Yulia Tsvetkova: Blues and Pinks

“He Threatened to Kill Us for Perverting Children”
A Feminist Staged a Children’s Play. She Has Been Accused of Extremism and Interrogated by Police
Larisa Zhukova
Lenta.ru
March 15, 2019

The police department in Komsomolsk-on-Amur has been investigating the work of feminist Yulia Tsvetkova, producer of the activist comedy theater Merak. The ostensible cause of the investigation is her production of a children’s play about gender stereotypes, Blues and Pinks, which the people who denounced Tsvetkova to the police regarded as promotion of homosexual relations among minors. The suspicions of the authorities have also been piqued by the anti-militarist dance productions Praise the Lord and Pass the Ammunition and Prague Spring, and the VK community page Komsomolka. Lenta.ru recorded Tsvetkova’s account of why regional activists have grown accustomed to threats of real violence and how the local extremism prevention center (Center “E”) inspects children’s dances and drawings.

“Are You Against the Soviet Union?”
Everyone who has known us for a long time agrees that something completely insane has been happening. We have pupils who have been working with us for almost sixteen years, starting with my mom’s early development workshop.

Our theater is me, the actors, and my mom, our manager. We are a tiny theater company in a really small city and the only young people’s theater of its kind. We are not a classic theater company, but a horizontal (egalitarian) and activist theater. We highlight societal problems and look for ways of solving them. We established the theater a year ago. We decided to call it Merak, with the stress on the first syllable. In Serbian, mérak means a buzz, a high, life’s little pleasures.

The actors are twenty-one children aged six and up. They write poems, contribute to the scripts, build scenery, and choreograph the dance numbers. As director, I supply the overall outline, but then I leave the creativity to them. How do you feel in this scene? I ask them. What should it be like? How should the dialogue sound? What words would  you use to say that? How would you dance it? Some find it odd I deal with children as equals, but I believe it has to be this way. We use improvisation, forum theater, gags, and free dance.

Everything was fine until February, until we decided to stage four danced-based plays, which we had been rehearsing for six months. Two plays are staged one day, while the other two plays are staged the next day. We came up with the idea of calling them a festival by way of combining them. It would have been the first activist art festival in the region. A week before the first performance we got a phone call from city hall. The next day, the Youth Center, a venue we had already confirmed, told us they were booked up on the dates we needed, and there were no openings for the next six months.

The telephone conversation with city hall lasted over an our. City officials went over our poster point by point. Why was our play called Blues and Pinks? We wrote, “We can do it again”: were we against the Soviet Union or something? We were asked what we meant by the word “individual.” Obviously, there was something about what we were doing they didn’t like. We also suddenly got the cold shoulder at other venues.

pic_08ab34d1a9a5f76eb7ff4c96411bec73Detail of a poster for The Color of Saffron Festival of Activist Art. The inscription reads “We can do it again. We can ban it!” 

After the news that the festival had been shut down was published, city hall called us and said we had misunderstood them. Actually, they supported our undertaking. They invited us to a meeting at which they made it understood that if we denied the news reports, they would help us find a venue. Since I don’t like having my arm twisted, and I didn’t think I had done anything wrong by talking about the connection between their first phone call and the sudden refusals to give us a venue, I was not about to refute any of the reports. That was when they interrogated the kids.

“The Kids Are Feared like Terrible Dissidents”
To be honest, I thought we would be called on the carpet for our anti-militarist production Praise the Lord and Pass the Ammunition. It is a translation of a song by Serj Tankian, lead singer of System of a Down. He often voices his opposition to war and the arms industry. The big dance number in the play is set to his song. It’s an urgent problem for us, because all the boys who attend our workshop, which has been functioning for over twenty years, try to smuggle in toy pistols at first. But we have a ban on weapons, even toy weapons. Why? We are trying to make sense of things. During the big dance number, one dancer acquires a “pistol.” Then another gets one, too, as a means of defense. A third dance gets hold of a machine gun, and the atmosphere heats up. It is satirical and exaggerated, of course, but it is a quite dramatic play as well.

pic_dc844038f81c1c5c70e0d764a49c0a98

Merak Theater’s poster for its four-play, two-day festival, The Color of Saffron. Originally scheduled for March 16 and 17, it was to have featured (in descending order) Praise the Lord and Pass the Ammunition, Spring [sic], Untouchables, and Blues and Pinks

But when we came up with the play, the shooting at the college in Kerch occurred. The kids were scared: the shooting affected them greatly. We talked a lot about what they thought about the incident and how it could have been avoided. No one at school discussed the incident with the children at all, although it should be said adults generally avoid discussing really important things with teenagers. The kids came up with the play’s finale on their own: it showed how the situation could have been avoided.

