Category: music

Something I Learned Today: Somewhere Far Away

Kurara, “Somewhere Far Away” (2024)

Even Lunacharsky Street is so transparent
Bicycles and horses race home
On these streets, my love, I honed my style
I touched the air with my hand
Even Lunacharsky Street can be so gloomy and wicked at times
And a cloud with a pointy beard delivers a delicious jolt
And it groans languidly

There is nothing beyond the black sky
And nothing will be first
Perhaps the gods played a trick on you
And scattered their plywood arrows in the corners
Somewhere far away
I take you without asking
Somewhere far away
I bury myself alive
In letters and numbers
I’m drowning and floundering
With an artificial belly
Like a clown in a circus

Upward and downward
This is
Real life
This is
The fleeting joy of a glance on the street
A smile, warmth
Your shadows kiss
You don’t care, you keep going
Leaving behind perhaps another life
I can’t do it—this thought terrifies me so
I can’t do it

There is nothing beyond the black sky
And nothing will be first
Perhaps the gods played a trick on you
And scattered their plywood arrows in the corners
Somewhere far away
I take you without asking
Somewhere far away
I bury myself alive
In letters and numbers
I’m drowning and floundering
With an artificial belly
Like a clown in a circus

Upward and downward
This is
Real life
This is
The fleeting joy of a glance on the street
A smile, warmth
Your shadows kiss
You don’t care, you keep riding
Leaving behind perhaps another life
I can’t do it—this thought terrifies me so
I can’t do it

Source: Genius. Translated by the Russian Reader

Amnesty International has published its annual Death Sentences and Executions report for the year 2025, with data showing a sharp increase in the number of executions carried out. At least 2,707 people are known to have been put to death by the state last year, up 78 percent compared to 2024. As our infographic shows, the death penalty continues to be quite widespread in Asia, with China, India, Thailand, Singapore and Indonesia, among others, employing it. The use of capital punishment is very rare in Europe: it only exists in Belarus, and Amnesty International notes that 2025 was the first year it recorded neither new death sentences nor executions since President Alexander Lukashenko assumed office in 1994. While Russia technically also retains the death penalty in its law, the country is considered abolitionist in practice, meaning no executions have been carried out in at least ten years.

In the Americas, the death penalty is also mostly a thing of the past, with the notable exceptions of Guyana, Cuba and the United States. Last year, the U.S. executed 47 people across 11 states, almost twice as many as in 2024 (25 executions). Florida alone accounted for almost half of these executions (19). Capital punishment is still more common in Africa and the West Asia. In 2025, Iran executed at least 2,159 people, more than double its 2024 figure and the highest number on record since 1981, and the Islamic republic has been consistently using the death penalty as a tool of political repression.

113 countries and territories around the world have abolished the death penalty completely, most recently Zambia. In 2023 and 2024, African nations Equatorial Guinea, Ghana and Zimbabwe abolished the death penalty for all but very serious crimes. 87 nations still have capital punishment on the books, but 24 of them are considered abolitionists in practice. In March of this year, the Israeli Knesset voted to expand its death penalty law in such a way that applies only to Palesinians and dismantles fundamental safeguards to prevent the arbitrary deprivation of life and protect the right to a fair trial, a decision condemned by Amnesty International. The NGO has called on Israel to repeal the decision.

Source: Valentine Fourreau, “Where the Death Penalty Exists,” Statista, 21 May 2026

When Shiraz Calls

A personal account of day-to-day life in Iran told through the calls of two Iranian sisters – one in the UK, the other in the Iranian city of Shiraz. Since the outbreak of war at the end of February, a near total internet blackout and a shutdown of international phone lines by the Iranian authorities has meant limited information has got out of the country. Despite the risks involved, the sisters have made recordings of their conversations which have been shared with the BBC. They discuss when the bombs land, the destruction of places they love and the realities of an economy that’s being brought to its knees. They struggle to sleep at night. Salaries don’t come through. It’s a roller coaster of emotions. But there are also moments of calm and comfort…a spot of dark humour and the scent of hyacinths.

Actors:
Leila played by Lisa Zahra
Gita played by Zahra Ahmadi

Presenter: Caroline Hawley
Producers: Adele Armstrong and Soroush Pakzad
Sound design: Peregrine Andrews
Editor: Clare Fordham

Source: BBC Radio 4

This Census chart shows changes in where Hawaiian and other Pacific Islander populations were living in 2010 and 2020. By 2020, more than half of Native Hawaiians (at the top left, in blue) were not living in Hawaii, something local Hawaiian leaders attribute to the high cost of living on the islands.

Source: Monterey County NOW, 24 May 2026

This week, Rafia Zakaria won the 2026 National Magazine Award in the category of Columns and Essays. The winning piece, “Water Pressure,” was published in Issue 150 of The Believer and is available to read in full on our website. It follows Zakaria’s father on his search for clean water in Karachi, Pakistan, where the mounting climate crisis has crept into all aspects of daily life. Zakaria discussed the prize and the celebrated essay with our managing editor, Ginger Greene.

THE BELIEVER: You won a National Magazine Award last night in New York for your essay, “Water Pressure.” What did it feel like to see this piece recognized in that way?

RAFIA ZAKARIA: It was a tremendous surprise… It is very difficult to place personal essays, but it is the personal story that can ultimately make an abstract issue—such as water scarcity in a faraway city like Karachi—seem as real as the heat wave that was happening in New York on the day of the award ceremony. I was so grateful to work on this project, and to have the freedom and latitude to explore what extreme heat can do to ordinary people in an ordinary megacity.

BLVR: Your story explores the many difficulties of procuring water and power in Karachi, in an ever-warming world. What inspired you to approach this subject? And what were some of the difficulties you faced as you developed the essay?

RZ: I feel like a lot of climate journalism focuses on the deterioration of beautiful natural environments and the loss of wild ecosystems. I wanted to focus on how extreme heat, as well as water and power scarcity, affect human relationships, how it erodes and corrodes the scheme of relations between people and the environment. Sometimes it is not possible to see how it is happening, when you are in the midst of dealing with these problems every day. But as someone who is in and out of Karachi, I was able to perceive these dynamics.

One of the difficulties I faced reporting this story was a lack of precedence for this sort of exploration. For instance, there is excellent and deep reporting on natural or man-made disasters and their aftermath. But there is less writing on persistent issues, like decades-long water shortages, where there is no single cataclysmic event on which to center a story. I wanted to show that the story of chronic scarcity can also be told in an impactful and interesting way.

BLVR: The piece opens with a vivid scene from your family’s neighborhood in Karachi, in which a man is angered when he notices your aunt receiving an overflow of water into her underground water tank, such that it’s wastefully flooding out onto the street. Their confrontation ends when your aunt begins to throw rocks at him to get him to leave her alone. I was curious: What was your first reaction when you heard this story? Was it relayed to you as a problem of “water envy,” as you call it?

RZ: I will admit that my aunt’s reaction was a bit extreme, but it crystallized how chronic scarcity can create levels of seething frustration that can bubble to the surface in absurd ways. The story was told to me in the context of: Is she OK? But actually no one facing this sort of privation day after day is really OK. Water is a mainstay of existence, so the fact that you can now have an iPhone but not access to clean water is a bizarre juxtaposition of privilege and paucity.

I also felt that my aunt’s actions put into stark focus what people likely want to do but usually don’t. I came up with the term “water envy” because I wanted to start creating a vocabulary for phenomena that are felt, but for which there are often no words. I think the phrase encapsulates how policing resource consumption becomes just another part of living in a neighborhood. In most cases people will not challenge each other to the extent they do in this instance, but that is why it is such an apt story: Both characters had reached the end of their rope.

BLVR: Water politics in Karachi are complicated. For one thing, there are the daily strategies middle-class Karachiites have developed to procure water, which involves pumping water from the main lines into private underground water tanks. Navigating the uncertainty of main-line waterflow has become a full-time job for your father, as you point out. At the same time, there are many more people who don’t have access to these “pump games,” because they can’t afford a private tank. They are forced to purchase water from private companies that hike up their prices. How has the situation with Karachi’s water mafia progressed since you reported this piece?

RZ: I think the situation is much more dire now, because the pressures have become more acute. The population has grown dramatically and grows further still on a daily basis. Temperatures have risen, owing to climate change phenomena like the heat domes I talk about in the piece. As a result, people increasingly have to resort to taking their chances and obtaining water without knowing its source or even if it is potable.

In the summer there are thousands of deaths that are ultimately caused by lack of clean water, but they are not often tallied under this category. As the heat index rises in Karachi, these situations are pushed to the limit and people—particularly the very old and the very young—begin to die. The water mafias are more entrenched and merciless now; they know how to throttle competition and work with street gangs and land mafias to ensure that the consumers in a specific area have no options but to pay them.

BLVR: As we approach the summer months, Karachi is already reaching excessively high temperatures. In early May, the city recorded a peak of 111 degrees Fahrenheit, the city’s highest reading since 2018. This heat, as you describe in your piece, compounds with power outages and water shortages, which seeds the ground for long-term public health crises. How are you feeling about the upcoming summer?

RZ: I dread the summer months for Karachiites. If you fall sick during the summer, it is hard to get reliable care in a timely fashion and, most of all, to find a relatively cool environment to recover in. Any illness could threaten survival. Since there is no easily available large-scale refrigeration in poorer areas, there is also a huge risk of eating spoiled food. There is no way of telling if something in a store fridge was left out for hours the night before, or if the energy source powering the fridge is reliable. So it’s Russian roulette all summer long.

This summer will not be any different. The political rift between Karachi and the rest of the province means that the city is constantly starved of resources and the federal government seems disinterested in the plight of the people that live there. Many Karachiites are the children of people who migrated from India in 1947 and hence distinct from Punjabis, who make up the majority ethnicity. All of these divisions make the situation one of constant chaos. People are living a bit of a Hobbesian existence there.

BLVR: How has the situation in Karachi shaped your relationship to your experience of the US? You recently moved to Salt Lake City in Utah, which is also in the midst of a climate-related disaster. Have you noticed any similarities between the two places?

RZ: Well, there is a war over water underway in Utah as well. Last week, three county commissioners in Box Elder County, Utah, passed a proposal to build a 40,000 acre data center in the area—that is twice the size of Manhattan. The residents, aghast at what their elected representatives have done, are now trying to organize a referendum that will stop the plan. If the data center is built, the project will suck up all the water left in the already drying Great Salt Lake. It is estimated that it will also increase nighttime temperatures by 8 to 28 degrees Fahrenheit.

This situation really reminds me of Karachi, and it is difficult for me not to feel a bit like a Cassandra. Utahns have little idea of what that sort of scarcity and extreme heat can do to the fabric of society. It transforms our individual and collective relationships with the natural environment, but also the relationships we humans have with each other.

Source: “A Short Interview with Rafia Zakaria,” The Believer (Substack), 24 May 2026

Shyshagh: Imaginary Circassian Underground (Circassian Remembrance Day)

May 21st marks Circassian Remembrance Day, or the Day of Remembrance for the Victims of the Russo-Caucasian War. This war, spanning from 1763 to 1864, resulted in the loss of independence for the North Caucasus region and, for the Circassians (one of the region’s indigenous peoples), in genocide and mass exile from their historical homeland.

In the 1990s, Circassian activists, public figures, politicians, and scholars successfully secured official recognition for this date as a day of mourning. Since then, two official narratives have coexisted in the North Caucasus, particularly in Kabardino-Balkaria, Adygea, Karachay-Cherkessia, and the Krasnodar Krai: one asserting the voluntary integration of North Caucasians into Russia, and the other describing a colonial war, genocide, and expulsion.

The state actively supports the first narrative in every way possible, while the second is methodically squeezed out of the public discourse.

Every year on May 21st, a mourning procession, comprising both walkers and horsemen, winds its way through Nalchik. They proceed along the central thoroughfare, passing the monument to Maria Temryukovna, the Circassian wife of Ivan the Terrible, which bears the inscription “Forever with Russia,” before continuing on to another monument: Psezhig (The Tree of Life), created in memory of the Circassian victims of the Russo-Caucasian War.

