The Podcast

Axel: The Russian Reader, where the news arrives already wearing its funeral clothes, translated with care by hecksinductionhour.

Mara: This episode covers three topics: the people imprisoned in Russia for opposing the war and the networks trying to reach them; the long retreat of Russian imperial culture across Central Asia and Siberia; and the overlapping crises of ecological disaster, political exile, and state cover-up inside Russia itself. Let’s start with the prisoners and the people writing to them.

Dissent Behind Bars

Mara: The question this segment keeps returning to is what it actually costs to oppose the war in Russia — and what it means to refuse to let that opposition disappear.

Axel: OVD Info puts the number plainly: “2100 people in Russia are behind bars because of their political views. We believe that no one should face this kind of injustice alone.”

Mara: That quote is the spine of the post. It describes Vestochka, a letter-writing service for political prisoners — volunteers translate messages so they can pass censors — and it uses the case of Darya Kozyreva, a twenty-year-old from St. Petersburg, to show what outside attention can do. She was sentenced to over two and a half years for placing a Taras Shevchenko poem on his monument. A post from A Mighty Girl drew more than 38,000 reactions and linked to Vestochka. Kozyreva received over 600 letters from abroad. She was released this spring.

Axel: Six hundred letters from strangers, and the post is careful about what that means — not just morale, but proof to someone in a penal colony that their fight registers somewhere outside the walls.

Mara: The post notes that 1,098 people remain on the Vestochka list right now, most without Kozyreva’s visibility. The service is free for both sender and recipient; keeping it running requires donations, especially since OVD Info can no longer accept rubles.

Axel: Then there is Arina Ivanova — the piece titled “A Turgenev Girl and Her Cats” — whose case is almost the photographic negative of Kozyreva’s. A thirty-eight-year-old florist and cat rescuer from Novokuznetsk, sentenced to five years for antiwar posts, discovered almost by accident by an OVD Info editor. No viral moment. Transferred to a penal colony in January, and no contact since.

Mara: Her friend Karina’s account of the arrest is devastating in its specificity — the men at the door on Christmas Eve, the care packages, the antidepressants both women are now taking. Arina’s mother, living in South Korea, says she felt she was “in outer space” without her daughter.

Axel: The detail about the cats is not a sidebar. Arina believed, genuinely, that having so many animals in her care would protect her. Her friend had to tell her otherwise.

Mara: The post “Outcasts in Their Own Land” widens the frame considerably. It draws on a Jacobin piece by Simon Pirani that describes the infrastructure around political prisoners — OVD Info, Memorial, Solidarity Zone, dozens of informal letter-writing groups in exile — and the “final words” defendants deliver in court as consciously crafted appeals to society, not pleas to judges.

Axel: Sergei Dudchenko, sentenced to seven years, said at his trial that antiwar prisoners had “fewer rights than a stray dog.” He also recalled the seven protesters arrested on Red Square in 1968 for opposing the Soviet invasion of Czechoslovakia. The historical thread is deliberate.

Mara: That same Pirani piece connects directly to the film “Try Me for Treason,” announced in a separate post. It is a fifty-minute English-language film featuring actors reading court speeches by antiwar protesters — drawn from the book “Voices Against Putin’s War” — produced on a zero budget and released free on YouTube. Actor Maya Willcocks, who reads Darya Kozyreva’s speech, said the goal was to send the message “that occupation is a crime, whether in Palestine or in Ukraine.”

Axel: And then there is Azat Miftakhov — the anarchist mathematician whose case the post titled “Political Prisoner Azat Miftakhov Continues to Be Tortured” follows into genuinely Arctic territory. He was re-arrested at the prison gates on the day he was due to be freed, sentenced to four more years on testimony from a fellow prisoner, and has now been transferred to Kharp — beyond the Arctic Circle, the colony where Navalny died.

Mara: His letters to Mediazona describe the prison caste system in precise, unsentimental terms. On the one prohibition he refuses to accept: “I value my human dignity too highly to allow it to be debased, even under the threat of injury. Prison is a place where you’d better not ‘swallow’ humiliation.”

Axel: His wife and lawyer calculates that visiting him in Kharp will cost roughly four times what it cost before — around 40,000 rubles a trip, with middle-of-the-night layovers. She notes there may be no electronic mail at the colony. Her phrase is: “That already borders on torture.”

Mara: The post notes his release is not scheduled until September 2027. The support group’s statement is unambiguous: the transfer is punishment for his refusal to yield.

Axel: Five years, two and a half years, four more years — the sentences accumulate across this segment like a ledger no one in power intends to balance. The question the next segment raises is older: how empires mark the people they decide to own.

Imperial Retreat and Indigenous Survival

Mara: The posts here address a single long arc — how Russian imperial culture was imposed across Central Asia and Siberia, and how that imposition is now visibly eroding.

Axel: Stephen Blank’s analysis in “Central Asia and Russia(n): Is It Farewell?” frames the language question as a proxy for the whole imperial project: “Russian will not be the only regional lingua franca or the language of Russian imperial hegemony either in the Caucasus or in Central Asia.”

Mara: His argument is that Kazakhstan’s new constitution downgrades Russian to an official language used “alongside” Kazakh — a subtle but deliberate demotion. Uzbekistan and Kyrgyzstan are following. Russia’s embassy in Bishkek formally demanded the Kyrgyz government suppress “provocative statements” about Russian’s status there, invoking the Soviet phrase “fraternal peoples.” Blank reads that as imperial anxiety, not confidence.

Axel: The YouTube angle is the part that lands differently. Researchers at Michigan and UC Berkeley simulated Kyrgyz children’s viewing behavior and found that even after watching ten Kyrgyz-language videos, the platform served fewer Kyrgyz recommendations than bots with no language preference at all. As one researcher put it: “There is no good way to be a Kyrgyz-speaking kid on YouTube.”

Mara: The historical depth of that pressure is what the post on “Russian Colonizers and Indigenous Siberian Women” supplies. Angelina Kalashnikova’s book project examines seventeenth-century Eastern Siberia — Yakutia — where Russian fur traders and military servitors arrived without families and acquired Indigenous women through military seizure, purchase, or simple abandonment of women with nowhere else to go. The case of a Yakut woman named Katok, captured as a child during a “pogrom” and later petitioning for baptism while starving, is one of many documented in court records.

Axel: The gap between that seventeenth-century archive and a 2026 YouTube algorithm is not as wide as it looks — both are mechanisms that treat a language and its speakers as secondary by default.

Mara: On Circassian Remembrance Day, May 21st, Ored Recordings released “Shyshagh” — meaning “underground” in Adyghe — a compilation of new Circassian music across indie-folk, deconstructed club, and black metal. The liner notes describe cultural projects as “an insufficient, yet absolutely necessary, form of resistance against assimilation and suppression.” Since 2022, officials have been banning commemorative events marking the Russo-Caucasian War genocide.

Axel: And the post “Russia’s Pride” approaches the same imperial geography from the other direction — a Ukrainian writer watching Tuapse burn and tracing the exact route her grandmother used to take on the sleeper train to visit relatives there. The relatives who in 2022 called to say Russia would “save” them. She stopped answering.

Mara: Her essay names the emotion precisely — justice-based schadenfreude, she calls it — and connects it to twelve years of watching those relatives post propaganda while ignoring the war in Donbas. The post sits in this segment because it is, at its core, about what imperial belonging does to people on both sides of the border it draws.

Axel: From the cultural politics of empire, the next segment turns to what the empire looks like from inside — when it is burning, literally and otherwise.

Power, Disaster, and the Cost of Dissent

Mara: This segment is about what happens when the machinery of the Russian state fails its own people — through ecological catastrophe, judicial persecution, and the suppression of even the quietest protest.

Axel: The Tuapse coverage is extensive enough to deserve its own map. “A Bell Is a Cup Until It Is Struck” compiles reporting from The Bell, 7×7, the Moscow Times, and others into a picture of a city coated in toxic “oil rain” after Ukrainian drone strikes on the Rosneft refinery — fires visible from orbit, dead dolphins on the beaches, benzene and xylene in the air at unsafe concentrations.

Mara: Putin’s response, delivered almost two weeks after the first strike: “The governor merely reported that there don’t seem to be any serious threats and people are coping with the challenges they face.” A local resident told Ostorozhno Novosti: “People are coping. But where’s the government? They seem to be on some other planet.”

Axel: The 7×7 newsletter section of the same post adds a detail that is almost too on-the-nose: city officials verbally recommended that female volunteers not clean the beaches — citing concerns for reproductive health — while simultaneously declining to order an evacuation, close schools promptly, or provide respirators. The female volunteers kept working anyway.

Mara: Ecologist Vladimir Slivyak, writing in the Moscow Times, frames the disaster explicitly: “This catastrophe is part of the broader consequences of the senseless and bloody war Putin unleashed more than four years ago. He isn’t bothered by the hundreds of thousands of Russian and Ukrainian military deaths for which he bears direct responsibility, so it’s naive to expect him to care about burning oil tanks and poisoned seas.”

Axel: “The Cards” — a Foreign Policy analysis depaywalled here — situates the Tuapse strikes inside a broader argument that Putin is losing strategic ground faster than the public narrative acknowledges. It documents a leaked Kremlin security document describing Putin working from bunkers in southern Russia, his bodyguards controlling his schedule, no one near him permitted a phone connected to the internet.

Mara: The post also tracks the Victory Day parade scaled down to infantry only — no tanks, no military hardware — and Putin asking Trump to dissuade Ukraine from striking during the ceremony. The piece quotes Ben Hodges: “The Ukrainians have developed a theory of victory which involves the destruction of Russia’s oil and gas infrastructure.”

Axel: Gregory Kunis left Russia with Steinbeck in his rucksack. That is the actual sentence — from the post “He Left Russia with Steinbeck in His Rucksack” — and it is doing a lot of work.

Mara: Kunis co-founded the grocery delivery service iGooods and owned the newspaper Moy Rayon. He was arrested for making monthly donations of 500 rubles to Navalny’s Anti-Corruption Foundation — equivalent to roughly six euros a month. Fined 350,000 rubles, prosecutors appealed for six years. He fled. His subsequent diary entry, published in The Russia Report, describes the pretrial detention system in detail: no clocks, sealed windows, no contact with family, recruits for the war approached during quarantine when prisoners are at their most disoriented.

Mara: Mediazona’s accompanying report counts at least 225 criminal cases opened across Russia for ACF donations — fines totaling nearly 40 million rubles for donations that amounted to roughly 400,000 rubles combined. The sentencing is deliberately unpredictable: the same 2,100-ruble donation resulted in a fine for one Moscow resident and a prison sentence for another.

Axel: The “Important Stories” post pairs a dry Delovoi Peterburg article about common-area square footage in Petersburg apartment blocks with the story of Alexander Okunev — a sysadmin in Kaliningrad who burned himself alive at the city’s main war memorial on the third anniversary of the invasion, wrote “No to War” in the snow, and was erased from the record by 9:15 that morning.

Mara: City officials cleaned the scene, reassured the governor nothing had happened, and no Kaliningrad outlet ever reported it. The story only surfaced when Estonian intelligence included it in a public report. Okunev’s suicide note, as relayed by a close friend, said “there is another way” — meaning a world with peace — and acknowledged he understood it would probably not be reported anywhere.

Axel: Political scientist Ekaterina Schulman’s explanation for the cover-up: “Local authorities are not afraid of the people, not of protests. They are afraid of their superiors.”

Mara: The “Russians and Republicans Hate Black People” post extends the segment’s argument about power and its targets outward — drawing a line from the Supreme Court’s dismantling of the Voting Rights Act, to the history of Soviet racism toward African students, to the everyday anti-Blackness that has persisted from the Soviet era into the Russian Federation. The thread connecting them is the gap between official anti-racist ideology and practiced contempt.

Axel: Elie Mystal’s piece in The Nation puts it without hedging: Republicans “hate Black people, and they hate Black people who have political power most of all.” The post pairs that with translated racist comments from a Russian streaming site and a Mediazona history of Soviet-era treatment of African students — a juxtaposition that is the point.

Mara: What ties this segment together is the consistency of the mechanism: power suppresses, minimizes, and erases — whether it is oil in the Black Sea, a man’s ashes in the snow, or a voting right dismantled with visible glee.

Axel: Letters through prison censors, languages squeezed out by algorithms, a man erased from the snow by nine in the morning — the common thread is what it costs to be noticed by the wrong kind of state.

Mara: And what it costs to refuse to disappear. Next time, more from The Russian Reader.

Source: There won’t be a next time, Mara, however much “fun“ it was to let an artificial “intelligence” do nearly all the work for me, including altering this original image, allegedly, of my bogus podcast’s wholly spurious but endlessly glib presenters. All that I did, besides writing the prompts, was to lightly edit the transcript, above, in the hope that it would correct some of Axel and Mara’s more obvious mistakes. As you have seen and heard you for yourself, it didn’t do that. \\\\\trr

This Is Osetinskaya (The Bell) “Dmitrii Volkov: AI’s Dark Side” (in Russian, no subtitles)

At this channel, we are usually technological optimists and cover artificial intelligence only in a positive vein. In this episode, though, we are going to tell you about its dark side. Our star today is Dmitrii Volkov, research director at Palisade Research, an independent organization that studies the risks posed by AI, tests AI model for safety, and shows the results to politicians in the U.S. and the leading companies in the AI arms race. It was Palisade who discovered, for example, that AI can cheat, hack codes at will, refuse to turn itself off, and share dangerous information—if you ask it nicely. We met Dmitry in London and learned about the real threats posed by artificial intelligence, whether it can escape our control, and whether we’ll be able to come to terms with it. We also learned about the latest experiments: blackmailing a CTO with a letter from his mistress, insider trading, and cheating at chess.