Prague Spring is a production based on Igor Stravinsky’s Rite of Spring. We pay homage to Vaslav Nijinsky’s original choreography and Maurice Béjart’s 1955 choreography, using music by John Cage. Coincidentally, I got the idea during the fiftieth anniversary of the invasion of Czechoslovakia by Soviet troops: the two “springs” came together in my mind around the subject of human rights and resisting oppression. It’s a simple, obvious subject, but when you grow up in a small city like Komsomolsk, it can seem quite remote and forbidden. But this is just what I read into it, inner thoughts not meant for viewers. The kids simply dance spring. That’s it. Six-year-olds hop up and down and run around in circles, making up half of it as they go along.

Our fifteen-minute play Untouchables focuses on bullying at school and kindergarten. A lot of what the kids told us themselves about their own experiences went into the play. The more we talk things through, the easier it is for them to deal with them.

pic_eda40eabbbb3ba6a6ff95708693a0148Photo from the Merak Activist Comedy Theater’s page on VK 

Blues and Pinks is a play that illustrates stereotypes about girls and boys. According to the script, we run through the list of clichés: girls like pink, boys like blue; boys are messy, girls clean up after them; boy are defenders and warriors and shouldn’t cry, while girls are future mothers who dream only of getting married; girls and boys can never understand each other. This is presented on stage as a lighthearted dance. We try and show the notion that if a boy pulls your pigtail, it means he likes you is a step away from the idea that if a man beats a woman he must love her.

We continue by suggesting a solution. One of the boys dances, releasing his pent-up feelings as it were. The other boys follow his example, realizing that, whether they dance or not, it does not make any more or less guys. The girls share their dreams. One of them wants to be a businesswoman, while another wants to be a director. They recite the names of great women: the first woman to climb Everest, the first woman to win an Oscar, and so on.

Sophisticated audiences in the western half of Russia would probably find it quite naive, but in our city it is timely and relevant. For example, the other day, a local radio presenter, Tatyana Zhemerenetskaya, announced she planned to run for mayor. She was fired: her bosses were outraged by her excessively “unfeminine ambitions.” Women are supposed to stay home and make soup. In the final scene of our play, the kids say they are individuals. They have dreams and passions.

The funny thing is I didn’t even think about the connotation of the play’s title, which the police caught. One of our pupils came up with it. I have hung out with female LGBT activists, and none of them ever call themselves “blues” or “pinks.” They are just colors to me. Honestly, if I had had doubts, I would not have bothered using the words in the title.

Our actors are between six and seventeen, but the authorities fear us as if we were terrible dissidents. Miraculously, we found a woman interested in contemporary young people’s theater who was not afraid to provide us with a venue. We intend to hold the festival there as planned, on March 16 and 17. But we have nowhere to seat viewers: we cannot find people who will give us chairs. One person said yes, but later he was scared off, apparently.

“She Drew the Rainbow of Her Own Free Will”
The policewoman who came to my office could not say out loud the reason for the investigation. The complaint read that we were promoting homosexuality among minors. She showed me the complaint and blushed.

During my interrogation, I was told I was at the local department for extremism and terrorism prevention (Center “E”). Three complaints had been filed against me: for promoting homosexual relations among minors, for inciting hatred towards men, and for “extremism,” I think.

The interrogation lasted nearly four hours.

First, the officers gave me screenshots of various posts and photos from my personal social media page and the community page Dandelion Field, where I write about really simple things like contraception, HIV, and condoms, things that, unfortunately, not all teenagers know about. There was also stuff from Komsomolka, which deals with feminism. By the way, there I don’t write at all about men: it’s a community page about women.

One of the screenshots showed a workshop from last year at which a girl had drawn a picture, and there was a rainbow in her picture. I was forced to write two paragraphs explains that my underage female pupil had drawn the rainbow of her own free will. No one had pressured and coerced her to draw it.

Next, we got hung up on the phrase “gender stereotypes.” The police officer thought gender had something to do with transgenders. I explained to him what gender stereotypes were, what I meant by the term, and gave examples of stereotypes, as if I were sitting for an exam at school.

Then I was shown a screenshot of a post in which I had negatively assessed the “gay propaganda law,” and I had described the persecution of the lesbians in Chechnya and the “corrective” rapes to which they had been subjected.

The detective asked whether I engaged in propaganda. He asked was sex education was, and who needed it and why. He asked what feminism was. He asked what intersectional feminism was. Ultimately, I had to describe to him how I imagined traditional family values, what I thought about families. I wrote that I wasn’t against traditional family values like love, acceptance, and warmth. This ridiculous testimony took up four pages.

This was followed by the persecution of our children and personal attacks on them. There is no other way of putting it.

