Halo’s in Your Head

390px-unsc_insignia_(post-war)

The nonstop international hasbara hoedown Quora gets all the best “specialists” to answer its readers’ pressing questions.

When my personal favorite Quora hasbarista, “Dima Vorobiev, I worked in Soviet propaganda,” is unable to make the shaky, miserable, mean, destructive Putin regime look indestructible and infallible, “Ha Dang, Military Specialist at United Nations Space Command (2016-present” picks up the slack.

Who would win in a war between Russia and Germany?
Ha Dang, Military Specialist at United Nations Space Command (2016-present)
Answered Mar 11, 2018
Russia vs Germany ( Great Patriotic War Vol.2)

No Allies involved (NATO would not support Germany)
No Nukes

[…]

Though a lot of experts said that it is most likely Russian land invasion would be stampede, since their T-72 and T-80s are too fragile when facing tanks like Leopard 2 or Abrams. However, with the advent of T-72B3, T-80BVM, T-90s and T-14 Armata, it is the Russian, who are enjoying both numerical and technological edge. With a force of 3600 modern tanks, Russia can quickly capture Berlin within 4 weeks, instead 4 years like it did 73 years ago.

Final Verdict:

Russian Victory

Why does garbage like this matter?

Because people read it. This particular post garnered 60,400 views for “Ha Dang, Military Specialist.” That’s only 22,000 or so fewer views than the Russian Reader got all last year, even though I never publish hasbara and fake news, much less the “expert” opinions of self-avowed propagandists and video game enthusiasts.

This is the brave new world Alex Jones, Donald Trump, Yevgeny Prigozhin, Mark Zuckerberg, and other world-historical creeps have bestowed on us.

The essence of this topsy-turvy world is well expressed by Quora superstar “Dima Vorobiev, I worked in Soviet propaganda.”

Does Dima Vorobiev add his own propaganda and biases into his answers?

[…]

Obviously, I do. As a propaganda veteran, I believe that hardly anything people tell each other, is ever unbiased. Everything is propaganda—you just have to accept that, like death and taxes.

What is my bias? I’m the wrong person to ask: I don’t know. I live inside my own bias. Don’t ask fish what water feels like. It’s got no idea, it just swims in there.

It’s also a world where 60,400 people were impressed by Ha Dang’s arguments, even though he “works” at a fictitious agency that only exists in the “military science fiction first-person shooter video game franchise” Halo.

The United Nations Space Command (UNSC) is the military, exploratory, and scientific agency of the Unified Earth Government which acted as the emergency governing body of the human race at large for a time. The UNSC was formed in the 22nd century, a time when remnants of old cultural ideologies clashed for supremacy in the Sol System. The UNSC served mainly as overseer of United Nations military operations in space. After initiating massive militarization propaganda throughout its off-world colonies, through the UNSC, the UN defeated Frieden and Koslovic insurgent forces in a conflict known as the Interplanetary War, which consisted of several side-battles that took place on Mars, the Jovian Moons and the South American rainforests. Although the Interplanetary War brought a great deal of suffering to both the colonial population and the residents of Earth, it also united most of humanity’s military forces by the end of the 22nd century.

This is one of the reasons I have nearly given up on the idea that this website has much to contribute to a conversation that is anything but intelligible. The masses (or, at least, a worryingly large number of people) want racist, fascist, apocalyptic, pro-Putinist fairy tales for breakfast, dinner, and supper, not the complicated but ultimately discoverable truth. {TRR}

UNSC logo courtesy of Halopedia

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The Siege of Leningrad 75 Years Later

osipova-siege graffiti

The inspiring Petersburg artist and political activist Yelena Osipova has drawn this graffiti to commemorate the 75th anniversary of the lifting of the Siege of Leningrad during the Second World War.

The piece is dedicated to her late friend Lenina Nikitina, another wonderful artist, who lived in the building on whose walls Osipova drew her work.

Nikitina lost her entire family during the Siege, which lasted nearly 900 days, from September 8, 1941 to January 27, 1944.

nikitina-cold bathLenina Nikitina, Cold Bath. Pencil on paper. Courtesy of ArtGuide and the Museum of Nonconformist Art, St. Petersburg

As many as a million civilians are believe to have died during the Siege.