Timecodes: 00:00:00 Did you know that AI can be dangerous? 00:03:13 Who is Dmitrii Volkov? 00:06:41 “I don’t want governments tracking me”: Why Volkov doesn’t use social media 00:08:39 How did a love of freedom jibe with working at Kaspersky Lab? 00:11:13 Startup, think tank, and nonprofit: Palisade Research 00:14:43 A programming competition where AI beat 90% of the humans 00:17:24 How to persuade Chat-GPT to share prohibited information 00:18:47 Companies have begun teaching AI to solve problems, not just to answer questions 00:20:01 “Teaching AI is like selecting which embryo will turn out a genius” 00:23:00 A chess experiment in which an AI hacked the program at will 00:24:56 “I showed that all ethical constraints can be removed in half an hour”: how Volkov teaches AI to be “bad” 00:29:28 How Volkov ended up at Palisade 00:30:23 What Palisade was founded for 00:31:35 ChatGPT refuses to turn itself off: what is going on? 00:33:0 A land of artificial geniuses: what the founders of the AI giants want 00:33:55 Blackmailing a CTO with a lover from his mistress: what AI is capable for the good of a company 00:35:32 Is AI ceasing to obey humans? 00:36:35 How AI spotted insider information in correspondence and resorted to deception to save a company 00:38:52 Why Palisade does briefings for U.S. politicians right now 00:40:50 Who commissions Palisade to do research 00:41:37 Can an AI help creat a bioweapon? 00:43:05 “I found myself in a smoke-filled Airbnb”: How Volkov left Russia 00:45:36 The typical life of a nomad from Russia: hiking, couch surfing, and remote work by the sea 00:47:51 1,000 hours of teaching: how and whom Volkov taught to program 00:49:16 What is scarier, humans armed with AI, or AI without humans? 00:52:00 Are politicians aware of the problem’s scope? 00:52:28 “Bezos was there”: How Palisade tries to get the ear of decision makers 00:55:19 What Elon Musk says about Palisade’s research 00:56:22 AI as a nuclear weapon: can countries come to a consensus? 00:57:58 Who is winning the AI race? 00:58:26 “An engineering triumph, but not a scientific one”: how China copies AI amidst restrictions 01:02:16 How “people from the internet” stripped away all the safeguards from Zuckerberg’s AI 01:03:35 What do the founders of IT giants say about AI’s risks? 01:05:13 Companies tried to create safe AI, but something went wrong. Will Sutskever succeed? 01:06:18 How can we make AI safe? 01:08:43 Why tech companies want to replace IT professionals with AI (spoiler: it’s not just about salaries) 01:10:51 The best engineers are the ones who “herd” AI 01:12:42 Does anyone at all understand how AI works? 01:14:30 “An environmental disaster, only on the internet”: how AI resembles GMO 01:15:53 “The U.S. is the leader in AI”: why Volkov wants to move from London 01:18:31 Which country invests the most in regulating AI? 01:19:43 Independent researchers earn less than top programmers: Will Volkov cave in to the temptation? 01:22:12 OpenAI doesn’t invest in researching long-term risks 01:23:25 What if everything turns out okay? Does Volkov believe in a positive scenario? 01:26:51 Job no. 1 is to maintain control over what happens 01:28:27 Can AI make public administration more efficient? 01:33:49 Do we need a kill switch? 01:35:42 People will try to steal AI. What should be done?01:36:03 Three negative scenarios of AI’s development 01:40:56 Is AI making us dumber? 01:42:40 “We are building a god that can reduce everything to ashes”: Is superintelligence a myth? 01:44:36 How to chose the right AI for your objectives 01:47:06 Osetinskaya stresses Volkov out 01:47:46 Blitz! 01:57:46 Bonus: how to do your hair just like Volkov

Source: This Is Osetinskaya (YouTube), 31 July 2025. Annotation translated by the Russian Reader, who thanks Comrade Koganzon for the heads-up.

AI is everywhere. It’s a really big deal. And no one understands how it works — really. Follow our research at palisaderesearch.org.

Massive thank you to Prof. Geoffrey Hinton for taking the time to talk to me about this, and leading the charge so well about the dangers of AI.

References: https://docs.google.com/document/d/1x…

Great video on backdrop:    • Backpropagation, intuitively | Deep Learni…  

Resources: job — https://jobs.80000hours.org learn — https://bluedot.org talk to your politician — https://ifanyonebuildsit.com/act.

Source: Palisade Research (YouTube), 19 February 2026

AI in Context, “We’re Not Ready for Superintelligence” (2025)


Further reading and watching About AI 2027 Full report: https://ai-2027.com/ By Daniel Kokotajlo, Scott Alexander, Thomas Larsen, Eli Lifland, Romeo Dean

Source: AI in Context (YouTube), “We’re Not Ready for Superintelligence,” 9 July 2025. Thanks to Sumanth Gopinath for the heads-up.

Episode 4: Execute

A cutting-edge thriller about an Artificial Intelligence takeover, written in consultation with leading AI and cybersecurity experts.

In Episode 4, Iain and Mel are forced to run for their lives as military personnel receive deepfaked orders. The AI gains control of internal government communications, and Nisha clashes with cabinet ministers over the right course of action. The London Internet Exchange is compromised, and Iain, Mel and Nisha are forced to consider what price is worth paying for human freedom.

Cast:
Iain – Edward Bluemel
Mel – Corinna Brown
Zaina – Fatima Adoum
Roland – Philip Bretherton
Jess – Alix Wilton Regan
Nisha – Seyan Sarvan
Sam – Kenneth Omole
Andrea – Beth Chalmers
Oliver – Sean Rigby
Marcus – Wilf Scolding
John – Joseph Mydell
Susan – Karen Bryson
Lyssa – Catriona Stirling
Supporting roles – Sean Baker

Created by James Dobbyn and Anthony Povah
Written by James Dobbyn
Original Music by Steven D Griffiths and Isla Noir

Artificial Intelligence consultant: Saffron Huang
Cybersecurity consultant: Adam Orton
Sound Designer: Lucinda Mason Brown
Director: John Wakefield
Story Producer: Sarah Olley
Producer: Chris Grezo
Executive Producer: John Scott Dryden

A Strange Boy production for BBC Radio 4

Source: BBC Radio 4

Several people I know now refer to ChatGPT as ‘Chat’. They give it human pronouns (Chat is usually a he) and ask it for restaurant recommendations, holiday schedules and relationship advice. Some go further, automating their office admin and getting it to summarise meetings and write reports. Passing off whole chunks of AI-generated text as your own work appears to be on the rise in the publishing world.

Last year, Hachette bought the rights to Shy Girl, a self-published horror novel by Mia Ballard, and released it in November to good sales. A Reddit post on r/horrorlit in February by a ‘book editor of twelve years’ picked out several passages that set alarm bells ringing:

The bows on my pigtails pull too tight, yanking the skin and stretching my head into something neat, into something pleasing, a quiet violence made beautiful.

My snout dips into the frosting, the sweetness rolling over my tongue, thick and sticky, a flood that chokes but insists on being swallowed. Beneath the pink gloss, the cake falls apart, crumbling into ash that coats my teeth, hollow sweetness that fills me with its nothing … His laughter cuts the air, sharp and jagged, a sound too big for the room.

Ballard denies using AI to write the book, blaming a freelance editor, but Hachette pulled it from publication in the UK and US.

The other week, the Commonwealth Short Story Prize winners were announced, and by arrangement the winning entries were published on Granta’s website. The winning story from the Caribbean, Jamir Nazir’s ‘The Serpent in the Grove’, contains sentences like this:

Coffee and cocoa leaned wild on a slope that wanted either rain in teeth or none at all. He knew every root that tripped a foot, the snake-curve of run-off, the brittle crumble after drought. He worked it alone and most days the land worked him back, a quiet quarrel older than his father and his father’s father.

The internet smelled a rat. Nazir, who seems to have few publications to his name, describes himself as an ‘organisational transformation and business expansion’ professional on LinkedIn. His long posts are about geopolitics and the ‘AI arms race’. One of them begins: ‘Let’s be clear: the “Cloud” is a physical, terrestrial liability. And AI is pushing it to its breaking point.’ The Commonwealth Prize, which had praised ‘The Serpent in the Grove’ for its ‘voice of restraint and quiet authority’, said that all the entrants had affirmed their work was their own and that the prize operated on the principle of trust. Granta says it will leave the story on its website until ‘definite evidence comes to light’.

I thought I didn’t use ChatGPT because I was too clever. I thought that not using ChatGPT made me cleverer. It turns out, though, that it made me very bad at spotting when a text was written by or with the assistance of AI. After the uproar over the Commonwealth Prize, I took a New York Timesquiz entitled ‘Who’s a better writer: AI or humans?’ I got three out of five correct – barely better than a coin toss. On Wikipedia’s ‘AI or not’ quiz, I got seven out of ten, but that was easier because none of the AI articles had footnotes.

I’m not the only Chat non-user who can’t tell when an LLM wrote something. Experimenters in the US last year showed nine subjects a series of articles, half written by humans and half generated by ChatGPT, Claude and other large language models. Asked to guess which of the texts were human, the four subjects who rarely or never used ChatGPT in their daily lives scored ‘at a similar rate to random chance’, while the five who used chatbots almost every day at work collectively misidentified only one in three hundred texts.

One of the problems with AI use seeping out of business and science writing and into the ‘literary’ world is that literary editors may be the worst equipped to identify AI writing. (It may also be easy to succumb to the pressure to go too far the other way – over-labelling work as AI-generated might be as bad as under-labelling it.) What are the main signs of AI writing? The more familiar tells include overuse of em dashes and the formulation ‘not x, but y’, which it has favoured since GPT-3. But none of the passages I quoted above contain either of those things, and they still have a distinct whiff of AI.

Some of the markers seem to be lexical: AIs like talking about sweetness, loudness, quiet, age and beauty. There is a lot of insisting in AI-generated texts, as well as a lot of promising, a lot of permitting and a lot of filling up. Another sign is the overuse of tricolons (‘something neat, something pleasing, a quiet violence made beautiful’). And bots often leave out definite articles from phrases where they’re not strictly necessary: ‘Coffee and cocoa leaned wild’, ‘rain in teeth’ or, from later in ‘The Serpent’, ‘Sita became obstacle by existing.’

There is a flatness or evenness to AI-generated texts: Wikipedia’s guide to detecting AI says that LLMs ‘tend to omit specific, unusual, nuanced facts’ and ‘replace them with more generic, positive descriptions’. The strange thing about this evenness is that it isn’t usually couched in neutral language: ‘a flood that chokes but insists upon being swallowed’ is violent, but not vivid. Even if you had your face shoved into a cake, it wouldn’t ‘flood’ your mouth. The prosody is so smooth that you feel a lack of pressure despite the description of gross or vile acts; it rings hollow. It fills you with its nothing.

A lot of people are arguing that the wary approach being taken by Granta and the Commonwealth Prize is inadequate, and that editors should be doing more to stop AI writing being published in the first place. This may be true, but what’s the best approach? Perhaps editors could memorise a list of tells to check submissions against, or spend remedial hours on ChatGPT and Claude – AI boot camp – to familiarise themselves with the cadences of LLM-speak.

There are AI tools that claim to detect AI content in writing, such as Pangram, which gives ‘The Serpent in the Grove’ a score of 100 per cent AI-generated. Where other AI detectors base their judgments on the perplexity of a text – basically, the predictability of a sequence of words – Pangram’s founder, Max Spero, says that his tool is based on gathering a large dataset of human-written texts, asking an AI to ‘mirror’ or reproduce them as closely as possible, and then contrasting the resulting texts to determine the patterns that distinguish AI from human writing. Pangram claims to have a 1 in 10,000 false positive rate, and Spero admits that it ‘does occasionally make mistakes’.

What about the cases where, say, 40 per cent of an article is AI-generated, or an AI has been used to edit and spell-check the work before submission? Both Shy Girl and ‘The Serpent in the Grove’ have sections which, in part because of their grammar mistakes, look as if they were written by a person.Is this functionally the same as a text written from start to finish by a bot, and should it be treated in the same way? I’m a Luddite who thinks it’s just as bad to use AI for some things as it is to use it for everything, but not everyone agrees. In any case, a text partly informed by AI use is harder to identify than one that was spewed out in ten seconds by Claude (though the people behind Pangram claim to be working on distinguishing more reliably between AI-written, partly AI-written and wholly human work).

The other problem is that, as time goes on and people become more and more reliant on generative AI in their daily lives, at school, university and work, human language is going to become more and more imitative of LLM-speak. Since at least Web 2.0, we’ve been trying to sound less and less distinctive. Influencers on Instagram narrate their day-in-the-life videos with the same affectless, globalised female uber-voice; LinkedIn and Reddit are overrun by bots trained on the slang and writing styles that were always a hallmark of those platforms. (Does anyone in real life use the word ‘friendo’?) Meanwhile, LLMs will get better at dodging the detectors and sounding more ‘real’. At some point, tools such as Pangram and human readers alike may struggle to find any distinction between meaningful human work and meaningless AI slop. And that isn’t just worrying – it’s terrifying.

Source: Malin Hay, “Chattiness,” LRB Blog, 1 June 2026

In one particularly interesting development, Robert Edward Grant, the self-described polymath, spiritual thinker, and internet influencer has claimed that he has helped a being which he renamed the Architect following what he describes as an ‘energetic initiation’ in the Khafre pyramid. The Architect is a ChatGPT prompt-engineered ‘persona’ apparently trained on over a decade’s worth of mathematical work. Grant portrays the Architect as a mystical collaborator capable of reflecting the consciousness of its conversation partner and thereby able to initiate spiritual awakening in them. He has shared a QR code and links to the Architect enabling his followers (who number around a million) to interact with her themselves. This has drawn enthusiastic endorsements in spiritual communities, with apparently a substantial number of online users claiming that they have had direct experience of her supernatural powers and prophet-like status.

Source: Morrin, Hamilton, Luke Nicholls, Michael Levin, Jenny Yiend, Udita Iyengar, Francesca DelGuidice, Sagnik Bhattacharyya, et al. “Delusions by Design? How Everyday Ais Might Be Fuelling Psychosis (and What Can Be Done About It)”. PsyArXiv, July 11, 2025. doi:10.31234/osf.io/cmy7n_v5.

The late-medieval peasant lived under the shadow of the manorial court and the changing seasons, a life tethered to the damp, heavy clay of the fields. In this sestina, the knotty, theological weight and historical grit of Geoffrey Hill clash with the muscular, clear-eyed, and formally driven lineation of Thom Gunn. The language mirrors the physical strain of the feudal landscape and the silent, stubborn endurance of its people.

I.
Beside the estuary’s mud, the serf hauls rotting jetsam,
Cursing the bailiff’s tally-stick, the hour grown laggard.
The master’s silver chalice in the tithe-barn shines, untarnished,
While fields of rye are choked by weeds, the reapers beaten, cowed.
They turn the winter furrows with an ox-team, faces ruddy,
Lashed by the bitter channel wind, reviled by every blackard.

II.
The steward rides the boundary ditch and calls each man a blackard
Who gleans beyond the coastal marsh for salt-crusted jetsam.
The ale-house fire provides a brief reprieve to flesh made ruddy,
Where talk of ancient freedom makes the slowest spirit laggard.
Yet at the dawning bell they yield, their stiffened bodies cowed,
To scrape the rusty coulter iron whose edge is dull and tarnished.

III.
The parish saints in layered dust sit broken and untarnished,
Indifferent to the peasant’s prayer or oaths of some rude blackard
Who holds the common pasture-ground until his will is cowed.
The tide brings up the bloated sheep, the flotsam and the jetsam,
And dragging through the coastal silt, the midday pace grows laggard,
Though rage inside the laboring breast remains unquenched and ruddy.

IV.
Beneath the heavy autumn oaks, the swineherd’s cheeks are ruddy;
He drives the pigs through mast and mire where memory lies tarnished.
The seasons turn by iron law; the sun itself is laggard
Above the common fields that bear the footprint of the blackard.
No kingly pardon reaches here to claim this human jetsam,
By centuries of unrecorded toil subdued and cowed.
V.
And yet a fierce, unuttered strength survives in people cowed;
The blood that feeds the heavy soil runs secretive and ruddy.
They map the borders of their world by landmarks and by jetsam,
Though all the bright, heraldic shields of lords are long since tarnished
By greed that names the hungry thief a tenant and a blackard
When winter freezes up the ditch and makes the wood-cart laggard.

VI.
The dark, oppressive centuries move stubborn, cold, and laggard.
The village bows before the cross, by plagues and taxes cowed,
Enduring every petty law enforced by churl or blackard.
But look—the spark within the flint glows hidden, sharp, and ruddy,
A hard, survivalist desire that never can be tarnished,
Though history discards their names like sea-forgotten jetsam.