“The Police Have Come for You. Let’s Go”
The police officers running the investigation are clueless about the questions they have been asking, and this incompetence has only exacerbated the circumstances.

On March 10, they came for one of boys and one of our girls. It is not clear why they were chosen. There are seventeen teenagers in our theater, and they attend different schools. The police did not pick on our oldest and youngest pupils.

The 15-year-old girl was summoned after school from her house and grilled for two hours by five adults: two police officers and three female school employees. They put the screws on her and descended into semi-insults. They quizzed her about LGBT. Did she know what it meant? they asked. How had she found out? Was I promoting homosexuality? Did I encourage girls to sleep with girls, and boys with boys? The subjects they discussed were such that they would have earned an 18+ rating, but the interrogation took place without the girl’s parents present.

pic_7bc908930662b55a0cdbabb1976b5037Photo from the Merak Activist Comedy Theater’s page on VK 

The 13-year-old boy was kept after school. He was summoned to the headmaster’s office. “The police have come for you. Let’s go,” he was told. No one had the presence of mind to call his parents. The police officers showed him the likes I had awarded a post I no longer remembered, but they were showing this to a child! The absurdity was off the charts. They asked the boy and the girl about each other. Maybe they had picked the through the list of  numbers in their telephones.

When, the next day, they came for another of our boys, we warned him to call his parents immediately. He called his dad, who works as a beat cop, so he was not grilled for two hours, but twenty minutes, and the conversation was more polite and less biased.

Everyone is scared. Naturally, it is frightening when you’re interrogated for two hours. For now, no one wants to quit the theater, because everyone is aware of my work. They know I am opposed to violence, and I treat boys and girls equally. But, first of all, the subject itself scares the kids, because they are still kids and not tuned into all these issues. Second, they feel the pressure: they are afraid to say something wrong and inadvertently throw me under the bus.

Their parents and I have now been trying to understand the legal grounds of why we have been persecuted. We have been poring over the laws.

“Rewind to Fifty Years Ago”
Until recently, everyone really loved our theater and told us how cool we were. We did two productions wholly in English about the history of the English language, which were unprecedented in our city. At the Drama Theater, we did a dance performance about the problems of teenagers entitled Evolution. It was about how society puts pressure on carefree kids, but ultimately their friends help them and their problems are solved. This was all performed to poems written by one of the girls involved in the production. The show was a benefit for disabled children and the local organization Lighthouse of Hope. Not a bad track record for a single year!

Children grow up, and the problems they face get more complicated. First of all, they deal with domestic violence. I have had whole black months when it was one story after another, and I cried because I felt so helpless. It’s really scary: dad’s beating mom, dad’s beating me, dad’s beating my brother. Gender stereotypes are also something our kids deal with up close and personal. My fifteen-year-old female pupils are already pestered now with questions of when they are getting married and having kids, and why they should bother with careers. Homophobia is also a force. I know there are LGBT teenagers out there, and I cannot imagine how hard it is for them to cope alone. The streets in Komsomolsk are a really dangerous place, just as in most typical provincial towns, I would guess.

Komsomolsk is one half a factory town, and one half a gangster town. When you hear about us, rewind to fifty years ago. It is not the twenty-first century here, but the twentieth century. I think what really spooked the police was that I had been talking about activism and feminism. These words scare people.

Our local feminist community consists of two volunteers and me. I have an audience of a thousand some subscribers on our community page, but between two and twenty people in Komsomolsk itself. That is the number of people who come to our events. Unfortunately, that is our audience for the time being. It is a infantile scale.

But there have always been plenty of haters. When I decided to do a lecture on abuse, there were threats: we will come and show you what real violence is like, I was warned. Instead, a group of women showed up who sabotaged the lecture by insisting victims had only themselves to blame or something of the sort.

Even our women’s tea party was disrupted. We wanted to make it women-only, without men, so we could talk about our problems. Men wrote to us that they would come and show us what feminism was. There were so many threats that even the young women themselves got scared, along with the venue where we had scheduled the tea party. They asked us not to come.

I have stopped responding to death threats. Now, as we have been chatting, I have received three messages from a young man. The only word in the messages you can print is the word “you.” Yesterday, a man wrote on the community page of our theater workshop threatening to kill us for “perverting children.” This the general background.