Since 2016, Ored Recordings has been releasing projects timed to coincide with this somber date. The liner notes for these albums remains unchanged: again and again, we speak of trauma, and of the immense difficulty in discussing it, as the state systematically closes off any space for dialogue. While in the early years we opted for highly neutral phrasing, since 2022, officials have begun banning commemorative events; consequently, finding the right words has become increasingly challenging. We are permitted to remember, mourn, or reflect only within strictly prescribed forms. Thus, cultural projects and musical releases serve as an insufficient, yet absolutely necessary, form of resistance against assimilation and suppression.

This year, we decided to shift our focus away from the trauma itself or the specific subject of the Russo-Caucasian War, choosing instead to present a cross-section of new Circassian music — music that is not merely being preserved, but is actively evolving.

Shyshagh (ЩIыщIагъ, meaning “underground” in Adyghe) offers a snapshot of an imagined Circassian underground scene, as curated by Ored Recordings.

Three artists have contributed their distinct visions of independent Circassian music to this compilation.

For this release, Cherim (Maykop born, Tbilisi based) has departed from his signature industrial hip-hop and hauntological ambient styles, recording two indie-folk ballads featuring lyrics that are at once simple and deeply poignant. The tracks contain echoes of both Soviet-era pop music and the lo-fi underground tradition exemplified by acts such as Low or Rivulets.

Temir (from Nalchik, based in Paris) is an electronic producer, collagist, and vocalist who translates Circassian aesthetics into the realms of deconstructed club, ethereal pop, and other forms of emotive avant-garde music. Ethnographic archives from the last century, along with rehearsal raw recordings from Jrpjej, served as the foundation for these qafe without dancing.

Two additional tracks come courtesy of duos featuring Timur Kodzoko (originaly from Nalchik, Göttingen based), a co-founder of Ored. From our archives, we unearthed an old rehearsal recording by Zafaq, a dormant Circassian Black Metal project. It is raw, instrumental bm-rooted in traditional melodies, yet one that explicitly rejects the aesthetics of folk metal. In 2020, the drums were handled by Amar Abazov, founder of the Zhest records.

The second track comes from Shkhafit (meaning “free” in Adyghe), a drone-folk project by Timur and his son, Astemir Kodzoko. It is a semi-improvised acoustic ambient piece performed on the shichepshin (Circassian fiddle), as well as various other string and wind instruments. It evokes the ghosts of an unfulfilled future and the spirit of new pshynatles-sagas. It is a soundscape where Mark Fisher visits Murdin Tesh.

Shyshagh stands as Ored Recordings’ most ironic and chaotic release to date. As yet another May 21st passes, we see no immediate light at the end, yet we remain ready to unite and carry on!

Cherim – recorded in Tbilisi, Georgia, in 2026. All music by Cherim Tsei. Production for the song “Pari (Nothing)” by Temir.

temir – recorded in Paris, France, in 2026. All music by temir. “Duguj” based on Jrpjej rehearsal recordings. “Zechir” based on archival Circassian recordings.

Zafaq – recorded at the House of Radio, Nalchik, Kabardino-Balkaria, in 2020.
Timur Kodzoko – guitar
Amar Abazov – drums

Shkhafit – recorded in Göttingen, Germany, in 2026.
Timur Kodzoko – strings, bowed instruments, and effects
Astemir Kodzoko – physharmonium and wind instruments

Cover photo: Tulip tree in the village of Golovinka, Lazarevsky District, Krasnodar Krai/Shapsugia. Photo by Lilit Matevosyan
Cover design: Milana Khalilova
Text: Bulat Khalilov (English translation by Bella Mirzoeva)

Source: Ored Recordings (Bandcamp). I have included the entire album here for your listening pleasure, but I would urge to download it from Bandcamp, paying what you can to Ored Recordings to support their fine mission. That’s what I just did. \\\\\ trr

Killing the Spirit of Radio

Rush, “Spirit of the Radio” (1980)

In a strongly worded decision this week, a federal judge ordered that the Voice of America — its mission to provide news for countries around the world largely shut down for the past year by the Trump administration — come roaring back to life.

Whether or not that actually happens is anybody’s guess.

The government filed notice Thursday to appeal U.S. District Court Judge Royce C. Lamberth’s order two days earlier to put hundreds of VOA employees who have been on paid leave the past year back to work. Lamberth had ruled on March 7 that Kari Lake, who was President Donald Trump’s choice to oversee the bureaucratic parent U.S. Agency for Global Media, didn’t have the authority to reduce VOA to a skeleton.

The Voice of America was established as a news source in World War II, beaming reports to many countries that had no tradition of a free press. Before Trump took office again last year, Voice of America was operating in 49 different languages, heard by an estimated 362 million people.

Trump’s team contended that government-run news sources, which also include Radio Free Europe/Radio Liberty, were an example of bloated government and that they wanted news reporting more favorable to the current administration. With a greatly reduced staff, it currently operates in Iran, Afghanistan, China, North Korea and in countries with a large population of Kurds.

Lamberth, in his decision, said Lake had “repeatedly thumbed her nose” at laws mandating VOA’s operation.

Time to turn the page at VOA?

VOA director Michael Abramowitz said legislators in both parties understand the need for a strong operation and have set aside enough funding for the job to be done. “It is time for all parties to come together and work to rebuild and strengthen the agency,” he said.

Don’t expect that to happen soon. “President Trump was elected to eliminate waste, fraud and abuse across the administration, including the Voice of America — and efforts to improve efficiency at USAGM have been a tremendous success,” said White House spokeswoman Anna Kelly. “This will not be the final say on the matter.”

Patsy Widakuswara, VOA’s White House bureau chief and a plaintiff in the lawsuit to bring it back, said that “restoring the physical infrastructure is going to take a lot of money and some time but it can be done. What is more difficult is recovering from the trauma that our newsroom has gone through.”

It’s an open question whether the administration wants a real news organization or a mouthpiece, said David Ensor, a former Voice of America director between 2010 and 2014. “We don’t know — maybe no one does at the moment — what the future holds,” he said.

The administration’s efforts over the past year to bolster friendly outlets and fight coverage that displeases them offer a clue, even though Congress has required that Voice of America be an objective and unbiased news source. This week it was announced that Christopher Wallace, an executive at the conservative network Newsmax who had previously spent 15 years at Fox News Channel, will be the new deputy director at VOA. Abramowitz didn’t know he was getting a new deputy until it was announced.

Widakuswara wouldn’t comment on what Wallace’s appointment might mean. “I’m not going to pass judgment before seeing his work,” she said.

While Lamberth ordered more than a thousand employees on leave to go back to work, it’s not clear how many of them moved on to other jobs or retired in the past year. The judge also said he did not have the authority to bring back hundreds of independent contractors who were terminated.

One employee who left is Steve Herman, a former White House bureau chief and national correspondent at VOA and now executive director of the Jordan Center for Journalism Advocacy and Innovation at the University of Mississippi. Despite the court decisions, he questions whether the Trump administration would oversee a return to what the organization used to be.

“I’m a bit of a pessimist,” Herman said. “I think it’s going to be very difficult.”

An administration loath to admit defeat

Besides fighting to shut it down, Trump is loath to admit defeat. Last week, the White House nominated Sarah Rogers, the undersecretary of state for public diplomacy, to run the U.S. Agency for Global Media, putting it more firmly within the administration’s control. Her nomination requires Senate approval.

“Is Marco Rubio’s State Department going to allow objective journalism in 49 languages?” Herman asked. “I don’t think so. I would want that to happen, but that’s a fairy tale.”

In the budget bill passed in February, Congress set aside $200 million for Voice of America’s operation. While that represents about a 25% cut in the agency’s previous appropriation, it sent a bipartisan message of support, said Kate Neeper, VOA’s director of strategy and performance evaluation. Besides being a plaintiff with Widakuswara in the lawsuit to restore the agency, she has helped some of her colleagues deal with some of their own problems over the past year, including immigration issues.

“There is a lot of enthusiasm for going back to work,” she said. “People are eager to show up on Monday.”

The hunger for information from Voice of America in Iran when he was director was a clear example of what the organization meant, Ensor said. Surveys showed that between a quarter and a third of Iran’s households tuned in to VOA once a week, primarily on satellite television. Occasionally the government would crack down and confiscate satellite dishes, but Iranians could usually quickly find replacements, he said.

“I believe in Voice of America as a news organization and as a voice of America,” Ensor said. “It was important, and it can be again.”

Source: David Bauder, “Judge orders Voice of America be put back together again. What are the chances that will happen?” Associated Press, 20 March 2026

4’42”, a found audio piece captured in my car while listening to KSPB, 91.9 FM, Pebble Beach, on 23.03.2026

Who are we?

KSPB, Pebble Beach, 91.9 FM is a commercial-free, student-run, radio station, that has been broadcasting from Stevenson School in Pebble Beach for over 40 years.

The station is student run and includes staff positions, from webmaster to program director. Before applying for a live show on air, each student is required to take a class to learn about Federal Communications Commission (FCC) regulations, and how to operate the station independently. The students decide the genre of music for their specific show, but the general programming is alternative rock with specialized shows featuring hip-hop and international music. However, some students prefer to run their own talk shows.

With its connection to the Public Radio Satellite System (PRSS) the station fills out its schedule with content from the BBC World Service, American Public Media, and other public radio producers such as WAMC (Albany) and KCRW (Santa Monica). It also obtains content from its affiliation with the Public Radio Exchange (PRX).

KSPB has listeners in five counties in California – Monterey, Santa Cruz, San Benito, Santa Clara and San Mateo – with a potential total listenership of more than 1 million. Also, with the recent addition of streaming, KSPB is now available worldwide!

Source: kspb.org

R.E.M., “Radio Free Europe” (1981)

R.E.M. disbanded back in 2011. But the seminal indie-rock group is back with new five-track EP “Radio Free Europe 2025,”containing previously unreleased tracks and a new remix of the song. Proceeds from the vinyl pressing will benefit the U.S. government’s Radio Free Europe and Radio Liberty, which are under attack from the Trump administration.

The EP, coming more than four decades after the 1981 release of “Radio Free Europe” on college radio, coincides with the 75th anniversary of Radio Free Europe/Radio Liberty as well as World Press Freedom Day (which falls on May 3). Radio Free Europe/Radio Liberty was established 75 years ago and currently broadcasts news and information in 27 languages to 23 countries where a free press is either banned by the government or under threat.

Members of R.E.M. said the mission of promoting free expression has always resonated with the band.

“Whether it’s music or a free press — censorship anywhere is a threat to the truth everywhere,” Michael Stipe, lead singer and founding member of R.E.M., said in a statement. “On World Press Freedom Day, I’m sending a shout-out to the brave journalists at Radio Free Europe.” Bassist Mike Mills added, “Radio Free Europe’s journalists have been pissing off dictators for 75 years. You know you’re doing your job when you make the right enemies. Happy World Press Freedom Day to the ‘OG’ Radio Free Europe.”

Despite the song’s name, Mills says in the liner notes to the two-disc edition of R.E.M.’s “And I Feel Fine… The Best of the I.R.S. Years 1982–1987” that it has “nothing to do” with the broadcaster: “We just liked the title.”

Radio Free Europe/Radio Liberty president and CEO Stephen Capus said in a statement, “To me, R.E.M.’s music has always embodied a celebration of freedom: freedom of expression, lyrics that make us think, and melodies that inspire action. Those are the very aims of our journalists at Radio Free Europe — to inform, inspire, and uphold freedoms often elusive to our audiences. We hold dictators accountable. They go to great lengths to silence us — blocking our websites, jamming our signals, and even imprisoning our colleagues.”

In March, President Trump issued an executive order seeking to dismantle Voice of America, which oversees Radio Free Europe/Radio Liberty and others. The broadcasters have won court rulings to reverse Trump’s move but the White House has withheld funding, leading to layoffs and uncertainty at the outlets. On Tuesday, a federal judge ordered the Trump administration to restore $12 million in congressionally appropriated funding for Radio Free Europe.

