I read on social media yesterday that Russian ebook giant LitRes had added a button on its website for readers who want to file a complaint against any of the books it offers for violating Russian laws. To see whether this was true, I punched up the most popular recent Russian book among readers of this website, Katerina Silvanova and Elena Malisova’s runaway LGBTQ+ romance bestseller A Summer in a Young Pioneer’s Tie.
Indeed, there is such a button, located below the book’s description and right next to a summary of its front matter. In the screenshot I took, above, I’ve drawn a black box around the button, which reads, “Does the book violate the law? Complain about the book.”
If you do the unthinkable and press the button, a window pops up:
“What do you want to complain about?” the prompt asks. The choices are “Promotion of narcotics,” “Promotion of suicide,” “Violence/extremism,” “Copyright violation,” and “Promotion of LGBT and/or Pedophilia.” You are then asked to “describe the violation” in 1,500 characters or less and dispatch your complaint to LitRes’s law-abiding overlords by hitting the big orange-red “Complain” button.
A quick scan of the 113 titles in my own “bookshelf” on LitRes and some of the book’s suggested to me by the service revealed, however, that readers cannot file a complaint against any book they wish. Anna Akhmatova’s Requiem, for example, is beyond suspicion, as you can see in the screenshot, below. ||| TRR
The cover of “A Summer in a Young Pioneer’s Tie,” as designed by Adams Carvalho
Katerina Silvanova was born and raised in Kharkiv, but moved to Russia at the age of twenty-two. She majored in forestry engineering, but never finished her studies. She has worked in sales all her life. Elena Malisova is a Muscovite and married, and works in IT. The girls [sic] had never been associated with literature, but both have had a passion for writing since childhood. One day, chatting on the internet after a hard day’s work, the friends agreed that they had to do something together. So, the idea of the novel A Summer in a Young Pioneer’s Tie was born.
Musician Yuri Konev arrives at the abandoned Swallow Young Pioneer Camp in the Kharkiv region to encounter the ghosts of his past. Something happened there that turned his life upside down, changing it forever. There he met the camp counselor Volodya, who became more than a friend to the teenager.
Walking through streets of the camp, overgrown with grass, Yura recalls how rapidly and stormily his relationship with Volodya developed, how they had been afraid of what was happening between them. And yet, they had gravitated to each other. The trip to the camp is a new revelation for Yura. He was sure he had buried the past there, that its rebellious echo would never again disturb him . And yet, Konev will have to come face to face again with what already turned his life around once. Apparently, not all the ghosts of the past are willing to hide in memory’s back alleys forever.
Why should you read A Summer in a Young Pioneer’s Tie?
It’s a new extraordinary look at the late Soviet period of history.
It’s a novel about sincere first feelings, cloaked in mystery and shame, condemnation and doubts.
It’s an absolute bestseller, one of the year’s most anticipated and controversial books.
Book Description Yura returns to the Young Pioneer camp of his youth after twenty years. In the ruins of the past, he hopes to find a path back to the present, to the person he once loved. This story is about the fact that not everything in the USSR was smooth, straight-laced, and impersonal, that there were experiences, passions, drives, and feelings that did not fit into the moral framework leading to the “bright future,” and that this future was not so bright.
Source: LitRes. Image courtesy of Wikipedia. Translated by the Russian Reader
Leto v pionerskom galstuke (LVPG) [A Summer in a Young Pioneer’s Tie] is a novel co-written by Elena Malisova and Katerina Silvanova. The book deals with the relationship between two young men, the Young Pioneer [sic] Yura and Volodya, who meet at Young Pioneer camp in the summer of 1986.
[…]
Twenty years later, the musician Yuri Konev returns to the place where the Swallow Young Pioneer Camp was once located, recalling the summer of 1986, which spent there, and his love for the MGIMO student and camp counselor Vladimir Davydov. Yura and Volodya were jointly involved in staging a play, and a strong friendship arose between them, which gradually developed into teenage love. Throughout the book, Volodya refuses to accept his homosexual orientation, periodically insisting on ending the relationship and explaining that he is trying to “steer Yura off the right path” and that he is homophobic himself. At the end of the their stay at the camp, the young men bury a kind of time capsule under a willow tree, agreeing to dig it up in ten years. After parting, Yura and Volodya continue to communicate by correspondence for some time, but after a while they lose touch with each other. In 2006, after finding the time capsule, Yura learns in a letter that Volodya sends him that he had failed to “overcome” his orientation and still loves Yura.