The other evening, an arts program on one of the regional German channels broadcast a segment about Daniil Granin and Ales Adamovich’s Blokadnaya kniga (Book of the Siege), which has recently been translated into German by Helmut Ettinger and Ruprecht Willnow, and published as Blockadebuch: Leningrad 1941–1944.

Blokadnya kniga was translated into English by Clare Burstal and Vladimir Kisselnikov, and published in 2007 as Leningrad under Siege: Firsthand Accounts of the Ordeal.

If you don’t have time to read Blokadnaya kniga or any of the other hundreds of books about the Siege, please watch Jessica Gorter’s stunning 2011 documentary film 900 Days. {TRR}

_________________________________________

The Siege of Leningrad Ended 75 Years Ago Today: Here Are Nine Films and Books about the Siege Worth Watching and Reading
Anton Dolin and Galina Yuzefovich
Meduza
January 27, 2019

[…]

Once There Was a Girl
Viktor Eismont, 1944

Eismont began shooting this unique picture while the Siege was still underway. It premiered a year to the day after the Siege was lifted. The Siege is shown through the eyes of two children, five-year-old Katenka and seven-year-old Nastenka. Natalya Zashchipina, who played Katenka, would go on to star in children’s films such as The Elephant and the Rope and First-Grader in the late 1940s, while Nina Ivanova, who played Nastenka, would star in Spring on Zarechnaya Street in 1956.

Baltic Skies
Vladimir Vengerov, 1960

The best film about wartime Leningrad and Leningrad during the Siege, when Baltic Skies premiered, it outraged Nikolai Chukovsky, whose novel inspired the film and who is credited as the screenwriter. The movies features a star-studded cast, including Pyotr Glevov, Mikhail Ulyanov, Mikhail Kozakov, and Rolan Bykov. The film’s young lovers were played by Oleg Borisov and Liudmila Gurchenko, who would later act in Alexei German’s war films. German considered Vengerov one of his teachers.

We Looked Death in the Face
Naum Birman, 1980

A picture about the founding of the Frontline Youth Ensemble. In one of his final roles, Oleg Dahl played the former choreographer. The film features poems by Olga Bergholz and music by Dmitri Shostakovich.

Blockade
Sergei Loznitsa, 2006

A documentary film consisting of footage shot by cameramen during the Siege, it features rare scenes, including the execution of Germans. Loznitsa added a soundtrack to the film, bringing viewers closer to the events.

We Read the Book of the Blockade
Alexander Sokurov, 2009

Less a film and more an impressive project by Sokurov, We Read the Book of the Blockade shows Petersburgers both famous and unknown reading aloud Daniil Granin and Ales Adamovich’s book, a compilation of eyewitness accounts of the Siege. The readers include actors Vladimir Retsepter and Leonid Mozgovoi, and Sokurov himself.

Celebration
Alexei Krasovsky, 2019

[Posted on January 2, 2019, by Alexei Krasovsky. “Attention! This film was made without state financing or grants. The filmmakers paid for its production themselves. Please do not show Celebration without listing the information about how you can donate money to us.  It is the only we can cover the costs of this film and start working on a new one. Thank you.

Sberbank Visa/Mastercard Card (in Russia): 5469 3800 7030 3101 (Aleksei Olegovich Krasovskii)

DonationAlerts (featuring viewer poll): https://www.donationalerts.com/r/alkras

PayPal: https://paypal.me/alkras (alkrasss@gmail.com)

Yandex Money: https://money.yandex.ru/to/410013518953856

Cameraman’s Yandex Money account: money.yandex.ru/to/410013518953856 (Sergei Valentinovich Astakov, cameraman-sa@yandex.ru)

Ehterium address: 0xbA2224ba22f2f4494EF01C6691824A178651d615

Don’t forget to mark your contribution as a “donation” so that we’ll have any easier time making films in the future.

Happy New Year!

