A multifaceted portrait of lifelong Kremlin propagandist and relentless self-promoter Vladimir Pozner in his ninetieth year, with guest appearances from several useful idiots.

The director general of Russia’s Channel One, Konstantin Ernst, announced on Wednesday, 18 September, the return of TV presenter Vladimir Pozner to the air after a long break with a new show called Turkish Notebook. Pozner’s eponymous program stopped airing on Channel One after the start of Russia’s full-scale invasion of Ukraine.
On 12 September, in an interview with Forbes, the journalist said that he had been offered jobs by western TV channels, but declined because he had been asked to “speak out about Putin and politics in a certain way.” After the interview, Putin’s spokesman Dmitry Peskov called Pozner “a staunch patriot of his country.”
Pozner first spoke out about Russia’s war against Ukraine in February 2023 at an online conference at the U.S.-based Ubiquity University. At the time, he acknowledged the Russian president’s responsibility for invading Ukraine, but also accused the west of seeking to expand NATO and said that U.S. President Joe Biden had allegedly been “seeking a conflict” with Vladimir Putin.
Source: Liza Lambrecht, “Channel One Announces Pozner’s Return to the Airwaves,” Deutsche Welle Russian Service, 18 September 2024. Translated by the Russian Reader
This Summit on Ukraine is being convened on the first anniversary of the Russian military operation into Ukraine to secure a land bridge to Crimea which was launched Feb 24, 2022. The Ukraine war has actually been going on since 2014 when the United States staged a coup in Ukraine to overthrow a regime maintaining Ukraine as a neutral nation and replacing it with a regime that was anti-Russian and pro-US which immediately began waging war against the Donbas region in eastern Ukraine where the population is 80% Russian. In response, the Russians armed the local populations and seized Crimea. Military conflict has been going on since then and continues to the present day.
What is distinctive about the war in Ukraine is that it is between the two superpowers — The [sic] US and Russia — both of which are armed with nuclear weapons and both of which have threatened to use them. The world is thus in the most dangerous period since the Cuban missile crisis of 1962 when the US and Russia almost went to nuclear war. What is also distinctive is that the war is being conducted as the world faces runaway climate change and there is an urgent necessity for the US to be working with the Russians to solve critical global challenges.
This Summit is being co-sponsored with Code Pink, a feminist grassroots organization working to end U.S. warfare and imperialism, support peace and human rights initiatives, and redirect resources into healthcare, education, green jobs and other life-affirming programs.
Moderators:
Jim Garrison, Convener of Humanity Rising, with Jodie Evans, Co-Founder of Code Pink
Special Guests:
Vladimir Posner [sic] is a veteran journalist, bestselling author, and documentary filmmaker. He is the host of the top-rated weekly current affairs program on Channel One, Russia’s largest television network. Named the “Voice of Moscow” by CNN, Pozner is a regular commentator on Russia and the history of the Cold War in Western media. Mr. Pozner has won multiple Soviet, Russian, and American awards, including three Emmy certificates, ten TEFY [sic] awards (the Russian equivalent of the Emmy) and several international awards. He is internationally recognized and ranks among the most respected people in the television profession in Russia today.
[…]
Veteran Soviet-Russian journalist Vladimir Pozner is set to return to state television more than two years after his long-running program was taken off the air following Russia’s full-scale invasion of Ukraine, Russian media reported Wednesday.
Pozner, 90, had hosted his weekly interview show “Pozner” on Channel One since 2008, but it was canceled shortly after the February 2022 invasion. He later claimed Channel One pulled the program in order to make room for war coverage.
Although Pozner has not publicly taken a stance on Russia’s invasion, he has suggested that western refusal to block Ukraine’s NATO ambitions played a role in the conflict’s escalation.
Channel One head Konstantin Ernst announced Monday that the network’s fall season lineup would include Pozner’s new show, “Turkish Notebook,” as reported by the RBC business news outlet.
Pozner said in an interview with Forbes Russia last week that his production team completed an eight-episode documentary series on Turkey, which they submitted for Ernst’s approval.
Unlike his former interview program, which had featured guests from former U.S. Secretary of State Hillary Clinton to current Russian Security Council Head Dmitry Medvedev, Pozner’s new project appears to steer clear of political issues, similar to his live events across Europe this year, co-hosted by former late-night talk show host Ivan Urgant.