The novel, which was originally posted on the website Ficbook.net, was published by Popcorn Books in 2021. By the end of May 2022, the book had sold more than 200,000 copies, not counting electronic sales. The novel took second place in the list of the most popular books among Russians in the first half of 2022, compiled by the Russian Book Union, and sales of the book amounted to about 50 million rubles. August 2022 saw the release of a sequel, What the Swallow Won’t Say, which takes place twenty years after the events described in A Summer in a Young Pioneer’s Tie.
[…]
Critic Galina Yuzefovich gave a generally positive review of the novel, noting that “life in the Soviet Union differed little from life today, and emotions, relationships, and the desire to love and be loved do not depend on ideology.” Book blogger Anthony Yulai (Anton Ulyanov) rated the novel positively on the whole, noting that the authors keep the reader “in a state of emotional shock due to the alternation of sweet moments with sad ones and an abrupt change in the tone of the narrative towards the novel’s end.”
Zakhar Prilepin harshly condemned the book and its publishers on his Telegram channel: “Popcorn Books (which inevitably suggests “porn books”) is are celebrating their triumph and counting their profits. They will regard this post as good fortune, too. That’s what they were counting on. I won’t hide it: I’d burn down your whole office while you’re sleeping at home!” A video featuring a negative review of the book was released by Nikita Mikhalkov. He read aloud an excerpt from the novel and deems its publication a “violation of the Constitution.” He also noted that the abbreviation “LVPG,” as the novel is known among fans, is very similar to “LGBT.”
N.A. Ostanina, chair of the State Duma Committee on Family, Women and Children, sent a request to Roskomnadzor to examine the contents of the book to determine whether a criminal case could be launched against it in the future. A similar request was sent by the news agency RIA Ivan-Chai, but received a negative response.
Source: Wikipedia. Translated by the Russian Reader
A map of the Zina Portnova Memorial Swallow Young Pioneer Camp in 1986, as featured in the novel’s front matter.
“Aren’t you exaggerating?”
Seeing Volodya’s slightly condescending smile, Yurka was embarrassed. He probably thought that Yurka remembered their dance too well and was still jealous, so he was ready to accuse Masha of anything. And if Volodya really thought so, then he was right. Yurka’s ardent desire to jump out of the bushes and catch the spy red-handed was caused precisely by jealousy. But Yurka also had arguments in defense of his theory.
“It’s not the first time she’s been out at night. Do you remember when Ira came to the theater and attacked me, asking me what I’d been doing with Masha and where I’d been walking? And it’s true, no matter where we are, she’s always there. Volodya, we have to tell them about her walks!”
“Deal with Irina first.”
Yurka did go find her almost immediately. All the same, his mood was spoiled, and Volodya was paranoid again, and he constantly froze, listening and looking around and not even letting him touch his hand. And the evening was already coming to an end.
After hastily saying goodbye to Volodya, Yurka returned to his unit and found the counselor. He expected her to frown and scream at him as soon as he walked in. He was already ready to babble excuses, but Ira stared at him in surprise.
“Actually, no, I wasn’t looking for you,” she said. Yurka had already put his hands up to stop his jaw from dropping, when Ira yelled.
“Where have you been, by the way?”
“With Volodya.”
“Did you even notice what time it is?! Yura, who are they playing lights out for?! If you’re going to be late, you have to warn me!”
Yurka fell asleep, struggling with mixed feelings full of anxiety. Volodya was constantly surrounded by girls, but it seemed to Yurka that Masha popped up too often. It must be jealousy after all. And to top it all off, he apparently had been infected with Volodya’s paranoia.
Source: Elena Malisova and Katerina Silvanova, A Summer in a Young Pioneer’s Tie (Popcorn Books, 2021), p. 155, as chosen by the True Random Number Generator. Translated by the Russian Reader
In an industrial block in northeastern Moscow on a recent Friday night, organizers of an L.G.B.T.Q.-friendly art festival were assiduously checking IDs. No one under 18 allowed. They were trying to comply with a 2013 Russian law that bans exposing minors to anything that could be considered “gay propaganda.”
The organizers had good reason to be wary: Life has been challenging for gay Russians since the law passed, as the government has treated gay life as a Western import that is harmful to traditional Russian values and society.
Now Russia’s Parliament is set to pass a legislative package that would ban all “gay propaganda,” signaling an even more difficult period ahead for a stigmatized segment of society.
The laws would prohibit representation of L.G.B.T.Q. relationships in any media — streaming services, social platforms, books, music, posters, billboards and films — and, activists fear, in any public space as well. That’s a daunting prospect for queer people searching for community, validation or an audience.