After I was interrogated for four hours by the police about feminism and sex education, I felt I had a claim to the hashtag #FeminismIsNotExtremism. Six months ago, I would insert in posts in connection with the case of Lyubov Kalugina, when I was not even remotely in harm’s way. It is one thing to read about persecuted activists, but it is another thing to become one of them. People keep asking why I do it. What is the point?  My run-in with the police makes me think hard about the kind of country we live in. But I can name at least twenty-one people for whom what I do is not pointless. I can name even more people, actually.

pic_55145f4a6ff0238f1689b54bfaa9dccbPhoto from the Merak Activist Comedy Theater’s page on VK 

What scares me most is the kids think they did something wrong. I ask them, You believe in what we do? Yes, they reply. Do you see anything bad about it? No, they answer. But the whole situation puts them under psychological pressure. It is a really terrible precedent, because the kids have been rapped on the knuckles as it were. They really work their butts off staging our plays. They invest a tremendous amount of energy in them. They are sincerely looking for ways to change the world for the better. These kids are really delicate and sensitive, and they are close to each other as group. They volunteer their time, they visit orphanages, they support other social projects. They are totally maxed out: they try and get straight A’s at school, and they are involved in academic competitions. In the midst of all their activities, they manage to come to four-hour-long, physically draining rehearsals.

But then adults tell them activism is bad, activism is evil, without even fully understand what activism is. And when these adults show up a week before our festival and tell us to get lost, both the kids and I are stressed out. They are really worried.

I have not slept or eaten for three days. I am on the verge of a nervous breakdown. I have been summoned again to the extremism prevention department. The phone is tapped, and calls with my lawyer are cut off. But I dream of opening a women’s crisis center in our city and an alternative independent school where the children would be not be bullied and hounded, and continuing to move the theater forward. In late spring, we are doing a production based on Svetlana Alexievich’s book Last Witnesses, about children during the Second World War, and in the summer we are staging a new English-language production.

Thanks to Darya Apahonchich for the heads-up. Translated by the Russian Reader.

UPDATE. DVHab.ru reports that, despite the fact the local authorities ostensibly canceled Merak Theater’s Color of Saffron Festival, the festival went ahead way anyway at “closed” venues. DVHab.ru included a full video of Merak’s performance of Blues and Pinks in its article. I have reproduced it below.

One Good Turn Deserves Another

Media Identify Prigozhin Firms as Developers of Judicial Quarter in Petersburg
According to Kommersant, Firms Affiliated with Businessman Yevgeny Prigozhin and Concord Management and Consulting Are Project Subcontractors
Grigory Dubov
RBC
December 26, 2018

755458040463897Judicial district construction site in Petersburg. Photo courtesy of Stanislav Zaburdayev/TASS and RBC

Firms affiliated with businessman and restaurateur Yevgeny Prigozhin will build the judicial quarter in Petersburg, a project costing 35.7 billion rubles [approx. 455 million euros] that will include residential buildings for the Russian Supreme Court and Boris Eifman’s Dance Palace, report sources quoted by Kommersant newspaper familiar with the project, which has been designed by the Russian Presidential Property Management Department and construction industry insiders.

The sources say the subcontractor was selected in the summer of 2018 without tendering. The newspaper’s sources claim firms affiliated with Prigozhin have launched the process of awarding commercial tenders and have been requesting bids from major construction companies for the construction of individual buildings without advance payment. One of the Prigozhin-affiliated companies engaged in sending out bid and tender requests is Lizena, a firm founded in 2014.

In 2016, the Russian Presidential Property Management Department pledged it would build two office buildings for the Supreme Court and Judicial Department, the Dance Palance, and four residential buildings containing a total of 600 apartments within four years in Petersburg. Construction was supposed to have begun in 2017, and the opening of the facility was scheduled for 2020. In May 2017, the Presidential Property Management Department declared the project top secret and obliged future contractors to maintain secrecy.

judicial quarterThe future judicial quarter in Petersburg is currently a giant sandbox. Photo courtesy of Alexander Koryakov/Kommersant

Construction was not begun, however. In September 2018, the Presidential Property Management Department acknowledged the deadlines it had set would be missed. As Kommersant wrote, the department failed to spend the 22.3 billion rubles allocated on the project. The funds were reallocated for 2021, when completion of construction has been planned. As transpired in December, an advance payment in the amount of more then 9.2 billion rubles was postponed from 2018 to 2021; no advances are envisaged in 2019 and 2020. As of December 1, according to the Federal Targeted Investment Program, builders in Petersburg had started to dig foundation pits for the residential complex. There was no information about the Supreme Court’s residence and the Dance Palace.

In March, the US Department of Justice imposed sanctions against Prigozhin and his companies Concord Management and Consulting, and Concord Catering. In February, Prigozhin and twelve other Russian nationals, as well as a number of legal entities, were indicted for interfering in the 2016 US elections. Included in the indictment was Prigozhin’s Internet Research Agency, which was abolished [sic] in 2016. RBC’s sources identified the IRA as the “troll factory” that, according to the US Department of Justice, had tried to influence US voters since 2014. President Putin called the charges made against Prigozhin by US officials “laughable.”

prigozhinYevgeny Prigozhin. Photo courtesy of Mikhail Metzel/TASS and RBC

A number of media outlets have also identified Prigozhin as “Putin’s chef.”

