Welcome to Estonia

Welcome to Narva (Estonia)! This campaign billboard from the EKRE party (Conservative People’s Party of Estonia) claims (in Russian, not Estonian) that the party will “defend children from LGBT propaganda in kindergartens and schools.”

As the person who posted this on social media explains (in Estonian), among other things the billboard violates the country’s language laws, which dictate that all such ads include text in Estonian that is displayed just as prominently.

Nearly twenty-five percent of the Estonian population is “Russian” — that is, Russophones who moved to the country when it was occupied by the Soviet Union and their descendants. For good or for ill, many of these “accidental” colonizers never bothered to learn Estonian, and the language divide persists there to this day, exploited by nationalists on both sides of the border.

Although I believe that if you deliberately avoid learning the majority language in the country where you live, insisting on your right to speak only the language of the former colonial/occupying power, you are making a very pointed political statement. When it gets entangled with homophobia, etc., that statement becomes altogether obnoxious. Especially when it’s made on behalf of Estonian fascists.

Thanks to the ever-vigilant Raiko Aasa for the heads-up. ||| TRR

[EKRE] has also been labelled “far-right” by Kari Käsper, the Executive Director of Estonian Human Rights Centre, and in foreign media by BBC News and the Christian Science Monitor. According to Fox News Channel, EKRE is a far-right party, “considered by some to have Fascist-Neo-Nazi sympathies similar to many other flourishing nationalist parties in the Baltics and Eastern Europe.” The Simon Wiesenthal Center has called EKRE youth organization’s annual torchlight procession an “extreme right march.”

Death to F—-ts

“Death to faggots.” Photo courtesy of Baza via Mediazona

Performers at show in honor of Yaroslavl patriotic club’s 20th anniversary smash stage prop with the inscription “Death to faggots” using sledgehammer 
Mediazona
August 31, 2021

During a performance by the military patriotic club Paratrooper in Yaroslavl, the regional news website 76.ru has reported, the performers used a sledgehammer to smash a stage-prop brick inscribed with the phrase “Death to faggots.”

According to the website, a performance in honor of the club’s 20th anniversary was held at the Dobrynin Palace of Culture in Yaroslavl on August 29. The performers took their comrade, placed a prop shaped like a white brick, inscribed with the phrase “Death to faggots,” on him and smashed it with a sledgehammer.

Andrei Palachev, the head of Paratrooper, explained to 76.ru that the club members had been joking.

“The kids just decided to make a joke and drew this inscription at the last moment. Faggots have no business being in Russia at all. […] And why should [the performers] be punished? They just don’t like fudge packers, and I don’t like them either. The family should be traditional: a boy and a girl, and not all this faggotry,” Palachev said.

Igor Derbin, the palace of culture’s director, stressed that this part of the performance had not been vetted with him.

“We are outraged. Initially, the event was supposed to be pleasant and joyful. We weren’t expecting their stunt. It was not planned in advance or agreed upon, because they knew that we would not allow it. By doing what they did, they canceled all the good impressions made by the event,” he added.

Taras Sidorin, the head of the Yaroslavl branch of the veterans organization Defender, said that he had filed a complaint with the police about the incident. “We consider such outburst incitement to murder. […] There were small children in the audience. This behavior is simply unacceptable,” he said.

Translated by the Russian Reader

Yuma, Mila, Barcelona (The VkusVill Refugees)

Yuma’s Instagram “postcard” from Barcelona: “We are safe, we are resting. We cannot hide our happiness at being a family. Many THANKS to those who supported us, to those who dared to make themselves visible and express their support to us, and to those who supported us in person! Thanks to you, we have not given up! It was a difficult ordeal for all of us, we are all in rough psychological shape. But the sea, the sun and kindness are healing [us]) And we are still with you) and are ready to communicate. We are ready to tell you how it happened, what happened, and why) #wearenotamistake #vkusvill #familyequality

“We were left without work and without a home”: The young women from the deleted VkusVill ad have left Russia

ACCORDING TO ROSKOMNADZOR, UTOPIA IS A PROJECT OF THE NASILIU.NET [“NO TO VIOLENCE”] CENTER WHICH, ACCORDING TO THE JUSTICE MINISTRY, PERFORMS THE FUNCTIONS OF A FOREIGN AGENT

Why is this not the case?

Women featured in an ad for the VkusVill supermarket chain, which was removed due to homophobic threats, have left Russia for Spain. Yuma, the head of the family, has written about this on Instagram.