In the Forbes interview, Pozner said he had received offers to work abroad if he denounced President Vladimir Putin and spoke out on Russian politics. He declined, stating that such actions “are not journalism, but something else entirely.”
Pozner gained international recognition during the Cold War for his TV appearances, where he often explained Soviet policies and viewpoints to Western audiences. During perestroika, he hosted televised discussions between audiences in the Soviet Union and the U.S. together with American journalist Phil Donahue, who passed away last month.
Source: “Vladimir Pozner to Return to Russian State TV After 2-Year Hiatus,” Moscow Times, 18 September 2024
AMSTERDAM — A live event headlined by two Russian television celebrities has sparked controversy in the Netherlands, with critics decrying the presence of what they call Russian propagandists on European stages during Moscow’s war on Ukraine.
Veteran Channel One host Vladimir Pozner and late-night talk show host Ivan Urgant’s European tour, called “The Travels of Pozner and Urgant,” kicked off in Amsterdam on Tuesday and will be followed by stops in Zurich, Berlin and Frankfurt.
The show is described as an evening with the two men, who co-hosted several travel shows, as they reflect on stories from their trips around the world.
Though billed as an apolitical event, politics has overshadowed much of the discussion surrounding it.
Critics have slammed the Amsterdam theater for hosting “Russian propagandists” and allowing them to profit by performing in Europe, calling it a “stab in the back” of the tens of thousands of Ukrainians who fled to the Netherlands because of Moscow’s invasion.
Others say that banning events based on politics would be stooping to the level of the Kremlin, which has silenced independent journalists, activists and artists inside Russia.
Around 25 protesters, several of whom wore Ukrainian flags around their shoulders, stood outside Theater Amsterdam in the rain as attendees arrived, shouting slogans like “Shame on you,” “Russians go home,” “Russia is a terrorist state” and “Russian propaganda kills.”
“I think you can hear why,” said Anna, a young woman from Ukraine who has been living in the Netherlands for two years, when asked why she was at the protest.
“We have to stop… Russian propaganda because it’s dangerous,” she said. “It’s important not only for Ukraine, but it’s important for everybody. Because it’s a really abusive country.”

In the theater lobby before the sold-out show, some attendees took photos of protesters through the glass windows. Others could be heard discussing the news over glasses of sparkling wine.
“I was surprised at how our [fellow attendees] reacted — they looked away [from the protesters]. I looked right at them,” said Alisa, a Russian emigre who was going to the show with her friend.
“Many of the people who came to the show do not support the war, and we have a negative view of the war, of course,” she said. “The aggression in the crowd was frightening. We had fingers pointed at us and such. It’s good that there are police here.”
On the first day of Russia’s full-scale invasion of Ukraine, Urgant, who is often likened to U.S. late-night talk show host Jimmy Kimmel, posted a black square to his Instagram account with the caption “Fear and pain. No to war.”
Although his show was taken off the air almost immediately afterward, he has since remained silent about the war. He did not respond to the Moscow Times’ request for comment.
Pozner, meanwhile, rose to fame in the West during the Cold War for his television appearances where he would explain the Soviet Union’s views and policies, a role he would later describe as “propaganda.”
His interview show on Channel One, which was watched by millions and often compared to “Larry King Live,” stopped airing after the invasion of Ukraine. He later said this was a move by the channel to make room for coverage of the war.
In a 2016 debate with Kremlin critic Alexei Navalny, Pozner said: “Yes, censorship exists [in Russia]. And I accepted it. I could have slammed the door [closed the show] and done nothing at all. But I believe that I am doing something useful for society. I’m making people think.”
Though he has neither criticized nor supported the war in public, Pozner has suggested that the West bore responsibility for Moscow’s invasion because it refused Russia’s demand to block Ukraine’s path to NATO membership.
When asked about the protesters outside the venue, Pozner told the Moscow Times that it was “their right” to express their opinion but declined to comment further.
Theater Amsterdam declined to comment for this story, instead referring the Moscow Times to a May 24 statement published on its LinkedIn page.
In its statement, the theater said it “stands for freedom of speech, creative expression and a safe environment for everyone who embraces the arts.”
“These performers have indicated that their program has nothing to do with the war and want to share their performance in an atmosphere of peace and freedom,” the theater said, noting that its staff had received threats and intimidation over the event.
