#StandWithBelarus

Human Rights Foundation
HRF Raises $500,000 to Support Democracy in Belarus

Since its inception, the Belarus Solidarity Fund has provided a lifeline to democracy movements in Belarus. HRF provides modest financial assistance to those Belarusians who have been fired from their jobs, injured, arbitrarily detained, or who face steep fines because of their support for freedom and democracy in Belarus. The fund also provides equipment and assistance to independent journalists who, at great personal risk, continue to cover events in Belarus even in the face of government repression.

So far, more than 1,000 individual donors have contributed to the fund, and $450,000 have already been disbursed as direct support for journalists, human rights advocates, civil society organizations, and workers on strike against the dictatorship.

Eight months ago, fraudulent elections sparked a democratic uprising in Belarus. Hundreds of thousands of ordinary citizens all across the country took to the streets to protest the regime of Alexander Lukashenko — who first seized power in 1994 — and express their support for freedom and democracy. For months, the peaceful protesters endured the brutality of the regime, which resorted to extreme violence, including the use of live ammunition, torture, and rape in prisons, to deter the democracy movement. According to the Human Rights Centre Viasna, in 2020 more than 33,000 individuals were detained, more than 1,000 cases of torture were documented, and at least 7 people were killed since the beginning of the protests.

HRF began closely monitoring the situation in Belarus back in May 2020, when the first protests against the Lukashenko regime started. In August, HRF persuaded American rapper Tyga to cancel a concert planned as a propaganda stunt for Lukashenko, and urged members of the Belarusian state security apparatus to lay down their arms. At the end of August, HRF set up the Belarus Solidarity Fund to aid protesters adversely affected by their support for freedom and democracy. In September, HRF hosted Belarusian democratic leader Sviatlana Tsikhanouskaya for a talk at the Oslo Freedom Forum.

In January, the Belarusian democracy movement achieved an important victory when the International Ice Hockey Federation (IIHF) moved the Ice Hockey World Championships away from Belarus, after facing public backlash from Belarusians, as well as the international community. HRF wrote a letter to the IIHF as part of the civil society campaign, which you can read here. This month, HRF recorded a podcast with the Belarus Sports Solidarity Foundation to discuss how Belarusian athletes are defending democracy. Going forward, HRF will continue to support the Belarusian democracy movement through direct aid, legal advocacy, and public education.

To celebrate this milestone, HRF is organizing a special Clubhouse event with our Chairman Garry Kasparov, Magnitsky Act originator Bill Browder, former U.S. ambassador to Russia Michael McFaul, and the leader of democractic Belarus Sviatlana Tsikhanouskaya about what the future of the democracy movement in Belarus looks like. We will update you with details soon. The event will take place at the Oslo Freedom Forum club on Clubhouse, an audio-only social media app, where HRF holds a weekly discussion series on the most pressing human rights issues with activists from around the world.

It is more important now than ever to support the Belarusian democracy movement.

Last week, Belarusians celebrated the Day of Freedom by peacefully protesting all across the country. The demands of the protesters remain unchanged. The violence against Belarusians must be stopped, political prisoners must be released, and new, free and fair elections must be held. To further support the Belarusian democracy movement, you can help by:

Donating to the Belarus Solidarity Fund.

Writing letters to political prisoners in Belarus.

Assuming godparenthood over political prisoners.

Writing a tweet, social media post, or creating a video in support of Belarus with the hashtag #StandWithBelarus.

Source: HRF emailing. Thanks to SZ for the advice. NB. Contrary to the claim made in the text, above, Lukashenko did not “seize power” in 1994. He received over 45% of the vote in the first round and over 80% in the second round of the first post-independence presidential election in 1994, which is generally regarded as the only free and fair election held in post-Soviet Belarus. || TRR

Arkady Kots: We Will Have to Fight for the Future

Arkady Kots, The Belarusian Collection
Dec 28, 2020

We support rebellious Belarus. We hope that Belarusian workers, “social parasites,” women, students, pensioners, and the entire Belarusian nation wrest power from the bat-brained dictator and don’t surrender it to anyone.

00:00 – Solidarity
03:20 – Bella Ciao
06:28 – Walls
10:11 – Prison Song
13:01 – Song of the Jewish Partisans (“Zog nit keyn mol”)
19:22 – There Is Power in a Union
22:56 – Women’s Song (“L’hymne des femmes”)
25:19 – Counterattack
29:19 – Lusya
33:06 – Forest Song
35:55 – Peramozham
38:53 – Fog
41:10 – Who Shoots at Workers
44:44 – Nothing Works Without Love

#ArkadyKots #Walls #BelarusianCollection

_______________________________

“We Will Have to Fight for the Future!”
Arkady Kots premieres an album in support of Belarusian protesters on the Novaya Gazeta website
Yan Shenkman
Novaya Gazeta
December 28, 2020

Nikolay Oleynikov, musician, artist, and soloist in the group Arkady Kots:

We have been following the protests in Belarus from the outset. We were happy when our song “Walls” became one of the main [protest] songs there. And we were about to go to Minsk, everything was ready, but then the guys who invited us and promised to organize several concerts at factory gates wrote: “Stand down, all the factory gates have been occupied by the police.”