“We are safe, we are resting. We cannot hide our happiness at being a family. […] It was a difficult ordeal for all of us, we are all in rough psychological shape. But the sea, the sun and kindness are healing [us],” she wrote.

Yuma’s daughter Mila has asked [her Instagram] followers for help in finding a job. She writes that she can only work remotely, and receive a salary in euros. “Unfortunately, due to this difficult situation with VkusVill, we were left without work and without a home. […] Now my family and I really need to get settled in Barcelona, we are having a difficult time and we need friends, and maybe your friends’ friends or their friends will help us start a new life in Barcelona,” the post says.

Mila’s Instagram appeal for help finding a job

In late June, the supermarket chain VkusVill published photos of families who are their customers and their favorite products on its website and social networks. Among the photos was a family consisting of a mother, two daughters, and the wife of one of them. After the photos were published on Instagram, users divided into two camps: some called for a boycott of the store and threatened the company and the women with violence, while others supported the campaign.

Four days later, VkusVill deleted the photos, and an apology appeared in their place: “This page contained an article that has hurt the feelings of a large number of our customers, employees, partners and suppliers. We regret that this happened, and we consider this publication our mistake, which manifested the unprofessionalism of individual employees.” The apology was signed by Andrey Krivenko, the chain’s founder, and eleven top managers.

VkusVill’s Instagram apology, along with their image of a “proper” Russian family

The removal of the ad caused an even more violent reaction — users most often called it a “disgrace” and “support for homophobia.” Utopia published different opinions on the incident.

Source: Utopia, 3 August 2021. Thanks to Maria Mila for the heads-up. Translated by the Russian Reader

Queer Culture (Podcast)

Press release, July 7, 2021

In the Side by Side LGBT International Film Festival’s podcast Queer Culture, festival organizers and invited guests chat with the people creating Russian queer culture. These are cozy gatherings featuring conversations about queer and LGBT topics in literature, cinema, fine art, and art actionism.

The debut issue of the podcast is dedicated to a significant event in Russian literature — the release of the debut novel Wound by Oksana Vasyakina, the first novel published by a major Russian publisher in which lesbian topics are openly discussed.

Oksana Vasyakina. Courtesy of Side by Side Film Festival
We met with the writer and poet Oksana Vasyakina and discussed her book, how it has been received by different communities, the writer’s creative path, and her successes and difficulties on the road to recognition.

Episode #1 features:
Oksana Vasyakina, writer and poet
Ekaterina Kudryavtseva, moderator of the Telegram channel Like a Cultured Person, co-moderator of the Telegram channel Lesbian Lobby and the queer podcast Wide Open
Gulya Sultanova is an organizer of the Side by Side Film Festival

Listen to the podcast Queer Culture wherever is handy for you, subscribe to us on the following apps, and give us your likes!
Buy Oksana Vasyakina’s novel Wound [in Russian]
[Read an excerpt from Oksana Vasyakina’s poetry collection Wind of Fury]

All events and projects of the Side by Side Film Festival, including those online, are for adults only. 18+

Translated by the Russian Reader

The Naked Truth

I Am/We Are Yulia ||| Telegram ||| July 6, 2021

😡The ArtPlay Design Center in Moscow has reneged on its agreement to provide a venue for a performance in support of Yulia Tsvetkova.

Over the last month, negotiations had been underway with an ArtPlay staffer about staging a performance as part of the Naked Truth project. The performance’s organizers provided a press release, all the information requested by the venue, and layouts and diagrams of the upcoming performance. The venue agreed to host the event, and the performance was to be held in ArtPlay’s small auditorium on [July] 14. Performances about female physicality had previously been staged at this site, and ArtPlay is known in art circles as one of the most creatively liberal spaces.

The Naked Truth. Performance view. Courtesy of I Am/We Are Yulia Telegram channel

However, today, an organizer of the performance was [told that ArtPlay would not host the performance], since, according to the ArtPlay staffer, they “do not hold events with a political bent.”

This is not the first time that a major contemporary art center, well known for its liberal views, has turned down requests by artists to host events in support of Tsvetkova, most often by citing “political” motives and the “dangerousness” of her case.

The Naked Truth project has been in existence for a year. As part of the project, performances in support of Yulia Tsvetkova have been staged by respected and significant male and female artists from Moscow and Petersburg.