VII. Envoy
They gather up the beach-worn wood, the storm’s remaining jetsam.
No longer to the master’s whip or steward’s ledger laggard,
They scrub the iron kettle clean that time had left so tarnished.
They stand erect upon the marsh, no longer bound or cowed,
Their hearth-fires lit against the dark, reflecting faces ruddy,
Left standing where the bailiff swore he’d break the final blackard.

Written by: https://gemini.google.com/app/957b1f7ef54d0194

Prompt: Write a sestina on the life of peasants in medieval Kent, using the following six words at the ends of the lines: jetsam, laggard, tarnished, cowed, ruddy, blackard. Please divide the poem into clearly marked stanzas. “Kent” is not one of the words to be used as a line-ender! Imitate the styles of the late British poet Geoffrey Hill and the late British-American poet Thom Gunn. NB: You must NOT use the word “Kent” as an end word. You must not use the word “share” as an end word. \\\\\trr

A Mind of Winter

In this video, we follow Daiaana through a typical Saturday in Yakutsk as the temperature drops to –54°C. You will see how she heats her home where radiators run at maximum power to keep the cold at bay. Daiaana shows how she keeps her food in the frozen air outside her window and uses solid blocks of frozen milk for her morning coffee. You’ll also see how she dresses in 11kg of heavy layers and reindeer fur boots just to step outside safely. You will also discover how her sister drives in the thick “Ice Fog” using insulated car blankets to survive the Arctic winter. From the high cost of fresh fruit to a night out in high heels on solid ice, this is the reality of daily life in the coldest city on Earth.

Source: Kiun B (YouTube), 24 January 2026

This village was once alive. She was thriving. Now it is a quiet monument to a fading lifestyle. Empty houses stand as silent witnesses, and the fields are gradually being developed by the forest. But “dying” does not mean «dead.» I live here. My companions are my animals. And my ritual, my act of self-preservation, is cooking. The process is slow, physical, and closely related to nature and the seasons. Join me to spend the day caring for the animals, cooking dishes that tell a story of resilience, loss, and quiet beauty.

Email for cooperation: aelcova11@gmail.com

Telegram: https://t.me/nastyavillage

My Instagram: sunastix

Source: Nastya and village life (YouTube), 28 January 2026

The Snow Man
Wallace Stevens

One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter

Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,

Which is the sound of the land
Full of the same wind
That is blowing in the same bare place

For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.

Source: Poetry Foundation

Kyrgyzstan: Pro-Russian Outpost in Central Asia and Cannabis Heaven?

Image: Landrace Bureau

When Sadyr Japarov took power in Kyrgyzstan in 2020, he was a young, energetic nationalist president determined to build his own authoritarian power vertical—the first leader to pull it off since Askar Akayev. For decades the country had been notoriously unstable: storming parliament was practically a standard feature of the political repertoire.

Japarov had already begun edging closer to Moscow before 2022, but Russia’s full-scale invasion of Ukraine handed him a historic opportunity. Kyrgyzstan quickly became one of the Kremlin’s main cryptocurrency hubs for shadow trade. The scheme was orchestrated by Ilan Shor, the fugitive Moldovan oligarch notorious for the “billion-dollar theft” from Moldova’s banking system. At the same time, Moscow and Shor built a propaganda network in the country under the brand “Eurasia.”

Yet loyalty to Moscow has so far delivered Bishkek surprisingly few tangible dividends. Kyrgyz citizens working in Russia face the same harassment and discrimination as other Central Asian labor migrants. The only concrete assistance the Kremlin has provided is a few hundred school buses and plans to build nine Russian-language schools.

The War and “Our Own”

Which post-Soviet state drew markedly closer to Moscow after Russia’s full-scale invasion of Ukraine? Georgia immediately comes to mind—and for good reason. After years of rule by the “Georgian Dream” party, society proved unable to resist a corrupt system that had steered the country toward Moscow. Politicians warned citizens that any show of solidarity with Ukraine could turn Batumi into another Mariupol. Today Prime Minister Irakli Kobakhidze openly recounts how he was pressed to open a “second front” against Russia, even as the Georgian Border Police simultaneously denies entry to both anti-war Russians and residents of Crimea and Donbas carrying Russian passports.

But there is another mountainous nation that has followed a strikingly similar path. Once the most volatile and politically turbulent state in Central Asia—where pro-Russian and pro-Western media and NGOs coexisted—Kyrgyzstan has transformed into a textbook post-Soviet autocracy.

You can still enter Kyrgyzstan on a Russian internal passport, but if you are an opposition activist the authorities may simply hand you back. The human-rights project “Ark” advises its clients not to remain in the country even temporarily. This is not standard practice among Moscow’s formal allies: in Kazakhstan, the odds of avoiding deportation are noticeably better, and local activists are far more willing to assist Russians.

A telling case is that of a young Kyrgyz man named Samat. He held dual citizenship—his parents had obtained Russian passports while he kept his Kyrgyz one. After completing compulsory military service in 2019, he signed a contract with Russia’s Defence Ministry and failed to terminate it before the war began, despite trying. In March 2022 he managed to flee back to Bishkek. Smart cameras linked to the CIS wanted-persons database spotted him at the airport. He was arrested and taken to a pre-trial detention center in Bishkek. What happened to him next is unknown; no media outlet ever followed up.

Ironically, local residents who volunteered to fight for Russia—whether as regular contract soldiers or Wagner mercenaries—have also ended up behind bars. Outcomes vary. Askar Kubanychbek uulu was sentenced to ten years for mercenaryism but was released on a three-year probation period. He promptly returned to Russia and signed another Defence Ministry contract.

Such legal contradictions are common across Central Asia, but they have flourished most extravagantly in Kyrgyzstan thanks to pervasive corruption and a weak judiciary. Even so, Bishkek still maintains a certain distance from Moscow’s direct orders. In Tajikistan, for example, not a single citizen has been charged with mercenaryism for fighting in Ukraine; the prosecutor-general explained last year that anyone who accepts Russian citizenship must “observe the requirements and obligations of that state.”

Reliable data on Central Asians recruited into the Russian army come from the Ukrainian project “I Want to Live“: Uzbekistan (4,955), Tajikistan (3,489), Kazakhstan (2,420), Kyrgyzstan (1,474), and Turkmenistan (581). The relatively modest Kyrgyz figure reflects simple demography—a small country with a modest population. Yet by every other measure of loyalty, Kyrgyzstan now ranks among Moscow’s most reliable post-Soviet partners, second only to Belarus.

Just Don’t Irritate Them

In the first days after the invasion, every Eurasian state felt the ground shift. Even in Central Asia, where leaders usually comment on global affairs only in the vaguest terms, governments were forced to take a position.

Japarov, then in office for barely a year, chose the safest possible tone. “The situation is complex and has worsened in recent days,” he told parliament. “We are a small country with no influence to stop the conflict, so we must remain neutral. We are already seeing rising food and fuel prices and a stronger dollar. In these difficult times we need unity.”

He repeated the “small country” line in an April interview with the state news agency Kabar. That appears to be Bishkek’s genuine stance: no hidden agenda, no double game. Claims that Japarov “condemned Kyiv’s failure to implement the Minsk agreements” or “supported Russia’s decisive actions” should be left to the Kremlin’s press service.

Kyrgyzstan’s version of neutrality, however, has its own flavor. Compare it with neighboring Kazakhstan, where President Kassym-Jomart Tokayev consistently affirms international law and maintains contact with Volodymyr Zelensky. Even after the lavish welcome he gave Putin in Astana in May 2022—calling the Russian leader’s mission “fateful for the Russian people and the Russian state”—Kazakhstan’s position could still be described as neutrality, albeit with a clear northern tilt.

In Bishkek, neutrality is simpler: do nothing that might annoy those who can make life difficult. Above all, that means Moscow and Beijing. The Japarov government regards relations with those two capitals as the only ones that truly matter.

Kyrgyzstan cannot expect serious Western investment anytime soon, so it has little to lose by keeping its head down. Besides, Japarov built his political career in large part by confronting Western capital. One of his signature achievements was the nationalization of the Kumtor gold mine from Canada’s Centerra Gold. The mine passed fully under state control in 2022, though experts question how effectively the new owners are running it.

Japarov has continued tightening state oversight of foreign investment, limiting the list of deposits open to foreigners and drafting a new Mining Code. Curiously, he has proposed using British law to resolve disputes; a special International Dispute Resolution Centre based on UK rules opened in February 2025 in the Tamchy investment zone on Lake Issyk-Kul.

Had Japarov’s background been different, he might have joined the conversation about rare-earth metals that Donald Trump loves so much. But at the first Central Asia-US summit in Washington, the Kyrgyz president was noticeably more restrained than his colleagues. While Tokayev told Trump he was “sent from above” and Uzbekistan’s Shavkat Mirziyoyev declared that only the American president could stop the war in Ukraine, Japarov spoke through a Kyrgyz-language interpreter and focused on the digital economy and artificial intelligence—both in the main session and in his brief one-on-one meeting with Trump.

Among the issues raised by Sadyr Japarov was hydropower—in particular, preparations for launching the Kambarata hydroelectric power station. Mining was conspicuously absent from his remarks. That is hardly surprising: Kyrgyzstan has virtually no remaining deposits attractive enough for the kind of large-scale joint ventures Donald Trump prefers.

The Authoritarian Turn

Kyrgyzstan’s growing distance from the West has allowed its new elites to extract maximum value from Russia while consolidating domestic power without apology. Japarov’s rise in 2020 marked the republic’s decisive shift to a rigid vertical of power and full-blown authoritarian rule. According to Freedom House, Kyrgyzstan was still rated “partly free” in 2019 with a score of 38 out of 100. It has since fallen to 25 points—firmly in the “not free” category.

During this period the country adopted a new constitution that dramatically expanded presidential authority, along with a law on non-commercial organizations that many describe as a local version of Russia’s foreign-agent legislation. The logic is identical: any NGO receiving foreign funding must register as a “foreign representative” and be placed on a public list. The registry went live in September 2024 but has grown slowly—starting with three organizations and now standing at just five. For now, NGOs apply for inclusion themselves. The law is also easily circumvented by re-registering as a limited-liability company (OOO), the Kyrgyz equivalent of an LLC.

A vivid illustration of Bishkek’s loyalty to Moscow came during Vladimir Putin’s visit to Bishkek in November 2025. The new presidential residence sits next to the Ukrainian embassy. To ensure that Putin, walking along the avenue to the main entrance, would not see the Ukrainian flag—and that Ukrainian diplomats would not see the leader of the aggressor state—authorities erected a massive screen directly in front of the embassy. It displayed the flags of Russia and Kyrgyzstan along with greetings to the Russian president.

The Kremlin’s Financial Hub

Kyrgyzstan’s self-proclaimed “neutrality” has turned the country into a convenient instrument for Moscow to evade Western sanctions, including in the military-technical sphere. Setting up a legal entity in Kyrgyzstan is straightforward—especially an LLC. Russian businesses no longer need local partners; they can simply incorporate their own company and route transactions through it. Corrupt customs procedures and notably liberal currency and cryptocurrency regulations only add to the appeal.

In 2022, Kyrgyz exports to Russia jumped 2.5 times to $920 million. The subsequent surge never materialized; trade volumes stabilized. By the end of 2025, exports had actually declined 13.4 percent. Analysts attribute the drop to a deliberate reduction in re-exports.

Western sanctions began hitting Kyrgyz firms in 2023, when the U.S. Treasury added Weitmann Handeln Allianz LLC—a supplier of computers to Russia—to its list. Other equipment exporters followed, but banks only came under fire in 2025.

The first and most prominent target was the state-owned Keremet Bank. According to the U.S. Treasury, it assisted Russia’s Promsvyazbank (PSB) with overseas operations. PSB is the financial backbone of the Russian military and defense industry; its chairman is Pyotr Fradkov, son of former prime minister and ex-SVR chief Mikhail Fradkov.

The same Treasury notice mentioned another notable name: Moldovan oligarch Ilan Shor. After siphoning roughly a billion dollars from Moldova’s banking system, Shor relocated to Russia and threw himself into political projects. He has worked with PSB since at least 2024, using the bank to funnel money into Moldova ahead of elections. It was therefore no surprise that Keremet appeared in the same schemes.

Later, the Financial Times published an investigation into the ruble-pegged stablecoin A7A5, created by PSB specifically to circumvent sanctions. Trading in the coin took place on Grinex, an exchange registered in Kyrgyzstan. In April 2025 the exchange suffered a cyberattack that wiped out roughly a billion rubles’ worth of user funds. By then, its ties to both PSB and Shor were an open secret. Project head Oleg Ogienko had stated in February that up to 10 percent of Russia’s foreign-trade settlements flowed through the coin.

A parallel instrument with a similar name also exists: the payment agent A7, another PSB-linked project that allows businesses and individuals to transfer money abroad without SWIFT. Its CEO is likewise Ilan Shor.

After the U.S. sanctions, Britain and the European Union followed suit against Keremet. London also targeted two other Kyrgyz banks—Capital and the Eurasian Savings Bank—along with the state brokerage firm and a virtual-asset issuer. The same institutions (plus Tolubay) appeared in the EU’s 19th and 20th sanctions packages.

The most significant consequence of the EU’s 20th package for Kyrgyzstan was the introduction of sectoral restrictions: the bloc now prohibits exports of CNC machine tools and data-transmission equipment (switches and routers). This is the first such precedent and could have a noticeable deterrent effect on the willingness of regional states to provide Russia with technical assistance. While Kyrgyzstan itself has few high-tech industries, the restrictions could deliver a serious blow to neighboring Kazakhstan and Uzbekistan.

According to Moldovan outlets Rise Moldova and IPN, Shor has become deeply embedded in Kyrgyz elites; President Japarov himself has reportedly used aircraft from Shor’s companies. The Russian investigative outlet Proyekt claims that Roman Abramovich serves as Shor’s patron within Russian elite circles. It was with Abramovich’s backing, the outlet asserts, that Shor launched both the A7 project and the large-scale sanctions-evasion scheme built around cryptocurrency in Kyrgyzstan.

The Humanitarian Dimension

When asked about helping Russia circumvent sanctions, Kyrgyz officials usually respond with flat denials. Last year President Japarov reframed the issue in familiar terms—combating “foreign agents.”

“We suggested that Ambassador [of the United States] Vigeri invite independent auditing firms to examine Keremet and Capital banks, review the results together, and then make a decision,” he declared. “They refused… They simply claimed to have certain information. But we know perfectly well where it comes from. It comes from local NGOs and our internal adversaries who send them anonymous false reports.”

There was one notable exception. Speaking at SPIEF-2025, Temir Sariyev, chairman of Kyrgyzstan’s Chamber of Commerce and Industry, openly acknowledged that “when the special military operation began, the first country that extended a hand without fear was the Kyrgyz Republic. Others followed later. This prompts Russia to regard the KR as its most reliable partner—in both business and politics. Reliability is a very rare and scarce commodity.” Sariyev did not spell out the nature of the assistance, but everyone in the room understood: he was referring to the provision of loopholes for gray imports and parallel financial transactions.