On Friday, the heads of Radio Free Europe/Radio Liberty, Radio Free Asia and Middle East Broadcasting Networks sent a letter to Trump officials urging them to restore funding “immediately.” That came as Radio Free Asia laid off most of its staff. “Our journalists are terrified that the withdrawal of support from their employers will lead to harassment, prison, and worse,” they said in the letter, per CNN. “We urge you to restore our funding immediately before further irreparable reputational harm is done to the United States — and before innocent lives are needlessly and recklessly lost.”

R.E.M.’s “Radio Free Europe 2025” is available to stream and download now. A limited-edition, 10-inch orange-vinyl pressing is available for pre-order now exclusively via the official R.E.M. store and independent record stores; it will be released Sept. 12. Proceeds from all vinyl sales will go to RFE/RL, an editorially independent nonpartisan and nonprofit corporation.

Released through Craft Recordings, the “Radio Free Europe 2025” EP was overseen by the band’s original producer Mitch Easter. The record opens with the 2025 remix by Grammy-winning producer Jacknife Lee (U2, Snow Patrol, Taylor Swift, The Killers), who also produced R.E.M.’s final two studio albums, “Accelerate” and “Collapse Into Now.” Lee “gives the track a fresh take while staying true to its indie-rock DNA,” according to Creative Recordings. Rounding out the EP are four of Mitch Easter’s original 1981 recordings: the Hib-Tone single mix of “Radio Free Europe,” its flip-side “Sitting Still,” the “Wh. Tornado” demo, and Easter’s never-before-released 1981 remix “Radio Free Dub.”

In 2009, “Radio Free Europe” was inducted into the Library of Congress’s National Recording Registry for “setting the pattern for later indie-rock releases.”

Formed in 1980 in Athens, Georgia, R.E.M. had a three-decade run of multi-platinum sales before amicably disbanding in 2011. Over the course of their career, R.E.M. released 15 studio albums, won three Grammys, and were inducted into the Rock and Roll Hall of Fame (2007) as well as the Songwriters Hall of Fame (2024).

Here’s the track list for the new EP:

Radio Side

  1. Radio Free Europe 2025 (Jacknife Lee Remix)*
  2. Radio Free Dub (Mitch Easter 1981 Remix)*

Liberty Side

  1. Radio Free Europe (Original Hib-Tone Single)
  2. Sitting Still (Original Hib-Tone B-Side)
  3. Wh. Tornado (From Cassette Set) **

* Never before released
** First time on digital and vinyl

R.E.M., “Radio Free Europe 2025 (Jacknife Lee Remix) RFE/RL Dispatch” (2025)

Source: Todd Spangler, “R.E.M. Releases New ‘Radio Free Europe’ EP, With Proceeds Benefiting Radio Free Europe/Radio Liberty Amid Trump Cuts,” Variety, 2 May 2025

In the 1970s, at the height of Soviet jamming of the BBC, the most coveted short-wave radios in the USSR were made by the VEF factory in Latvia – which was then part of the Soviet Union.

A generation of young Russians grew up learning how to twist the dial with great precision, to find whichever BBC signal had somehow bypassed the howling and whistling of the jammers. When you found it, it a window opened into a whole other world – of uncensored news, literature and western pop music, all coming to you live from London.

Those days are long gone. The jamming stations have all closed down. The VEF factory doesn’t make radios anymore. And Latvia is now an independent country. But since the start of Putin’s full-scale invasion of Ukraine in 2022, the information space in Russia has been shrinking.

A new generation of Russians are now having to fight to stay connected to the world. And our team has to battle internet blocking and shutdowns to keep on reaching them. Four years ago, the Russian Service Moscow newsroom had to leave Russia but their work continues in exile, and their new home by a twist of fate just happens to be in Latvia.

Over the past eighty years history often seems to have repeated itself.

Take the first ever Russian Service radio news bulletin from 24 March 1946. The news reader was the splendidly named Mrs Sonia – Betty – Horsfall. The top story was all about Iran – and the ongoing negotiations for Soviet troops to withdraw after their wartime occupation.

Now it’s the US-Israeli war on Iran that’s dominating the news. And to reach audiences in Russia in 2026, we have to tell the story in a myriad of ways across different platforms. Our website is blocked in Russia – as are YouTube, Instagram, Facebook Tiktok, and WhatsApp. The messenger app Telegram used to be our only uncensored way of getting information in and out of Russia. But not any more.

These days Russians can only reach the BBC website and social media channels – and many other banned sites – by using VPNs – virtual private networks, which allow them to bypass the censors. Everyone from young people to the shortwave radio generation has had to learn how to do it. “But what will we do if they start blocking VPNs and shutdown internet access altogether?” one of our team asked the other day.

It’s a question we often ask our colleagues in BBC News Persian, who are now reporting the war on their country despite an almost complete internet blackout in Iran. We have so much to learn from them – and increasingly, sadly, so much in common with them.

We had to leave Russia in 2022 because it was no longer safe for our staff to continue doing their jobs there. Even calling Putin’s ‘special military operation’ in Ukraine a war, was against the law.

Getting nearly 50 shell-shocked BBC Russian journalists, their families and their pets out of Russia and into Latvia now feels like the easy bit. Building new lives, learning a new language, and finding new ways to keep reporting Russia from the outside has been a much tougher challenge.

“The thing that’s really helped is knowing we’re all in this together and we can all support each other,” says one of our team.

But everyone has paid the price for carrying on. No-one can travel safely back to Russia. Home and family have become unreachable. Reunions have to happen in third countries.

And even in exile our staff are still being pursued. Eight have been designated ‘foreign agents’ by the authorities in Russia – required by law to put disclaimers on all their published work, taken to court and fined in absentia for failing to comply, heading inevitably towards criminal prosecution.

“If I get a criminal record in Russia, then the list of places where I can safely meet my Mum is going to get even shorter,” one colleague told me the other day.

There have already been cases of Russians discovering too late that they’re on the international wanted list in countries friendly to Moscow.

When the Russian Service first went on air, Winston Churchill had just made his famous post-war speech warning that an iron curtain was coming down over Eastern Europe. In 2026 a digital version of that iron curtain has come down again.

The post-revolutionary emigres and the Cold War exiles who lead the Russian Service in those earlier radio days, have now been replaced by a new generation who never thought that one day it would be their turn to leave.

“The Russia I grew up in has completely disappeared,” says one of our ex-Moscow team. “In the blink of an eye the freedom, the possibilities, and the excitement have all gone. I don’t want to think that I’ll never go back,” she adds “But right now it’s hard to believe.”

Russians clearly want more than their state-controlled news media is currently giving them and after 80 years, I hope our first newsreader Mrs Horsfall would be proud to see how many of them still trust the BBC.

This story was broadcast on ‘From Our Own Correspondent’, on BBC Radio 4 on 21 March 2026.

Source: Jenny Horton, “BBC News Russian at 80: Still here, still growing, still battling the censors,” BBC News Russian, 24 March 2026. This report was added to the original post on 24 March 2026. ||||| TRR

Hope to Hell

The Gated Community. Photo: Tom Smouse (via Americana UK)

In the face of violence in the streets and unlawful detention what can a musician do, really?  They can document what’s going on, make their point and try and raise awareness (and maybe the odd dollar) of the organisations that are protecting citizens from their own law enforcement.  Read that sentence, and notice just how screwed up it is to describe daily life in the “shining city on a hill”.

Which brings us to today’s song from The Gated Community.  It’s a new recording of a very recently written song, written in response to events in Minneapolis, as singer and songwriter Sumanth Gopinath explains: “After Renee Nicole Good’s murder by ICE agent Jonathan Ross here in Minneapolis on January 7, 2026, I began writing songs that more explicitly address the situation we’re in. I find the ‘protest song’ challenging, as it requires a directness that I tend to avoid in my songwriting. This is my third serious attempt as of late and the one with the most rousing, energizing chorus of the bunch. I am so moved and inspired by the bravery, intelligence, and steadfastness of my fellow Minnesotans in the Twin Cities who, against the odds, are acting tirelessly on behalf of our most vulnerable community members. This song is for them.”

The song is available on Bandcamp, it has a price and there’s an option to add a little more to support the people organising for decency: everyone involed in the recording donated their time and all of its proceeds will be donated to local aid organizations including Minnesota Immigrant Rights Action Committee (MIRAC) — an organization supporting individuals and families impacted by unjust immigration laws and deportations.

And who are The Gated Community?  Well, this band that has been described as a Marxist Bluegrass band (you don’t get a lot of them to the pound) was originally a vehicle for Sumanth’s political songs, but has evolved over nineteen years, expanding in size and scope to include many roots music styles and more personal songwriting.  It was formed when Sumanth moved from New Haven to Minneapolis to begin working as a professor of music theory at the University of Minnesota, and now features six singers, with the band combining professors like Sumanth (vocals, acoustic guitar, keyboards) and Beth Hartman (vocals, percussion), and artists from various parts of the Twin Cities scene like Rosie Harris (vocals, banjo, cello), Paul Hatlelid (vocals, drums, acoustic guitar), Cody Johnson (vocals, bass), and Nate Knutson (vocals, guitars, mandolin).

Source: Jonathan Aird, “The Gated Community ‘Hope To Hell’ – not looking for trouble, and yet it arrives,” Americana UK, 26 February 2026

released February 3, 2026

The Gated Community is Sumanth Gopinath, Cody Johnson, Paul Hatlelid, Rosie Harris, Beth Hartman, and Nate Knutson

music by The Gated Community, lyrics by Sumanth Gopinath

produced by The Gated Community and John Miller
recorded at Future Condo Studio by John Miller
mixed by John Miller
mastered by John Miller

photography by Mark Nye, art by Ian Rans

full track information available at thegatedcommunity.bandcamp.com
contact us at thegatedcommunity@gmail.com

thanks and much love to our families, friends, and fans

All proceeds from this recording will go to one or more organizations resisting the occupation of our cities by ICE and providing aid to our community. Everyone involved generously volunteered their time and resources to this project.

Thank you to Tom Campbell, Eva Cohen, Carl and Ina Elliott, Jim and Sara Harris, Marcus dePaula, Michael Gallope, Gabrielle Gopinath, John Miller, Mark Nye, Daniel Owens, Matt Rahaim, Ian Rans, Ellen Stanley, Ryan Stokes, Dean Von Bank, and our families, friends, and neighbors.

Source: The Gated Community (Bandcamp). I would strongly encourage you to buy this digital record (paying as much as you wish) in support of the embattled people of Minnesota, my home state. ||| TRR

Scary

Shortparis frontman Nikolai Komyagin has died. 

The band’s manager, Marina Kosukhina, confirmed the news on their socials, writing, “Nikolai is no longer with us”.

Shortparis was formed in Saint Petersburg in 2012, with Komyagin becoming its vocalist, keyboardist, and ideological engine. Their first album, ‘Docheri’, was released in 2013, followed by ‘Paskha’ in 2017. They opened for The Kooks in 2015 and alt-J in 2017 in Saint Petersburg. Even then, their shows became known for their provocative, performance-art approach.

Despite moderate popularity among intellectuals and music lovers, the band gained mainstream recognition only after the release of the politically charged music video ‘Strashno’ in 2018. After that, Shortparis quickly became one of the most prominent opposition-minded bands in Russia and also started drawing interest abroad. In 2019, they embarked on their first UK tour, performing at Liverpool Sound City and The Great Escape Festival.

Shortparis in a still from their 2018 video “Scary” (see below)

Clash spoke with the band in 2020 at the peak of their popularity, calling them a five-piece that “artfully meld stomping skinhead aggro with Dostoyevskian angry-young-man intellectualism”. In our interview, Komyagin described their approach to making music this way: “Deconstruction of any normal-sounding instrument, or widely-known harmonic movement or chord, allows us to rethink music clichés, update and clean them”.

Komyagin was also known as a highly intelligent lad with a background in art history and experience working as a school teacher. He gave lectures on art and often provoked journalists during interviews, trying to turn them into performances. On top of that, he appeared in two Kirill Serebrennikov films, Leto and Limonov: The Ballad of Eddie, and played the iconic Russian poet Vladimir Mayakovsky in the TV series Karamora.

As of 2026, the band continued to remain in Russia, making that decision part of their political stance, even though they were effectively barred from performing there, with all concerts cancelled. Refusing to comply with state policies, they toured outside their homeland in recent years, playing in the UK, Germany, Portugal, Italy, the US, and many other countries, including a 2025 tour of China.