Translated by the Russian Reader

Recipes for Domestic Bliss

VkusVill removes ad featuring queer family, apologizing to customers and suppliers for “hurt feelings”
Takie Dela
July 4, 2021

The retail chain VkusVill has apologized for an advertisement featuring a queer family. The company’s press release notes that the deleted piece “hurt the feelings of a large number of our customers, employees, partners and suppliers.” In the release, which was signed by company’s founder and its regional managers, the advertisement was dubbed a “mistake that manifested the unprofessionalism of individual employees.”

On June 30, VkusVill published on its website the story of a family consisting of a mother and two daughters [sic], one of whom is engaged to a young woman [sic]. In addition, the “Consumer School” section contained stories from other customers of the store: a woman who lives with a dog, a couple without children, a large family, and a single mother. They talked about themselves and their favorite VkusVill products.

After the advertisement was published, VkusVill and the queer heroines of the article began to receive threats.

Roman Polyakov, the manager of the store’s content factory, told Takie Dela that the store’s employees regularly touch on hot-button topics, including the problems of refugees, people with autism, and people with Down syndrome, and the topic of garbage recycling. He told Takie Dela that VkusVill valued examining issues from different sides.

He added that “it would be untrue” to say that there are no such families among VkusVill’s clients, so he had decided to include [the queer family] in the feature.

According to Polyakov, employees of the content factory consulted with lawyers on how to correctly submit information about LGBT people from the legal point of view, and also discussed with smm specialists and hotline employees how to react to customer dissatisfaction.

Translated by the Russian Reader

_________

A screenshot of the page containing VkusVill’s abject apology to violent Russian homophobes for their queer-positive ad. The page is entitled “Recipes for Domestic Bliss.”

This page contained an article that has hurt the feelings of a large number of our customers, employees, partners and suppliers.

We regret that this happened, and we consider this publication our mistake, which manifested the unprofessionalism of individual employees.

Our company’s goal is to enable our customers to receive fresh and delicious products every day, not to publish articles that reflect political or social views. In no way did we want to become a source of discord and hatred.

We sincerely apologize to all our customers, employees, partners and suppliers.

Respectfully,

Andrey Krivenko, Founder
Valera Razgulyaev, Information Manager
Alyona Nesiforova, Unified Concept Manager
Yevgeny Kurvyakov, Development Manager
Yevgeny Rimsky, Quality and Procurement Manager
Tatyana Berestova, Regional Manager
Lyubov Frolova, Regional Manager
Renata Yurash, Regional Manager
Svetlana Lopatina, Regional Manager
Larisa Romanovskaya, E-Commerce Manager
Kirill Shcherbakov, Micromarket Department Director
Maxim Fedorov, Order Manager

Source: VkusVill website. Translated by the Russian Reader

_________

VkusVill’s ad spotlights a “matriarch,” her partner and two daughters who practice ethical veganism, support fair trade and provide shelter to LGBT people in need. Image: VkusVill Natural Products/Facebook/Moscow Times

Russian Food Retailer Defies ‘Gay Propaganda’ Law With LGBT Family-Featuring Ad
Moscow Times
July 2, 2021

Russian organic food retailer VkusVill has featured an LGBT family in its new promotional material this week, defying the country’s law against “gay propaganda toward minors.”

As part of a series of health-conscious families, VkusVill spotlights a “matriarch” Yuma, her partner Zhenya and two daughters Mila and Alina, who practice ethical veganism, support fair trade and provide shelter to LGBT people struggling to find acceptance in their own families.

“We believe not featuring the families of our real customers would be hypocritical,” VkusVill said, warning readers to “weigh all the pros and cons” before continuing further.

The popular retail chain marked its June 30 promotional piece with an “18+” label to comply with the anti-LGBT propaganda law.

“Family is blood ties or a stamp in a passport. Let’s rethink this. In the 21st century, it’s primarily people who love us, those who will always shield us, people with whom we go through life together,” the promotion says.

Law enforcement authorities, who usually file misdemeanor charges against violators — the most recent of which were the authors of a Dolce & Gabbana Instagram ad showing kissing same-sex couples — have not yet commented on VkusVill’s publication.

Notorious anti-gay St. Petersburg lawmaker Vitaly Milonov took to social media to condemn the “pagan” ad.

Other social media users — which the MBKh Media news website reported swarmed VkusVill’s social media after a notorious anti-LGBT hate group reposted the article — posted threats against the chain.