Inside the theater sat Olga — a woman from Lviv, a Ukrainian city near the Polish border described by the Kremlin and Russian propagandists as an alleged hub of “Russophobia” — who moved to Amsterdam because of the war.
Speaking in Russian, she told the Moscow Times that she felt “embarrassed” to be at the event.
“I’ve been following Urgant and Pozner for about 15 years and I wanted to see them in person,” she said.
“Only here did I find out that Pozner supported the war,” she continued. “If I had known [beforehand], there’s no way I would have come.”
Source: Samantha Berkhead and Pyotr Kozlov, “Outrage in Amsterdam as Russian TV Celebrities Take the Stage,” Moscow Times, 29 May 2024. The emphasis is mine. \\\ TRR
“I dream of it happening, but I don’t think it will happen,” is how Vladimir Pozner responded when we asked him whether admits the possibility of returning to the television airwaves. In an interview with “Forbes Talk,” the journalist and TV presenter, whose eponymous program on Channel One has not been broadcast since the beginning of the “special operation,”* confessed that he misses this work very much. He told us why (with one exception) he has remained silent and not spoken about politics since 2022, what he has been doing all this time, and what he fears nowadays.
Vladimir Pozner is a Soviet and Russian journalist and TV presenter. He was born in Paris to a Russian immigrant and a Frenchwoman. In 1952, he moved to the Soviet Union, where he worked as a secretary for [the famed children’s poet] Samuil Marshak. He began his journalistic career as a commentator on the Soviet State Committee for Radio and Television’s North American service. Pozner became famous thanks to his debut on TV: in the 1980s, he and his U.S. colleague Phil Donahue co-hosted the “space bridges” between Leningrad and Seattle and, later, Leningrad and Boston. In the 90s, Pozner presented several original programs on U.S. television. He then returned to Moscow, where he did the political talk show Vremena (“The Times”) and the eponymous program Pozner. Several of his series about different countries have also been broadcast, including such programs, co-presented with Ivan Urgant, as England in General and in Particular and Single-Storey America.
Why Pozner remains silent
“The fact that you have me today [for an interview] is an absolute violation of my rules. It happened only because I owe you a debt, and I am used to repaying debts: I promised that I would give you an interview, and here I am giving it. I’m not going to talk anymore; I’ve made this decision for myself: no interviews, no statements, no comments, and so on. With rare exceptions, if I suddenly feel that there is some use in it, that it’s really worth doing, that it might be useful.
“I just decided for myself that the circumstances are such that I had better abstain for the time being. Especially since I am ninety years old, a time when people are usually long retired, and nobody asks [them], ‘Why are you retired?’ So I’m kind of retired.”
What he’s been doing for the last two and a half years
‘I’ve been thinking; I’ve been writing. I am writing a book. You know, Tolstoy once said, ‘If you can’t write, don’t write.’ That’s quite right, and a lot of people should have followed that advice. And I was not writing, but when I felt that I couldn’t help but write, I started writing. Don’t ask me what this book is about—I don’t like to talk about that at all.
“I’ve written a lot of books, but I reckon I’ve [actually] written [only] one [real book]. My very first one is Parting with Illusions, which is a serious work. The others have amused me and been enjoyable to me, and maybe to the reader, but I don’t consider them serious literature. This [new] book is definitely a serious book, and I don’t know how well it will turn out. Writing is quite difficult and painful for me personally. You weigh every word, but then the next day you read what you have written, and you are horrified. Sometimes you are happy [with what you’ve written], but very rarely.
“In addition, our team shot a large eight-part film about Turkey. It is good to go. We submitted it to Channel One, where it was approved, and now we are waiting on Mr. Ernst’s judgement (Konstantin Ernst, CEO of Channel One — Forbes).
“That’s what I’ve been doing. Well, and I have done [other] little things. I have done speeches, and I have been invited to talk to different, rather closed audiences. And then, of course, quite unexpectedly, there has been the duet with my close friend Ivan Urgant, in which we decided to reminisce about how we shot [our television travel series]. We did test runs in Dubai first and somewhere else. The success was tremendous, which, frankly speaking, amazed me, because we don’t do anything so spectacular: I don’t sing, and Vanya doesn’t dance. And then we started doing it seriously, because there were offers. We performed in Amsterdam, Frankfurt, Berlin, and Geneva. It was a triumph: people gave us standing ovations. So now we have fifteen more shows booked. A whole tour, or as they used to say, a ‘stint.’”