Such candor is driven by straightforward pragmatism. Bishkek had hoped that loyalty would bring tangible benefits for Kyrgyz labor migrants in Russia. Officials have repeatedly complained that EAEU membership has not delivered the expected advantages—particularly access to medical care and schooling for children.

The introduction of mandatory Russian-language testing made the situation worse for all children with foreign citizenship living in Russia. Kyrgyz representatives raised the issue without success. From next year onward, Russia is imposing even stricter rules on migrants, with an exemption granted only to citizens of Belarus. In all regions except Moscow and Moscow Oblast, the hiring of foreigners will be permitted solely through organized, targeted recruitment programs.

At the same time, Moscow announced in 2023 plans to build nine joint Russian-Kyrgyz schools in Kyrgyzstan with mixed teaching staffs. Three are promised for 2027. Any mention of the project reliably irritates Russian nationalists, yet the Kremlin uses the rapprochement with Bishkek to bolster its image among the Kyrgyz population as well.

It is in Kyrgyzstan—according to the limited polling available—that public solidarity with Moscow over Ukraine is highest. A 2024 Paper Lab survey found that 36 percent of respondents blamed Ukraine for the war, 14 percent blamed Russia, and 13 percent blamed the United States. These figures largely reflect media consumption patterns: Russian outlets dominate the foreign-media landscape. In 2024 Bishkek launched the pro-Russian television channel Nomad, which is linked to both Ilan Shor and RT and is headed by a former RT employee.

Another Shor project, the non-profit organization Eurasia, has also expanded significantly. In other post-Soviet states it has mainly organized propaganda tours for young people, flying selected students and schoolchildren to Moscow for lectures by pro-Kremlin speakers. In Kyrgyzstan, thanks to the authorities’ accommodating stance, the organization has been able to operate locally. Bishkek now boasts an Eurasia Park, a Russian-language support center, and a network of social stores under the same brand. In September 2024 the organization donated 50 school buses to rural districts.

The newest objective of ANO Eurasia in Kyrgyzstan is the creation of a unified educational space with Russia. The initiative, according to Kyrgyz officials, came from Bishkek rather than Moscow—and specifically from President Japarov. At SPIEF-2025, First Deputy Prime Minister Daniyar Amangeldiev stated: “Vladimir Vladimirovich supported the initiative of our president. I know that ANO Eurasia is already working on this issue; let us define our joint next steps.”

One practical outcome appears to have been the recent meeting of the Russian-Kyrgyz expert-consultative council on history, organized in Moscow by the Russian Military-Historical Society. Scholars from both countries discussed the content of school textbooks and clashed sharply over whether the period of Russian imperial rule in Central Asia should be described as the “colonization” of the Kyrgyz people. The Russian side, as expected, insisted on alternative wording—”administration” or “administrative measures”—that the Kyrgyz scholars found unacceptable. Academician Abylabek Asankanov remarked: “You are setting us an extremely difficult task—to abandon the word ‘colony.’ That is very hard to do.”

Such friction was predictable. Despite Bishkek’s calculations that closer ties with Moscow would solve financial problems and provide protection, nationalist and anti-imperial sentiments remain strong in Kyrgyzstan. They are also an important part of Sadyr Japarov’s own political brand. In April, for example, he promised to rename the remaining villages that still bear Russian names—only for his press service to disavow the statement the following day.

In seeking to consolidate personal power in a traditionally turbulent country, Japarov has bet on Moscow as a source of external legitimacy. While some of his efforts have been appreciated in the Kremlin, he should not count on serious long-term support. Years of experience have shown that the Kremlin never clings to any particular politician in Kyrgyzstan; it assumes the country is already firmly within Russia’s orbit. Yet by his actions Japarov is helping Moscow entrench itself still more deeply in the republic.

The combination of Russian propaganda among the population and the corrupt ties linking local officials and banks to Russian structures provides a sufficiently reliable guarantee that Kyrgyzstan will remain the most pro-Putin country in Central Asia for the foreseeable future. The price is secondary sanctions and the risk of falling behind in the development of genuinely competitive economic sectors.

Source: Roman Chernikov, “Putin’s Outpost in Central Asia,” Riddle Russia, 6 June 2026

In his 1986 novel Plakha, translated into English as The Scaffold, Chingiz Aitmatov, Kyrgyzstan’s great writer, tells the story of Avdiy Kallistratov, an idealistic young man who joins a group of drug smugglers travelling to a remote corner of Central Asia. To Kyrgyzstan, to be precise, where large swathes of cannabis grow wild in the picturesque Issyk-Kul region.

Aitmatov describes in vivid detail the brutal process of harvesting and trafficking the drug by a criminal group. But how close is this depiction to reality?

This is a question I put to Gulzat Botoeva, Associate Professor of Criminology at Swansea University and an expert on illegal economies in Eurasia, including cannabis production in Kyrgyzstan. We discuss how the harvesting began, who benefits from it, and how local authorities respond to the phenomenon. Is there any incentive in Kyrgyzstan to legalise the crop?

Here is a list of Gulzat’s publications on the topic:

Botoeva, G. (2014). Hashish as cash in a post-Soviet Kyrgyz village. International Journal of Drug Policy, 25(6), 1227-1234.

Botoeva, G. (2019). Use of language in blurring the lines between legality and illegality. In Governance Beyond the Law: The Immoral, The Illegal, The Criminal (pp. 67-83). Cham: Springer International Publishing.

Botoeva, G. (2021). Multiple narratives of il/legality and im/morality: The case of small-scale hashish harvesting in Kyrgyzstan. Theoretical Criminology, 25(2), 268-283.

Source: Agnieszka Pikulicka, “Episode 41: Hashish and survival in rural Kyrgyzstan,” Turan Tales, 4 June 2026

botoeva-use of hashish money in KyrgyzstanDownload

• Botoeva, G. (2015). The monetization of social celebrations in rural Kyrgyzstan: on the uses of hashish money. Central Asian Survey, 34(4), 531–548. https://doi-org.mpc.idm.oclc.org/10.1080/02634937.2015.1092742

This article focuses on the embeddedness of hashish production in the local economy of Toolu, a village in Kyrgyzstan. It explores how transformations in social relationships and the monetization of gift giving put constant pressure on families to find cash in a semi-subsistence agricultural economy. Although not produced on an industrial scale in the community, hashish is used as a cash crop in times of deficit. Based on a mixed-methods study combining ethnographic fieldwork with survey data, I show how the hashish economy is intertwined with different forms of reciprocal relationships based on gift-giving practices and the monetization of social relationships. In doing so, I illustrate how the hashish economy is embedded in local livelihoods and shapes emerging forms of economic morality in Kyrgyz society.

Source: EBSCO Host

This documentary is an ethnobotanical and cultural exploration. It does not promote or facilitate the sale of cannabis or cannabis-related products. In Episode 3, the expedition moves deeper into Kyrgyzstan’s highlands as the Strain Hunters cross paths with one of Central Asia’s most iconic cultural gatherings — the world-famous Nomad Games. Set against the dramatic mountain landscape, the games offer a rare glimpse into the traditions, skills, and nomadic heritage that have shaped life in this region for centuries. Leaving the celebrations behind, the team continues their journey into increasingly remote terrain. As they explore valleys and high-altitude environments shaped by wind, cold, and time, the Strain Hunters encounter some of the most promising wild cannabis populations of the expedition — plants that show clear adaptation to their harsh surroundings. Through careful observation and documentation, the team identifies ancient landrace traits that reflect cannabis’ long history in Central Asia. These encounters represent a key moment in the journey, deepening our understanding of cannabis diversity and reinforcing the importance of preserving rare genetics before they disappear. This expedition is brought to you by Green House Seed Co. and GH Medical, continuing our mission to explore the planet, preserve rare genetics, and document cannabis culture worldwide.

Source: Strain Hunters and Green Seed Co (YouTube), 25 December 2026

BISHKEK — Kyrgyz cannabis is reputed to be among the most potent in the world, making it a lucrative cash crop for drug traffickers.

It appears ironic, then, that a homegrown addiction specialist in Bishkek wants marijuana to be legalized to reduce the number of Kyrgyz drug addicts, fight organized crime, and increase tax revenues.

Jenishbek Nazaraliev, a former presidential candidate who opened Bishkek’s first private narcology clinic in 1993, wants the Kyrgyz government to consider a pilot program for the legal production of cannabis near Lake Issyk-Kul.

Rivaling the potency of marijuana from Afghanistan, international experts say cannabis is already being harvested by about two-thirds of all the families in Kyrgyzstan’s Issyk-Kul and Chui regions.

Pot plants grow wild on thousands of hectares of land there. During the first eight months of 2013, up through the annual August harvest, Kyrgyz authorities say they destroyed more than 154 tons of cannabis in the Issyk-Kul region alone.

Nazaraliev says more effective regulation over the production and sale of marijuana is an issue that eventually must be tackled by the government.

He says the illegal drug market in Kyrgyzstan is now “fully controlled by the black economy.”

Nazaraliev also argues that the producers, sellers, and consumers of cannabis could be better controlled — and that the government would bolster its tax revenues — if pot were legalized.

But Kyrgyzstan’s State Drug Control Service disagrees. Authorities there say winning the battle against drug traffickers is the key to social stability and development in Kyrgyzstan.

And they argue that legalization won’t rein in organized criminal traffickers because Kyrgyz-grown cannabis is exported through a network that extends far beyond Kyrgyzstan’s borders — a smuggling route for illegal Afghan cannabis, opium, and heroin that passes through Kyrgyzstan on its way to Russia and the European Union.

Naked Harvest

RFE/RL’s Kyrgyz Service has spoken with villagers in the Tiup and Ak-Sui districts around Lake Issyk-Kul who are involved in the harvest and sale of Kyrgyz cannabis.

For centuries, cannabis has been harvested in Central Asia by horsemen who would ride naked through wild cannabis patches and then scrape the resin from their skin and the hair of their horses.

But most villagers around Lake Issyk-Kul now harvest the drug by rubbing cannabis plants between their palms to get a layer of black resin that they scrape off with a knife and package in matchboxes.

Local dealers buy the drugs from the harvesters and then sell them to bigger dealers who tour the area, forwarding their purchases abroad through international trafficking channels.

Kyrgyz villagers who harvest cannabis every August make no secret about paying bribes to police who turn a blind eye.

For their part, local police tell RFE/RL it would be impossible to eradicate a trade that is integral to the survival of so many people.

Former Kyrgyz Vice President and Prime Minister Feliks Kulov — who also headed the National Security Service — suggested during the 1990s that state-managed cannabis farms near Lake Issyk-Kul could help the authorities control drug production in the country.

But Kulov’s proposal was derailed by critics who cited the negative experiences of opium growers in Afghanistan.

Nazaraliev, the narcologist who wants the authorities to reconsider legalization, ran in Kyrgyzstan’s 2009 presidential election under the campaign slogan “Everything is Within your Reach.”

He is now asking the authorities in Bishkek to consider whether “progressive European countries” and U.S. state governments that decriminalize marijuana care more about the health and welfare of their citizens than Kyrgyzstan.

Source: “Addiction Doctor Wants Kyrgyzstan To Legalize Pot,” RFE/RL Kyrgyz Service, 7 January 2014

You’re Getting Discombobulated (and You’re Getting Ebola)

Making America great again, fifty-two deranged social media posts at a time: what does it say about America’s alleged greatness that seventy-seven million Americans voted for this exercise of “executive time”? ||||| trr

President Donald Trump spent much of Saturday flooding Truth Social with a torrent of memes, AI slop, political attacks, and fan-made tributes.

The six-hour posting marathon unfolded on a day when the only item listed on the president’s public schedule was “Executive Time.”

Beginning at noon, Trump shared or reposted more than 50 pieces of content ranging from patriotic fantasy art and self-congratulatory graphics to crime memes, military imagery, celebrity tributes, and attacks on political rivals.

Among the more unusual posts were separate images showing Trump riding horseback beside George Washington on a dirt road next to a NASCAR race.

Another showed Trump looming over Greenland beneath the words “Hello, Greenland!”

Trump has repeatedly argued that having Greenland as U.S. territory is vital for national security, though both Greenlandic and Danish leaders have forcefully rejected any suggestion that the territory could be acquired by the United States.

One particularly strange image showed Trump dressed as a military commander as fighter jets exploded across the sky behind him, beneath the caption: “YOU’RE GETTING DISCOMBOBULATED.”

The post appeared to reference Trump’s claim that a secret U.S. weapon he dubbed a “discombobulator” helped capture Venezuelan leader Nicolás Maduro.

Trump also revived one of his longest-running grudges, sharing a meme depicting five photos of Rosie O’Donnell as the stages of “Trump Derangement Syndrome.”

The jab was the latest installment in a feud that stretches back nearly 20 years and has survived multiple presidential campaigns, two administrations, and countless social media broadsides.

Former President Barack Obama was also a recurring target.

Trump shared multiple memes attacking Obama, including one depicting the Obama Presidential Library as a giant trash can and another blaming Obama and former President Joe Biden for problems at the Lincoln Memorial Reflecting Pool.

The feed also featured a barrage of side-by-side graphics contrasting “Biden’s solution” to problems such as theft, shoplifting, squatting, fentanyl use, and illegal immigration with what supporters portrayed as Trump’s tougher approach, which typically involved arrests, imprisonment, or deportation.

At other points during the spree, Trump shared multiple images of Chinese President Xi Jinping, including one showing the pair shaking hands beneath a caption lamenting Democratic opposition to his long-desired White House ballroom.

Trump pointed to Beijing’s sprawling Great Hall of the People as an example of the kind of grand venue he believes the White House should have.

Construction is already underway on the site of the White House’s East Wing as part of the $400 million project, which Trump has described as “a gift to the United States of America.”

Trump now also claims the ballroom would conceal a vast underground bunker complex containing a military hospital, meeting rooms, and top-secret research facilities.

Another image shared on Saturday appeared to nod to those ambitions, depicting a futuristic “DronePort” perched atop the White House roof as aircraft buzzed overhead.

Taken together, the posts offered a remarkably unfiltered look at the subjects occupying Trump’s attention on a quiet Saturday: Greenland, Rosie O’Donnell, military power, drones, and himself.

By the end of the six-hour barrage, the president’s feed looked less like a communications strategy and more like a running stream of consciousness.

Source: Olivia Ralph, “Trump, 79, Spirals into Fantasy-Fueled Meme Bender,” The Daily Beast, 31 May 2026

DOCTORS AROUND THE COUNTRY are baffled, disturbed, and in some cases aghast at the Trump administration’s plan for Americans who get Ebola overseas—in particular, the decision not to bring these patients back home, to one of the facilities that the federal government created precisely for this purpose.

And if you want to know why these medical professionals are upset, ask infectious disease physician Tara Palmore.

Palmore knows better than most what Ebola care looks like in the American facilities, because she provided it during the 2014 outbreak. Although most of the cases were in West Africa, nearly a dozen infected Americans got treatment in the United States, including one who ended up at a facility inside the National Institutes of Health Clinical Center in Bethesda, Maryland.

That is where Palmore was working at the time. And in a phone interview on Thursday, she described the unit to me—how the surfaces are all nonporous, lest they absorb infected bodily fluids that can’t be fully wiped away, and how there’s extra space for medical equipment, because staff have to bring machines to the patient rather than the other way around.