Screenwriter and director: Alexei Krasovsky

Cinematographer: Sergei Astakhov

Starring: Alyona Babenko, Yan Tsapnik, Timofei Tribuntsev, Anfisa Chernykh, Pavel Tabakov, and Asya Chistyakov

Executive producer: Yuliya Krishtofovich

Art director: Yevdokia Zamakhina

Sound: Nelly Ivanovna and Anastasia Anosova

Assistant director: Zhanna Boykova

Editing: Vladimir Zimin and Alexei Krasovsky

The song ‘Field, O My Field’ was written by Iosif Kovner in 1937 and first recorded in 1941.”]

Filmmaker Alexei Krasovsky shot this controversial, intimate, tragicomic film at his own expense and uploaded it to YouTube during the New Year holidays. The picture deals with the privileged classes during the Siege and contains transparent illusions to the present. Starring Alyona Babenko, Yan Tsapnik, and Pavel Tabakov.

Polina Barskova, Zhivye kartiny [Living pictures], St. Petersburg: Ivan Limbakh, 2014 

Written by poet and academic Polina Barskova, this book is a miscellany of strange, heterogeneous, and genre-bending texts (several stories and essays on the verge of poetry, capped off with a short, semi-absurd play) that interweave the author’s own experiences as a researcher and human being with the real stories of people during the Siege.

Significant historical figures who survived the Siege (poet and literary scholar Dmitry Maximov, writer Vitaly Bianchi, playwright Yevgeny Schwartz) meet on the the pages of Living Pictures with other, unknown shades, such as the art historian Totya and the artist Moses, who made the mistake of falling for each other on the eve of the war, or six-year-old Katya, who plays a gloomy game of  bouts-rimés with her mother, composing a poem about people stricken by hunger-induced dystrophy. The famous, the nameless, Barskova’s other characters, and Barskova, some of whom did not experience the Siege themselves, ring the changes on the book’s main point, as voiced by one of the characters: the Siege was a peculiar civilization with all the qualities of other human communities. This civilization did not disappear without a trace. It has germinated anew in subsequent generations, who continue to feel its icy breath.

Sergey Yarov, Leningrad 1941–42: Morality in a City under Siege, trans. Arch Tait, Cambridge: Polity Press, 2017

1509507981

“The ethic of sympathy demands the gaze not linger on mournful scenes of human agony,” writes historian Sergey Yarov in his book, seemingly ruthlessly violating this ethic. Instead of charitably averting his gaze from the most horrific aspects of the Siege of Leningrad, Yarov peruses as keenly and closely as possible theft and deception, monstrous, incurable physical deformities and people’s aversion to them, assaults on children (it was easier to take food from them since they were weaker), indifference to the suffering and deaths of other people, willingness to endure any humiliation, the collapse of community, and cannibalism.

As he plunges into the abyss of diaries, memories, and official records, uncovering truly unimaginable things, Yarov nevertheless hits upon an impeccable tone for discussing them, managing to maintain in each episode the perfect balance between scholarly scrupulousness and supreme humaneness.

Olga Lavrentieva, Survilo, St. Petersburg: Boomkniga, 2019 

This graphic novel by the young artist Olga Lavrentieva is a laconic, black-and-white account of the life of her grandmother, Valentina Survilo. Survilo’s happy Leningrad childhood ended in 1937 with her father’s arrest. She was exiled to a village in Bashkiria, where her mother died, before making a long-awaited return to her beloved Leningrad. This was followed by the most important and terrible chapter in her biography, the Siege, which the still very young Survilo endured in a prison hospital, the only place willing to employ the daughter of an “enemy of the people.”

The relentless hunger, cold, bombings and artillery attacks, treachery of friends, and rare, miraculous instances of kindness left a deep wound in Survilo’s heart, causing her to suffer nightmares and be constantly anxious about family members during the relatively prosperous postwar years. Lavrentiev uses the rather typically tragic story of one Leningrad woman as a lens through which she and her readers can look at the history of her hometown and the entire country.

Survilo will be published in March 2019.