Western countries and human rights activists have criticized Russia’s 2013 “gay propaganda” law as well as 2020 constitutional changes that contain a clause defining marriage as between a man and a woman only.

_________

yumalevel
Perhaps the most important thing to our family is care and acceptance. And we also fiercely protect each other and all support each other as much as possible. And we also try to help others. And today @vkusvill_ru posted a piece featuring us, and I’m amazed at how much support I saw there!!! “Others” are not so different at all))) it turns out that we are all our kind!!!

I love you! Kind, caring, accepting, gutsy, brave, making the world a world)
💞 💞 💞 💞 💞 💞 💞

Source: Instagram/Moscow Times. Translated by the Russian Reader

The Russian National Guard Has Canceled Your Yulia Tsvetkova Solidarity Film Screening

Flacon Design Factory in Moscow. Photo courtesy of Popcornnews.ru

Russian National Guardsmen Disrupt Screening of Film in Support of Yulia Tsvetkova at Flacon Design Factory in Moscow
MBKh Media
September 15, 2020

Russian National Guardsmen have come to the Flacon Design Factory in Moscow and stopped a screening of the [2014 documentary] film Vulva 3.0, an event planned in support of the activist Yulia Tsvetkova. The screening’s curator, Andrei Parshikov, reported the incident to MBKh Media.

According to Parshikov, Petrovka 38 [Moscow police headquarters] had received an anonymous call that so-called propaganda of homosexualism [sic] would take place during the event.

“First, Petrovka 38 got an anonymous call, and then the local police precinct was informed about the call. The precinct commander came to Flacon and said that things looked bad. We told him about the movie. He said that while he understood everything, he couldn’t help us because since Petrovka 38 had received the call, a detachment would be dispatched in any case and they would shut down the screening. The only solution, he said, was to give the local police a screening copy of the film so they could that could look at it and make sure it checked out, but he still could not promise anything. We said, Okay, we’ll give you a screening copy, and we’ll postpone the screening,” Parshikov said.

Subsequently, around twenty Russian National Guardsmen arrived at Flacon. They are patrolling the premises and making it impossible to screen the film.

UPDATE (8:24 p.m.)

The screening of the film has been canceled for today, curator Andrey Parshikov has informed MBKh Media. According to him, the Russian National Guardsmen are still at Flacon. Parshikov added that the film would be sent for a forensic examination tomorrow.

Yulia Tsvetkova is an activist from Komsomolsk-on-Amur. In November 2019, she was charged with “distributing pornography”(under Article 242.3.b of the Russian Criminal Code) over body-positive drawings she published on Vagina Monologues, a social media group page that she moderated. Due to pressure and harassment, she had to close the Merak Children’s Theater [which she ran with her mother].

Law enforcement authorities began their criminal inquiry into Tsvetkova after two criminal complaints were filed against her by Timur Bulatov, who runs the homophobic social media group page Moral Jihad, which mostly publishes threats, insults, and Bulatov’s own derogatory monologues about gays.  [Bulatov] informed the police that Tsvetkova was distributing pornography.

Tsvetkova was subsequently also charged with several administrative offenses for “promoting non-traditional sexual relations” on her personal page on VK and the group pages Komsomolka: Intersectional Feminism and The Last Supper: LGBTQIAPP+on-Amur | 18+.  Tsvetkova was convicted on these charges and fined.

Thanks to Maria Mila for the link. Translated by the Russian Reader

Yulia Tsvetkova: “Cuando empezamos a tocar temas relacionados con el feminismo o LGBT inició un tsunami de odio y amenazas”

 

La activista feminista rusa Yulia Tsvetkova. Foto: Cedida por Yulia Tsvetkova.

Yulia Tsvetkova: “Cuando empezamos a tocar temas relacionados con el feminismo o LGBT inició un tsunami de odio y amenazas”
Jose Ángel Sánchez Rocamora y Alona Malakhaeva
El Salto
11 septembre 2020

Yulia Tsvetkova, profesora de arte, feminista y defensora del colectivo LGBTI de una ciudad pequeña de Rusia ha sido acusada de delitos penales al publicar dibujos reivindicativos calificados de “pornografía y propaganda de relaciones sexuales no tradicionales entre menores”. Su caso es un ejemplo mas de la represión y los constantes montajes jurídicos del gobierno ruso contra las activistas. Actualmente se encuentra a la espera de distintos juicios por los que la acusación pública le pide más de siete años de prisión.