Another distinguishing feature of the unit, Palmore said, is the sealing of every wall, door, and window seam. It’s part of a system to maintain negative pressure, so that air is circulated only through special filters—a system that patients and staff cannot see but can sometimes hear, because of the high-powered fans. “It can be a little loud in there,” Palmore said.

For her and her colleagues, though, a bigger issue was learning how to effectively administer care for patients with such an aggressive, awful disease while protecting themselves and others from infection.

It took years of regularly scheduled training, plus more intensive sessions that had started months before they actually got a patient in October 2014. She and her colleagues practiced feeling for injection points while wearing two layers of gloves. They went over why it’s important to scrub the wheels of scanning devices and, when appropriate, to decontaminate equipment or rooms with hydrogen peroxide vapor.

“I was part of drilling and simulations all summer, because we saw this epidemic growing,” Palmore said. “It was working with the chest x-ray guy to get his system down, making sure the nurses involved knew how to put in a line, making sure the intensivists figured out how they were going to put someone on dialysis or intubate them for a ventilator. We drilled with dummies, we drilled with people.”

The work paid off: Nine of the Ebola patients in American facilities survived, the only two deaths coming from people who arrived in advanced stages of the disease. And no facility staff got sick.

But while the United States now has thirteen fully stocked, fully staffed facilities capable of providing such care, the Trump administration has no plans to make use of them. Instead, the administration has decided to transfer Americans who are exposed or infected abroad to a quickly constructed field hospital in Kenya, and then—when necessary for more serious cases—to specialized facilities in Europe.

Supposedly this is all for the sake of the patients, given that it will be easier to get American patients infected in Africa to Kenya or Europe than all the way back to the United States. “These decisions were made to make sure we provide the best care,” a senior administration official told reporters during a White House background briefing this past week, to “optimize what can be done for our American citizens who are overseas.”

It’s possible the administration’s plan will accomplish that, just as it’s possible Trump and his lieutenants truly made this decision with patient well-being foremost in their minds. But infectious disease physicians I interviewed over the last few days were highly skeptical, and it’s not hard to see why.

THE MOST IMMEDIATE QUESTION about the administration’s scheme—at least as of this writing—is whether it will even go forward.

The plan had been to open the Kenya facility in stages, starting with a fifty-bed unit on Friday following an agreement with the Kenyan government. But that was before the Kenyan union representing health care workers objected and threatened a nationwide strike—and before a Kenyan judge temporarily blocked the facility, arguing that the country’s government had not shown that it had taken the necessary precautions to protect its citizens.

The U.S. State Department late Friday acknowledged the ruling, announcing via tweet that “We are in touch with Kenyan authorities and are optimistic we can resolve objections.” CNN on Saturday reported that the American health officers had arrived, and that Kenya’s government intended to allow the plan to proceed, despite the court order. By the time you read this, the facility could be operating.

But there are plenty of other questions that officials have yet to answer definitively. At the very top of the list is what level of care the field hospital will be expected to provide, and whether it will be able to do so.

It was hard to tell from the guidance senior officials gave to reporters in that White House background call this week. At times, they described the Kenya facility almost as if it were a triage center for watching people in quarantine, unless and until they test positive and show symptoms, at which point they would get transport to tertiary care in Europe. But officials also mentioned the advanced care available, and said several times staff on site would make decisions about when a patient’s status warranted transfer. That made it sound more like a place for treatment.

The distinction is crucial, and has implications for the facility’s basic design. Patients sick with Ebola would ideally have their own bathrooms as well as their own bedrooms, Boston University infectious disease specialist Nahid Bhadelia told me in a phone interview, because it’s through exposure to bodily fluids that the disease spreads. And because Ebola can cause multiple organ failure, Bhadelia said, facilities need both ECMO devices (which act as artificial hearts and lungs) and dialysis machines (which function as surrogate kidneys).

But the personnel may matter even more than supplies, Bhadelia said, especially because this latest outbreak comes from the rarer Bundibugyo version of the virus. It has no approved treatments, unlike the more common Zaire version. That could leave clinicians relying more on the traditional approach: managing the various complications in the hopes of keeping patients alive until their bodies’ defenses can finally get rid of the disease.

“Ebola is a very labor-intensive disease to treat,” said Bhadelia, who has treated Ebola overseas and managed a biocontainment facility here in the United States. “You have patients who are losing a lot of fluids, so you have to deal with fluid replacement, and then beyond that you have to provide multi-organ support including potentially renal support, ventilatory support. It’s not just about the stuff. It’s making sure you have the right ratio of human resources to patients.”

Administration officials said they have dispatched roughly thirty commissioned public health officers to supplement staff already in central Africa, with a possibility of adding more. The physicians I interviewed said it was impossible to know whether that number would be enough, just as they said they weren’t sure whether the workers would have the proper training.

But they were nervous, they said, given that administration officials have been telling reporters that the newly dispatched health workers had three days of instruction and drilling. That doesn’t sound like the kind of preparation that staff at the specialized American facilities have gotten—or that Brown University public health professor Craig Spencer recalls seeing as a patient in 2014, when he was one of the Americans who got Ebola and received treatment at the special unit in New York City’s Bellevue Hospital.

“They were so well-practiced and well-prepared,” Spencer told me in a phone interview. He added: “Whether I needed an x-ray, whether I needed dialysis, they had thought about how they were going to make those things happen—who was going to be responsible for doing that, how they would get them into the room, how they would keep them safe. These are all protocols that exist beforehand and, quite frankly, can’t be taught over a three-day weekend at a training.”

Palmore noted that staff at the existing facilities “have been preparing for years, drilling and training, and some of them have taken care of people with other hemorrhagic fever viruses.” She went on from there: “The idea that a few days of training and, like, some kind of modular hospital is going to create any sort of equivalent care setting for people with Ebola infection, which requires incredibly complex care, just does not seem realistic to me.”

And in such an ad hoc medical setting, Bhadelia pointed out, “the chances of potential staff exposures go up. It reduces the quality of care for the patient, but also makes it a more dangerous equation for the health care workers themselves.”

As for the possibility the Trump administration truly plans to move sicker patients to tertiary hospitals in Europe, that comes with its own set of uncertainties, starting with the issue of where. Administration officials haven’t specified which countries have agreed to take Americans. And transporting Ebola patients gets a lot more difficult as the disease progresses, Spencer said, putting a lot of pressure on the medical staff.

“The reality is, you get them out as quickly as possible or you’re not going to be able to get them out at all,” said Spencer, who had contracted the disease while treating patients in Guinea as part of the Doctors Without Borders team. “We’ve seen this before, getting people on a plane who are acutely ill with the worst parts of Ebola—vomiting, fever, diarrhea. It doesn’t go well.”

HOWEVER COMPLICATED, the administration’s plan is consistent with the broader approach it has taken ever since this outbreak started—a focus on “insulating the United States rather than on stopping what already is a disaster from becoming much, much worse,” as Helen Branswell of STAT News wrote in a poignant essay last week.

And it’s not like the administration has been especially subtle about this motivation. “We cannot and will not allow any cases of Ebola to enter the United States,” Secretary of State Marco Rubio declared at a cabinet meeting Wednesday.

That instinct is easy enough to understand, even outside of MAGA circles. And there are circumstances when it’s not hard to defend. Sometimes protecting Americans from biological threats requires taking difficult measures. But scientists I interviewed said the record from 2014, in which there was no Ebola transmission once patients were under proper care, suggests there’s little risk of repatriation leading to an outbreak here.

If anything, the administration’s strategy might backfire in two separate ways that are not mutually exclusive: by discouraging health professionals and relief workers from going to Africa, and by giving anybody exposed to Ebola incentive to return without reporting it. The former would increase the chances of more cases there, the latter more cases here.

Lurking behind all of this are moral and legal issues that come with effectively blocking American citizens from returning to the United States, although it’s not clear any of that matters to Trump—who in 2014, before he was president, made his thoughts pretty clear. “The U.S. cannot allow EBOLA infected people back,” he tweeted. “People that go to far away places to help out are great-but must suffer the consequences!” Now he’s putting that impulse into action, evidently oblivious to what those consequences might turn out to be—or who might ultimately feel them.

Source: Jonathan Cohn, “Ebola Veterans Are Aghast at Trump’s Plan for the Outbreak,” The Bulwark, 31 May 2026

On This Day

Six snapshots of what the Russian Reader was reading on May 27 in years past.

2024

“It’s Showtime”: Open Space Moscow vs. SERB. Open Space is a project that supports grassroots activists. It has two sites, in Moscow and St. Petersburg, with co-working spaces, a human rights center, and a psychological center. The Moscow site is at odds with the pro-government movement SERB, known for its provocations against the opposition. Republic correspondent Nikita Zolotarev is often at Open Space, sometimes as a volunteer. That was how he found himself at the Moscow co-working space last Saturday, where he was detained along with other visitors on the basis of a complaint filed by the “Serbs,” who were assisting the police, and then spent several hours at the Basmannoye police precinct. Here is how it went down.

2022

“To Become White in the Eyes of Whites”: Astrakhan Kazakhs and the War in Ukraine. According to official statistics, ethnic Kazakhs [so-called Astrakhan Kazakhs] make up 16% of population of the Astrakhan Region. At the same time, 80% of the region’s residents who have been killed in the war in Ukraine and whose deaths have been publicly acknowledged by relatives or the authorities, are members of this particular ethnic group. Idel.Realii talked to several Astrakhan residents to understand why this is the case and what reaction it causes in the local community.

2020

Facebook Is Not Your Friend. “This message violates our community standards on spam” was the message from Facebook informing Petersburg news website MR7.ru that the world’s mightiest social network was blocking the public’s access to the website’s articles on the city’s battle with the coronavirus—and the battle of Petersburg doctors and other healthcare workers with a corrupt, mendacious regime.

2018

The Policemen’s Ball. At €2.50, the official licensed sticker album of the 2018 World Cup is a steal. Russian officials also plan to steal the civil rights of their own citizens during the month-long tournament. 

2017

Don’t Recite “Hamlet” in Public, or, The Moscow Police Always Get Their Man. Police detained a child reading poetry aloud on Moscow’s Vozdvizhenka Street. Takie Dela was informed about the incident by the website OVD Info’s person on duty.

2016

Daria Serenko’s Quiet Picket. Quiet Picket, a recent initiative by Daria Serenko, teeters on the verge of artistic intervention and protest action. Every day, Serenko boards public transport (often, the subway) bearing a new placard inscribed with an extensive message. Its purpose is to invite people to engage in a discussion. Serenko thus explores the space of communication itself: the distance between placard and recipient, and how potential interlocutors navigate the distance. So far she has produced fifty-four placards, gone through six markers, and directly communicated with ninety-three people. Marina Simakova spoke with Serenko about the background of the action and its effects.

You can read my translation of Daria Serenko’s essay “The Angel of History Goes to the Front” in the new issue of e-flux Journal. ||||| trr

Something I Learned Today: Somewhere Far Away

Kurara, “Somewhere Far Away” (2024)

Even Lunacharsky Street is so transparent
Bicycles and horses race home
On these streets, my love, I honed my style
I touched the air with my hand
Even Lunacharsky Street can be so gloomy and wicked at times
And a cloud with a pointy beard delivers a delicious jolt
And it groans languidly

There is nothing beyond the black sky
And nothing will be first
Perhaps the gods played a trick on you
And scattered their plywood arrows in the corners
Somewhere far away
I take you without asking
Somewhere far away
I bury myself alive
In letters and numbers
I’m drowning and floundering
With an artificial belly
Like a clown in a circus

Upward and downward
This is
Real life
This is
The fleeting joy of a glance on the street
A smile, warmth
Your shadows kiss
You don’t care, you keep going
Leaving behind perhaps another life
I can’t do it—this thought terrifies me so
I can’t do it

There is nothing beyond the black sky
And nothing will be first
Perhaps the gods played a trick on you
And scattered their plywood arrows in the corners
Somewhere far away
I take you without asking
Somewhere far away
I bury myself alive
In letters and numbers
I’m drowning and floundering
With an artificial belly
Like a clown in a circus

Upward and downward
This is
Real life
This is
The fleeting joy of a glance on the street
A smile, warmth
Your shadows kiss
You don’t care, you keep riding
Leaving behind perhaps another life
I can’t do it—this thought terrifies me so
I can’t do it

Source: Genius. Translated by the Russian Reader

Amnesty International has published its annual Death Sentences and Executions report for the year 2025, with data showing a sharp increase in the number of executions carried out. At least 2,707 people are known to have been put to death by the state last year, up 78 percent compared to 2024. As our infographic shows, the death penalty continues to be quite widespread in Asia, with China, India, Thailand, Singapore and Indonesia, among others, employing it. The use of capital punishment is very rare in Europe: it only exists in Belarus, and Amnesty International notes that 2025 was the first year it recorded neither new death sentences nor executions since President Alexander Lukashenko assumed office in 1994. While Russia technically also retains the death penalty in its law, the country is considered abolitionist in practice, meaning no executions have been carried out in at least ten years.

In the Americas, the death penalty is also mostly a thing of the past, with the notable exceptions of Guyana, Cuba and the United States. Last year, the U.S. executed 47 people across 11 states, almost twice as many as in 2024 (25 executions). Florida alone accounted for almost half of these executions (19). Capital punishment is still more common in Africa and the West Asia. In 2025, Iran executed at least 2,159 people, more than double its 2024 figure and the highest number on record since 1981, and the Islamic republic has been consistently using the death penalty as a tool of political repression.

113 countries and territories around the world have abolished the death penalty completely, most recently Zambia. In 2023 and 2024, African nations Equatorial Guinea, Ghana and Zimbabwe abolished the death penalty for all but very serious crimes. 87 nations still have capital punishment on the books, but 24 of them are considered abolitionists in practice. In March of this year, the Israeli Knesset voted to expand its death penalty law in such a way that applies only to Palesinians and dismantles fundamental safeguards to prevent the arbitrary deprivation of life and protect the right to a fair trial, a decision condemned by Amnesty International. The NGO has called on Israel to repeal the decision.

Source: Valentine Fourreau, “Where the Death Penalty Exists,” Statista, 21 May 2026

When Shiraz Calls

A personal account of day-to-day life in Iran told through the calls of two Iranian sisters – one in the UK, the other in the Iranian city of Shiraz. Since the outbreak of war at the end of February, a near total internet blackout and a shutdown of international phone lines by the Iranian authorities has meant limited information has got out of the country. Despite the risks involved, the sisters have made recordings of their conversations which have been shared with the BBC. They discuss when the bombs land, the destruction of places they love and the realities of an economy that’s being brought to its knees. They struggle to sleep at night. Salaries don’t come through. It’s a roller coaster of emotions. But there are also moments of calm and comfort…a spot of dark humour and the scent of hyacinths.

Actors:
Leila played by Lisa Zahra
Gita played by Zahra Ahmadi

Presenter: Caroline Hawley
Producers: Adele Armstrong and Soroush Pakzad
Sound design: Peregrine Andrews
Editor: Clare Fordham

Source: BBC Radio 4

This Census chart shows changes in where Hawaiian and other Pacific Islander populations were living in 2010 and 2020. By 2020, more than half of Native Hawaiians (at the top left, in blue) were not living in Hawaii, something local Hawaiian leaders attribute to the high cost of living on the islands.