At his press conference on December 20, Putin said, “All my chefs are officers of the Federal Protection Service (FSO). All of them are military men. I have no other chefs.”

Translated by the Russian Reader

Sonnet 130

DSCN4325

My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask’d, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground:
And yet, by heaven, I think my love as rare
As any she belied with false compare.

Source: poets.org. Photo by the Russian Reader

Suing the Opposition into Oblivion

The Lash and the Pocketbook: Petersburg Tests New Scheme for Punishing Opposition
Sergei Yeremeyev
Zaks.ru
December 14, 2018

The prosecutor’s office has estimated that two Petersburg parks sustained 10.9 million rubles [approx. 144,000 euros] in damage during the He’s Not Our Tsar protest, which took place on May 5, 2018, in Petersburg [and other Russian cities]. Two people, Denis Mikhailov and Bogdan Livtin, will be held responsible for all the protesters, police officers, and ordinary Petersburgers who walked on the lawns that day in the vicinity of Palace Square. Law enforcement agencies have identified the two men as organizers of the protest rally.

IMG_5092.JPG (349 KB)

Saving the Grass from Provocateurs
Suing for damage to municipal property is the Russian state’s new know-how when it comes to intimidating the opposition. Like certain other innovations, for example, repeated arrests for involvement in the same protest rally, it is being tried out on Alexei Navalny’s supporters.

The authorities decided to start big. The prosecutor’s office has estimated the city suffered nearly 11 million rubles in damage from the He’s Not Our Tsar rally. According to members of the Navalny Team in Petersburg, the 300-page complaint claims opposition protesters damaged the greenery in the Alexander Garden and the garden next to the Winter Palace. Allegedly, they trampled the lawns, flower beds, and roses, and damaged the dogwood and lilac bushes.

The complaint states the cost of restoring the vegetation in the two green spaces, as provided by the city’s municipal amenities committee. According to the committee, it cost 3,651,000 rubles [approx. 48,000 euros] to repair the damage incurred by the May 5 rally.

The prosecutor’s office multiplied this amount by three, citing a municipal regulation on the amount of compensation to be paid when greenery has to be replaced. The regulation states the amount of damage caused to green spaces protected by the city’s Committee on the Use and Preservation of Landmarks (KGIOP) must be multiplied by a factor of three.

DSCN0254.jpg (303 KB)A giant rubber duck emblazoned with the logo of the Vesna (“Spring”) Movement floats in a fountain in the Alexander Garden on May 5, 2018.

Ivan Pavlov, lawyer and head of Team 29, a group of civil rights lawyers, fears the lawsuit against Litvin and Mikhailov is only the first of similar penalties.

“I am concerned by the direction the prosecutor’s office has taken. This would set a very dangerous precedent. Precedents are usually tried out in other regions of the country, but this time they are starting with Petersburg. Fines are one thing, but civil liability is a whole new level of impacting people’s desire to protest,” Pavlov told Zaks.ru.

Leonid Volkov, project manager at the Anti-Corruption Foundation (FBK), argues that if you follow the Petersburg prosecutor’s thinking to its logical conclusion, you could also punish the organizers of authorized rallies.

“If they tell us that the rally organizer should be punished for trampling the law rather than the person who trampled the lawn, it makes no difference whether the rally was authorized or not, right? Let’s imagine we have organized an authorized rally. The prosecutor shows up and tells us organizers he is suing us for a billion rubles. It would sound completely insane,” Volkov said.

Downtown Petersburg is often used as a venue for large-scale events, including official celebrations. For example, this past summer, the Smolny reported that, during the annual Crimson Sails celebration for school leavers, when young Petersburgers and out-of-towners party all night long, approximately 600 cubic meters of rubbish were removed from the downtown area. It is unknown whether the city inspected the condition of its bushes after the school leavers’ party.

The New Governor
Litvin, federal coordinator and press secretary for the Vesna Movement,  actually applied to the Smolny for permission to hold the May 5 rally. He proposed a march down Zagorodny Prospect, following by a rally on Pioneer Square. The city’s law and order committee found a reason to turn down his application, just like the other applications submitted by Navalny supporters. The city told the opposition to hold its rally in Udelny Park, a large green space in the north of the city that looks more like a forest. Insulted by this suggestion, Navalny supporters announced the rally would take place on Palace Square.

Three months later, on August 2, the October District Court fined Litvin 20,000 rubles for organizing the unauthorized He’s Not Our Tsar protest rally per Article 20.2 Part 1 of the Administrative Offense Code. Petersburg City Court subsequently overturned the lower court’s ruling. The case will be reheard in the near future.