Nikolai Komyagin has died at the age of 39. No cause of death has been given. However, according to a statement from Ksenia Sobchak, an influential yet controversial figure in Russian politics and journalism, Komyagin had heart problems, and “he felt unwell after a boxing training session and his heart gave out”.

Source: Igor Bannikov, “Shortparis Frontman Nikolai Komyagin Has Died,” Clash, 20 February 2026

A great country sleeps
The evening seems eternal
Above the Kremlin cathedral
The wind rises

The fish seek nets
The body seeks events
The bullet has become smarter
In the course of the bloodshed

Like a soldier in the street
Eating a bun, glad of sweets
He is both a son and a brother to you
The apple orchard blooms with honey

Oh, my sorrow
Who will tell me
Where is the limit, the edge?
Who has seen where the snake is crawling?
Who has seen?
And whose are you now, whose?

My native land sleeps
The evening is disfigured
Above the Kremlin cathedral
Ashes rise

Shortparis & F.M. Kozlov Veterans Choir, “Apple Orchard” (2022)

In memory of the brilliant Nikolai Komyagin—[Shortparis’s] music video “Apple Orchard,” filmed immediately after the start of the war and performed in a wintry field with a veterans choir. A requiem for Russia. A requiem, as it transpired, for Nikolai himself: in the finale, apples are thrown into the grave.

He died at the age of thirty-nine from heart failure on a February day as cold as the day in 2015 when Nemtsov was killed, as cold as the day in 2022 when the great war began, as cold as the day in 2024 when Navalny was killed, as cold as today. A perennial Russian February.

Source: Sergei Medvedev (Facebook), 20 February 2026. Translated by the Russian Reader

Nikolai Komyagin, the singer and keyboardist for Shortparis, has died aged 39.

The musician and actor was best recognised as the frontman for the Russian experimental band, forming the group in 2012 alongside Alexander Ionin and Pavel Lesnikov.

His death was announced today (Friday February 20) by the band’s manager, Marina Kosukhina. Taking to Instagram Stories, she stated: “Nikolai is no longer with us”.

At time of writing, no cause of death has been announced, although a local Russian outlet has speculated that it may be related to “heart problems” that the singer experienced “after boxing training”.

After forming in Saint Petersburg in 2012, the band went on to share their debut album, ‘Docheri’, in 2013, before following it up in 2017 with an album called ‘Paskha’. Shortparis went on to become recognised for the distinctive blend of post-punk, avant-garde rock, pop, folk and electronica.

They also gained traction for their provocative performance art, with tracks like 2018’s ‘Strashno’ (“Scary”) tackling themes of neo-Nazism, fear, and social anxieties in Russia.

Since news of Komyagin’s passing, fans have been taking to social media to pay their respects to “one of the most talented and honest Russian musicians”.

“Their art tore at the fabric of reality, and with its piercing lyrics, it fought the Darkness. Hope you’re in a brighter place, Nikolai,” one fan wrote on X/Twitter.

Another added: “Even though their name may sound new to many, Shortparis have been among the most important protagonists of St. Petersburg’s music scene and Russian alternative culture over the past decade”, while a third explained how they first discovered his music.

“After I moved to Piter, this was the first band I randomly bought tickets for, and for two hours afterward I couldn’t come down from the sound, colour, and energy,” they wrote.

Shortparis went on to land a slot opening for The Kooks in 2015, and also supported Alt-J during the latter’s 2017 tour.

In 2019, the band went out on their first UK tour, which included a slot at The Great Escape Festival, and last year also went on tour in China for the first time.

As well as his time with the band, Komyagin also took on various acting roles, including spots in two Kirill Serebrennikov films: Leto and Limonov: The Ballad of Eddie.

One of his biggest roles was playing Russian poet Vladimir Mayakovsky in the 2022 television series Karamora, and he and his Shortparis bandmates also got involved in the filming of another of Serebrennikov’s films, Summer [sic].

Source: Liberty Dunworth, “Shortparis frontman Nikolai Komyagin has died, age 39,” NME, 20 February 2026

Shortparis always honestly, and even recklessly, attempted to reflect what was happening around them and to find an adequate artistic expression for it. To a certain extent, they also sought to aestheticize it—to find a felicitous (and impossible, of course) point inside and outside at the same time. It is no coincidence that Nikolai—a quiet, cultured, handsome man in real life, a Petersburg art historian—possessed such a complex charm on stage, and was a bit like Plumbum. This was not an easy task, and most importantly, it was harmful to his health, like working in a factory. Like practicing synchronized swimming in acid.

Because there was violence everywhere, and there still is. It consumed Nikolai.

Source: Alexey Munipov (Facebook), 20 February 2026. Translated by the Russian Reader

Shortparis, “Scary” (2018)

Source: Shortparis (YouTube), 19 December 2018

Scary

Honest, honest
Honest, honest
Honest, honest

You can’t handle it
But they don’t like it
Knowing in advance
Who won’t make it
And the women put on makeup
And the children hide
Join the dance
No one lies

You don’t like it
And they don’t like it
The sons are asleep
The family is silent
You stare naively
And plans are being made
I’m responsible for who my wife sleeps with

You can’t handle it
And they can’t handle it
The ice won’t save you
The major is coming
And the women put on makeup
And the children hide
Join the dance
No one lies (yes)

That’s why it’s scary, that’s why it’s scary
That’s why it’s scary, that’s why it’s scary
That’s why it’s scary, that’s why it’s scary
That’s why it’s scary, that’s why it’s scary

Eternal, eternal
Eternal, eternal
Probably faithful
Honest, honest
Honest nation (na-)
Honest, honest

You can’t handle it
And they can’t handle it
The ice won’t save you
Whoever doesn’t make it through
And the women put on makeup
And the children hide
Join the dance
The major is coming (yes)

Ta-ta-ta-ta
Ta-ta-ta
Ta-ta-ta-ta
Ta-ta-ta
Ta-ta-ta-ta
Ta-ta-ta

You can’t handle it
And they can’t handle it
The ice won’t save you
Whoever doesn’t make it through
And women put on makeup
And children hide
Join the dance
The major is coming (yes)

That’s why it’s scary, that’s why it’s scary
That’s why it’s scary, that’s why it’s scary
That’s why it’s scary, that’s why it’s scary
That’s why it’s scary, that’s why it’s scary

Eternal, eternal
Eternal, eternal
Probably faithful
Honest, honest
Honest nation (na-)
Honest, honest

Source: Genius (original Russian lyrics). Translated by the Russian Reader

Welcome to the Golden Age

Both the pot (Iran) and the kettle (the U.S.) are “rounding up” their detractors.

Trump’s White House website welcomes visitors with a pop-up that reads: “WELCOME TO THE GOLDEN AGE!” But on this heavy news day a year into Trump’s second term, it is increasingly clear that as his regime focuses on committing the United States to white Christian nationalism, the country is becoming increasingly isolated from the rest of the world, and its own economy is weakening.

At the Munich Security Conference over the weekend, Secretary of State Marco Rubio’s endorsement of white Christian nationalism does not appear to have swayed European countries to abandon their defense of democracy and join the U.S.’s slide toward authoritarianism. Instead, as retired lieutenant general and former commander of U.S. Army Europe Mark Hertling wrote, it squandered the strategic advantage its partnership with Europe has given the U.S.

Foreign affairs journalist Anne Applebaum noted that the word in Munich was that “Europe needs to emancipate itself from the U.S. as fast as possible.” In Germany, Der Spiegel reports plans to bring Ukrainian veterans to teach German armed forces drone use and counter-drone practices the Ukrainians are perfecting in their war against Russian occupation. Canada’s prime minister Mark Carney is working to reduce Canada’s defense dependence on the U.S., ramping up domestic defense production.

Carney has advanced a foreign policy that centers “middle powers” and operates without the U.S. That global reorientation has profound consequences for the U.S. economy, as well. Canada is leading discussions between the European Union and a 12-nation Indo-Pacific bloc to form one of the globe’s largest economic alliances. A new agreement would enable the countries to share supply chains and to share a low-tariff system. Canada also announced it is renewing its partnership with China. As of this week, Canadians can travel to China without a visa.

Today France’s president Emmanuel Macron and India’s prime minister Narendra Modi upgraded Indian-French relations to a “Special Strategic Partnership” during a three-day visit of Macron to Mumbai. They have promised to increase cooperation between the two countries in defense, trade, and critical materials.

Trump insisted that abandoning the free trade principles under which the U.S. economy had boomed since World War II would enable the U.S. to leverage its extraordinary economic might through tariffs, but it appears, as economist Scott Lincicome of the Cato Institute wrote today for Bloomberg, that the rest of the world is simply moving on without the U.S.

While Trump boasts about the U.S. stock market, which is indeed up, U.S. markets have underperformed markets in other countries. Today, Carl Quintanilla of CNBC reported that the S&P 500, which measures 500 of the largest publicly traded companies in the U.S., is off to its worst year of performance since 1995 when compared to the All Country World Index (ACWI), an index that measures global stocks.

In May 2023 the Florida legislature passed a law requiring employers with 25 or more employees to confirm that their workers are in the U.S. legally. The new law prompted foreign farmworkers and construction workers to leave the state. Now, the Wall Street Journal reported in a February 6 editorial, employers “are struggling to find workers they can employ legally.”

The newspaper continued: “There’s little evidence that undocumented migrants are taking jobs from Americans. The reality is that employers can’t find enough Americans willing to work in the fields or hang drywall, even at attractive wages. Farm hands in Florida who work year-round earn roughly $47,000, which is more than what some young college graduates earn.” “The lesson for President Trump is that businesses can’t grow if government takes away their workers,” the Wall Street Journal Editorial Board concluded.

Today Florida attorney general James Uthmeier reacted to the Wall Street Journal editorial, explaining on Fox Business that the Republican Party expects to replace undocumented workers with young Americans: “We need to focus on our state college program, our trade schools, getting people into the workforce even earlier. We passed legislation last year to help high school students get their hands dirty and get on job sites more quickly. So I think there’s a lot more we can do with apprenticeships, rolling out, beefing up our workforce, and trying to address the demand that is undoubtedly here in the state.”

Steve Kopack of NBC News reported on February 11 that while the U.S. added 1.46 million jobs in 2024, the last year of former president Joe Biden’s administration, it added just 181,000 jobs in 2025. That makes 2025 the worst year for hiring since 2003, aside from the worst year of the coronavirus pandemic. Manufacturing lost 108,000 jobs in 2025.

Peter Grant of the Wall Street Journal reported today that banks that have loaned money to finance the purchase of commercial real estate are requiring borrowers to pay back tens of billions of dollars as the delinquency rate for such loans has climbed to a high not seen since just after the 2008 financial crisis. About $100 billion in commercial real estate loans that have been packaged into securities will come due this year and probably won’t repay when they should. More than half of the loans are likely headed for foreclosure or liquidation.

Trump vowed that he would cut “waste, fraud, and abuse” out of the country’s government programs, but cuts to social programs have been overwhelmed by spending on federal arrest, detention, and deportation programs, as well as Trump’s expansion of military strikes and threats against other countries. In his first year back in office, Trump launched at least 658 air and drone strikes against Iraq, Somalia, Iran, Yemen, Syria, Nigeria, and Venezuela.

Just today, U.S. Southern Command announced it struck three boats in the eastern Pacific and the Caribbean yesterday and killed 11 people it claims were smuggling drugs, bringing the total of such strikes to more than 40 and the number of dead to more than 130. Now Trump is moving American forces toward Iran, threatening to target the regime there.

The administration is simply tacking the cost of these military adventures onto government expenditures, apparently still maintaining that the tax cuts for the wealthy and corporations Republicans extended in their July “One Big Beautiful Bill Act” and tariffs will address the growing deficit and national debt by increasing economic growth.

The nonpartisan Congressional Budget Office (CBO) last week projected that the deficit for the fiscal year ending September 30, 2026, will be $1.85 trillion. Richard Rubin of the Wall Street Journal notes that for every dollar the U.S. collects this year, it will spend $1.33. The CBO explained that the Republican tax cuts will increase budget deficits by $4.7 trillion through 2035.

