Zoom vs. Zoom (Rospotrebnadzor vs. Side by Side)

Peter Gutnitsky
Facebook
November 16, 2020

In a nutshell.

Zoom Cafe has been shut down because the Side by Side LGBT Film Festival announced an online event on Zoom. And it is so easy to confuse us with an online platform.

Fake diners without [anti-covid] masks hired for 500 rubles, a deliberately false statement from the well-known [anti-gay] activist Timur Bulatov, ten police officers blocking the entrance, violations like “Where is the germicidal lamp? Here it is! And where does it say that it is a germicidal lamp?”, a plainclothes officer who refused to introduce himself, a printer that they brought with them to quickly print out the order and seal the front door. That’s all.

We look forward to the court hearing.

Screenshot of Zoom Cafe’s page on restoclub.ru

Rospotrebnadzor Closes Zoom Cafe After Receiving Complaint That Side by Side LGBT Festival Was Taking Place There. But It Was Taking Place on Zoom
Bumaga
November 16, 2020

Rospotrebnadzor has temporarily closed Zoom Cafe on Gorokhovaya Street in Petersburg due to non-compliance with social distance and other violations of the coronavirus regime, as reported by Fontanka.ru, citing the agency’s closure order.

The cafe was inspected by authorities following a complaint by anti-gay activist Timur Bulatov, cafe owner Pavel Shteynlukht told Bumaga. In his complaint, Bulatov wrote that Zoom Cafe was hosting the LGBT film festival, which minors could allegedly attend. (Bumaga has a copy of the complaint.)

Side by Side’s press service told Bumaga that they had discussed an information partnership with Zoom Cafe, but they had not been able to come to an agreement. The cafe was not a venue for the festival, which was moved online after its opening event was disrupted by police officers.

“Unfortunately, Zoom Cafe has suffered simply because the people who make complaints about us cannot tell the difference between discussions on the platform Zoom and the Zoom Cafe,” the festival’s press service said.

Earlier this month, Bumaga spoke with Side by Side founders Manny de Guerre and Gulya Sultanova, who talked about how the LGBT film festival came into being, how the law on so-called gay propaganda has affected it, and why the project had to be closed in Russia’s regions.

Translated by the Russian Reader

 

Before the opening of the 13th Side by Side LGBT Film Festival, Rospotrebnadzor officers accompanied by police came to the building where the event was to be held. They demanded that everyone leave the premises so they could “check for possible violations of the law.” The organizers claim that they had met all the sanitary and epidemiological requirements imposed by the authorities. A few days before the start of the festival, the police had already inspected the venue following a complaint by Russian MP Vitaly Milonov.

Source: Radio Svoboda, 12 November 2020

Free Yulia Tsvetkova!

https://www.freetsvet.net

SPREAD THE WORD. MAKE POSTS, SHARE, PUBLICIZE Yulia’s case. Yulia and her mother believe that publicity about their case will help them. Please share this information far and wide, especially with media outlets. When making posts on social media, use hashtags:

#заЮлю
#ямыЮлияЦветкова
#свободуюлецветковой
#свободуцветковой

Pornography Charges Target Feminist Artist

Yulia Tsvetkova is a 27-year-old artist from the city of Komsomolsk-on-Amur (far Eastern Russia). Yulia has been formally charged with illegally producing and distributing pornographic materials on the Internet (Paragraph “b”, Part 3 of Article 242 of the Criminal Code of the Russian Federation, punishable by up to six years of prison). These charges stem from her role as administrator of a feminist body-positive online community through social media. The page is called “The Vagina Monologues,” and features abstract depictions of female sexual organs and educational drawings women’s bodies. Pornography charges also stem from a series of body-positive drawings she made as part of a series entitled “A Woman is not a Doll.” Until recently, she was also the director of the Merak activist youth theater, which produced 9 plays under her direction.

Yulia was arrested on November 20, 2019 after which searches were carried out at home and at work. She was under house arrest from November 23, 2019 until March 16, 2020. She and her mother have been questioned over 30 times. While under house arrest, Yulia was denied access to necessary medical care. She and her mother have experienced months of harassment and death threats.

It is worth noting that the criminal investigation against Yulia was not the result of any complaints from youth or parents in her local community. Rather, she was targeted by St. Petersburg-based homophobic activist Timur Bulatov, who has a past criminal record and in his own words is engaged in a “moral jihad” against LGBT people and their allies by making complaints about them to law enforcement agencies. Bulatov has continued to harass Yulia and her mother, publish their home address, and call on his supporters to kill them.

According the Coalition to Free the Kremlin’s Political Prisoners, “art materials in Tsvetkova’s case cannot be recognized as pornographic. From our point of view and based on expertise of various experts who have examined the works, these materials are no more pornography than images of the genitals in the school anatomy textbook.” International human rights organizations have called for her release, and many individuals around the world are demonstrating on her behalf.