Is it hard for Pozner not to be on TV?
‘The word ‘hard’ is so [strong], but I do miss it a lot. I love it very much—it’s my thing. Pardon my immodesty, but I think I’m very good at it. And of course I wish I could [be on television], but that’s just the way it is. It’s a very hard question [whether it will be possible to return to television]. Generally speaking, I dream of it happening, but I don’t think it will happen. That’s the only answer I can give.
“The thing is that I made my first memorable appearance on Soviet TV screens at the age of fifty-nine, you know? [Other] people [my age] were getting ready to retire, but that was when I was debuting. I think that maybe that is why I still have this drive, this desire. I want [to work on air], but you know, you can’t always get everything you want. You have to make some compromises sometimes, or even admit defeat.
“There were offers [of work from western television channels]. I won’t name specific names, but they came from more than one country. But there was a condition! And the condition was this: ‘You must first speak out about Putin and about politics,’ and in a particular way. I said, ‘Look, that is not journalism; that is something else.’ They said, ‘Those are the terms.’ I said, ‘No. Thank you very much, but my answer is no.’”
“This society is [sic] held together by fear and faith”
“I was brought up by my quite pro-Soviet father and had a lot of faith in those ideas. I was almost nineteen years old when I arrived in the Soviet Union, and I became convinced that what my father had told me and the reality were different things. But I tried to persuade myself that it’s not a pure experiment, after all, that it’s not a laboratory experiment. It was a complex country with a complex history, and you had to understand that, you had to make concessions, and so on and so forth.
“This went on for quite a long time. I was a propagandist, not a journalist. I was a propagandist in the purest sense, trying to prove this was the right system and the best system. The first blow to my ideological edifice, a serious blow, came in ‘68 [when the USSR invaded Czechoslovakia]. And although I came up with an argument as to why [the invasion] was necessary, in my heart I realized that something was wrong.
“Gradually, my faith began to demand proof (although faith doesn’t require proof), but I failed to find it. By about the mid-1970s, I had come to the firm conclusion that this society is [was] held together by two things: it was held together by fear and by faith, which are like epoxy glue. That glue held it together, but not very well, and if it stopped holding it together the thing would fall apart. And this thing—I mean the Soviet Union—did in fact fall apart, and not because of Reagan; that’s nonsense. It was because people stopped being afraid and people stopped believing, and it was much more vital that they had stopped believing.
“That was completely unexpected to me. I guess I thought it would happen, but not as quickly as it did happen.”
What he fears at ninety
“I’m afraid of going blind: I can’t imagine how I’ll live in the world blind. I’m afraid of going mad without knowing I’m mad, that I’ll be taken somewhere and locked up, that I’ll think I’m normal and everyone will think I’m crazy. That is what I’m afraid of; there is that fear. I’ve had cancer twice: I’m not afraid of it. But I am afraid of [madness], and I’ve been afraid of it for a long time, not because I’m ninety years old. I am afraid of sharks, as you know, regardless of my age.
“But [what am I afraid of] because I’m ninety? The only thing that’s already happening, and it’s hard—you know, you have to pay for everything, nothing is free—you get older and you lose loved ones, you outlive them. You live longer than your close friends, and so now Phil [Donahue] is gone. And Phil isn’t the only one. I’m quite afraid that more and more very close people will pass away and I’ll live on. It’s horrible.
“You know, this was what I thought: if it happens that I realize I’m not interested [in life] anymore, then I’ll find a way to end this stupidity. But I’m very, very interested.”
* When they publish materials about the special operation in eastern Ukraine, all Russian media outlets are required by Roskomnadzor to use information only from official Russian federal sources. We cannot publish materials which refer to the ongoing operation as an “attack,” “invasion,” or “declaration of war,” unless these are direct quotations (per Article 57 of the Federal Law on Mass Media). If a media outlet violates this requirement, it may be fined five million rubles, and its website may be blocked.
Source: Anton Zhelnov, “Vladimir Pozner to Forbes: ‘Sometimes you have to admit defeat,’” Forbes Russia, 12 September 2024. Translated by the Russian Reader



































