despite the potential risks. And that’s worth a lot.”

I found it difficult to share Gulya’s optimism. I was certain that attempts would be made to disrupt the festival, and that trouble lay in store for organizers and festival goers.

A Dangerous Opening

Several minutes before the festival’s opening ceremony at the Warsaw Express shopping and entertainment complex, police got word of a bomb threat to the movie theater. While police combed the building for a bomb, festival goers hung outside in the chilly wind.

“There are homophobes on the corner. They’re really creepy.”

A gang of beefy skinheads appeared a few meters away from us. As Gulya later explained, the guys were nationalists from an organization called Soprotivlenie (Resistance). One female viewer standing next to me was visibly nervous.

“Now they’ll start throwing rocks at us, like during the rally at the Field of Mars. Now they’ll start firing at us with pneumatic guns!”

Right there among the gay activists was Dmitry Chizhevsky, a black bandage on his face. It had only been just recently that persons unknown had attacked an LGBT community center and shot Chizhevsky in the eye with a pneumatic pistol.

Side by Side organizers asked festival goers not to wander off by themselves.

We were finally ushered into the movie theater. The Dutch film Matterhorn, about a father who has kicked his gay son out of the house, opened the festival.

Police escorted Side by Side viewers from the movie theater to the subway.

Predictions by Foreign Guests

Post-screening discussion of Out in East Berlin: “I think the tough times are still ahead of you.”
3_strahi“We were afraid of pogroms, that they would try and kill homosexuals in the street.”

At the last minute, many foreign guests had been frightened to come to Russia.

Side by Side Received Five Bomb Threats during Its Ten-Day Run

Five times the police received false threats of bombs planted at Side by Side festival venues. Loft Project ETAGI art center and Jam Hall Cinema were each threatened once, the Skorokhod cultural center, twice.


“We’ve received another bomb threat, friends!”

The police and ambulance came each time, and everyone was evacuated from the buildings where the “bombs” had been “planted.” At ETAGI, for example, its staff, patrons from its cafes, bars and shops, and its hostel guests were kicked out onto the street along with LGBT activists.

The people behind the false bomb threats have not been found.

Side by Side co-organizer Manny de Guerre: “No venue will ever work with us again.”

Manny’s worries were justified. After the bomb threats, both the Zona Deistviya co-working space at ETAGI and Jam Hall Cinema terminated their agreements with Side by Side for the remaining screenings.

One day, the festival program was disrupted entirely. Not only were the screenings not held. A discussion entitled “Young People’s Freedom to Access Information on LGBT” was also canceled.

Lena Klimova: “In our city, many people don’t even know the word LGBT.”

Lena Klimova, a journalist and creator of the Internet project Children 404, was supposed to take part in the discussion. She had specially come all the way from Nizhny Tagil for the festival.

Through the Back Entrance

The screening, at Jam Hall Cinema, of Blue Is the Warmest Color (La Vie d’Adèle), which was then playing without incident at many other theaters in Petersburg, was interrupted by a bomb threat. The police led viewers out of the theater through the back entrance. At the main entrance, Petersburg legislative assembly deputy and United Russia member Vitaly Milonov demanded that police free children whom the “sodomites” were, allegedly, “forcibly holding” at the screening. Around twenty lowlifes came out to support Milonov.


“We caught several minors in the movie theater and photographed them with their IDs.”

While waiting for the theater to be checked for bombs, Side by Side viewers took refuge in a nearby cafe, but several people, including me, lingered on the street. A policeman came up to me.

“Tell your people not to stand in the street but to hide in the cafe. They could be attacked.”

“They don’t want to go into the cafe.”

“It’s dangerous. Although they look like ordinary people. Maybe they won’t be noticed, and no one will bother them.”

While what the policeman said jarred me, it didn’t surprise me. What did surprise me was the absence of support for Side by Side on the part of Petersburg’s civic and leftist activists.

In the Bomb Shelter

After Jam Hall pulled out of its agreement with Side by Side, the festival moved to the Green Lantern Press Club, a small basement space. No bomb threats were made to this venue.

As festival jury member Bård Ydén remarked, “What bombs? We’re already in a bomb shelter.”

The feature films Tom at the Farm and In the Name Of and the documentary film We Were Here were shown in the “bomb shelter.”

LGBT Christians

In the Name Of is about a priest’s struggle with his homosexual desires. Andrei, a pastor at a Protestant church, took part in the post-screening discussion.

LGBT Christian: “A persecuted minority is being oppressed in the name of the church.”

“I’m offended by the idea that a person can’t be both Christian and LGBT.”

The pastor recounted how he had once invited LGBT Christians to celebrate Easter at his church, but the other parishioners had refused to eat at the same table with them.

Pastor: “The Bible unequivocally treats homosexuality as a sin.”

We Were Here

We Were Here, about the AIDs epidemic among gays in San Francisco in the 1980s, made a huge impression on me. The epidemic claimed over fifteen thousand lives during this period. The US government considered introducing a compulsory quarantine, clothes with identifying marks or special tattoos for people infected with HIV. Mass protests by the LGBT community put a stop to such plans. Gays demanded information about the new disease, development and free distribution of drugs, and government support for HIV-positive people. At the same time, the LGBT community established charitable organizations: hundreds of gay activists became volunteers, while many lesbians donated blood and worked as nurses.