If the American people have suffered from Trump’s reign, the Trump family continues to cash in. Today Trump’s chair of the Commodity Futures Trading Commission, Michael Selig, announced he will try to block states from regulating prediction markets, saying they “provide useful functions for society by allowing everyday Americans to hedge commercial risks like increases in temperature and energy price spikes.”

Republicans insist that prediction markets are more like stock trading than like betting, but a group of over 20 Democratic senators warned last week in a letter to Selig that prediction market platforms, where hundreds of millions of dollars are wagered every week, “are offering contracts that mirror sportsbook wagers and, in some cases, contracts tied to war and armed conflict.” They added that the platforms “evade state and tribal consumer protections, generate no public revenue, and undermine sovereign regulatory regimes,” and urged Selig to support regulations Congress has already put into law.

Prediction markets also cover the actions of President Trump, whose son Don Jr. is both an advisor to and an investor in Polymarket and a paid advisor to Kalshi. Polymarket and Kalshi are the two biggest prediction markets, and both are less regulated than betting sites. The Trump family has announced it is starting its own “Truth Predict.”

David Uberti of the Wall Street Journal reported that Eric Trump is investing heavily in drones, particularly in Israeli drone maker Xtend, which has a $1.5 billion deal to merge with a small Florida construction company to take the company public. The Defense Department has invited Xtend to be part of its drone expansion program.

And yet it is clear the administration fears the American people. The Minnesota Bureau of Criminal Apprehension (BCA), a statewide program that specializes in police shootings, said yesterday that it has received formal notice that the Federal Bureau of Investigation (FBI) will not allow it any “access to information or evidence that it has collected” related to the shooting death of Minneapolis intensive care nurse Alex Pretti. The BCA says it will continue to investigate and to pursue legal avenues to get access to the FBI files.

Fury at ICE continues to mount, with voices from inside the government complaining about Homeland Security Secretary Kristi Noem. Gordon Lubold, Courtney Kube, Jonathan Allen, and Julia Ainsley of NBC News reported today on her alienation of senior officials at the Coast Guard as she has shifted their primary mission of search and rescue to flying deportation flights. Noem’s abrupt removal of Coast Guard commandant Linda Fagan only to move into her vacated housing at Joint Base Anacostia-Bolling herself also rankled, along with Noem’s lavish use of expensive Coast Guard planes.

Daniel Lippman and Adam Wren of Politico reported today that Noem’s spokesperson, Tricia McLaughlin, is resigning.

Marissa Payne of the Des Moines Register reported today that in Iowa, Republican state lawmakers are working to rein in the power of the state governor before the 2026 elections, a sure sign that they are worried that a Democrat is going to win the election.

That fear appears to be part of a larger concern that the American people have turned against the Republicans more generally. Last night, late-night talk show host Stephen Colbert told viewers he had been unable to air an interview he did with a Democratic candidate for the U.S. Senate from Texas, James Talarico. “I was told…that not only could I not have him on, I could not mention me not having him on,” Colbert said. “And because my network clearly doesn’t want us to talk about this, let’s talk about this.”

Talarico is a Texas state lawmaker studying to be a minister, who criticizes the Republican use of Christianity as a political weapon. Such politicization of Christianity both distorts politics and cheapens faith, he says. The true way to practice Christianity is simple but not easy, he says: it is to love your neighbor. Political positions should grow out of that to feed the hungry, welcome the stranger, and heal the sick. “[T]here is nothing Christian about Christian nationalism,” he told Colbert. “It is the worship of power in the name of Christ, and it is a betrayal of Jesus of Nazareth.”

Although Talarico is locked in a tight primary battle with Representative Jasmine Crockett, his message offers a powerful off-ramp for evangelicals uncomfortable with the administration, especially its cover-up of the Epstein files. Without evangelical support, MAGA Republicans cannot win elections.

Talarico has the administration nervous enough that Federal Communications Commission (FCC) chair Brendan Carr opened an investigation of the morning talk show The View after Talarico appeared on the show earlier this month. Lawyer Adam Bonin explained that Carr changed the FCC’s enforcement of the Equal Time Rule (which is not the Fairness Doctrine). It says that when broadcast networks (not cable) give air time to someone running for office, they have to give the same time to any other candidate for that office. The obvious exception is when a candidate does something newsworthy outside the race, in which case a network can interview that person without interviewing everyone else.

For 20 years, that rule has applied to talk shows, but Carr announced last month that if a non-news talk show seems to be “motivated by partisan purposes,” then it will not be exempt. For Colbert’s show, it would have meant that after interviewing Talarico, the network would have had to give equal time to all other Democrats and Republicans running for the Senate seat. CBS could have challenged the rule but chose not to.

Why is the administration worried about Talarico in a state Trump won in 2024 by 14%? “I think that Donald Trump is worried that we’re about to flip Texas,” Talarico said. “Across the state there is a backlash growing to the extremism and the corruption in our politics…. It’s a people-powered movement to take back our state and take back our country.”

As of 10:00 tonight, Colbert’s 15-minute interview with Talarico has been viewed on YouTube 3.8 million times. Forbes says it is Colbert’s most watched interview in months.

Source: Heather Cox Richardson, Letters from an American, 17 February 2026

The Late Show with Stephen Colbert, “Rep. James Talarico On Confronting Christian Nationalism, And Strange Days In The Texas Legislature”

Stephen Colbert hosts Texas State Rep. James Talarico for an online-exclusive interview that touches on the issues raised in Talarico’s campaign for the Democratic nomination for Senate including the separation of church and state, the dangers of consolidated corporate-owned media, and the fabricated culture wars pushed by Republicans in states like Texas.

Source: The Late Show with Stephen Colbert (YouTube), 16 February 2026

The Department of Homeland Security is expanding its efforts to identify Americans who oppose Immigration and Customs Enforcement by sending tech companies legal requests for the names, email addresses, telephone numbers and other identifying data behind social media accounts that track or criticize the agency.

In recent months, Google, Reddit, Discord and Meta, which owns Facebook and Instagram, have received hundreds of administrative subpoenas from the Department of Homeland Security, according to four government officials and tech employees privy to the requests. They spoke on the condition of anonymity because they were not authorized to speak publicly.

Google, Meta and Reddit complied with some of the requests, the government officials said. In the subpoenas, the department asked the companies for identifying details of accounts that do not have a real person’s name attached and that have criticized ICE or pointed to the locations of ICE agents. The New York Times saw two subpoenas that were sent to Meta over the last six months.

The tech companies, which can choose whether or not to provide the information, have said they review government requests before complying. Some of the companies notified the people whom the government had requested data on and gave them 10 to 14 days to fight the subpoena in court.

“The government is taking more liberties than they used to,” said Steve Loney, a senior supervising attorney with the American Civil Liberties Union of Pennsylvania. “It’s a whole other level of frequency and lack of accountability.” Over the last six months, Mr. Loney has represented people whose social media account information was sought by the Department of Homeland Security.

The department said it had “broad administrative subpoena authority” but did not address questions about its requests. In court, its lawyers have argued that they are seeking information to help keep ICE agents in the field safe.

Meta, Reddit and Discord declined to comment.

“When we receive a subpoena, our review process is designed to protect user privacy while meeting our legal obligations,” a Google spokeswoman said in a statement. “We inform users when their accounts have been subpoenaed, unless under legal order not to or in an exceptional circumstance. We review every legal demand and push back against those that are overbroad.”

The Trump administration has aggressively tried tamping down criticism of ICE, partly by identifying Americans who have demonstrated against the agency. ICE agents told protesters in Minneapolis and Chicago that they were being recorded and identified with facial recognition technology. Last month, Tom Homan, the White House border czar, also said on Fox News that he was pushing to “create a database” of people who were “arrested for interference, impeding and assault.”

Silicon Valley has long had an uneasy relationship with the federal government and how much user information to provide it. Transparency reports published by tech companies show that the number of requests for user information from different governments around the world has climbed over the years, with the United States and India among those submitting the most.

Some social media companies previously fought government requests for user information. In 2017, Twitter (now X) sued the federal government to stop an administrative subpoena that asked it to unmask an account critical of the first Trump administration. The subpoena was later withdrawn.

Unlike arrest warrants, which require a judge’s approval, administrative subpoenas are issued by the Department of Homeland Security. They were only sparingly used in the past, primarily to uncover the people behind social media accounts engaged in serious crimes such as child trafficking, said tech employees familiar with the legal tool. But last year, the department ramped up its use of the subpoenas to unmask anonymous social media accounts.

In September, for example, it sent Meta administrative subpoenas to identify the people behind Instagram accounts that posted about ICE raids in California, according to the A.C.L.U. The subpoenas were challenged in court, and the Department of Homeland Security withdrew the requests for information before a judge could rule.

Mr. Loney of the A.C.L.U. said avoiding a judge’s ruling was important for the department to keep issuing the subpoenas without a legal order to stop. “The pressure is on the end user, the private individual, to go to court,” he said.

The Department of Homeland Security also sought more information on the Facebook and Instagram accounts dedicated to tracking ICE activity in Montgomery County, Pa., outside Philadelphia. The accounts, called Montco Community Watch, began posting in Spanish and English about ICE sightings in June and, over the next six months, solicited tips from their roughly 10,000 followers to alert people to the locations of agents on specific streets or in front of local landmarks.

On Sept. 11, the Department of Homeland Security sent Meta a request for the name, email address, post code and other identifying information of the person or people behind the accounts. Meta informed the two Instagram and Facebook accounts of the request on Oct. 3.

“We have received legal process from law enforcement seeking information about your Facebook account,” the notification said, according to court records. “If we do not receive a copy of documentation that you have filed in court challenging this legal process within ten (10) days, we will respond to the requesting agency with information.”

The account owner alerted the A.C.L.U., which filed a motion on Oct. 16 to quash the government’s request. In a hearing on Jan. 14 in U.S. District Court for the Northern District of California, the A.C.L.U. argued that the government was using administrative subpoenas to target people whose speech it did not agree with.

Sarah Balkissoon, a Department of Justice lawyer representing the government, said the Department of Homeland Security’s position was that it was “within their power to investigate threats to its own officers or impediments to their officers,” according to a court transcript viewed by The Times.

Two days later, the subpoena was withdrawn.

The Montco Community Watch accounts continue to post almost every day. The Times emailed a request for comment to the address associated with the accounts but did not receive a reply.

On Monday, the Instagram account posted an alert for ICE activity in the Eagleville area of Montgomery County. “Montco ICE alert,” the post said. “This is confirmed ICE activity.”

On Friday, the account posted a video of students at Norristown Area High School protesting against ICE. “We stand with you and are proud you made your voices heard!” the post said.

Source: Sheera Frenkel and Mike Isaac, “Homeland Security Wants Social Media Sites to Expose Anti-ICE Accounts,” New York Times, 13 February 2026

It’s one of the saddest hit songs to grace American music: “Deportee (Plane Wreck at Los Gatos).”

The 1948 Woody Guthrie composition documented a plane crash that killed all 32 people on board in Los Gatos Canyon near the Central Valley town of Coalinga on Jan. 28 of that year. Twenty-eight of the victims were Mexicans being forced back home — some entered the country without papers, some were guest workers whose stints were over — accompanied by the immigration agent charged with making sure they got there, much like the deportation flights of today.

The Associated Press reported that newspapers published across the country the following day — including The Times — listed the names of the Southern California crew on board and the migra man, Frank E. Chaffin of Berkeley.

The Mexicans? The story deemed them “deportees.” They were buried in a mass grave at Holy Cross Cemetery in Fresno under a bronze marker that read: “28 Mexican citizens who died in an airplane accident.” The American government never even bothered to tell their family members. Many wondered what happened to their loved ones for decades.

Guthrie heard the AP report over the radio and was so angered by how the press and government dismissed the deceased that he penned “Deportee.” With mournful chords and vivid lyrics, the working class troubadour attacked an American society that that simultaneously let crops rot “in their creosote dumps” and treated the migrants who picked them “like rustlers, like outlaws, like thieves.”