Mikhailov, the Navalny Team’s Petersburg coordinator, has already been punished twice for the May protest. First, the Smolny District Court sentenced him to 25 days in jail, and then the October District Court fined him 300,000 rubles [approx. 4,000 euros], a record fine for opposition political activism in Petersburg. The fact that Mikhailov was on the air on the internet channel Navalny Live during the event, answering the questions of his comrades in Moscow, was considered proof he organized the protest.

“I was covering the event, because the major national media were not there. At such a huge event! In Petersburg, 10,000 people marched on the Nevsky,” replied Mikhailov.

He now recalls an interesting conversation he had on the sidelines of one of his court hearings.

“There was a certain law enforcement officer at one of my court hearings. He told me the prosecutor’s office was planning to file suit, because the damages incurred by the city were too large. Nothing came of it. Judging by the complaint, this past summer, they really did carry out inspections and corresponded on the matter, but then it fizzled out. But in November, when Alexander Beglov was appointed acting governor [of Petersburg], the officials involved resumed their correspondence and the lawsuit was drawn up. Putting it simply, Beglov came to power and gave them the green light,” Mikhailov told Zaks.ru.

Maxim Reznik, a member of the St. Petersburg Legislative Assembly, has also noticed the new governor’s shadow looming over the lawsuit. Reznik argues the Smolny is using such cases to intimidate the opposition in the run-up to the 2019 elections.

“They strike us with the lash, and they hit us in our pocketbooks. It’s directly connected with the new governor. Because he is either involved in what is happening or he has no control of the situation. Why he would want that? The regime is showing us its teeth. It doesn’t want there to be any protests whatsoever. [Beglov] needs things to be quiet so he can bring happiness to the city, while anyone who intends to agitate the people should know their place,” said Reznik.

Supernatural Stupidity
Maybe ten thousand people did not attend the May 5 protest, but there were clearly more than two thousand people on the streets, as was claimed by the Interior Ministry’s local office. Originally, no one had planned to march on Nevsky Prospect. Since a celebration for bikers and rehearsals for the May 9 Victory Day military parade were taking place on Palace Square, the protest rally was hastily moved across the street to the Alexander Garden. When the Alexander Garden was teeming with people who wanted to express their displeasure at the policies of the old-new president, Vladimir Putin, voices in the crowd called for the rally to move to the Nevsky, and people spontaneously rushed into the city’s main street.

The Navalny Team did not immediately join the march. Initially, the rally’s Telegram channel broadcast requests not to heed people urging protesters to leave the Alexander Garden. Volunteers sporting “20!8” pins made the same request in person, until they realized there was no holding people back. The crowd stayed on the sidewalk for awhile, but when it encountered a segment of the Nevsky closed to traffic for repairs, it went onto the roadway. At approximately the same time, Mikhailov, who was in the midst of the crowd, went on the air on Navalny Live.

The first arrests occurred at the corner of Marat Street and Nevsky, where a police barrier awaited the demonstrators. Seeing what happened, the bulk of the crowd turned around and headed in the opposite direction, walking down the Nevsky and parallel streets. In none of the court hearings in the cases of Litvin and Mikhailov was any evidence presented that suggested either of the men had encouraged the demonstrators to return to Palace Square.

Most of the arrests took place outside the Hermitage. Police dressed in riot gear gave chase over the lawns to anyone chanting slogans. They caught some of these people, dragging or escorting them to paddy wagons parked on Palace Passage. The proceedings were videotaped and photographed by bloggers and reporters. No one had the time to look where they were walking.

Two men, however, will be held liable for damaging the lawns and other vegetation. One of them, Litvin, never even made it back to the Winter Garden: he was detained near Gostiny Dvor when the demonstrators headed in the opposite direction.

Attorney Arkady Chaplygin call this method of singling out guilty parties a supernatural stupidity.

“The lawsuit makes no sense whatsoever. The Russian Civil Code prohibits seeking monetary compensation for damage from persons who did not cause the damage. The law requires the individual who caused the damage to be identified. This lawsuit is a PR stunt on the part of Governor Beglov meant to intimidate the opposition. It is a stupidity supernatural in its scope,” argued Chaplygin.

The Frunze District Court will try and make sense of the botany of the city’s parks and the prosecutor’s arithmetic after the New Year’s holidays. A preliminary hearing in the case has been scheduled for January 10.

Photos courtesy of Zaks.ru. Translated by the Russian Reader

Squealing on Victims of the Great Terror: Who Wants to Tear Down Petersburg’s Last Address Plaques?

досто 25-табличкиThree Last Address plaques on the house at 27 Dostoevsky Street, in downtown Petersburg

Squealing on the Executed: Who Wants to Remove the Last Address Plaques?
Tatyana Voltskaya
Radio Svoboda
December 6, 2018

Alexander Mokhnatkin, a former aide to Russian MP Vitaly Milonov, filed a complaint with the Petersburg authorities, claiming the plaques mounted on houses throughout the city by Last Address had been erected illegally.