“I’m afraid for my future, because with these kinds of developments, it won’t be as bright as I would like it to be,” said a drag artist who uses the stage name Taylor. Taylor’s performance on Friday before a small but enthusiastic crowd tackled themes of domestic violence, mental health and AIDS.
The proposed laws are part of an intensifying effort by President Vladimir V. Putin to cast Russia as fighting a civilizational struggle against the West, which he accuses of trying to export corrosive values.
The Kremlin is coupling the crackdown on L.G.B.T.Q. expression with its rationale for the war in Ukraine, insisting that Russia is fighting not just Ukraine but all of NATO, a Western alliance that represents a threat to the motherland.
On August 2, 2013, Russian Paratroopers Day, Kirill Kalugin, a Petersburg university student, took to the city’s Palace Square alone to protest the country’s new anti-gay laws. He was immediately set upon by reveling paratroopers (or as he himself suggested, by national activists masquerading as paratroopers), an incident captured on video by Petersburg news web site Paper Paper.
Kalugin returned to Palace Square this year on August 2 to protest Russia’s increasing militarism and imperialist misadventures in Ukraine. He was roughly detained by police some fifteen seconds after attempting to unfurl a rainbow flag emblazoned with the slogan, “My freedom defends yours.” Despite the fact that Kalugin held his anniversary protest right next to Manifesta 10’s provocative metallic Xmas tree, his protest has so far gone unremarked by progressive humanity (i.e., the international contemporary arts community) and the foreign press.
The interview below was published in August 2013 on the local Petersburg news web site Rosbalt three weeks after Kalugin’s first protest on Palace Square. Unfortunately, it hasn’t lost any of its timeliness, especially given the total absence of an anti-war movement in Russia and the singularity of Kalugin’s bravery and insight.
__________
Saint Petersburg State University student Kirill Kalugin is half the age of his eminent opponent, Petersburg Legislative Assembly member Vitaly Milonov, although he is also a redhead. But hair color is not the only thing the outspoken homophobe and outspoken gay have in common. Both claim they love their motherland Russia and will never leave it.
Rosbalt’s Yevgeny Zubarev met with Kalugin in the city center, on Arts Square. It’s a safe place because it is always chockablock with police. There were also lots of police on Palace Square on August 2, [2013], when Kalugin came there alone and unfurled a rainbow flag, but even a platoon of riot police was not immediately able to wrest him away from an agitated crowd dressed in striped shirts for Russian Paratroopers Day.
— Why did you do it, Kirill? Weren’t you frightened?
— I was frightened. Actually, there were supposed to be four of us out there, but then I ended up going out alone. If there had been several people, the police could have charged us with holding an unauthorized rally, but this way it was a solo picket, which doesn’t require permission. As soon as I unfurled the rainbow flag, men in [traditional Russian paratrooper] striped shirts grabbed me. But I don’t think they were paratroopers: I had seen many of the assailants earlier at anti-LGBT protests. I think they were nationalist activists masquerading as paratroopers. The police pulled me from the crowd and put me in a car, but we couldn’t leave right away: the crowd blocked the car, demanding that the police give me up. The riot police intervened and cleared a path, and I was taken to the 78th police precinct.
— What did police charge you with? How were you punished?
— I don’t understand it myself. At first they wouldn’t let me make a phone call. The sergeants behaved rudely, and I couldn’t figure out what my status was, whether I had been detained, arrested or was considered a suspect. Right there at the police station one of the detained paratroopers rushed me: he wanted to beat me up, but the police held him back. Then the brass arrived and everything immediately changed: the police started talking with me politely. It turned out I wasn’t being charged with anything. They even let me file an assault complaint. But how that case has turned out, I don’t know: it has been twenty days, but I have had no word from the police.
— After this incident, Russian Orthodox patriots wrote several petitions to Saint Petersburg State University demanding your expulsion.
— I’m a student in the physics department, specializing in medical physics and bioengineering. It’s a tough department, and there is a lot of studying to do. What matters to the deans is that students take all their exams and tests on time, but they are unconcerned about their private lives. Generally, it is not kosher in the scientific community to tell people how they should behave in the intimate realm. So I’m confident all these petitions are pointless.
— Your family must have seen how you were beaten on Palace Square on the Web or on TV. What was their reaction?