It’s been covered by some of this country’s greatest musicians — I’m talking Dolly Parton, Bruce Springsteen, Johnny Cash and Willie Nelson (my favorite version is by folk-rock heroes The Byrds).

The Byrds, “Deportee (Plane Wreck at Los Gatos)” (1969)

Even with “Deportee,” this story had fallen out of public consciousness over the decades. Until January, when ICE dredged it up to once again insult the memory of the lost Mexican immigrants.

ICE’s inexplicable recap

On Jan. 28, the social media accounts of Immigration and Customs Enforcement commemorated Chaffin’s death and only his. The caption alongside a grainy black and white photo of him read: “The plane he was on to deport 28 illegal Mexican aliens caught fire and crashed killing all onboard.”

ICE’s unnecessarily inflammatory language not only was ahistorical, but also it didn’t even match up with its own official account. The agency’s Wall of Honor, which commemorates the lives of employees who died in the line of duty, described the migrants who died alongside Chaffin as “Mexican nationals.”

Such warping of the past isn’t accidental but rather part of a long con by the Trump administration to justify its agenda. In an administration that knows no lows, dismissing the Mexican victims of the Los Gatos Canyon disaster as “illegal Mexican aliens” was particularly egregious.

‘It’s disrespectful, it’s dehumanizing, it’s ICE’

I called up Mike Rodriguez, an ethnic studies teacher in Santa Ana who found out in 2015 that his paternal aunt, María Rodríguez Santana, was on that doomed plane.

“First thing I thought was, ‘Well that’s the United States,’” Rodriguez said of ICE’s social media post. “They’re doing the same thing that the government tried to do in 1948 by erasing them.”

He added that la migra didn’t even bother to list the names of the American crew that died, either. “It’s disrespectful, it’s dehumanizing, it’s ICE,” he said.

But Rodriguez takes solace in knowing he and others are doing their part to make sure people know the full story. He regularly speaks about the tragedy and visited both the site of the crash and Holy Cross Cemetery, where a plaque with all of the victims’ names was erected in 2013.

Tim Z. Hernandez, a University of Texas El Paso professor who has spent much of his career trying to track down descendants, interviewed Rodriguez and his uncle for a forthcoming documentary and also featured their story in the 2024 book”They Call You Back: A Lost History, A Search, A Memoir.” The two appeared at an event last year at the Untold Story bookstore in Anaheim, where Rodriguez sung “Deportee” while his son played guitar. He added extra lyrics to honor his Tía María and Hernandez.

“Thankfully, we have truth tellers like Woody Guthrie and Tim,” Rodriguez said. “And I remember what Woody sang — ‘All you fascists bound to lose.’ And that’s the way this is administration is, trying to strip away our constitutional rights. But their day will come.”

Source: Gustavo Arellano, “Essential California” newsletter (Los Angeles Times), 17 February 2026

Blood Type

Contemporary listeners of Kino’s hit album Blood Type (1988) would have had no trouble identifying the war alluded to in the title track: the Soviet-Afghan War was still ongoing. The war was one of the causes of the Soviet Union’s sudden collapse in 1991. Unless it is stopped in short order, the Trump regime’s just-as-needless war against U.S. cities will lead to the collapse of the United States. ||||| TRR

Kino, “Blood Type” (1988), English Translation

Source: TK Stuff (YouTube), 26 December 2021

The Soviet–Afghan War took place in Afghanistan from December 1979 to February 1989. Marking the beginning of the 47-year-long Afghan conflict, it saw the Soviet Union and the Afghan military fight against the rebelling Afghan mujahideen, aided by Pakistan. While they were backed by various countries and organizations, the majority of the mujahideen’s support came from Pakistan, the United States (as part of Operation Cyclone), the United Kingdom, China, Iran, and the Arab states of the Persian Gulf, in addition to a large influx of foreign fighters known as the Afghan Arabs. American and British involvement on the side of the mujahideen escalated the Cold War, ending a short period of relaxed Soviet Union–United States relations.

Combat took place throughout the 1980s, mostly in the Afghan countryside, as most of the country’s cities remained under Soviet control. The conflict resulted in the deaths of one to three million Afghans, while millions more fled from the country as refugees; most externally displaced Afghans sought refuge in Pakistan and in Iran. Between 6.5 and 11.5% of Afghanistan’s population of 13.5 million people (per the 1979 census) is estimated to have been killed over the course of the Soviet–Afghan War. The decade-long confrontation between the mujahideen and the Soviet and Afghan militaries inflicted grave destruction throughout Afghanistan, and has been cited by scholars as a significant factor contributing to the dissolution of the Soviet Union in 1991; it is for this reason that the conflict is sometimes referred to as “the Soviet Union’s Vietnam”.

Source: Wikipedia. The emphasis, in the last paragraph, is mine. ||||| TRR

[…]

The pretext for this war, of course, has always been a bogus premise. Yet federal agents treat it with the dogma of settled fact. But I keep wondering: How does the average CBP or ICE agent convince themselves of this? Even now, I can’t help shake the absurdity of anyone—Trump, Gregory Bovino, whomever—hoping to convince a thinking person, even themselves, to believe that places like Minneapolis have ever required an armed occupation. It’s against this genuine perplexity that I keep coming back to how these officers look and what mirrors might reflect back to them when they dress up for war.

“Anybody who’s had a fun evening on Halloween can understand what happens when somebody fully dresses up in paramilitary gear with flash-bang grenades hanging off of them,” said Peter Kraska, a justice studies professor at Eastern Kentucky University. “They’re going to walk out in public and say to themselves, ‘I am different from all these people.’ They become the enforcer. And when they look out and see the other, they see an enemy. The [paramilitary gear] gets them to react differently and think differently than they normally would.”

The role of military-style uniforms in helping the Trump administration create a theater of war where none exists cannot be overstated. It marks a stark evolution from the early days of Trump’s mass deportation plans, when plainclothed agents looked a lot like your best friend’s worst boyfriend—the guy who moved to rural Pennsylvania and discovered the basement levels of gun culture. Now, agents march into town in the costume of a foreign invasion.

Consider the camouflage now ubiquitous across the cities ICE occupies. At first, the pattern’s technical science might seem like a natural extension of the Trump administration’s increasingly illegal efforts to shield the identities of the men carrying out its vision of cruelty. But the theory breaks down when you look at the urban landscapes where ICE hunts down immigrants. Simply put, wearing camo in places like Lake Street or Hyde Park defies its central aim. If camo’s built-in purpose is to avoid detection, ICE’s embrace of it is the opposite: They want maximum visibility. They want to show they are soldiers. And they want to do so to make it seem reasonable, if only to themselves, to act like an invading army.

When I reached out to the Department of Homeland Security about the use of military gear among ICE agents, spokesperson Tricia McLaughlin responded with her own question: “Why do ICE agents wear tactical gear when they are facing rampant assaults and vehicular attacks? Is that the question you’re asking?” No, not really. But the snark with which McLaughlin replied was enough to grasp that questioning why DHS employs camo when lush woodlands do not exist in the cities its agents invade was irrelevant. They are dressing for the war they want.

What other way was there to interpret the coat of the former envoy of terror, Bovino? The commentariat spent much time deliberating its lineage, whether or not Bovino’s hulking olive garb was in fact true Nazi wear. (It turns out it was not.) But in roaming around Minneapolis in the fashions of Hugo Boss circa 1933, Bovino, who reportedly travels with his own film crew, succeeded in pushing the optics of war where it does not exist.

“What you’re seeing is the functionality of gear for legitimate, militarized purposes versus a type of postmodern, performative imagery,” Kraska said. “It makes them feel a particular way, to tap into those warrior fantasies and masculine drive of, ‘I’m a real man, I’m a real badass.’”

Federal agents stand outside the Whipple Federal Building in Saint Paul, Minnesota, on 8 January 2026. Photo: Octavio Jones/AFP/Getty/Mother Jones

The same holds for the men under Bovino. These are federal agents who wear hats intended for jungle warfare—again, in Minneapolis, where no such jungle exists—as well as blood-type patches, despite little evidence that they would ever be needed. After all, they are in Minneapolis, an American city with American hospitals, where doctors provide blood transfusions without the help of uniform instructions, the way a soldier on a remote battlefield might actually need. Furthermore, ICE’s own data strongly undercuts the notion that the job of an ICE officer is even uniquely dangerous work. In the absence of peril, federal agents turn to costume to legitimize their presence.

[…]

Source: Inae Oh, “ICE’s Theater of War,” Mother Jones, 29 January 2026. The emphasis, in the last paragraph, is mine. ||||| TRR

2016 (Have a Heart)

About the Book

In this gripping tale of contemporary Russia, a young filmmaker and her friends run afoul of a government that ruthlessly oppresses artists who dare to satirize the regime…

When Maya, a young Russian filmmaker, makes a low-budget horror movie with her friends, it seems like a promising start to a career in indie film. Little does she know that her jokey lo-fi film will soon attract the attention of the autocratic censors at the highest levels of the Russian police state.

What follows is a propulsive narrative of an artist being crushed by state power, and the choices that one makes within a system where free expression is literally illegal. Written with the undeniable voice of a emigre from Putin’s Russia, The Undead is a tense, piercing story that serves as a parable, and a warning, about political oppression.

Contributors

Svetlana Satchkova is a Russian-born journalist and writer who immigrated to the United States in 2016. She is an established arts journalist with bylines in the Rumpus, Newsweek, LARB, and others. She is currently a research fellow at the Jordan Center for the Advanced Study of Russia at New York University, has an MFA from Brooklyn College, and lives in Brooklyn. The Undead is her first novel in English.

Praise

“[An] exquisite balance between contentment and foreboding, tranquility and chaos” — Vogue

“Chillingly examines the Russian government’s stranglehold on the arts and media industries …. a convincing cautionary tale of the dangers of political apathy.” —Publishers Weekly

“[A] brisk, vivid page turner” — The Milwaukee Shepherd Express

“There is nothing supernatural about the zombies in Svetlana Satchkova’s savvy, frightening novel. They are all of us, wherever we are, who keep looking away when authoritarian forces crush expression. Witty and unsettling, The Undead is a cautionary tale about, among other things, never quite admitting where the danger lies until it’s too late.” —Sam Lipsyte, author of The Ask

“The Undead is a courageous and witty book about art and politics. With keen insight and wry humor, Svetlana Satchkova evokes a devastating artistic and moral reckoning. This fascinating, propulsive novel will stay with me.” —Helen Phillips, author of The Need

“The Undead has the force of an undertow, pulling us relentlessly away from safety. Svetlana Satchkova has written a gripping, haunting portrait of a world coming undone.” —Madeleine Thien, author of Do Not Say We Have Nothing

In The Undead, the career and well-being of Maya, a young filmmaker in Moscow, unravel in the most bizarre, realistic way, showcasing the insidious, absurd nature of a totalitarian state. Deeply informative and engrossing, The Undead examines how bizarre and horrific human nature can evolve under the pressure of the desire to live unharmed rather than free. A moving examination of the meaning of home, the horror of a dictatorship, the hilarity and joy of movie-making, and one woman’s political coming of age in Putin’s Russia. Truly important reading for our times.” —Paula Bomer, author of The Stalker

Source: Melville House. The emphasis is mine. ||||| TRR

Glinstake, “Live at 16 Tons”

Glintshake‘s performance at the club 16 Tons on 2 April 2016.