Mientras la entrevistamos nos cuenta que le han obligado ha firmar una clausura de no divulgación de información sobre el desarrollo de la investigación judicial por lo que no hemos podido hacerle más preguntas al respecto.

Te han abierto diligencias penales por “distribución de material pornográfico” sobre tu grupo de la red social VK “Los monólogos de la vagina”, pero realmente, ¿qué contenido tenía el grupo?

Toda la historia alrededor de este grupo está llena de mitos. En el grupo publicaba imágenes artísticas con alusiones a órganos femeninos, además no son mis dibujos: son obras de diferentes artistas, en su mayoría mujeres, a veces muy famosas, de todo el mundo. El grupo existió durante un año y medio y tenía 100 suscriptoras, lo había creado después de leer la obra de teatro, me sentí muy identificada porque también he sido víctima de violencia sexual. Así que decidí sacarlo a nivel informativo para compartir con los demás.

Ahora tus dibujos del proyecto “La mujer no es una muñeca” se han vuelto famosos, incluso fuera del país, ¿pensabas que iban a provocar tanta reacción en Rusia?

Sinceramente era un proyecto muy pasajero, ni siquiera lo consideraba como tal. Son una serie de bocetos rápidos sobre el tema body positive, movimiento para la aceptación del cuerpo, que publiqué en mi perfil de VK. ¿Por qué provocaron tanta reacción en Rusia? No lo sé. Los han enviado dos veces al peritaje para confirmar que contenían elementos pornográficos.

El peritaje oficial es un proceso muy complejo, burocráticamente complicado y costoso. El dinero para realizar este peritaje proviene del presupuesto estatal, de nuestros impuestos. Y todo por seis dibujos tan simples. Tengo otros proyectos artísticos mucho más importantes. Así que tanta atención hacia estos dibujos significa que es un tema muy sensible ahora en Rusia. Yo lo relaciono con la educación cultural y social en Rusia. Si una persona conoce por lo menos algo de historia de arte, ha visto algunos cuadros, ha visitado museos, es difícil que le indigne que el cuerpo humano esté desnudo o no, porque el arte se basa en él, aparte de otras cosas. Pero si uno vive en Komsomolsk del Amur, donde sólo tenemos un museo dedicado a los exploradores y colonos de la taiga, ¿de dónde va a sacar esta visión de la belleza y normalización del cuerpo?

Los investigadores, los policías, los jueces, los administradores en su mayoría son hombres que están acostumbrados a la percepción sexualizada del cuerpo femenino. Vas por la calle y ves un montón de publicidad con mujeres semidesnudas, con eslóganes sexistas, una publicidad que están prohibiendo ya en muchos países, pero en Rusia no. Para ellos es algo “normal” ya que están acostumbrados a ver el cuerpo de esta manera. Luego ven mis dibujos y ven un cuerpo que no está para su consumo entonces lo entienden como un desafío contra su normalidad, por eso lo ven como pornografía. Otro objetivo podría consistir en incriminarme un delito vergonzoso para darme una mala imagen a pesar de que saben perfectamente que mis dibujos no contienen pornografía.

Actualmente, ¿qué investigaciones hay en contra tuyo y qué delitos supondrían?

Una investigación penal sobre “pornografía” y varias investigaciones administrativas por propaganda de valores no tradicionales entre menores de edad. Algunos de los dibujos son de apoyo a familias diversas, incluso varios de estos no son míos, es por publicarlos en mi perfil de VK. Ya he pagado dos multas de 100.000 rublos en total, aproximadamente 1.200 euros. Aunque creo que las administrativas sirven más para alimentar la acusación penal porque cuentan como agravante para el juez, o sea para atestiguar que soy reincidente múltiple. En realidad, debería de haber más investigaciones contra mí, porque hubo más denuncias, tres o cuatro sobre extremismo, propaganda y pornografía, pero menos mal no han prosperado.

“Las mujeres no son muñecas”, dibujos de Yulia denunciados por contener pornografía.

Komsomolsk del Amur es una ciudad pequeña de 270.000 habitantes donde promover iniciativas sociales es muy distinto en comparación con Moscú o San Petersburgo, a parte del activismo en redes sociales ¿realizabas otro tipo de actividades sociales donde también hubo represión?