Yulia’s case will be tried in early July 2020. There is an urgent need for publicity of her case. All charges against Yulia Tsvetkova should be dropped and her case dismissed immediately.

Thanks to Darya Apahonchich for the heads-up and Nicole Garneau for this fantastic video and act of solidarity. You can read more about Yulia Tsvetkova on this ebsite. \\ TRR

tsvetkova-drawingYulia Tsvetkova, “A Family Is Where There’s Love” (courtesy of artist and RFE/RL)

Feminists vs. Police in Petersburg

2019-06-05-russia03-01-3

Police Show Up at Eve’s Ribs Feminist Festival in Petersburg
Mediazona
November 10, 2019

Police have shown up at the Eve’s Ribs Feminist Festival in Petersburg, human rights defender Varya Mikhaylova has informed Mediazona.

Mikhaylova reported that a uniformed male officer and a female plainclothes officer were in the festival space, and a police cruiser was parked next to the entrance. The male officer had asked festival organizer Leda Garina to show them the rental agreement and had inquired about the festival’s repertoire.

Mikhaylova added that the police visit had been triggered by a complaint filed by anti-gay activist Timur Bulatov.

“A performance of the play ’10 Scenes of Sexual Violence’ is scheduled for today,” Mikhaylova said. “[The police officers] want to stay and watch.”

garina policeEve’s Ribs Festival organizer Leda Garina and a police officer. This photo was posted yesterday on the festival’s VK page

Police Promise to Show Up Every Day of Feminist Festival Eve’s Ribs
Fontanka.ru
November 11, 2019

Police officers have visited the Skorokhod theater space, where the Eve’s Ribs international feminist art festival has been taking place. Festival co-founder Leda Garina told Fontanka.ru about the incident on November 11.

“The police officers told us they would monitoring the presence of minors at the festival,” Garina said. “They’re going to inspect the bar at the Skorokhod. And if we summon human rights defenders, the police will call in the guys in the masks, who will line us up against the wall, and then find a way to shut us down.”

As Garina noted, police had already been at the festival the previous day in response to a complaint by activist [sic] Timur Bulatov and had demanded Garina show them the lease agreement for the festival space.

“The police summoned the site’s managers, issued them an order to check the documents of visitors, and warned that they would come to the festival every day,” said Garina. “We’re afraid of provocations and really will be checking everyone’s IDs at the door. This is quite sad, however, because children face sexual abuse and lack of financial support from their fathers much earlier than the age of eighteen, but we cannot talk to them about it.”

Eve’s Ribs, an international festival of feminist theater, cinema, and performance art, runs from November 10 to November 17 in Petersburg. The main venues are the Skorokhod and the space run by the organizers, the social and artistic project Eve’s Ribs.

Thanks to Darya Apahonchich for the heads-up. First photo courtesy of The World. Translated by the Russian Reader

___________________________________________________

After decades in the shadows, Russia’s feminists grab their spotlight
Indra Ekmanis
The World
June 5, 2019

Russian feminists paraded a 13-foot-tall model vagina down the streets of St. Petersburg on May 1, 2018, without getting arrested. It was a big win.

“[Police] arrested only those who they have orders to arrest,” says Leda Garina, director of the Eve’s Ribs, a social, artistic, documentary and communication project devoted to the subject of gender discrimination. “But there were no vagina orders, so they didn’t know how to react.”

The giant vagina didn’t spark police action in 2018, but participants were not so lucky in 2019. Six Eve’s Ribs activists were detained.

In a country where the concept of feminism remains at best socially neutral and at worst a “mortal sin,” activists fighting for gender equality under the banner of feminism have to take success where they can get it. And it’s often fleeting.

“This year, one of the girls wore a vagina costume, and they made her take it off so right there in the middle of the May 1 parade, so she was walking basically naked in the middle of the parade and she was just showing everyone the finger,” says Garina, 37.

Activists like Garina and other women at Eve’s Ribs are working to unite people interested in feminism by bringing them together in a physical space. To that end, they opened Cafe Simona — a women-only workspace by day and event space by night.

“The idea was that here you can feel at ease, because in public spaces in Russia, men always bother you,” Garina says. “Men will always come up and ask, ‘What are you writing, what are you eating, what does it say on your shirt?’ It’s terrible.”

There’s a generational shift happening when it comes to feminism in Russia. Millennials and Gen Zers are online — many read English and have been exposed to the fundamental reasoning behind the concept of men and women being born equal. And after decades of repression under the Soviet Union, feminist activism is reemerging in today’s Russia.