Setlist:

  1. Halfman
  2. My New Style
  3. Squalor
  4. Shadows
  5. Fifteen Minutes to Five
  6. The Steppe is the Place
  7. Have a Heart 8
  8. Phoenix

ГШ (GLINTSHAKE): Facebook •. VK • Soundcloud • iTunes • Instagram

CREDITS:

Camera: Alec Mirzametov, Anton Rodionov • Editing/Grading: Alec Mirzametov

Source: Alec Mir (YouTube), 30 May 2016. Annotation translated by the Russian Reader. The emphasis is mine. ||||| TRR

Glintshake, “Have a Heart” • Erarta Museum, St. Petersburg, 2 April 2017 • Source: Denis Morozov (YouTube)

[Verse 1]
Beyond the bright lights
Of sleepy buildings
Lines in the snow
Send signals
From distant stations
Docks are waiting
Waiting in the fog
For distant shores
In the haze of summer
In the arctic circle

[Chorus]
Have a heart

[Verse 2]
A gusty wind
Noise on the line
The compactor gently crushes the white Volga, waves splash
The markings are washed away
The airfield is not visible in the fog, the camera clicks
The speed drops
The waves crash
The earliest
The most distant flight
Faces and shadows
Of random passersby

[Bridge]
In dark apartments
In yellow deserts
In blue snows
In fiery rivers
In the foggy sea

[Chorus]
Have a heart

[Outro]
Salt on the dials
The needle flutters
The airfield is invisible in the fog, the camera clicks
Step on the gas!
In the endless field, in the pink jungle, in the summer haze
Have a heart

Source: Genius. Translated by the Russian Reader

Glintshake, “Halfman” (2016)

[Verse 1]
Headlights, I see a shadow
Someone’s been hanging around for days
Standing around the corner
Lying on the grass under the window
A bloodsucker
Or the corner
Loading
His black barrel
His black barrel
His black barrel
His black barrel

Who is he, a skinner
Or a TV reporter
A maniac, a Satanist
Or a Russian Orthodox Stalinist
I hear the wind
An ominous moan
The pungent scent
Of pouring cologne

[Chorus]
A halfman
Roams Moscow
A halfman
In a half-jacket

[Verse 2]
Strolls in places
Where everything is sold without a passport
Zhiguli cars are burning
We gotta move before they sweep us away
Gritting my teeth
I dance
In a techno club
Four days

When I grow up
I’ll stop thinking and understand everything
The light of faith will dispel the darkness
My same-sex marriage will fall apart
I’ll go out into the world
I’ll throw away my syringe
I’ll become the best
Of all the shop girls

[Chorus]
A halfman
Roams Moscow
A halfman
Not in his right mind

Source: Genius. Translated by the Russian Reader

In my days as a magazine editor in Russia, I used to write about movies Volodymyr Zelensky starred in. I thought of him as a decent actor and a nice enough person. Over the last few weeks, I’ve seen him turn into a towering historical figure. Watching his impassioned address to the UN Security Council, in which he spoke about war crimes committed by Russian troops in a town of Bucha, I caught myself thinking that I want Russia’s next leader to be just like him – courageous, principled, and boundlessly empathetic.

In the fall of 1993, I began my first semester at NYU. Just one year earlier, I’d been a regular Moscow teenager, whose wildest ambition was to own a nice pair of jeans. But my father had been offered a job at an American company, and our family relocated to New York. With the move, the world suddenly opened to me, possibilities beckoning. My father, ever the practical man, told me to study business. Ever the obedient Soviet child, I didn’t protest, despite the fact that nothing could interest me less — but fortunately for me, there was no such thing as a business major at NYU, and, when I got my BA in philosophy, I moved back to Russia, leaving my parents and younger brother behind. The fact that I did so was testament to how profoundly I’d changed in four years.

I was barely 20, but my reasons for returning were clear. I’d fallen in love with a man who lived in Moscow, and I longed for the glorious city which I still considered to be my home. In 1997, Moscow was an exciting place where everything was changing at an incredible pace. New lives were being built on top of the remnants of the USSR. I also felt drawn to Russian intellectual culture, having started writing my first novel in Russian, and I wanted my child, whom I was already carrying, to speak my native language as fluently as I did.

My marriage to the father of my son didn’t work out, as was perhaps expected of a union between people so young. But I was busy becoming who I wanted to be — a writer and a mother — and quickly bounced back. Meanwhile, Russia continued to change. In August 1999, I saw Vladimir Putin on television for the very first time, introduced as the new prime minister. I’ve never been particularly politically astute, but at that moment, I saw in his face, as in a crystal ball, what was going to happen in the years to come: the scheming, the corruption, the crackdown on independent media, the police state.

In September of that same year, a series of explosions destroyed several apartment blocks in the cities of Moscow, Buynaksk, and Volgodonsk; over 300 people died and 1700 were injured. I remember watching the news late at night, my two-year-old son asleep in the next room, and trembling in fear as I wondered if my building would be next. I imagined the most horrible thing – not that we’d both be dead, but dying, separated by fallen walls, him calling me, pleading for help. In a few days, rumors abounded that it was Putin who’d ordered the explosions with the aim of blaming them on Chechen militant Islamists. He became president in 2000, after starting the second war in Chechnya and famously having promised to “snuff ‘em in the outhouse,” to the delight of the majority of the population of Russia.

Had I believed my initial premonition, I would’ve left right away, but I liked to think of myself as a rational person. And so I tried to convince myself that I was being paranoid. It wasn’t easy.

Over the next ten years, Putin’s regime took away people’s freedoms in tiny steps that were probably meant to be unnoticeable, while he gathered enough power for himself that he could change the constitution and effectively be president indefinitely. Meanwhile, I built up my Moscow life. I was a writer, but I was also a single mother whose relatives lived across the ocean, and I worried about what would happen to my son if anything happened to me. So, though I wanted to report on the shrinking of democracy, I wrote instead about beauty and culture. In this way, I thought, I’d protect myself from the dangers of those who covered nationalist movements and wars. I wouldn’t end up dead, like Anna Politkovskaya and countless others.

But self-preservation under a regime like Putin’s can only take you so far. In 2014, when the people of Ukraine ousted their pro-Russia president Victor Yanukovych from his office, Putin swiftly moved into the neighboring country and annexed the Crimean Peninsula. Russian society split into two opposing camps, one cheering Putin’s maneuver and the other incensed by it. The question “Who does Crimea belong to?” became the most salient marker of “them” versus “us.” Marriages crumbled under the weight of this question; friendships were irreparably broken; people became estranged from their parents. Later that year, a provision to the criminal law obligated all dual nationals to report to the authorities. I made a copy of my American passport, filled out the requisite forms, and went to my local branch of the Federal Migration Service. The man who inspected my documents had the unmistakable air of someone who was embroiled in Russian state bureaucracy, at once condescending and menacing. He made it exceedingly clear what he thought of the likes of me, and when I came home that evening, I told my partner that, finally, I wanted to leave Russia for good.

It took us another two years to make the move, and we arrived in the United States in 2016. I began writing fiction in English and continued to work for Russian media outlets that didn’t support Putin’s regime. Still, I was careful not to write about politics, knowing that, if I went back to Moscow, I could face prosecution. Everything changed this February, however: Putin’s invasion into Ukraine — a country that I’d visited often and love, a country where many of my friends hail from — made it impossible for me to keep silent. I need to say publicly that this war is abhorrent and that Russians do not equal Putin –– even those of us who, like me, have been afraid to speak out in the past.

I do realize that I’m able to take this risk because I’m in New York, protected by my American passport. A law has been passed in Russia that prohibits its citizens from using the word “war” to refer to the “special operation” that’s taking place in Ukraine, and effectively prevents them from saying they’re against it under the threat of imprisonment. My heart goes out to all the people back home who feel the same way I do. I know that there are many of them and that they are experiencing crushing guilt for failing to somehow stop Putin, the president they didn’t elect. And while we’ll agonize for a long time over the question of what more each of us could have done, it’s beyond clear that peaceful protests don’t stand a chance against Putin’s weapons and his complete disregard for human life.

Source: Svetlana Satchkova, “I’m Russian and I stayed quiet about Putin for a long time. This is what I really think,” The Independent, 11 April 2022. The emphasis is mine.||||| TRR

(Anti)Fascism Tuesday

Federal immigration agents detained three people and deployed chemical agents at multiple locations around E. 34th Street and Park Avenue in Minneapolis’ Powderhorn neighborhood Tuesday morning. At least two were observers and not the target of immigration enforcement operations.

Around 9:40 a.m., community response networks began sending alerts about Immigration and Customs Enforcement (ICE) door-knocking at E. 34th Street and Park Avenue. By 10 a.m., a crowd of over 100 observers had gathered, confronting agents at multiple intersections. 

Among the detainees was a woman who was forcibly removed from her vehicle after agents smashed her passenger-side window. 

In a video taken by Sahan Journal, the woman can be seen arguing with agents prior to being grabbed by multiple agents and carried to agents’ vehicle. The woman can be heard shouting that she is disabled and on her way to a doctor’s appointment that ICE was obstructing. Prior to the detention agents had instructed her to drive away.

After being pulled out of a car, a women screams as she’s being arrested by immigrations agents at 34th and Park in Minneapolis on Jan 13, 2026. Credit: Chris Juhn for Sahan Journal

Shortly after, another observer on site was tackled and forcibly put in agents’ vehicle as well. According to state Rep. Aisha Gomez, DFL-Minneapolis, who was present at the scene, agents pushed the man’s head into the concrete prior to carrying him away. Gomez also said that agents were physical with her as well. 

“These officers have obviously not had the basic law enforcement training,” Gomez said. “I was shoved with no verbal communication whatsoever.” 

Andy Larson, a south Minneapolis resident who was out observing ICE activity Tuesday, told Sahan Journal that one protester kicked out the taillight of an ICE vehicle and was tackled to the ground up the road on Park Avenue and E. 36th Street.

“It was a really good kick,” Larson said.

The protester managed to escape ICE agents, Larson said. ICE deployed chemical irritants and shot pepper balls into the crowd and fled the scene.

According to Sahan Journal photojournalist Chris Juhn, a Hispanic man was also visible in the back of one vehicle. It is unclear whether the man was an observer or target of federal operations. ICE did not respond to Sahan’s request for comment on the operations. 

At multiple points during the operation, agents deployed chemical agents at observers. Agents fired pepper balls at observers’ feet and threw canisters of tear gas at the corner of 34th Street and both Park and Oakland avenues prior to leaving the scene. Eyewitness Moses Wolf said there was no singular precipitating event that led to tear gas being deployed on Park Avenue.

“There was a crowd confronting each other telling ICE to get out,” Wolf said. “I didn’t really see any physical altercation happening.” He said it appeared to be a tactic by ICE agents to exit the scene.

Wolf said the confrontation prior to the deployment of tear gas had not escalated beyond what had already been happening. 

“It wasn’t anything crazy,” Wolf said. “I turned around for one second and there was this whole entire cloud of it, and pepper spray came with that.” 

Eyewitness Neph Sudduth said at Oakland Avenue agents used tear gas as they were leaving.

“They were finally leaving, it was the last car of the convoy,” Sudduth said. “They just threw two or three canisters out at us as they left.”

Both Sudduth and Wolf said they witnessed agents using pepper spray out of the windows of their vehicles as they drove off.

“They just wanted to hurt us cause we told them how we felt, and they didn’t like it,” Sudduth said.

The operation in Powderhorn is part of a flood of federal immigration activity in Minnesota. As many as 2,000 federal agents are present in the state according to reporting from the New York Times, with an additional 1,000 set to be deployed. 

For Gomez, the clash with ICE is the new reality of life in the Twin Cities with federal agents present. 

“This is what our streets are like,” Gomez said. “We have these masked, unaccountable unknown to us federal agents, and it’s like they’re the secret police.”

Despite the difficulties, Gomez believes observers should and will continue to show up to meet federal agents in the streets. 

“Our community is undeterred,” she said. “We’re not going to just lay down. You can gas us and mace us all you want, we’re not going to just lay down.”

Sahan Journal reporter Andrew Hazzard contributed to this story.

Source: Nicolas Scibelli, “Crowd of 100 confronts immigration agents door-knocking in south Minneapolis,” Sahan Journal, 13 January 2024

1. Numbers

During the 2024 campaign, Donald Trump promised to deport every illegal immigrant who was a rapist, murderer, or thief. He also promised to deport 20 million immigrants. Some voters believed the first promise; other voters believed the second.

Because people are stupid, that first group of voters believed that there were 20 million undocumented immigrants who have committed felonies. This is not possible. The total number of people in jail in America today—this includes federal, state, local, and tribal land prisons—is just under 2 million. The number of undocumented immigrants who have committed serious crimes cannot be 10x the entire prison population of the United States. If it were, then daily life in America would look like Escape from New York.

So some Trump voters were duped owing to their general ignorance and/or innumeracy.

But others were not. Others signed up for Trump because of his second promise (the 20 million deportations) and viewed the first promise (about deporting only criminals) as the pap necessary to get the suckers onboard.