Thanks to Giuliano Vivaldi for the heads-up. Translated by the Russian Reader. I have replaced the trailers used in the original article with full-length videos of the films themselves. Please take note of filmmaker Alexei Krasovsky’s appeal for donations. If you watch Celebration, please consider making a donation to him and his crew via Sberbank, PayPal, Yandex Money or Etherium.

 

“If It Were Up to Me, I Would Kill You”

baburova-women's historical night“Anastasia Baburova. #Women’s History Night,” Central Petersburg, May 22, 2018. Photo by the Russian Reader

Marchers Detained at Markelov and Baburova Memorial Event in Moscow
Mediazona
January 19, 2019

Police have detained people attending a march in Moscow marking the tenth anniversary of the murders of human rights lawyer Stanislav Markelov and Novaya Gazeta reporter Anastasia Baburova, Kommersant reporter Alexander Chernykh has reported on his Telegram channel.

According to Chernykh, police have detained journalist Igor Yasin, who was carrying a rainbow-colored flag, and five other people. The reasons for their arrests are unknown. The march has been halted.

OVD Info has reported that four people have been detained. Aside from Yasin, the detainees include Nikolai Kretov, Dmitry Borisenko, and Mikhail Komrakov.

Komrakov told OVD Info that when he was detained, a policeman said to him, “If it were up to me, I would kill you.”

According to Kretov, policemen hit him after he was put in a paddy wagon.

The Markelov and Baburova memorial march began at two o’clock on Tverskaya Boulevard and was scheduled to end with the laying of flowers at the spot where they were murdered on Prechistenka Street.

On January 19, 2009, Nikita Tikhonov, a member of the Russian neo-Nazi organization BORN (Combat Organization of Russian Nationalists), shot and killed Markelov and Baburova in downtown Moscow in broad daylight. Tikhonov and his accomplice Yevgenia Khasis were subsequently convicted and sentenced to life imprisonment and eighteen years in prison, respectively.

Translated by the Russian Reader

Last Address in Petersburg: January 13, 2019

нев 111полтав 3-3A Last Address memorial plaque near the corner of Poltava Street and Nevsky Prospect in Petersburg, October 11, 2018. Photo by the Russian Reader

This coming Sunday, January 13, 2019, Last Address in Petersburg and relatives of three men executed during the Great Terror will install memorial plaques on the Petrograd Side and Vasilyevsky Island.

At 12 p.m., a plaque will be hung at Kronverskaya Street 29/37 in memory of Andrei Aro. Aro taught at the Communist University of Ethnic Minorities of the West until 1937. When he was arrested in April 1938, he was working as a welder in the workshop of the district housing management company. He was sentenced to death by a so-called Dvoika [a commission of the NKVD and Soviet Prosecutor’s Office] and shot on August 3, 1938. He was 48 years old.

At 12:45 p.m., a third plaque will be installed on Building 7, Kamennoostrovsky Prospect 64. Until his arrest on July 22, 1937, it was the home of Shahno Krasilshchik, a dispatcher at Furniture Factory No. 162, located nearby. Krasilshchik was shot on November 24, 1937. 719 people were executed in Leningrad that day.

At 1:30 p..m., a plaque will be erected at Bolshoi Prospect 72 in memory of Boleslav Misnik, a design engineer who worked for fourteen years at the Baltic Plant. He was shot on October 6, 1937. His wife was exiled from Leningrad, while his son and daughter were left in the care of their grandfather.

A Finn, a Belarusian Jew, and Pole: all three men were shot after they had been sentenced by an extrajudicial authority, a joint commission of the NVKD and Soviet Prosecutor’s Office.  Victims of the Great Terror’s ethnic purges [“national operations”], they were subsequently rehabilitated.

UPDATE (January 8, 2019). In order to accommodate the number of relatives wishing to attend, the installation of the plaque commemorating Boleslav Misnik has been postponed to a later date TBA.

Translated by the Russian Reader

Deza

deza

The bog standard “progressive internationalist leftist” narrative on today’s Russia can be encapsulated in four simple words: “Everything is Yeltsin’s fault.”