Sí, principalmente en el arte comunitario y mi objetivo siempre fue hacer algo al respecto en mi ciudad. Es verdad que hay mucha diferencia entre Moscú y Komsomolsk del Amur: ésta es una cuidad lejana, aislada, rodeada de taiga donde sólo hay una carretera que acaba en Komsomolsk y tardas seis horas para llegar hasta el aeropuerto mas cercano. Aquí no hay ninguna organización social ni activismo de ningún tipo. El principal problema es la fuga de la juventud, es decir, los que pueden irse, se van, la juventud, la gente que tiene un pensamiento más crítico o que tiene ideas más allá de lo tradicional. La mayoría vive pensando que en Komsomolsk no se puede hacer nada. Es el pensamiento que yo quise cambiar, así es como surgieron talleres feministas, el teatro activista “Merak” y el centro social comunitario. Es decir todo lo que hicimos tenia implícito el mensaje de “¿por qué no?”. ¿Quién dijo que por ser una ciudad pequeña no se necesita un espacio comunitario? Al revés, es muy necesario.

Estos proyectos sociales los montaba yo sola o con la ayuda de mi madre y con un colectivo de niñas, niños y adolescentes de unos 12-17 años. Eran actividades teatrales, de ecología o de urbanismo social, por ejemplo, hicimos unas esculturas que llamaban la atención al problema de la contaminación en la ciudad, casi todo era educativo, era el único espacio social que había. También teníamos programas dirigidos a la orientación laboral. Dedicábamos mucho tiempo al arte, exposiciones, ferias, expresión artística, todo por supuesto desde una lógica asamblearia y autogestionada, el centro funcionó durante casi dos años incluso un par de meses después de la apertura de las investigaciones penales contra mí.

¿Cómo fue recibida la iniciativa de crear el centro social?

La primera reacción fue muy positiva porque tenía el apoyo de mi madre que llevaba más de 20 años trabajando en un centro educativo. Es decir, tenía personas que me apoyaban y que tenían una visión más abierta. El teatro, por ejemplo, arrancó muy rápido, enseguida hicimos espectáculos en el teatro municipal, el mayor escenario de la ciudad. Los medios de comunicación hablaban muy bien de nosotras, como la ciudad es muy pequeña, cualquier actividad distinta llama mucho la atención, así que en un par de meses empezó a seguirnos mucha gente.

Más tarde empezamos a tocar temas relacionados con el feminismo o LGBTI, esto provocó un tsunami de odio y amenazas tanto en redes sociales como en persona, un ejemplo fue cuando intentamos hacer la primera cafeta feminista no mixta, sobre todo por el anuncio que ponía que la entrada era únicamente para mujeres, que es lógico en este tipo de eventos.

Las principales dificultades comenzaron con el festival de teatro “Flor de Azafrán” que organizaste, en concreto por uno de los espectáculos llamado “Rosas y Azules”. ¿Qué es lo que sucedió?

Es cierto que los problemas empezaron por el festival, a pesar de que no sabemos exactamente qué sirvió de detonador para todo el escándalo, ya que teníamos varios espectáculos que tocaban temas sociales como la obra sobre los estereotipos de género que por casualidad se llamaba “Rosas y Azules” (en ruso estos colores aparte de ser colores esteriotípicos de los dos géneros son eufemismos para las palabras “lesbiana” y “gay”), o el que tenía un mensaje antimilitarista donde se dejaba claro que el eslogan oficial “¡Podemos repetir!” del día de la Victoria en la segunda guerra mundial (una de las fiestas principales en Rusia) es totalmente nefasto ya que representa la guerra como algo deseable.

El antimilitarismo siempre era y sigue siendo uno de los temas principales del centro social comunitario.

Komsomolsk fue la capital del Gulag en el Lejano Oriente. Es la mayor parte de la historia de toda la ciudad, pero respecto a esto hay un problema con la memoria histórica, todos fingen que aquí no ha pasado nada. Entonces me sigo preguntando ¿cuál es la obra que les pareció más peligrosa? ¿Una conversación sobre el autoconocimiento o una reflexión sobre la paz y la no violencia? A lo mejor las dos cosas juntas. Puede ser que les haya asustado el hecho de que hubiéramos tenido esta iniciativa, incluso en la administración cuando me reprendieron sobre lo ocurrido, me preguntaron justo eso, ¿para qué había que organizar nada? Pero sí, puedo afirmar que este ha sido el punto de no retorno, a partir de aquel momento me llaman para que acuda a la comisaría cada dos por tres aunque lo que más me ha indignado fue cuando los policías empezaron a hacer preguntas a las y los niños del teatro.