досто 25-улица и домThe plaques are barely visible from only ten meters away.

Andrei Pivovarov, co-chair of the Petersburg branch of Open Russia, wrote about the complaint on his Facebook page.

The city’s urban planning and architecture committee has already reacted to the complaint. It said the plaques, which bear the names of victims of Stalin’s Great Terror and have been placed on the walls of the houses where they lived just before their arrests and executions, were illegal.

досто 27-подворотняThere are two more plaques right next door, in the gateway of the house at 27 Dostoevsky Street.

“The informer decided the plaques were illegal advertisements? I wonder what for. The Stalinist Terror? He thinks they should be taken down. The Smolny responds to the snitch by indicating there were no legal grounds for putting the plaques up, and special city services would deal with them. It is difficult to guess when the wheel of the bureaucratic machine will turn, but, as Solzhenitsyn wrote, the country should know its snitches. I introduce you to Alexander Mokhnatkin, a man who has denounced people long ago victimized by the state and executed, and who has denounced the memory of those people,” Pivovarov wrote.

нев 111:полтав 3-3Unaware of the Last Address plaque on the wall next to her, a woman walks down Poltava Street, just off Old Nevsky, on a sunny day in October.

MP Milonov argues his former aide’s opinion is his personal opinion. Milonov, on the contrary, welcomes memorial plaques, but he does not like the fact that, currently, ordinary citizens have taken the lead in putting them up. He believes it would be better to let officials take the lead.

“I don’t think it would be good if there were lot of plaques on every house, as in a cemetery. The right thing to do, probably, would be to adopt a government program. The plaques would be hung according to the rules of the program, and protected by the law and the state,” argues Milonov.

нев 111:полтав 3-5When you step back ten or fifteen meters, the same plaque is nearly invisible to the naked eye.

He argues what matters most is “remembering the grandfathers of the people who now call themselves liberals squealed on our grandfathers and shot our grandfathers. Our grandfathers did not squeal on anyone. They died on the Solovki Islands. They were shot in the Gulag and various other places.”

Milonov admits different people wrote denunciations, but he believes the International Memorial Society has deliberately politicized the topic, using the memory of those shot during the Terror for their own ends. The MP argues that erecting memorial plaques should not be a “political mom-and-pop store.” Milonov fears chaos: that today one group of people will put up plaques, while tomorrow it will be another group of people. To avoid this, he proposes adopting official standards.

разъезжая 36-подъезд.jpgA Last Address plaque in the doorway of the house at 36 Razyezhaya Street, in Petersburg’s Central District.

​On the contrary, Evgeniya Kulakova, an employee of Memorial’s Research and Information Centre in Petersburg, stresses that Last Address is a grassroots undertaking. An important part of Last Address is the fact that the installation of each new plaque is done at the behest of private individuals, who order the plaques, pay for their manufacture, and take part in mounting them. Kulakova regards Milonov’s idea as completely unfeasible, since the municipal authorities have their own program in any case. The program has its own concept for commemorating victims of political terror, and the authorities have the means at their disposals to implement it. Last Address, however, is hugely popular among ordinary people who feel they can make their own contribution to the cause of preserving the memory of the people who perished during the Terror.

соц 6-улицаA Last Address plaque in the archway of the house at 6 Socialist Street, in central Petersburg.

Kulakov thinks it no coincidence Mokhnatkin has brought attention to the Last Address plaques, since previously he had taken an interest in the Solovetsky Stone in Trinity Square. Apparently, his actions are part of a campaign against remembering Soviet state terror and the campaign against Memorial.

Many Memorial branches in Russia have been having lots of trouble lately. In particular, Memorial’s large annual Returning the Names ceremony in Moscow was nearly canceled this autumn, while the Petersburg branch has been informed that the lease on its premises has been terminated. It has been threatened with eviction as of January 6, 2019.

черняховского 69-домThree Last Address plaques, barely visible from the middle of the street, on the house at 69 Chernyakhovsky Street, near the Moscow Station in Petersburg.

Historian Anatoly Razumov, head of the Returned Names Center, supports the concept of memorial plaques. He stressed they are installed only with the consent of building residents and apartment owners, and ordinary people welcome the undertaking. Moreover, people often put up the plaques not only to commemorate their own relatives but also to honor complete strangers whose lives have touched them. Razumov says people often find someone’s name in the Leningrad Martyrology. They then get written confirmation the person lived in a particular house. Only after collecting information about the person and obtaining the consent of the building’s residents do they erect a plaque.