— I was born to an ordinary Russian family in the town of Krasnoturyinsk in the Urals. My father is an officer in the Russian armed forces, my mother, a philologist. After the 2008 crisis, life in our town got really bad and we moved to Petersburg, where I finished high school, enrolled at the university, and began to live separately from my family. It was only then I told my parents I was gay. My parents were upset, especially my father, but they recognized my right to live as I see fit. My brother also said it was my choice. When I went out on Palace Square, they heard about it in the media. They called me and were worried, of course. But I assured them I was not in danger.
— How many times have you been beaten up in Petersburg for being gay?
— Never, except for the incident at Palace Square. My classmates at university and my employers at the restaurant where I work part time as a bartender do not care what I do in bed. Of course, after this incident I could have been recognized on the street and beaten up, but that hasn’t happened yet.
— There are thousands of commentators on the Web who are sure you went out on Palace Square to secure the right to emigrate to the west as a discriminated person.
— I don’t intend to leave Russia. I am sure all these homophobic laws will be repealed sooner or later, and all Russian citizens will be able to live normally regardless of sexual orientation. There were similar laws in Sweden thirty years ago, and gays were persecuted throughout the world the way they now are in Russia. But then the situation changed. I am sure that Russia also has to follow this path, and so I’m not going to leave. But change doesn’t happen by itself—people have to take to the streets and speak out about this problem.
— Why do you act alone? There are lots of public organizations in Russia that support gays. Many of them receive foreign grants. You could get this money to fight for equality and all that, no?
— I don’t want to. I’ve had offers to join various organizations like that, but I don’t want to. I’m not a politician. I just don’t want there to be discrimination against people like me. Besides, it is easier for the state to punish organizations than lone individuals. Organizations are more vulnerable. What are they going to do with an ordinary guy like me?
— When you finish university you’ll find that jobs in your scientific specialty are poorly paid and dead ends. This is another reason, aside from sexual orientation, for going abroad.
— I still won’t leave. I know how things are going with financing for science in Russia, but I don’t want to leave. In the end, there are grants given to scientists for in-demand research. And in fact, Russia is changing for the better; the situation is improving in science, too.
— You have the opportunity to address Rosbalt’s thousands of readers. What would say to all these people?
— I would appeal to people like me. Don’t sit quiet as mice. At least come out. Let your loved ones know that you exist.
— Why can’t you sit quiet and keep a low profile? Why do you come up with these public protests during which you can be beaten or even killed? After all, there is no practical sense to them.
— Can I quote Goethe? “He alone deserves liberty and life who daily must win them anew.”
— How old are you?
— Twenty-one.
Originally published, in Russian, by Rosbalt on August 22, 2013. Photo courtesy of Rosbalt
__________
Explaining his protest [on August 2, 2014], Kalugin said it was directed against both the lack of civil freedoms and the growing militarism in Russia during the ongoing conflict in Ukraine.
“The suppression of any civil freedoms and the growth of imperial chauvinism in Russia are interconnected, and the issue has one and the same root,” he said.
“As long as there remains at least one group that is seen as ‘second-rate people’ in the country, the rest cannot call themselves free. Even if they enjoy some preferences now, this system can hit them, too, sooner or later.
“All this has grown so much that it has already started spreading into the neighboring states. The same people, who cried ‘Death to gays’ and hailed the laws banning ‘gay propaganda’ and restricting public assemblies, ended up shouting ‘Crimea is ours’ and going to Donetsk and Luhansk.”
Airborne Troops Day in St. Petersburg is known for the large number of airborne veterans gathering in the city center, drinking, swimming in fountains and, at times, getting out of control, with the police usually ignoring any misconduct.
Kalugin said that he chose to stage his protest on that day because he sees the festivities as the “climax of militarism and chauvinism.” He said it was also his reaction to homophobic jokes, where LGBT people were mockingly invited to hold their protests on Airborne Troops Day—the underlying notion being that they would be immediately be beaten by homophobic airborne veterans.
“It’s an old joke from the times when LGBT pride events were held in Moscow, [Moscow’s anti-gay ex-mayor Yury] Luzhkov used to say that he would only agree if it was held on Aug. 2,” Kalugin said.
Strasburg [sic], October 1 (Interfax) – Russian State Duma Speaker Sergei Naryshkin said he invited European MPs, concerned about the rights of sexual minorities in Russia, to come to Russia and to make sure that their rights were not violated.
“Unfortunately, I will not be able to visit [gay clubs] with you,” Naryshkin told deputies, members of the Parliamentary Assembly of the Council of Europe (PACE) when answering question of the European parliamentarians in the framework of the autumn meeting of the Council of Europe in Strasburg [sic].
The rights of sexual minorities are same as the rights of other citizens “practicing traditional sexual relations,” Naryshkin said.