Después de todo lo ocurrido aún hay personas que todavía me siguen apoyando mucho pero también hay otras que repiten la opinión de la mayoría y si la sociedad nos juzga por lo que hacemos ellas también estarán en contra. Por otro lado la censura es muy fuerte y la opinión pública se somete mucho a la opinión del gobierno.

Un día entraron al instituto, sacaron a una niña de su clase y la interrogaron entre cinco personas durante tres horas, amenazando con qué no iba a acabar la secundaria, le preguntaron sobre LGBT y feminismo, a los demás niños les pasó lo mismo.

¿Cómo interrogaron a menores de edad?

Sin ninguna denuncia, sin orden judicial, fue completamente ilegal, ni siquiera tenían el consentimiento de los padres. Un día entraron al instituto, sacaron a una niña de su clase y la interrogaron entre cinco personas durante tres horas, la tenían sin comida, sin poder llamar a sus padres, amenazando con qué no iba a acabar la secundaria, le preguntaron sobre LGBT y feminismo, a los demás niños les pasó lo mismo, la mitad de ellos escucharon por primera vez esta abreviatura. Al final hicimos el festival cerrado para los padres donde grabamos un vídeo y luego lo mostrábamos en otros festivales o centros sociales de Rusia. A pesar de que lo hicimos así, la policía apareció en las presentaciones por las denuncias de los homófobos, para buscar a menores de edad, a pesar de que los eventos eran para mayores de 18 años.

¿Quienes te han amenazado?

Muchas veces Timur Bulatov (uno de los mayores activistas homofóbos de Rusia que trabaja en la creación de denuncias falsas y montajes judiciales, autoproclamado “yihadista moral” y creador de la página “LGBT CRIMINAL” donde publica datos personales de activistas), SERB (colectivo de ideología nazi ruso-ucraniano), PILA, (organización de “cazadores” LGBT, presuntos asesinos de la activista Yelena Grigórieva) y el Estado Masculino (organización nacionalista y misógina).

¿Has tenido apoyos en Rusia?

Sí, he tenido muchos, sobre todo del Centro Social LGBT de Moscú, la Red LGBT Rusa, la organización social Costillas de Eva y la de memoria histórica, “Memorial”, me ha reconocido como presa política. También Amnistía Internacional me ha dado mucho apoyo mediático y me han concedido el premio Freedom of Expression de Index on Censorship, cuando estaba bajo arresto domiciliario, esto tuvo mucho significado porque la otra vez que lo dieron en Rusia fue a la periodista asesinada Anna Politkóvskaya. Aunque para mí el más importante ha sido el de activistas independientes, ya que en Rusia manifestarte sola es muy peligroso a pesar de que es legal, de hecho, la única forma legal de manifestarse es individualmente.

Otra de las formas de solidaridad han sido las campañas mediáticas en redes sociales, algo totalmente nuevo para Rusia, en donde he podido ver no sólo como me apoyaban, sino como repetían mis ideas sobre body positive, feminismo o LGTB. Hace dos años no me habría podido imaginar que se hablara a nivel nacional tanto sobre esos temas y que no fuera para juzgarlo o condenarlo. Hay que tener mucho coraje para organizarlo porque pronunciarse a favor es muy peligroso, durante la manifestaciones en contra de mi proceso judicial aparecieron miembros del grupo homófobo ultraortodoxo “Sórok sorokov” y atacaron e insultaron a las feministas, la policía en vez de detenerlos o impedir la violencia detuvo a todas las mujeres que se estaban manifestando. La violencia policial aquel día sorprendió hasta a las activistas más experimentadas.

¿Cuáles son tus expectativas de cara al futuro?

Todos esperan algo de mí, pero yo ya no espero nada. En este sentido me siento muy pragmática ahora, estoy preparando mi defensa en el juicio, intentando mantener las emociones al margen. Sé que es importante seguir hablando de mi situación para demostrar cuánto falta hacer todavía respecto a la aceptación del cuerpo femenino y a la libertad de sexualidad de las mujeres. Es importante que se sepa que un país que se supone que es democrático, está dispuesto a encarcelar a una mujer por aceptar su cuerpo. Ésta ya es una pequeña pero gran victoria, sobre todo que la gente entienda que no son temas vergonzosos y sucios, que el cuerpo de una no es pornografía.