There are two crucial questions about these two groups. The first is:

What is their relative size? What percentage of Republican voters were tricked into voting for Trump’s immigration policies versus what percentage are getting exactly what they wanted?

Would you like to guess? Go ahead. I promise that whatever you’re thinking, it isn’t dark enough.

Here’s a survey tracking Republican approval of Trump’s immigration policies (the top line, in red) over most of 2025:

That’s a consistent level of support around 80 percent. Now here is the first poll conducted after the killing of Renee Good:

Even after the killing of an unarmed American citizen, a total of 80 percent of Republicans approve of what ICE is doing and 53 percent of Republicans strongly approve.

It seems pretty clear that, at best, one in five Trump voters were duped. The majority of them are getting exactly what they wanted.

Now if Trump were to lose the support of 20 percent of Republicans voters—or even 14 percent—it would be meaningful for Republican electoral prospects. Which is nice.

The problem is that having 80 percent of Republican voters actively supporting a fascist race war is meaningful for our societal prospects.

Which brings us to the second question: How are these groups distributed through the elite positions of power in government? And here it seems that many of the Republicans most invested in a race war have a great deal of power. Like, for instance, Vice President JD Vance, Deputy Chief of Staff Stephen Miller, and Secretary of Homeland Security Kristi Noem.

At the elite levels, even the idea of 20 million deportations is too little. Here’s a tweet from the Department of Homeland Security on New Year’s Eve:

100 million deportations?

There are 43 million foreign-born Americans. Most of them are legal immigrants. In order to perform 100 million deportations, DHS would have to round up every immigrant of any status—even naturalized citizens—and then also snatch 57 million American who are citizens by birth and deport them, too.

Want to guess who those other 57 million Americans might be?

This week the Department of Labor published this:

Of course, the slogan sounds better in the original German.

Oh, and don’t forget the Department of Labor’s heroic propaganda posters depicting the American worker in a very specific way.

On the one hand, it feels weird to say that the U.S. government is attempting some low-key ethnic cleansing.

On the other hand, the reality is that we have a masked secret police force going door-to-door attempting to kidnap brown people; one government agency publicly daydreaming about deporting 100 million people; and another government agency saying that the ideal worker is a 20-year-old white guy.

2. Demographics

Another tell: This administration is obsessed with America’s falling fertility rate. From the NYT:

Vice President JD Vance last week called falling marriage rates “a big problem.” The deputy secretary of Health and Human Services in December urged his agency to “make America fertile again.” And at a recent conference for young conservatives, Sean Duffy, the transportation secretary, doubled down on the importance of marriage and children, holding out his nine kids as a model for others to follow.

Full disclosure: I am also obsessed with America’s falling fertility rate. Enough that I wrote a book about it.

The problem here is that nearly all of the declines in total fertility rate (TFR) over the last decade have been the result of declining Hispanic fertility.

Here’s the deal: The TFR—the total number of kids the average woman has over the course of her life—has been below the replacement level, but relatively stable, among white and black Americans for the last generation or so. But America’s TFR kept declining anyway. Why?

Because Hispanic Americans—many of whom were recent immigrants—had TFR’s higher than the U.S. average. And their baby-making propped up the nationwide number. The problem is that, as recent immigrants spent time in America, their reproductive behavior began regressing to the mean. The shift has been dramatic:

If you were concerned about the fertility rate in America, would you be trying to (a) halt all immigration—since immigrants usually bring with them fertility rates higher than native-born Americans—and (b) deport 100 million people from the ethnic group that has the highest fertility rate?

No.

The only reasonable conclusion is that the concern of people in the Trump administration isn’t about the total fertility rate. It’s about the white fertility rate.

I don’t know how much clearer the regime could be.

So tell me: What does the pie chart look like on Republican voters and race war? What is the percentage of Trump voters in each of these categories:

  • Group A: Sees and understands the administration’s intent and supports it.
  • Group B: Sees and understands, but oppose it.
  • Group C: Do not understand that the regime views its program as part of a race war and thinks it’s all business as usual?

And follow-up question: How big can Group A be for us to retain a functional, liberal society?

I look forward to your discussion.

Source: Jonathan V. Last, “The Nazi Slogans Are Not an Accident,” The Bulwark, 13 January 2026. I subscribe to the Bulwark, and so I have shared this article here as a service to my own readers. ||||| TRR

Forbes Breaking News, “BREAKING NEWS: Robin Kelly Introduces Articles Of Impeachment Against Kristi Noem,” 13 Jan. 2026

[. . .]

“Mr. Speaker, I rise today to announce I will be impeaching Homeland Security Secretary Kristi Noem,” announced Rep. Robin Kelly of Illinois.

“Secretary Noem has violated the Constitution and she needs to be held accountable for terrorizing our communities. Operation Midway Blitz has torn apart the Chicagoland area. President Trump declared war on Chicago and then he brought violence and destruction to our city and our suburbs in the form of immigration enforcement.”

Rep. Kelly then broke down some of the outrageous violence that ICE has visited upon her district.

“In my district, federal agents repelled down from Black Hawk helicopters and burst into an apartment building in the South Shore area. They dragged US citizens and non-citizens alike out of their beds in the middle of the night. They claimed the apartment was infiltrated by members of a Venezuelan gang. I don’t understand this president’s obsession with Venezuela, but they did not arrest a single member from that gang.”

“I visited that apartment building and saw firsthand the destruction those agents left. Doors to people’s homes or apartments were kicked down. Belongings, including little kids’ toys, were strewn about in the hallway. That raid and so many others shook our community, not just immigrants, but everyone. Now, Secretary Noem has brought her reign of terror to Minneapolis after she left Charlotte and Raleigh. We have all seen what happened.”

“ICE officers shot and killed Renee Nicole Good in cold blood. Without knowing any of the facts or an investigation, Secretary Noem lied about what happened. She called [a] beloved 37-year-old mom a domestic terrorist. Secretary Noem and her rogue agents are the ones terrorizing our communities, and she is breaking the law to do so. I will hold her accountable.”

“I’m filing three articles of impeachment against Secretary Noem. Number one, obstruction of Congress. Secretary Noem has denied me and other members of Congress oversight of ICE detention facilities. It is our constitutional duty to find out what’s happening in these centers where people are reportedly being treated like less than animals. Two, violation of public trust.”

“Secretary Noem directed ICE agents to arrest people without warrants, use tear gas against citizens, and ignore due process. She claims she’s taken murderers and rapists off our streets, but none of the 614 people arrested during Operation Midway Blitz has been charged or convicted of murder or rape.”

“Three, self-dealing. Secretary Noem has abused her power for personal benefit. She steered a federal contract to a new firm run by a friend, her friend. Her propaganda campaign to recruit ICE agents cost taxpayers $200 million. She made a video that turned the South Shore raid into something that looked more like a movie trailer. But make no mistake, this is not a movie. This is real life and real people are being hurt and killed. I really have to wonder who are the people behind the mask. These DHS agents have no identifying factor.”

“From all their botched raids and officer-involved shootings, I have to ask, what is their training like? What is the vetting? Is Secretary Noem recruiting January 6th insurrectionists? I was one of the last members of Congress to escape the House Gallery on January 6th. I remember hiding on my hands and knees and running through the hallways to a safe room. Insurrectionists are not fit to serve as law enforcement. I realize that impeachment of Secretary Noem does not bring Renee back.”

“True justice would be Renee alive today at home with her family. Impeachment doesn’t bring back the four other people killed by immigration officers this year, including a man in Chicago. We could not bring them back to their loved ones. What we can do, though, is impeach Secretary Noem. Hold her accountable. Let her know the public is watching. In this country, we do not kill people in cold blood without consequences. These are not policy disagreements.”

“These are violations of her oath of office and she must answer for her impeachable actions.”

[. . .]

Source: Occupy Democrats (Facebook), 13 January 2026

Audience members at the all-ages Minneapolis rock venue Pilllar Forum tussled with ICE agents on the street outside the club on Sunday — prompting that night’s show to be canceled.

The owner of Pilllar Forum, Corey Bracken, said several of his customers and musicians were pepper-sprayed by ICE agents and at least two were hit with batons on the street outside the venue, at 2300 Central Av. NE., where other ICE detainments and community protests have happened in recent days.

“My staff doesn’t feel safe after this, and our artists and customers don’t feel safe,” said Bracken, a dad who expanded his skateboarding store into a music venue and coffee shop in 2023 to bring more live music and art to underage fans.

He is leaving it up to his staff and the bands themselves to decide whether to proceed with upcoming concerts, including several more scheduled this week.

The ruckus started shortly after the 6:30 p.m. showtime for a four-band bill headlined by Pilllar Forum regular Anita Velveeta, a popular trans/queer punk act. Audience members saw ICE agents pull up and detain two individuals outside the neighboring Supermercado Latino market, prompting the club’s young music fans to quickly exit onto the street and protest the agents’ actions.

The Department of Homeland Security didn’t respond to a Star Tribune request for comment. An employee at Supermercado Latino also declined to comment on the incident.

Antonio Carvale, singer/guitarist in one of Sunday’s opening bands, BlueDriver, said he was one of five people at the venue who had to be treated with water and saline solution after being hit with pepper spray. He said agents fired the spray after they pushed a protester who pushed back.

“Honestly, the pain felt brutal, but fortunately the community was prepared and helped treat our eyes,” Carvale said, but he commiserated with a bandmate who was also struck by a baton and “banged up pretty bad.”

The band was disappointed Sunday’s gig then was canceled, but he added, “It would’ve been hard to play when I couldn’t even see the frets.”

One of the audience members who was pepper-sprayed, Jess Roberts of Minneapolis, said she had to go to an urgent care clinic because she was sprayed in the ear, which led to an infection.

The run-in with ICE followed a viral Instagram post by Pilllar Forum that went up Friday and landed 25,000 likes. It showed a peaceful but loud crowd of protesters shouting down ICE agents on Central Avenue, with the message, “And that is how you get it done.”

Minneapolis City Council President Elliott Payne and the new Minnesota state senator representing northeast Minneapolis, Doron Clark, joined Bracken in another social media video posted late Sunday denouncing the incident. Clark called Pilllar Forum “an institution here on Central.”

Payne urged residents, “Stay safe and stay vigilant.”

Twin Cities musicians and music fans offered online support for Pilllar Forum after Sunday’s mayhem.

“Thank you for supporting the community!” veteran rocker Tim Ritter of the band Muun Bato wrote on the venue’s Facebook page.

Bracken did offer refunds to paid attendees of Sunday’s canceled show, proceeds of which were to be donated to families affected by ICE detainments, per headliner Anita Velveeta’s request.

“So far, I haven’t heard from anyone who wants their money back,” Bracken said.

Source: Chris Riemenschneider, “Music fans scuffle with ICE outside all-ages Minneapolis rock venue,” Minnesota Star Tribune, 12 January 2026. I subscribe to the online edition of this newspaper (which I grew up reading as a kid), and so I am just as happy to share its contents here when appropriate. ||||| TRR

Map References

An unseen ruler defines with geometry
An unrulable expanse of geography
An aerial photographer over-exposed
To the cartologist′s 2D images knows
The areas where the water flowed
So petrified, the landscape grows
Straining eyes try to understand
The works, incessantly in hand
The carving and the paring of the land
The quarter square, the graph divides
Beneath the rule, a country hides

Interrupting my train of thought
Lines of longitude and latitude
Define and refine my altitude

The curtain's undrawn
Harness fitted, no escape
Common and peaceful, duck, flat, lowland
Landscape, canal, canard, water coloured
Crystal palaces for floral kings
A well-known waving span of wings
Witness the sinking of the sun
A deep breath of submission has begun

Interrupting my train of thought
Lines of longitude and latitude
Define and refine my altitude

Source: musixmatch

This special holiday blog, featuring several versions of Wire’s evergreen classic “Map Ref. 41°N 93°W,” is dedicated to my old 1990s Russia comrade L.J., who lives a mere seventy or so miles from the map reference in question and once upon a (better) time invited me to screen the world’s greatest mockumentary, First on the Moon, at the fab Mars Cafe in Des Moines. ||||| TRR