“Officially, after the [1917 Russian] Revolution, all women’s rights were achieved, so therefore according to the Soviet system, feminism as a movement had no need to exist,” Garina says.

But the ideal of gender equality as espoused in Marxist doctrine was far from reality. Though equality was touted in principle after the Communist revolution and women’s education and literacy rates rose, in practice, it looked quite different. Female participation in the labor force was not free of gender gaps and didn’t translate into equality in domestic duties. Despite some strides (the Soviet space program had a woman cosmonaut decades before the US did), women were still largely expected to take on work in the home, care for children, and stand in long lines for food in addition to their “equal work” outside the home.

As the USSR was crumbling, feminism began to resurface as a more active movement. But when the Soviet Union did collapse in 1991, women faced new challenges.

“The next problem that women encountered was capitalism. Suddenly there was this new pressure where women became objectified,” Garina says. “This was not the case during the Soviet Union. This meant that women needed to look like super sexualized models in addition to doing all the housework.”

In the post-Soviet years, the main achievements of feminist activists has been “gradual conscious-raising,” pointing to issues that had rarely been in the public discourse previously, such as domestic violence, sexual harassment and discrimination against women and sexual minorities.

But these gains have sustained major blows. In 2017, the Russian State Duma, or lower house of parliament, eased penalties for perpetrators of domestic violence.

“The 2017 amendments symbolized a green light for domestic violence by reducing penalties for perpetrators, made it harder for women to seek prosecution of their abusers, and weakened protections for victims,” according to Human Rights Watch.

Studies suggest that at least one in five women face domestic violence, largely from partner abuse. The vast majority of such incidents go unreported — only about 3% make it to court. The 2017 law — sometimes dubbed the “slapping law” — allows first-time offenders against a partner or a child to be subject to a fine, rather than a criminal charge. It was also supported by the Russian Orthodox Church, which touts “traditional family values.”

The church has been vocally opposed to feminist groups. The band Pussy Riot was famously detained for a rebellious performance in Moscow’s Christ the Savior Cathedral, then found guilty of “hooliganism motivated by religious hatred” — directly linked, by the judge, to feminism.

Garina of Eve’s Ribs has been arrested more than once for her feminist work. But she says it won’t deter her.

“My personal goal, as a creative person and as a director, is spread the word about feminism,” she says. “Therefore it needs to be funny, controversial, sexualized, but we can’t just complain. We can always complain about domestic abuse and sexual abuse, but I think that if we don’t show that we can be aggressive, none of our complaints will be heard.”

Another prominent feminist activist, Zalina Marshenkulova, 30, has taken to social media to talk directly to people. Marshenkulova runs “Woman Power” — a channel on Telegram, a popular messaging app in Russia.

Her goal is to explain feminism to a mainstream Russian audience, but Marshenkulova is also known for a Russian Reebok ad campaign that sparked outrage with this slogan on Instagram:

“Don’t sit around hooked on male approval — sit on a man’s face.”

Reebok deleted the campaign, but later put the images back up, except for the controversial one.

Internet users shared screen grabs of the deleted ad.

“I think this ad was good for the Russian audience because if this ad were to run in this light, vanilla, Western style, which I don’t like — something like, ‘be strong, women are great’ — you know, the stuff you see in European ads, this doesn’t work at all here,” Marshenkulova says. “Basically whining and saying ‘let’s respect women’ — this doesn’t work here. This is not Europe, it’s not America.”

Still, Marshenkulova’s frank attitude toward Russian feminism has won her a lot of fans online — including men.

“Yes, I have very many male supporters,” she says. “They understand what I want and they understand the patriarchy kills men too, not only women.”

Marshenkulova, who grew up in a small town in Russia’s far north, says she was raised to “be modest, be quiet,” but it didn’t suit her personality.

“Since I was a kid, I’ve always been rowdy,” she says. “I have a strong personality, you can’t shut me up, you can’t tell me my place. My place is wherever I want it to be, so I try to pass this idea along to other women.”

As in politics, going against the status quo in Russia means taking on some risk. “Opinion makers in this country are always in danger,” Marshenkulova says. But change is happening — slowly.

“I think that one of the big victories for feminism happened just in the past two years,” she says. “Now feminists sometimes appear on television, and not too long ago we were completely invisible. It’s a big accomplishment for us that some channels started talking about feminism in a neutral tone as opposed to highly negative tone. In the past, it was all negative.”

Marshenkulova and Garina take different approaches to feminist activities in Russia, but they agree most activists are largely working toward the same goal.

“Some of them are radical and separatist — they want to work with women exclusively. Others are more liberal,” Garina says. “I believe that all of these movements are important and are moving in one direction because they all influence society. I am willing to work with everyone, women, men, animals, plants, as long as we actually cause some change.”