Gracias a Maria Mila por publicar este artículo en Facebook. // TRR

What the Flowers Would Say

Urodiny
Facebook
July 29, 2020

Protest Botany

What would the flowers say if they could? They would demand the release of Yulia Tsvetkova, of course! The reproductive organs of all living beings are important and worthy of respect, and disseminating information about them is not a crime. This is clear to everyone, from the youngest begonia tubers to the huge redwoods. The time has come for people to understand this. And if, instead of persecuting female activists, the law enforcement agencies of the Russian Federation would take up gardening, how pretty the world would be! Elect a Scotch marigold president and begonias to parliament! Grow your own gardens! Leave others alone! Free Yulia Tsvetkova!

ur-1Caution! Your children could see the sexual organs of these French marigolds!

ur-2These daisies demand an end to the persecution of Yulia Tsvetkova!

ur-3These nettles support sex education for children, adults, and police officers.

ur-4You can use the stamens and pistils of these lilies explain to children where they came from and not go to prison for it.

ur-5These smart violets know that a schematic drawing of a vulva is not pornography.

ur-6These Scotch marigolds insist that you should plant flowers, not jail female artists.

ur-7These petunias permit you to seek and disseminate information about the female reproductive system.

Yulia Tsvetkova’s surname is based on the Russian word for “flower,” tsvet. You can read more about the Putinist state’s case against her and join the international solidarity campaign that has arisen in her defense at Free Yulia Tsvetkova. Thanks to Darya Apahonchich. Translated by the Russian Reader 

Free Yulia Tsvetkova!

https://www.freetsvet.net

SPREAD THE WORD. MAKE POSTS, SHARE, PUBLICIZE Yulia’s case. Yulia and her mother believe that publicity about their case will help them. Please share this information far and wide, especially with media outlets. When making posts on social media, use hashtags:

#заЮлю
#ямыЮлияЦветкова
#свободуюлецветковой
#свободуцветковой

Pornography Charges Target Feminist Artist

Yulia Tsvetkova is a 27-year-old artist from the city of Komsomolsk-on-Amur (far Eastern Russia). Yulia has been formally charged with illegally producing and distributing pornographic materials on the Internet (Paragraph “b”, Part 3 of Article 242 of the Criminal Code of the Russian Federation, punishable by up to six years of prison). These charges stem from her role as administrator of a feminist body-positive online community through social media. The page is called “The Vagina Monologues,” and features abstract depictions of female sexual organs and educational drawings women’s bodies. Pornography charges also stem from a series of body-positive drawings she made as part of a series entitled “A Woman is not a Doll.” Until recently, she was also the director of the Merak activist youth theater, which produced 9 plays under her direction.

Yulia was arrested on November 20, 2019 after which searches were carried out at home and at work. She was under house arrest from November 23, 2019 until March 16, 2020. She and her mother have been questioned over 30 times. While under house arrest, Yulia was denied access to necessary medical care. She and her mother have experienced months of harassment and death threats.

It is worth noting that the criminal investigation against Yulia was not the result of any complaints from youth or parents in her local community. Rather, she was targeted by St. Petersburg-based homophobic activist Timur Bulatov, who has a past criminal record and in his own words is engaged in a “moral jihad” against LGBT people and their allies by making complaints about them to law enforcement agencies. Bulatov has continued to harass Yulia and her mother, publish their home address, and call on his supporters to kill them.

According the Coalition to Free the Kremlin’s Political Prisoners, “art materials in Tsvetkova’s case cannot be recognized as pornographic. From our point of view and based on expertise of various experts who have examined the works, these materials are no more pornography than images of the genitals in the school anatomy textbook.” International human rights organizations have called for her release, and many individuals around the world are demonstrating on her behalf.

Yulia’s case will be tried in early July 2020. There is an urgent need for publicity of her case. All charges against Yulia Tsvetkova should be dropped and her case dismissed immediately.

Thanks to Darya Apahonchich for the heads-up and Nicole Garneau for this fantastic video and act of solidarity. You can read more about Yulia Tsvetkova on this ebsite. \\ TRR

tsvetkova-drawingYulia Tsvetkova, “A Family Is Where There’s Love” (courtesy of artist and RFE/RL)