One of the people featured in the film, AIDS activist Ed Wolf, came to the festival.

Ed Wolf: “I’ve ridden around Petersburg. You have many gays here. I saw them myself.”
Moderator: “So the American government wasn’t willing to solve the problem?” Ed Wolf: “An army of activists forced the government to act.”

Thanks to the civic engagement of the LGBT community and, later, the society at large, the epidemic in San Francisco was stopped relatively quickly.

Ed Wolf continues to work on HIV/AIDS issues. According to him, women are now at risk.

“It’s hard for women to force their husbands to wear a condom every time.”

Wolf also said that gays are also men and that it’s time for them to reconsider their patriarchal views of women.

Lesbiana

At Side by Side, I noticed that the LGBT community was also not free of sexism. Spotting my jury member badge, one young gay man asked which movies I would be voting for. Hearing I had chosen Blue Is the Warmest Color and Lesbiana: A Parallel Revolution, he said, “Those films are so boring. And lesbian sex is disgusting to watch.”

Most of the films shown at Side by Side were shot by male directors and dealt with gay love. Lesbiana: A Parallel Revolution was the only feature film at the festival made by women about women. The screening room was half empty: men did not come.

The audience at Lesbiana

Lesbiana combines interview with aged lesbian activists who were involved in the LGBT and feminist movements during the 1970s with documentary footage from the period. In those years there were a lot of separatist lesbian communes, where women lived and engaged in painting, sculpture, literature, music and performance.

Sharing our impressions of Lesbiana at a cafe: “I wonder whether there are ‘feminine lands’ in Russia where only lesbians live?”

Jury Deliberations

The jury at Side by Side consisted of Alexander Markov, a filmmaker; Marina Staudenmann, director of the Tour de Film international film festival agency; Bård Ydén, director of the Oslo Gay and Lesbian Film Festival; and two people far removed from the professional cinema world, Elena Kostyuchenko, a journalist and LGBT activist, and me.

 Alexander Markov (on left). Elena Kostyuchenko: “As the only LGBT activist on the jury, I’m responsible for authenticity.”

Our discussion quickly shifted from the films to Russia’s homophobic policies.

Elena Kostyuchenko: “If they start removing children from LGBT [families], our lives will change forever.” Marina Staudenmann (on right)

We were nearly unanimous in our choice of the winning feature film.

 Marina Staudenmann: “La vie d’Adèle.” Bård Ydén: “La vie d’Adèle.”
Alexander Markov: “La vie d’Adèle.”

Valentine Road, about the murder of a transgender schoolboy by his classmate, won the prize for best feature-length documentary film.

The Festival’s Closing Ceremony

Aside from the by now routine bomb threat, viewers who came to the closing ceremony had a surprise in store from the Rodina (Motherland) party. Party activists handed out “gift bags” to them.

Side by Side organizers describing what was in the “gift bags”: “The bags contained rope and bars of soap, along with a note reading, ‘From Russians with love.'”

Gus Van Sant, the festival’s most anticipated guest of honor: “The people who wanted to shut the festival down caused the LGBT community to close ranks.”

Gus Van Sant showed up at the Side by Side closing ceremonies with Sergei “Afrika” Bugaev, whom he introduced to the audience as his “good Russian friend.”

A woman in the audience asked the famed director, “What is a Putin endorser doing at an LGBT film festival?”

Van Sant chose not to answer the question.

Afterparty at the Malevich LGBT club

Sitting among gays and lesbians at the closed LBGT club, I mulled over my impressions of the events of the festival. I had felt frightened several times during the clashes with homophobes, and I was glad I was heterosexual. I would not be forced to live my entire life in a constant state of anxiety.

Towards the end of the festival, Gulya Sultanova said, “We’re just a festival, but there’s the sense we’re running a military operation.”

LGBT activists are just people. Why must they live as if they were invisible or criminals?

Drugstore Cowboy

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World-famous cinematic auteur Gus Van Sant has made me mutter “What the fuck” twice in my mostly uneventful life. The first time was sometime in 1988, when one evening my kitchen was suddenly flooded with incredibly bright light. I went outside to see where the light was coming from, and discovered Mr. Van Sant and his crew two blocks away, at the old St. Francis Hotel in Portland, Oregon, filming the final scene of what would end up being Drugstore Cowboy. The second time was tonight, at the closing ceremony of the Side by Side LGBT film festival at the Skorohod culture space in Petersburg, where Mr. Van Sant was the guest of honor. It was bad enough that he told the audience—who had just filed back into the Skorohod after a bomb threat, the fifth of Side by Side’s ten-day run, had cleared the place for an hour and a half while the police searched for the nonexistent bomb—about his visit, in 1991, to an equally nonexistent “gay artists’ commune” on Pushkinskaya Street. What was totally disheartening was that his remarks were translated by a person (an “old Russian friend,” Van Sant called him) who had helped pulled the wool over his eyes back then, twenty-two years ago, and who less than two years ago helped re-elect to the Russian presidency the man who is the real source of “homophobia” in Russia, not the “grassroots” homophobes of beleaguered Petersburg, who at most have been able to muster a couple dozen zombies to look funny at festival goers on a couple of occasions and phone in a bomb threat every other night. Mr. Van Sant should stick to making films about Portland, where he really does understand the lay of the land. Despite the fact it roused me out of the house that night in 1988, Drugstore Cowboy was a terrific movie.