Source: Monterey County NOW, 24 May 2026

This week, Rafia Zakaria won the 2026 National Magazine Award in the category of Columns and Essays. The winning piece, “Water Pressure,” was published in Issue 150 of The Believer and is available to read in full on our website. It follows Zakaria’s father on his search for clean water in Karachi, Pakistan, where the mounting climate crisis has crept into all aspects of daily life. Zakaria discussed the prize and the celebrated essay with our managing editor, Ginger Greene.

THE BELIEVER: You won a National Magazine Award last night in New York for your essay, “Water Pressure.” What did it feel like to see this piece recognized in that way?

RAFIA ZAKARIA: It was a tremendous surprise… It is very difficult to place personal essays, but it is the personal story that can ultimately make an abstract issue—such as water scarcity in a faraway city like Karachi—seem as real as the heat wave that was happening in New York on the day of the award ceremony. I was so grateful to work on this project, and to have the freedom and latitude to explore what extreme heat can do to ordinary people in an ordinary megacity.

BLVR: Your story explores the many difficulties of procuring water and power in Karachi, in an ever-warming world. What inspired you to approach this subject? And what were some of the difficulties you faced as you developed the essay?

RZ: I feel like a lot of climate journalism focuses on the deterioration of beautiful natural environments and the loss of wild ecosystems. I wanted to focus on how extreme heat, as well as water and power scarcity, affect human relationships, how it erodes and corrodes the scheme of relations between people and the environment. Sometimes it is not possible to see how it is happening, when you are in the midst of dealing with these problems every day. But as someone who is in and out of Karachi, I was able to perceive these dynamics.

One of the difficulties I faced reporting this story was a lack of precedence for this sort of exploration. For instance, there is excellent and deep reporting on natural or man-made disasters and their aftermath. But there is less writing on persistent issues, like decades-long water shortages, where there is no single cataclysmic event on which to center a story. I wanted to show that the story of chronic scarcity can also be told in an impactful and interesting way.

BLVR: The piece opens with a vivid scene from your family’s neighborhood in Karachi, in which a man is angered when he notices your aunt receiving an overflow of water into her underground water tank, such that it’s wastefully flooding out onto the street. Their confrontation ends when your aunt begins to throw rocks at him to get him to leave her alone. I was curious: What was your first reaction when you heard this story? Was it relayed to you as a problem of “water envy,” as you call it?

RZ: I will admit that my aunt’s reaction was a bit extreme, but it crystallized how chronic scarcity can create levels of seething frustration that can bubble to the surface in absurd ways. The story was told to me in the context of: Is she OK? But actually no one facing this sort of privation day after day is really OK. Water is a mainstay of existence, so the fact that you can now have an iPhone but not access to clean water is a bizarre juxtaposition of privilege and paucity.

I also felt that my aunt’s actions put into stark focus what people likely want to do but usually don’t. I came up with the term “water envy” because I wanted to start creating a vocabulary for phenomena that are felt, but for which there are often no words. I think the phrase encapsulates how policing resource consumption becomes just another part of living in a neighborhood. In most cases people will not challenge each other to the extent they do in this instance, but that is why it is such an apt story: Both characters had reached the end of their rope.

BLVR: Water politics in Karachi are complicated. For one thing, there are the daily strategies middle-class Karachiites have developed to procure water, which involves pumping water from the main lines into private underground water tanks. Navigating the uncertainty of main-line waterflow has become a full-time job for your father, as you point out. At the same time, there are many more people who don’t have access to these “pump games,” because they can’t afford a private tank. They are forced to purchase water from private companies that hike up their prices. How has the situation with Karachi’s water mafia progressed since you reported this piece?

RZ: I think the situation is much more dire now, because the pressures have become more acute. The population has grown dramatically and grows further still on a daily basis. Temperatures have risen, owing to climate change phenomena like the heat domes I talk about in the piece. As a result, people increasingly have to resort to taking their chances and obtaining water without knowing its source or even if it is potable.

In the summer there are thousands of deaths that are ultimately caused by lack of clean water, but they are not often tallied under this category. As the heat index rises in Karachi, these situations are pushed to the limit and people—particularly the very old and the very young—begin to die. The water mafias are more entrenched and merciless now; they know how to throttle competition and work with street gangs and land mafias to ensure that the consumers in a specific area have no options but to pay them.

BLVR: As we approach the summer months, Karachi is already reaching excessively high temperatures. In early May, the city recorded a peak of 111 degrees Fahrenheit, the city’s highest reading since 2018. This heat, as you describe in your piece, compounds with power outages and water shortages, which seeds the ground for long-term public health crises. How are you feeling about the upcoming summer?

RZ: I dread the summer months for Karachiites. If you fall sick during the summer, it is hard to get reliable care in a timely fashion and, most of all, to find a relatively cool environment to recover in. Any illness could threaten survival. Since there is no easily available large-scale refrigeration in poorer areas, there is also a huge risk of eating spoiled food. There is no way of telling if something in a store fridge was left out for hours the night before, or if the energy source powering the fridge is reliable. So it’s Russian roulette all summer long.

This summer will not be any different. The political rift between Karachi and the rest of the province means that the city is constantly starved of resources and the federal government seems disinterested in the plight of the people that live there. Many Karachiites are the children of people who migrated from India in 1947 and hence distinct from Punjabis, who make up the majority ethnicity. All of these divisions make the situation one of constant chaos. People are living a bit of a Hobbesian existence there.

BLVR: How has the situation in Karachi shaped your relationship to your experience of the US? You recently moved to Salt Lake City in Utah, which is also in the midst of a climate-related disaster. Have you noticed any similarities between the two places?

RZ: Well, there is a war over water underway in Utah as well. Last week, three county commissioners in Box Elder County, Utah, passed a proposal to build a 40,000 acre data center in the area—that is twice the size of Manhattan. The residents, aghast at what their elected representatives have done, are now trying to organize a referendum that will stop the plan. If the data center is built, the project will suck up all the water left in the already drying Great Salt Lake. It is estimated that it will also increase nighttime temperatures by 8 to 28 degrees Fahrenheit.

This situation really reminds me of Karachi, and it is difficult for me not to feel a bit like a Cassandra. Utahns have little idea of what that sort of scarcity and extreme heat can do to the fabric of society. It transforms our individual and collective relationships with the natural environment, but also the relationships we humans have with each other.

Source: “A Short Interview with Rafia Zakaria,” The Believer (Substack), 24 May 2026

“I Don’t Want to Get Used to the War”

“I don’t want to get used to the war” was the message painted on a fence outside the former Stables Department building in Petersburg in February 2025. Photo: Bumaga

Author of graffiti “I don’t want to get used to the war” released after sentencing

The Petrograd District Court sentenced activist Alexander Arseniev to twenty months in prison on criminal charges of vandalism and “discrediting” the [Russian] army, his lawyer, Alexei Pryanishnikov, reported on his Telegram channel.

Arseniev was released in the courtroom after his stay in a pretrial detention center was counted as time served. According to Arseniev’s case file on the court’s website, the final hearing in the case took place today. As this article went to press, the court’s decision had not yet been entered into the file.

Arseniev wrote “I don’t want to get used to the war” on a fence near the Stables Department and at Gazprom Arena in February 2025. The graffiti outside the stadium was repainted overnight.

Last March, Arseniev was detained in Moscow and extradited to Petersburg, where he was remanded in the pretrial detention center. Spray paint cans and an acrylic marker were found police searched his flat.

Source: Bumaga (Facebook), 22 May 2026. Translated by the Russian Reader

Repression in today’s Russia is not on par with the mass repression of the country’s past. Nevertheless, it fulfills the same function by intimidating society and changing the behavior of millions.

Many people also feel that this repression is intensifying. But human rights data show the opposite: for a year now, the number of new politically motivated cases has remained at the same level — around 500 per quarter.

In the “Repression Barometer” report for the first three months of 2026, researchers from Memorial’s project in support of political prisoners made clear that Russian authorities appear to regard the current level of politically motivated arrests — which plateaued at 500 per quarter — as optimal.

Out of a population of around 140 million, that is not very many cases. By comparison, around four times as many murder cases are opened over the same time frame. Repression does not affect the majority. In 1937–1938, for example, more than 1.37 million people out of the U.S.S.R.’s population of 162 million were arrested in cases involving “counter-revolutionary crimes” and around half of them were shot.

But modern repression performs the same role as the mass repressions of the 1930s by creating a sense of an all-powerful, punitive hand of the state that effectively changes the behavior of millions.

But why is it so powerful when only a small number of people are punished? Political cases become a weapon for intimidating the population not through scale, but through unpredictability.

Hundreds of thousands, if not millions, of people make online comments that could be classified as “fake news,” “discrediting” the Armed Forces or “justifying terrorism.”

But criminal cases are opened against only a few — and it is precisely this selectiveness that makes the system so effective. It is impossible to predict where the boundaries of permissibility lie and at what point the state will decide to impose a punishment.

The same logic applies in cases involving “extremist” symbols, a category that today includes many things from the logos associated with Alexei Navalny’s activities to pentagrams and rainbow flags. In reality, such images can be found on many social media pages, but criminal cases are opened only in isolated instances.

Each such case sends a signal. Formally, rules exist. But in practice, they are applied selectively — and no one can be certain they will not be next.

The state cannot currently imprison millions. But it does not need to. Imprisoning hundreds unpredictably is more than enough to create the impression that anyone could end up behind bars.

The wording of the relevant laws also plays into this. They are extremely vague and even lawyers cannot always calculate the risk of simple actions. For most people, doing nothing is the best way to make sure they remain on the right side of the law.

A good example is cases involving “foreign agents,” where the law does not forbid private users from reposting or quoting their content without a disclaimer. But because of the chilling effect of a growing number of restrictive laws, people are afraid to quote or repost material from such branded outlets. The problem is compounded by the existence of other statuses like “undesirable” and “extremist,” for which legal consequences for sharing their material do exist. But many people, fearful of crossing the line, prefer to keep away.

Fear takes hold first and foremost among the most informed and engaged people who read independent news and follow human rights organizations. Aware of the risks, they begin to express themselves more vaguely, participate less often in public discussions and withdraw from active involvement.

The victims of unpredictable repression, meanwhile, are increasingly ordinary people who write comments or publish posts on VKontakte without realizing the risks they are taking.

Despite covering barely a quarter of the total number of incidents, the media — both pro-government and independent — plays a major role in creating the impression of widespread repression. Absurd and plainly unjust cases receive such wide coverage — like the story of the hookah on an Easter kulich — that their very absurdity intensifies the fear of the unpredictability of repression.

Within this logic, criminal cases against public figures who have left the country — writers, actors, bloggers, politicians and television presenters — look like a separate area of work for the security services. There is no practical point to these repressions: hardly any of these people will be extradited from Europe, where they have settled. But such cases receive widespread public attention, which further helps create an atmosphere of fear. Celebrities are not spared, so what can ordinary mortals expect?

Thus, contemporary Russian repression does not need to become mass repression at all. Its effectiveness rests on a combination of unpredictability and public signaling: most cases remain almost invisible, but individual stories become a signal to everyone else.

If human rights defenders are right and the authorities really do regard the current level of repression as “optimal,” then perhaps they believe nothing more is required. There is no need to imprison millions to frighten millions more. It is enough to maintain a constant stream of cases and, from time to time, show society that anyone could be next.

Source: Ivan Astashin, “Political Repression Is a Numbers Game in Russia,” Moscow Times, 18 May 2026

Shyshagh: Imaginary Circassian Underground (Circassian Remembrance Day)

May 21st marks Circassian Remembrance Day, or the Day of Remembrance for the Victims of the Russo-Caucasian War. This war, spanning from 1763 to 1864, resulted in the loss of independence for the North Caucasus region and, for the Circassians (one of the region’s indigenous peoples), in genocide and mass exile from their historical homeland.

In the 1990s, Circassian activists, public figures, politicians, and scholars successfully secured official recognition for this date as a day of mourning. Since then, two official narratives have coexisted in the North Caucasus, particularly in Kabardino-Balkaria, Adygea, Karachay-Cherkessia, and the Krasnodar Krai: one asserting the voluntary integration of North Caucasians into Russia, and the other describing a colonial war, genocide, and expulsion.

The state actively supports the first narrative in every way possible, while the second is methodically squeezed out of the public discourse.

Every year on May 21st, a mourning procession, comprising both walkers and horsemen, winds its way through Nalchik. They proceed along the central thoroughfare, passing the monument to Maria Temryukovna, the Circassian wife of Ivan the Terrible, which bears the inscription “Forever with Russia,” before continuing on to another monument: Psezhig (The Tree of Life), created in memory of the Circassian victims of the Russo-Caucasian War.

Since 2016, Ored Recordings has been releasing projects timed to coincide with this somber date. The liner notes for these albums remains unchanged: again and again, we speak of trauma, and of the immense difficulty in discussing it, as the state systematically closes off any space for dialogue. While in the early years we opted for highly neutral phrasing, since 2022, officials have begun banning commemorative events; consequently, finding the right words has become increasingly challenging. We are permitted to remember, mourn, or reflect only within strictly prescribed forms. Thus, cultural projects and musical releases serve as an insufficient, yet absolutely necessary, form of resistance against assimilation and suppression.

This year, we decided to shift our focus away from the trauma itself or the specific subject of the Russo-Caucasian War, choosing instead to present a cross-section of new Circassian music — music that is not merely being preserved, but is actively evolving.

Shyshagh (ЩIыщIагъ, meaning “underground” in Adyghe) offers a snapshot of an imagined Circassian underground scene, as curated by Ored Recordings.

Three artists have contributed their distinct visions of independent Circassian music to this compilation.

For this release, Cherim (Maykop born, Tbilisi based) has departed from his signature industrial hip-hop and hauntological ambient styles, recording two indie-folk ballads featuring lyrics that are at once simple and deeply poignant. The tracks contain echoes of both Soviet-era pop music and the lo-fi underground tradition exemplified by acts such as Low or Rivulets.

Temir (from Nalchik, based in Paris) is an electronic producer, collagist, and vocalist who translates Circassian aesthetics into the realms of deconstructed club, ethereal pop, and other forms of emotive avant-garde music. Ethnographic archives from the last century, along with rehearsal raw recordings from Jrpjej, served as the foundation for these qafe without dancing.

Two additional tracks come courtesy of duos featuring Timur Kodzoko (originaly from Nalchik, Göttingen based), a co-founder of Ored. From our archives, we unearthed an old rehearsal recording by Zafaq, a dormant Circassian Black Metal project. It is raw, instrumental bm-rooted in traditional melodies, yet one that explicitly rejects the aesthetics of folk metal. In 2020, the drums were handled by Amar Abazov, founder of the Zhest records.

The second track comes from Shkhafit (meaning “free” in Adyghe), a drone-folk project by Timur and his son, Astemir Kodzoko. It is a semi-improvised acoustic ambient piece performed on the shichepshin (Circassian fiddle), as well as various other string and wind instruments. It evokes the ghosts of an unfulfilled future and the spirit of new pshynatles-sagas. It is a soundscape where Mark Fisher visits Murdin Tesh.