“In Europe, such things are always under the protection of municipal authorities. I think we should also be going in the other direction: local district councils should do more to protect the plaques instead of saying they don’t meet the standards and they’re going to tear them down,” the historian argues.

Razumov argues that inquiries like the inquiry about the legality of the memorial plaques are served up under various attractive pretexts, but they are always based on the same thing: the fight against remembering the Terror. Some people want to preserve this memory forever, while others do everything they can to eradicate it by concocting hybrid or counter memories.

черняховского-все таблички.jpgThe plaques at 69 Chernyakhovsky Street commemorate Vasily Lagun, an electrician; Solomon Mayzel, a historian of the Arab world; and Irma Barsh. They were executed in 1937–1938 and exonerated of all charges in the late 1950s and early 1960s.

Boris Vishnevsky, a member of the St. Petersburg Legislative Assembly, argues that Last Address and Immortal Regiment are the most important popular undertakings of recent years. He is outraged by attempts of officials to encroach on them. He says he has written an appeal to the city’s urban planning and architecture committee.

Translation and photos by the Russian Reader

If a Tree Falls in the Forest, Does It Make a Sound?

RUS-2016-Aerial-SPB-Field_of_Mars
The Field of Mars is in the center of Petersburg, but it is conveniently isolated from well-populated residential neighborhoods and high streets. Unless they are extremely well attended, most political rallies held on the famous former parade grounds and revolutioanry mass burial site go unnoticed by the vast majority of Petersburgers. Photo courtesy of Andrew Shiva and Wikipedia

Up the River: The Smolny Will Expand List of Venues for Political Rallies
Mikhail Shevchuk
Delovoi Peterburg
December 4, 2018

As soon as he took up his duties as acting governor of St. Petersburg, Alexander Beglov announced plans to amend the law on political rallies.

“We need to make changes and introduce order, so there were will be no violations on either side,” he said at a meeting of the Presidential Council for Civil Society and Human Rights in October.

The Smolny has now drafted amendments to the law. The principle of “Hyde Parks,” that is, of specially designated places where Petersburgers can vent their indignation without prior notification of the authorites, remains in force. However, the Smolny has proposed establishing a minimum number of such places, eight in all.

The current law on political rallies does not specify the number of venues. City hall publishes the list of political rally sites in an ordinance. Originally, in 2012, the Field of Mars (or, rather, a small part of it) was designated the city’s “Hyde Park.” Two years later, four more venues were added: Udelny Park, Polyustrovsky Park, Yuzhno-Primorsky Park, and 30th Anniversary of October Gardens. The Field of Mars was struck from the list last year.

uppYuzhno-Primorsky Park is located in the far southwest of Petersburg. It is four kilometers from the nearest subway station, and three kilometers from the nearest suburban railroad station. Map courtesy of Yandex

Theoretically, it is possible to organize demonstrations in other places, but city hall usually refuses to sanction the rallies under various pretexts, suggesting to organizers they use one of the designated “Hyde Parks.” As a matter of principle, however, the opposition avoids the “Hyde Parks,” which are all situated in the city’s outskirts. Instead, they prefer to assemble at such traditional sites for political rallies as Lenin Square, Pioneer Square and, sometimes, even Palace Square, although they risk fines and forcible dispersal by police.

The maximum number of people who can attend a political rally held without prior notification of the authorities would range from 200 to 500 people under the amended law. As under the old law, State Duma MPs, members of the St. Petersburg Legislative Assembly, and members of the city’s municipal district councils would be able to hold meetings with constituents on the streets.

Officials would now calculate how many people can attend a political rally at a particular venue according to the norm of one person per square meter. Lenin Square and Pioneer Square would thus be able to accommodate rallies attended by as many as 10,000 people. Organizers would also be obliged to inform officials of canceled rallies under the threat of a fine of 5,000 rubles for individuals and 100,000 rubles for legal entities.

“It’s not the number of sites that matters,” said Andrei Pivovarov, leader of the local office of Open Russia. “And no one has ever been fined for going over the maximum number of attendees. One venue would be enough for us, but as long as it is in downtown Petersburg. If the venues are going to be in the outskirts, city hall could give us a dozen such places, but we would try to protest downtown anyway.”

However, Pivovarov said that if the new list included the Field of Mars, Lenin Square, and Pioneer Square, the opposition would be quite satisfied and make use of these venues.

St. Petersburg Legislative Assembly member Maxim Reznik also named the two squares. He said the number of people attending a rally and the convenience of Petersburgers were more important than a particular place. The opposition was always ready for dialogue, he said. However, if the regime made a point of tightening the screws, dissenters, Reznik said, would choose the paddy wagon, that is, they would choose to attend an unauthorized rally rather than cancel it.

Translated by the Russian Reader