There is thus no need to shell out your hard-earned money on books with lots of pages and fancy words in them when the takeaway message is so easily memorized and painlessly digested.

If you suffer from panic attacks, as I do, repeating this message like a mantra will also calm you down in no time at all and put you to sleep on restless nights.

Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. Everything is Yeltsin’s fault. 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ДЕЗА

Messages like the one quoted below don’t jibe with the standard narrative aggressively enforced these days like Stalinist dogma among the west’s champagne socialist hipsters, who see Vladimir Putin as the nearly blameless victim of forces unleashed in the 1990s by the real villain of post-Soviet Russian history, Boris Yeltsin.

The problem with the standard hipster socialist narrative, however, is that it’s mostly wrong. It simply cannot account for wild variations among supposedly capitalist countries, just as it has trouble making sense of all the oddities and excesses of the Putinist system, many of which have nothing or almost nothing to do with capitalism and class relations as such.

Vladimir Putin. Let the Russian president stand in for any number of his country’s adept hackers. The country may have been relatively quiet—though not inactive—during the midterm elections, but Russia’s hackers still caused all manner of trouble throughout the world. Upset over a doping-related ban, they hacked and released emails of the International Olympic Committee in January, then attacked the Pyeongchang Olympics themselves, wreaking havoc during the opening ceremonies with so-called Olympic Destroyer malware. When a lab investigated the nerve agent used in the attempted murder of former Russian double agent Sergei Skripal, Russia tried to hack it, too. They continue to probe the US power grid for weaknesses. And on and on, all before you even get to Putin’s continued, unprecedented cyber-aggression against Ukraine. Russia has spent this year actively, opening lashing out at the world online—with Putin at the command.

Donbas Family Photo Archive

donbass family albumPhoto courtesy of Donbas Family Photo Archive

Plus/Minus Art Residency
Facebook
December 24, 2018

The visual anthropology project Donbas Family Photo Archive was presented on November 29 at the IZOLYATSIA Platform for Cultural Initiatives. Kateryna Siryk, curator of the Plus/Minus Art Residency in Severodonetsk, and Vadim F. Lurie, an independent researcher, anthropologist, and photographer from Petersburg, presented the project.

The expedition kicked off in February 2018 in three neighboring cities in Luhansk Region: Severodonetsk, Lysychansk, and Rubizhne. The aim was to find and digitize the family photo archives of local residents and compile a database.

“Family life (private life) and public life are bound up in photo archives. The boundary between them is not always visible, a consequence of the ideological structure of society and life in the twentieth century. These things helped us record and analyze culture, history, and the socio-political aspects of life in Luhansk Region,” said Lurie.

According to Lurie, the memory and post-memory of Donbas are not simply timely subjects. They are also painful subjects for many people in Ukraine and Russia.

“The issue of this region’s memory has been politicized. It has been overrun by speculations and rebuttals of these speculations. These are not merely different opinions. They are one of the ideological grounds of the conflict of Eastern Ukraine. The family archives of Donbas residents can lead us to an objective understanding of the people who have lived here,” Lurie argued.

The project’s plans for 2019 include a series of exhibitions and discussions in the cities involved in the project and elsewhere in Ukraine, museumification of the photo archive, and creation of an online database.

Prior to Kyiv, the project had been presented at the seminar War, Photo Archives and the Temporalities of Cultural Heritage, at the Max Planck Institute’s Art History Institute in Florence, the seminar Urban Landscapes of Memory: Conflicts and Transformations, at CISR Berlin, and a press conference at the Seversky Donets Crisis Media Center.

Donbas Family Photo Archive: http://donbasphotoarchive.tilda.ws/ru

Contacts: donbasphotoarchive@plusminus.org.ua, (099) 944-6803

Translated by the Russian Reader

Banned: The Kremlin’s Empire

kremlin's empire.jpegA screenshot of the section of the Russian Justice Ministry’s list of “extremist” matter containing two editions of Abdurakhman Avtorkhanov’s The Kremlin’s Empire: The Soviet Style of Colonialism. They are wedged between a video entitled “Bumblebees: Moscow Skinhead Girl,” and the lyrics to a song entitled “Wog Devils” by the group Kotovsky Barbershop, each of them posted on personal pages on the Russian social media network VK. 