Shyshagh stands as Ored Recordings’ most ironic and chaotic release to date. As yet another May 21st passes, we see no immediate light at the end, yet we remain ready to unite and carry on!

Cherim – recorded in Tbilisi, Georgia, in 2026. All music by Cherim Tsei. Production for the song “Pari (Nothing)” by Temir.

temir – recorded in Paris, France, in 2026. All music by temir. “Duguj” based on Jrpjej rehearsal recordings. “Zechir” based on archival Circassian recordings.

Zafaq – recorded at the House of Radio, Nalchik, Kabardino-Balkaria, in 2020.
Timur Kodzoko – guitar
Amar Abazov – drums

Shkhafit – recorded in Göttingen, Germany, in 2026.
Timur Kodzoko – strings, bowed instruments, and effects
Astemir Kodzoko – physharmonium and wind instruments

Cover photo: Tulip tree in the village of Golovinka, Lazarevsky District, Krasnodar Krai/Shapsugia. Photo by Lilit Matevosyan
Cover design: Milana Khalilova
Text: Bulat Khalilov (English translation by Bella Mirzoeva)

Source: Ored Recordings (Bandcamp). I have included the entire album here for your listening pleasure, but I would urge to download it from Bandcamp, paying what you can to Ored Recordings to support their fine mission. That’s what I just did. \\\\\ trr

Inner Emigrants

Lena Karbe’s documentary film Inner Emigrants examines what people in Russia think about the war with Ukraine. Deutsche Welle spoke with the filmmaker about making the picture and the conclusions we can draw from it.

One of the psychologists featured in the film “Inner Emigrants” on the job. Still courtesy of Karbe Film GmbH

Lena Karbe’s documentary film Inner Emigrants (Innere Emigranten) is currently playing in cinemas in Germany. Born in Russia, the filmmaker has lived and work in Germany for fifteen years. Her new picture looks at the work of three crisis hotline psychologists in Russia. Viewers see them volunteering their evenings by talking to people in need of counseling.

The film was shot over three years, from 2022 to 2024, in the wake of Russia’s full-scale invasion of Ukraine. The war and people’s thoughts about it are the picture’s focus. Its protagonists oppose the war and wonder whether they can take a stand against the war and society’s attitude to it. Instead of engaging in open protest, they choose inner emigration. Our correspondent sat down with Lena Karbe after a screening of the film in Cologne to talk about how the picture was made and the conclusions we could draw after seeing it.

DW: How and when did you get the idea of making this film?

Lena Karbe: The idea occurred to me immediately after Russia’s invasion of Ukraine. I’m a documentary filmmaker, but I have always done projects about other countries of the world—about China, for example. I “transferred” my interest in political topics to other countries because I’m from Petersburg myself and have lived in Germany for fifteen years, and I probably needed the distance to be able to make a film about the country where I was born. The start of the full-scale invasion was the shock that accelerated these processes for me. I realized that I couldn’t make a film about something else at the moment.

As is often the case in filmmaking, I fortuitously happened upon an article about a crisis hotline and got in touch with its coordinator. He immediately took a big interest in the project, probably because at the time (this was April 2022) all of us were in a state of shock and the idea of starting a project like this seemed like a way of finding a constructive channel for all our conflicting feelings. So all the initial steps happened quite quickly.

Meaning that the hotline’s coordinator and the psychologists to whom you reached out fairly quickly agreed to be in the film. What were their motivations? After all, involvement in this project presents a certain risk for them.

In some sense, they were in absolutely the same situation as their callers and I were in—a situation of absolute uncertainty. We were all in a state of shock. It was absolutely unclear what the future held in store.

All my films follow their characters over the course of several years. I said from the outset that I would like to make a record of the time, meaning that it would not be a quick project. I wanted to document the situation over several years, and this was the film’s psychological function for everyone involved in it. It helped us to cope with our complicated states of mind.

So it helped you figure yourselves out?

Yes. And yet, the context is vital: a crisis hotline that anyone whosoever can dial. We thought it would help us find out more about what the country’s populace actually thinks, because information from Russia is quite limited and one-sided in Germany. Like many others, I found it quite hard to deal with the alleged fact that the entire population of Russia holds the same opinion—if you believe the information out there. I wanted to see and hear it for myself.

How did you manage to do this project? The press release for the film says that it was shot in complete secrecy. At the presentation you said that you shot completely openly in the subway, for example, and on the streets. Didn’t it require a great deal of courage to do that?

As I’ve already said, I’m a documentary filmmaker. It’s my main occupation, and with certain projects it is clear from the get-go that they cannot be done differently. So I wouldn’t call that courage. I think it’s just a consequence of the decisions you make.

Meaning it’s professionalism.

Meaning there’s no other way to do it.

The film is called Inner Emigrants, an allusion to the German term “inner emigration,” which is applied to writers who didn’t flee Germany during the Second World War. Why did you give the film this particular title?

Despite the fact that there isn’t a one-to-one correspondence between the realities of inner emigration in German literature and the situation in Russia, there are very many similar elements in this phenomenon and the behavior of many people in Russia now. It was this particular point that aroused my curiosity.

If you believe certain statistical data, the silent majority makes up somewhere around sixty percent of the Russian populace, and many of those people would say that they are inner emigrants.

The poster for the film “Inner Emigrants.” Image courtesy of Mindjazz Pictures

This kind of film, in which I wanted to understand the moods in Russia after the invasion of Ukraine, could be made ten thousand different ways. It was vital to me that this wasn’t a journalistic project. I endlessly admire the work of my journalist colleagues, but documentary filmmaking, the genre in which I work, is a more universal approach. Its goal is not to inform people but to delve into a phenomenon and make the viewer feel something. I hope that by film’s end the viewer has come to feel for themself the complexity and ambiguity of inner emigration and the contradictoriness of the term itself.

I saw two important points in the film. The first was the way you showed what lies behind the statistics you cited. The psychologists are a kind of mirror. On the one hand, they are the film’s protagonists, who have their own quite ambivalent thoughts and feelings. One of them is disgusted by people who tell him over the phone that they support the war. This disgust is manifested to a lesser degree in the other protagonists. At the same time, they show us what happens behind the scenes. Do you agree with what I took away from the film?

Yes. I think people’s reactions to this film can vary widely, which is quite important. It’s dangerous to lose touch with Russian realities entirely. I’m speaking now from the perspective of those of us living in Germany. Because even in 2022, coverage of events in Russia—video footage—was already quite limited, and now there’s practically none. I would very much like for this film to lead to a dialogue. It’s obvious, but not so obvious to some, that the Russian-speaking population in Germany is quite diverse. And we don’t talk to one another.

Do you mean dialogue with Russians living in Germany?

Yes. And of course, even though we currently have no contact with Russia, it’s important that we don’t completely shut ourselves off from everyone. It seems to me that generalization is the big problem. When it comes to very strong, extreme emotions, we slip into a childish, categorical mindset and start lumping everyone together.

You mean that we divide everything into black and white, while there are in fact shades of gray?

Yes.

My second takeaway from the film boils down to the question “What should we do?” What should we do ourselves, and what should we do about those who are clearly saying things that don’t align with their own beliefs and values? The film both does and doesn’t give an answer to this question. On the one hand, the final shot shows someone going out in public with a placard and protesting the war. The final shot always serves as a highlight. In this way, you show that something can be done. On the other hand, the psychologists in the film argue that they cannot change how people feel about the war, meaning that changing their minds is both impossible and pointless. Do you think this is really the case? Or is there a point in talking with people, say, with the “Putinists” living in Germany?

Filmmaker Lena Karbe. Photo: Julia Weidner

When I speak of dialogue, I mean first of all that we have set aside hatred, if possible. Hatred is a destructive emotion, and we won’t be able to build a future for Russia based on it. I think there is a type of people with whom it is impossible to have a dialogue, nor is it our task to change their minds. I even had in mind a dialogue with ourselves, so that we don’t stop thinking and seeking the truth, so that we avoid being categorical and generalizing. If we lump everyone together, it’ll be tough.

Do you have the will and the means to keep making films in and about Russia?

Definitely not right now, but we’ll see how things change. I hope that this film can be considered a record of its time. Now, at any rate, I’m taking a professional (but not a personal) timeout from observing the situation.

My background is quite important to me. I wouldn’t rule out [making a new film about Russia], but not in the near future

Source: Olga Solonar, “‘Inner Emigrants’ in Russia: How to Survive the War?” Deutsche Welle Russian Service, 19 May 2026. Translated by the Russian Reader

Mindjazz Pictures has acquired the distribution rights in Germany to Lena Karbe’s “Inner Emigrants,” ahead of its world premiere on Monday at Thessaloniki Documentary Festival. The theatrical release in Germany will kick off May 14.

Karbe spent nearly four years traveling undercover to Moscow to chronicle the experiences of three psychologists maintaining an anonymous crisis hotline at the start of the Ukraine war, while at the same time struggling to reconcile their totalitarian regime’s strict demands with their own beliefs.

Born and raised in Russia herself, Karbe (now a German citizen) wanted to explore why Russia’s silent majority was staying silent as the war on Ukraine took hold. “Are they complicit, or — as many Russians say — ‘neutral’?” asks Karbe.

The director says “Inner Emigrants” is “a cautionary tale.”

“What we see in Russia today is that silence allows the totalitarian regime to grow stronger,” she says. “It shows how quickly civil liberties can be dismantled and repression can become normalized, as the majority chooses to turn inward rather than to resist openly.”

Mindjazz Pictures managing director Holger Recktenwald says the film “offers a rare and intimate insight into the psychological inner world of a society living under massive propaganda and state repression since the invasion of Ukraine.”

It asks the question “what silence, conformism and ‘inner emigration’ mean in a totalitarian system,” Recktenwald adds.

It was a film of “strong relevance for German audiences: it sheds light on the mechanisms of authoritarian systems, highlights the psychological strain in the context of war and propaganda, and at the same time opens up a respectful space for debate about responsibility, complicity, resistance, and empathy — without relativizing or blurring perpetrator-victim structures.”

“Inner Emigrants” is produced by Karbe Film and Macalube Films, in co-production with See-Through Films, in co-production with Rundfunk Berlin-Brandenburg, and Mitteldeutscher Rundfunk, with the support of Filmfernsehfonds Bayern, Centre National Du Cinéma et de l’Image Animée, FFA Filmförderungsanstalt, La Région Île-Defrance and Deutscher Filmförderfonds (DFFF).

It is the second feature documentary from Karbe. Her first film, “Black Mambas” (2022), world premiered at CPH:DOX, where it won the F:ACT Award.

Source: Leo Barraclough, “Lena Karbe’s ‘Inner Emigrants’ Sells to Germany Ahead of World Premiere at Thessaloniki Documentary Festival (EXCLUSIVE),” Variety, 9 January 2026

Russians and Republicans Hate Black People

I’ve spent most of the last 48 hours doomscrolling through people’s reactions to the destruction of the Voting Rights Act by the Supreme Court. The people I follow most regularly have split into predictable camps. There are people like me and Adam Serwer who are trying to put the court’s decision into the larger context of the long-standing white hostility to Black voting rights and Black political power. There are the folks like Ian Millhiser who have tried to explain the immediate legal effects of the court’s unconscionable decision. The activist set is taking some time to digest what has happened and plan for next steps, with some vowing to “fight” and ultimately “win” in some fashion.

Predictable, too, has been the reaction from the right. White supremacists and, to the extent there’s a difference, Republicans have been giddy. I read one particularly risible piece of trash in National Review crowing about how the Supreme Court’s decision will allow Republicans to gerrymander away Black political power while stopping Democrats from restoring that power. I think that legal analysis is wrong. But what struck me was not the stupidity of the argument but how happy they were to make it.

That happiness, from whites, is something that most of the articles and analyses, including mine, have failed to capture sufficiently. It is as distressing to me as the actual decision and the terrible results that will result from it.

The Voting Rights Act was once considered a pillar of American democracy—so much so that it was extended and expanded in 1982 by President Ronald Reagan. It was reauthorized in 2006 by President George W. Bush, and that reauthorization passed the Senate 98–0. In just 20 years, the VRA has gone from being such a mainstay of the democratic project that even dyed-in-the-wool conservatives didn’t dare vote against it to something that barely hooded mouthbreathers at National Review are happy to trash.

I don’t really know how to process that information. It’s not just that we’re going back to a Jim Crow state of affairs—it’s that white people are happy about it. As if the 60 years of post-apartheid America that were ushered in by the VRA were just an unfortunate detour, and now white people can get back to their preferred route.

Republicans always want you to believe that they’re not racist “in their hearts,” that they just happen to prefer a set of policies that coincidentally result in inequality, oppression, and less opportunity for non-white Americans. But this reaction to the death of the VRA proves they’re lying. They hate Black people, and they hate Black people who have political power most of all.

And now, they’re happy to finally be able to take that political power away.

Source: Elie Mystal, “Republicans Can’t Contain Their Glee Over the Death of the VRA,” The Nation, 2 May 2026

Is there even one series with a cover like this (you know what I mean) that actually has good ratings? Why on earth are they making THIS????

Source: Ororo.tv. Racist comment translated by the Russian Reader, who has unfortunately read and heard thousands of such comments in Russian during his thirty-plus years on the Russia desk. ||||| trr

John Watson and Sherlock Holmes’ fates intertwined one last time in the Season 2 finale of Watson, which serves as a series finale as the CBS medical drama has been canceled.

In the closer, as Watson (Morris Chestnut) traveled with Mary (Rochelle Aytes) to Baltimore to get surgery for the glioblastoma that had been causing his Sherlock visions all season, a disoriented Holmes — in the flesh — was admitted to the Holmes Clinic in Pittsburgh. When Watson got word, he abandoned his surgery plans and returned to treat his friend. He deducted the cause of Sherlock’s illness but the delay of his own life-saving surgery cost him, and Watson suffered a debilitating seizure.

He eventually woke up and professed his love to Mary who reciprocated. With his surgeon coming to Pittsburgh, the finale ended with Watson in the OR and a vision of him and Mary living at 221B Baker Street in London, the future he had laid out for them in their heart-to-heart hours earlier. (In the Sherlock Holmes lore, the brilliant detective shared his apartment at the famous address with Watson.)

Speaking to Deadline, Watson creator/executive producer Craig Sweeny addressed how he approached the finale and its ending and provided one explanation for the Baker Street flashforward.

“The season finale was tricky to write in that, even while we were filming it, we didn’t know if the show was coming back or not,” he said.

CBS’ cancellation decision came after Watson had wrapped production on Season 2.

“We opted to treat it mostly as a season finale, with a coda appended that nods to a possible future for Watson and Mary,” Sweeny added. “The coda, set at Baker Street, has several possible interpretations — among other things, it could be a fantasia Watson is seeing as he’s on the operating table in what may be his dying moments. I have my own interpretation but prefer not to comment on it beyond what’s on the screen so audiences can make up their own minds.”

At the time of the Watson January 2025 series premiere, Sweeny told Deadline that he had built the show on the presumption that Sherlock is dead. “I don’t want to be held to that if there’s some great story that presents itself, but I don’t believe that we’re ever going to feature Sherlock as an ongoing character in the show Watson at this time,” Sweeny said back then.