Sexual minorities work successfully in various spheres, including culture, they relax freely and go to their clubs, Naryshkin said. “I have never been but witnesses say that it is very nice there, people spend time there nicely,” Naryshkin said, having received applause.
Here’s what Having Received Applause really said (yes, this is in translation, too, but we’ve tried to reinsert the audible sneer that Interfax or the PACE interpreters airbrushed out):
We have a lot of successful people with a non-traditional sexual orientation. They are successful in business, in art, in all creative fields. […] They have the right to rest and relax comfortably […] in Moscow and other Russian cities. There are a lot of so-called gay clubs. I haven’t been, but witnesses say it is quite nice and comfortable there; those people have a good time. If anyone wants to receive confirmation of this, please, I invite you to Moscow. Unfortunately, I myself will not be able to visit the club, but I will take care of you.
Editor’s Note. I’ve had it with “contemporary art” in general, not just Russian contemporary art or international art events held in Russia, fabled land of officially enforced homophobia. We think all people everywhere, progressive humanity and regressive humanity, the indifferent and the enthusiastic, everyone from Maine to Moscow to Melbourne, should boycott contemporary art. Otherwise, mouth breathers like the eurocuratorial nightmares caught shilling for the Putin regime in the article, below, will keep getting away with this fraud, which sucks up tons of intellectual, physical, financial, and technical resources that could be put to much better and more imaginative use elsewhere.
When threatened by contemporary art, do the haka!
www.theartnewspaper.com Moscow biennial curator and artists explain why we shouldn’t boycott Russia While critics cry out against the country’s draconian anti-gay laws, cultural exchange is still important
By Sophia Kishkovsky
9 September 2013
Despite recent controversy over the country’s restrictive anti-gay laws, the curator of the Fifth Moscow Biennale says this is not the time to reject Russia. Her comments follow similar responses from the organisers of the Manifesta biennial, as critics call for a cultural boycott.
“I feel I am responsible to keep the platform going,” the Belgian-born Catherine de Zegher tells The Art Newspaper. The latest edition of the contemporary art exhibition opens on 19 September at the Manege Exhibition Hall.
De Zegher says that the biennale’s organisers have not placed any restrictions on what she can show. She adds that “only one or two” artists, whom she refused to identify, said they would pull out of the biennial because of the situation in Russia, but she convinced them to reconsider.
Visitors, however, are unlikely to see much art that aggressively confronts the country’s conservative laws. “I’m not a big believer in provocation,” De Zegher says. “Art that is very provocative is like fast food almost. It flares up, then it’s finished. Of course I do believe in activist gestures, and movement and action, but I think art works in a different way.”
Her comments echo those of the veteran German curator Kasper Konig, who is organising the next edition of Manifesta, Europe’s roving contemporary art biennial. Speaking at a news conference at the State Hermitage Museum, St Petersburg on 5 September, Konig said the 2014 biennial will avoid “cheap provocations”. A petition calling for the biennial’s organisers to choose another city, postpone or cancel the exhibition has drawn nearly 2,000 signatures. Manifesta has responded with a statement on its website, expressing concern about the anti-gay laws but stressing that the biennial is based on “dialogue with those with whom we may disagree”. The biennial’s founding director, Hedwig Fijen, says that isolating Russia is wrong “especially as it deprives younger people of access to a broader scope of voices and points of view”.
“I think the 20th century was very much about shock and awe,” De Zegher says. “We’re entering another age, where there is more about collaboration, collective thinking.” Artists at the biennale are addressing controversial issues, she said, “but they are in nobody’s face”.
In the Moscow Biennale for example, the Chechen artist Aslan Gaisumov’s work touches on the intersection of religion and secularity, Islam and its relationship with Western culture, but does so with a sense of the “ambiguity of the negotiation between cultures, between religions, between the sexes, between ethnicities”, she says.
The Polish-born artist Gosia Wlodarczak, who has been working in Australia since the 1990s, is coming to Russia for the first time for the biennial. She explains why foreign artists should come to Moscow now by recalling her days as a student in Poland, when Communist rulers tried to crush the opposition Solidarity movement with martial law.
“I remember how important it was when anybody actually came [to Poland] instead of avoiding us. Every visit from somewhere else meant that people cared instead of just abandoning you, leaving you to your own,” the artist told The Art Newspaper as she worked on her intricate glass drawing installation in Manege, where the Kremlin is always in sight next door, outside the windows. “Every visit was like a contribution, and every exchange of dialogue was valued, because that’s how things change.”
The Russian Reader 