Avtorkhanov’s Kremlin’s Empire Ruled Extremist
Grani.ru
December 15, 2018

Two editions of The Kremlin’s Empire: The Soviet Style of Colonialism by Abdurakhman Avtorkhanov, a Chechen émigré historian of the Soviet Union, have been placed on the list of “extremist” matter, as published on the Russian Justice Ministry’s website. The SOVA Center reported the news on Friday.

The first edition of Avtorkhanov’s book was published in the Bavarian town of Garmisch-Partenkirchen in 1988. The first Soviet edition of the book was published in Vilnius in 1990. In 2001, Moscow publisher Dika-M reprinted the book, dropping the subtitle The Soviet Style of Colonialism. The Vilnius and Moscow editions were placed on the list of “extremist” matter on December 5, registered under No. 4661 and No. 4662, respectively.

Avtorkhanov’s book was placed on the list due to a ruling made over three years ago by the Meshchansky District Court in Moscow. On the court’s old website, which is no longer updated, there is a record of ten administrative suits filed by Yevgeny Novikov, who was the Meshchansky Inter-District Prosecutor at the time. Judge Maria Kudryavtseva ruled in Novikov’s favor on September 24, 2015. The Justice Ministry and the Library of Ukrainian Literature in Moscow were third parties in each of the proceedings.

Along with Avtorkhanov’s book, the Justice Ministry also placed a number of books in Ukrainian on the list of “extremist” matter on December 5, books that had also been banned by order of the Meshchansky District Court on September 24, 2015. This could mean Avtorkhanov’s book was confiscated during one of the numerous police searches carried out at the Library of Ukrainian Literature.

Grani.ru was unable to locate the decision to ban the editions of Avtorkhanov’s book in open sources.

“Perhaps the complaint against the book had to do with Avtorkhanov’s interpretation of the Molotov-Ribbentrop Pact or the history of the Bandera movement, which the prosecutor and the court construed as dissemination of falsehoods about the Soviet Union during the war,” SOVA Center wrote in its article. “However, evidence that Russian Federal Criminal Code Article 354.1 [exoneration of Nazism – Grani.ru] may have been violated cannot serve as formal grounds for ruling an item extremist.”

In his youth, Avtorkhanov (1908–1997) was a Bolshevik Party functionary in Chechnya. He was arrested and tortured in 1937. In 1940, he was exonerated. After his acquittal was reversed, he fled from Grozny into the mountains, but was soon captured. In October 1941, he was sentenced to three years in prison. He was released in April 1942. Lavrenty Beria tasked Avtorkhanov with assassinating his childhood friend Hasan Israilov (1910–1944), who in 1940 led an armed revolt against the Soviet regime in Chechnya. Avtorkhanov secretly contacted Israilov and gave him the memorandum “A Provisional Popular Revolutionary Government of Chechnya-Ingushetia,” which he had drafted for the German government.

In the summer of 1942, during the German offensive in the Caucasus, Avtorkhanov crossed the frontline, presenting the Germans with the memorandum, and offering to a write a series of pamphlets about anti-Soviet uprisings in the region. In January 1943 he moved to Berlin, where he was involved in the North Caucasus National Committee. He lived in a displaced persons camp from 1945 to 1948, subsequently settling in Munich.

In 1949, Avtorkhanov was appointed a lecturer at the US Army Russian Institute in Garmisch and Regensburg. In 1955, US counterintelligence foiled an assassination attempt on Avtorkhanov’s life. He retired in 1979. During the 1990s, he supported Chechen independence.

Avtorkhanov’s other books include The Technology of Power (1959), The Origin of the Partocracy (1973), The Mystery of Stalin’s Death (1981), From Andropov to Gorbachev (1986), and Lenin in the Destinies of Russia (1990). The Technology of Power was widely distributed in samizdat in the Soviet Union. Reading and possessing the book was a criminal offense.

Thanks to EZ for the heads-up. Translated by the Russian Reader