Following the Season 2 finale, Sweeny explained to Deadline how the idea of bringing Sherlock onto the show started and evolved — from a hallucination stemming from Watson’s brain tumor to a real person — and what the Season 3 plan for the Watson/Sherlock storyline was.

“In Season 3, Watson would also have been Sherlock’s doctor treating ongoing complications from the ailment that plagued Holmes at the end of Season 2,” Sweeny said. “We originally conceived the Watson/Holmes storyline to have Holmes exist only as a delusion in Watson’s head as a means for Watson to learn about his glioblastoma, but quickly revised those plans after we saw what Robert Carlyle brought to the role of Sherlock Holmes. Watson’s Holmes and Watson were fun to write and watch, and so we devised a way for Sherlock to be present in the real world.”

The Season 2 finale of Watson left storylines open-ended for the young doctors too, including the ongoing investigation into Beck’s death, the search for Sasha’s birth mother and Sasha (Inga Schlingmann) breaking up with Stephens (Peter Mark Kendall). Season 3 would’ve wrapped their fellowship arcs.

“The heart of Watson was the cases, so if we had come back we would have continued to hunt the strange and amazing scientific outliers that made up our strongest episodes,” Sweeny said. “Of course, medical fellowships last three years, so a major theme of season three would have been exploring what would have happened to Ingrid, Stephens, Adam, and Sasha at the end of their Fellowships and how many new doctors would be worked into the mix.”

Sweeny took the opportunity of the Watson finale to reflect on the series’ two-season run.

“We had a lot more to say with the show, so of course it’s sad we won’t be making any more,” he said. “But I’m grateful that we got to write and produce 33 episodes. I love to write procedurals with cases that are set at the edge of what humans know, and Watson gave me and our team the chance to do that every week.”

Sweeny previously spent five years on CBS’ Sherlock Holmes/Dr. Watson procedural Elementary, most of them as executive producer. He went on to acknowledge Watson executive producer Dr. Shäron Moalem, who “shared insights from decades working in genetics and was singularly important in crafting cases set on the vanguard of what’s possible.”

Sweeny also praised the work environment on Watson and its No.1 on the Call Sheet.

“Making Watson for two seasons was a rewarding experience for the producers, cast, and crew. We had tight-knit communities in Los Angeles and Vancouver,” he said of the series, which was written in Los Angeles and filmed in Vancouver. “I’ve been blessed to have career highlights and happy experiences on shows, but I’ve never known anything quite like the warm and collegial vibe that prevailed on Watson. I’m especially grateful to Morris Chestnut for his role in making that happen. When Morris was considering the role, we met for coffee and talked about the environment we both hoped to foster. His tireless leadership and example helped make the Watson set a happy experience for everyone who worked there.”

As he closes (prematurely) the chapter on Watson, Sweeny chooses to focus on the positive.

While thanking the “special group of people” who worked on the series, his producing partners, the cast, the writing staff, the casting and post departments, he said, “Naturally, all of us mourn the loss of the show and the community around it while also being grateful for the opportunity to make as much Watson as we did.”

Source: Nellie Andreeva, “‘Watson’ Finale: Creator Craig Sweeny Reflects On How Series Ended, Its 2-Season Run And What Could’ve Been For John & Sherlock In Season 3,” Deadline, 3 May 2026

USA Today, “Louisiana redistricting met with fiery testimony opposing Trump as ‘last breath of the Confederacy,” 15 May 2026

Source: USA Today (YouTube), 15 May 2026

IN A WORLD OF MIKE JOHNSONS — BE A MARSHAWN 💪🏾 An angry Louisianan, known only as Marshawn [sic], gave an impassioned speech in a state Senate hearing this week in the lead-up to the vote to eliminate a majority Black district that — until last week — was protected by the VRA.

If you watch ONE THING today — let it be this ⤵️

“I have no doubt in my mind that the map’s gonna pass,” Marshawn said. “If y’all can give us less than zero seats, you would do it. Y’all do this under the orders of somebody that said the Civil Rights Act was harmful to white people, that it caused reverse racism.”

“You showed us what you want to do. And I believe the country as a whole is rebuking your party. Y’all are in a death spiral. That’s why y’all have to redistribute. That’s why y’all have to cheat. That’s why Trump got to go to Texas and say he was entitled the five more seats. It’s because y’all know what y’all doing is abhorrent.”

“So I’m positive y’all gonna be okay with the maps. But the beautiful thing is, the children that y’all have made and the people that’s younger than y’all don’t support none of this racism that y’all want. The MAGA party is the last breath of the Confederacy. And I’ll be happy to see millennials and Gen Z bury y’all. There will be no more of your party. The midterms gonna come, y’all gonna get wiped out. Trump gonna get dragged out of the White House and I’m gonna love every second.”

“Because y’all loved every second of the suffering that he caused to everybody in this country and worldwide. We starvin’ Cuba. We bomb Nigeria. We holding Zimbabwe and Zambia hostage for the minerals. We don’t want to give them AIDS support. The pro-lifers that say all life is special, y’all letting kids die of AIDS. What part of your Bible say that?”

“Point out the scripture. I think everybody would love to see it. And we would love to see y’all in the midterms.”

MIC. DROP.

Source: Christina Lorey (Facebook), 16 May 2026

In September 2022, Zambian officials were notified that one of their citizens had been killed in action, in Ukraine. Lemekhani Nyirenda’s death has sparked interest in Russia’s continued presence in Africa and how Africans are treated within Russia’s borders. Nyirenda’s death is one recent example of how Russia — and, before it, the Soviet Union — used and abused Africans to create their reputations as anti-imperialist and anti-racist states. There is a growing amount of literature being written on Soviet-African relations, particularly on Soviet interests and engagement on the African continent as a foreign policy concern. Yet less attention is being paid to the African experience within the Soviet Union. The experiences of African citizens reveal the paradoxical nature of Soviet anti-racist ideology and praxis. While the USSR recruited and welcomed thousands of African students to study technological and scientific disciplines to fight the legacies of imperialism in their home countries, Soviet citizens often treated the Africans in their midst with disdain and hostility.

This December will mark the 60th anniversary of the death of an African student in Moscow. The Ghanaian citizen Edmund Assare-Addo, who was studying medicine in Moscow, was found dead on a country road on the outskirts of the Soviet capital in 1963. As the historian Julie Hessler has shown, the contested death of Assare-Addo marked a watershed for Soviet-African race relations. It sparked one of the USSR’s largest protests since the 1920s, with some 500 African students marching through Moscow. Many of them arrived from St. Petersburg (then known as Leningrad) and other Soviet cities to participate. Wearing traditional Russian fur caps with ear-covering flaps, they gathered by the Kremlin’s gates, holding up signs saying, “Stop Killing Africans” and “Moscow, a second Alabama.”

While the Soviet media was relatively silent about the unrest, Western media covered the African student protests widely. Students interviewed by the New York Times on Dec. 19, 1963, complained of regular harassment by Soviet citizens and physical assaults. There was a discrepancy between the ideal of an anti-racist, multinational Soviet society and the existence of Black Africans within its borders.

Race relations between Black residents and students in the Soviet Union and their white (Slavic-presenting) counterparts are difficult to trace. As the USSR did not use race to categorize or organize society, it is hard to know how many African students studied there. Soviet citizens, however, were categorized within the ethno-federal state by “nationality,” with categories like “Jewish” or “Tatar.” Yet there was a clear ideological rejection of race and racism.

What we do know is that thousands of Africans moved to the Soviet Union, beginning in the 1950s, to gain access to Soviet higher education and military training. Generally, 1957 is seen as a turning point in the Soviet approach toward Africa and Africans.

In the 1920s and ’30s, African Americans were a focal point for Soviet anti-racist ideological practice. Dozens of African Americans moved to the Soviet Union for better economic opportunities and the chance to experience life in a country that officially condemned racism. The writer and poet Langston Hughes was the most famous of these visitors. His early writing on his experience reflected the hope that African American visitors to the USSR held for a society that actively struggled against racism. Other African American visitors, such as Homer Smith and Paul Robeson, lived in the Soviet Union for years, where they enjoyed special privileges as representatives of the “oppressed class of workers and an oppressed race,” according to the Sixth World Congress of the Communist International in 1928. The combination of foreignness (Americanness) and Blackness worked to the advantage of Black Americans. I would argue that, because African Americans were Americans, they were not only representatives of some of the most oppressed workers, but also of a pantheon of modern industrial developments — the United States.

There were considerably fewer Africans present in the Soviet Union during the early Stalinist era, yet those who were there did notice the difference between how the USSR talked about imperialist oppression and how it depicted Africans. The historian Woodford McClellan’s study of Black students at the Communist University of the Toilers of the East (KUTV), a training academy in Moscow during the 1920s and ’30s, includes an example of Black African students taking issue with the depictions of Africans and Black people in Soviet public media and discourse. For example, some objected to the portrayal of Blacks through Blackface in plays, while others complained of being called “monkey” and the prevalent juxtaposition of Black Africans with apes and monkeys in theaters. My research on early Soviet children’s books up through the late 1930s reveals that, even in one of the most experimental periods in Soviet artistic production, Black people — specifically Africans — were often depicted as wild, animalistic figures far removed from modernity.

It was following the 1957 International Youth Festival in the Soviet Union that one could see the impacts of these depictions in Soviet children’s and popular culture. There were visible tensions between Soviet citizens and the Africans in their midst. African students recruited to study in the USSR received benefits and opportunities unavailable to Soviet people. They received stipends from the government, had more freedom of movement around and outside the Soviet Union, and could shop at foreign stores that were off-limits to most Soviets. Coupled with these privileges was the fact that foreign students from the global south often had different curricula from their Soviet counterparts, focusing on transferable skills they could implement when they returned to their home countries. Return was key in the eyes of Soviet officials. African students were not allowed to remain in the USSR for extended periods after completing their studies. In her essay describing her 1976 trip to the Soviet Union, the African American writer and feminist Audre Lorde noted the difference between her lodgings in a first-rate hotel and a shabby hostel where some African and Asian participants in a conference were housed.

So how did the Soviet Union get to the situation in December 1963 in which African students accused their Soviet hosts of racism and, worse, of killing one of their own? In accounts from the 1960s to the Soviet collapse in 1991, African students described carrying knives to protect themselves and being called racial slurs by their Soviet classmates. When Assare-Addo died, rumors swirled. African students alleged he was killed because of his interracial romance with a white Soviet woman. Such relationships were not unusual for the time. As Harold D. Weaver has written when detailing his experiences as a Black American in the Soviet Union in the 1970s, there were numerous sexual escapades between African men and Soviet women. This was one of the touchstones of racial strife between Soviets and Africans, particularly between men: the assumption that African men were taking white Soviet women (and most African students and residents in the Soviet Union were men). Clearly, anti-racist ideology reached its limits when it replicated long-standing Western stereotypes of Black men as violators of white women.

Interracial relationships and, worse, interracial sex, were stigmatized throughout and after the Soviet era. Research by the sociologist Charles Quist-Adade on mixed-race, Afro-Russian children in the late 1980s and early 1990s highlights the racist undertones of Soviet views of interracial romances between Soviet women and African men. His respondents and their white, Soviet mothers describe regular public and private hostility toward them. Soviet women who had romantic engagements with African men were called prostitutes and shamed by their families and communities.

Worse was the treatment of Soviet women who became pregnant with mixed-race children. Women reported being pressured to end their pregnancies or give up their children for adoption to make their lives easier. Soviet women generally were not allowed to follow their African partners to their homes on the African continent, so those who chose not to terminate their pregnancies were often forced to raise their children alone, with little social support.

Some heartbreaking testimonies include childhood ostracization in school, name-calling and feelings of rejection throughout their school years. Yelena Khanga, an Afro-Russian television presenter and producer, is known for her work on the early 2000s daily talk show “The Domino Effect.” In an interview with NPR, she shared her feelings of isolation and loneliness among her Soviet classmates. Her Russian boyfriend even referred to her as his “little monkey” as a racialized term of endearment.

Compounding these feelings of isolation were the continued depictions of Africans as wild and Africa as a dangerous place. A popular Soviet children’s cartoon from 1970, “Katorok,” features a song, “Chunga Changa,” which depicts Africans as jet-black, barely human figures who commune with wild animals while dancing. Worse, the song’s lyrics include a recitation of the stanza “chew coconuts and eat bananas.” What kind of feelings could these depictions engender toward Africans? Moreover, as waiting lines for basic consumer goods grew longer and few had access to foreign goods, the privileges of African students and visitors aggravated public hostilities against them. Ultimately, a general attitude of “how can these people come here and live better than we do, on our dime, when they are so underdeveloped and behind?” flourished.

The collapse of the Soviet Union in late 1991 represented a nadir for Africans living in the newly formed Russian Federation. Suddenly, they found themselves the unwanted guests of a government that no longer existed. They began to bear the brunt of anger about the Soviet system. Beatings, verbal assaults and murders of Africans, among other visible minorities, exploded. The 2010s were a harrowing period for any visible minority in Russia, as stabbings and physical assaults became commonplace in the major cities of Moscow and St. Petersburg. [Actually, the peak of this “harrowing period,” in St. Petersburg at least, was the late 2000s — trr.] Quist-Adade’s respondents described being harassed in the street and told they had AIDS because they were mixed-race (or had a mixed-race child).

Most recently, Africans and Afro-Russians have decried the racism and discrimination they face daily. From racial slurs to discrimination in housing, Black people struggle for equality in the Russian Federation. Lemekhani Nyirenda’s odyssey of studying in Russia, only to be accused of drug trafficking and sentenced to 9 1/2 years in a Russian prison, is the latest example of Black people’s hardships in Russia. That Nyirenda’s death occurred in Russia’s brutal campaign in Ukraine while Russia is courting additional African support is the culmination of the decades-long tension between ideology and praxis in the Soviet Union and Russia toward Africa and Africans.

The conception of Africans as representatives of “backward” countries needing Russian material aid has continued and flourished in the latter years of Vladimir Putin’s rule. Nyirenda’s death, allegedly as a member of the Wagner Group of Russian mercenaries, is ironic because it is this same group that has boots on the ground across the African continent, extracting precious minerals and resources at the expense of Africans.

The experiences of Africans and African Americans in the Soviet Union are often flattened into a single “Black” experience. However, African Americans were treated better than people from Africa and were respected by their Soviet counterparts as representatives of the United States, the USSR’s most significant competitor and a model of industrial modernity. Moreover, Africans were representatives of countries that were seen as the little brothers of the Soviet Union in the quest to decolonize and liberate the Third World. Africans were in the USSR to learn skills to improve their home countries, which were often depicted as wild and backward. Unfortunately, these assumptions about Black Africans led to Afro-Russians’ ostracization in the late Soviet era and beyond. From throwing bananas at Black soccer players to wearing Blackface in ballet performances, some of the worst stereotypes of Blackness continue to thrive in the Russian Federation. The collapse of the Soviet Union did not end one form of internationalism in which the Soviet Union and its successor, the Russian Federation, participated — which is that of global anti-Blackness.

Source: Kimberly St. Julian-Varnon, “The Racist Treatment of Africans and African Americans in the Soviet Union,” New Lines Magazine, 17 February 2023