It is a pity that we were not able [to do the concerts], but it increased our desire to help Belarusians from here.

We saw that our government basically supports Lukashenko, and we thought it important to sing on behalf of those Russians who are unequivocally against the rout of the elections, against the savage crackdown, who support an independent Belarus, a country near and dear to us. Both our new songs and old ones gradually formed a statement that eventually turned into The Belarusian Collection.

First we understood how to make a Russian version of a song we had been trying to do for a long time—“Solidarity,” by the English punk band Angelic Upstarts, written in the 80s in support of the Polish trade unions. It has this interesting moment, atypical for protest songs, especially leftist ones—a reference to religion. “And we’ll pray for our nation through its darkest times,” they sing in the original. Sincere faith can drive a protest very far: priests played a big role in the Polish Solidarity  movement of the 70s and 80s. That victory, by the way, has shown its flip side today. The conservatives [in Poland] are trying to deprive women of the right to abortion, the right is in power, and the system is clearly distant from what the trade unionists fought for back in the day against the regime and the bureaucracy. But when we see how the priests in Minsk have been supporting the protesters, hiding them from the riot police in churches, this is what we want to sing.

Well, and then there are the workers who came to the forefront of the political struggle in Belarus at some point: that’s another great story, of course, and, I hope, it’s a story that hasn’t ended. Without the workers, a revolution is doomed: new elites seize power and continue to exploit people under new slogans.

We saw how our friends from the leftist party A Just World were bullied and imprisoned: two years ago, we recorded our version of the famous Chilean anthem “Venceremos” in Belarusian (“Peramozham”) for them. Masha Shakuro, who is from the Minsk group Boston Tea Party and, simultaneously, the captain of the Belarusian national rugby team, spent two weeks in prison. Two years ago, she and her band to Moscow for our festival Punk Against Electroshock Torture.

We were involved in PartiZan Fest, which, due to the pressure the authorities put on the clubs, could not be held live. Consequently, the festival was broadcast on TV Rain, and they managed to raise $30,000 for victims of the crackdown in Belarus.

In parallel, we have been recording with European musicians. The Partisan Album features anti-fascist songs from the Second World War, which, of course, included the Belarusian “Forest Song” (“Birches and Pines”), as well as our version of “Bella Ciao,” which contains a reference to the Belarusian partisans. Then there are two completely new tracks that you will hear in this anthology: “Jewish Song” by Hirsch Glick, a poet of the Vilna Ghetto, and the experimental composition “Counterattack,” set to a poem by the Warsaw Ghetto poet Władysław Szlengel, who died during the Uprising. The video for “Counterattack” was made by the Belarusian artist and historian Aliaksandra Osipova, who is from Pinsk. Although she realized that she was taking a risk, Aliaksandra agreed to direct a short film for this track. “The main idea was to combine the moving masses of color and the masses of people, to show the tension between the universality of the struggle and the concreteness of the gestures of resistance and defiance,” she says.

It is interesting how at such moments non-obvious connections and identities are actualized, and it turns out that you have many friends with Belarusian roots. Guys from the diaspora have given us “honorary Belarusians” certificates. I sing in Belarusian as a sign of anti-imperial solidarity, while Kirill Medvedev recalls his great-grandfather Semyon Ilyushenko from near Vitebsk, who fought in the Red Army under Frunze, and then created Soviet jet fuel in a sharashka.

In this covid year, it is as if the old map of Europe has been redrawn for us. New lines are emerging, Soviet and non-Soviet roots are connecting into something new, into a future for which we will still have to fight, and not only with songs.

Speaking of fascism. The other day, our bandmate Oleg Zhuravlev, a sociologist and co-founder of Arkady Kots, was brutally beaten and robbed by the cops in Petersburg, after which he was kept out in the cold all night in a cage with the window wide open. And yesterday exactly the same thing happened to the Petersburg historian Pavel Demchenko, in the very same 28th police precinct on Marat Street [in downtown Petersburg]. Now the guys are combining their cases, and communicating with lawyers to make as big a dent as possible in police lawlessness. The Russian police have recently been rapidly rushing down the road to hell, trying to compete with Lukashenko’s police, apparently.

In the meantime, I want to congratulate everyone on the passing year, a year of many terrible deaths, extreme violence and heroism. I hope the future will be peaceful and beautiful. Listen to The Belarusian Collection!

Translated by the Russian Reader. Image (below) courtesy of the Arkady Kots Bandcamp page

Partyzanski Praspekt, “August”

partyzanski praspekt-logo

On Sunday, December 6, 2020, the Belarusian poet and performer Uladzimir Liankevič was detained on his way home from his band’s rehearsal. The next day, he was sentenced to 15 days in jail. 23.34 and 23.4 are the two articles of the criminal code under which he was convicted by the court or, rather, by its grotesque totalitarian parody. Belarusians know all too well what these numbers mean: “violating the procedure for organizing or holding mass events” and “disobeying a law enforcement officer.”

Liankevič was previously detained in September, spending six days in the Zhodzina Temporary Detention Facility.

Released on November 14, 2020, the recent song by Liankevič’s band Partyzanski Praspekt bears the anachronistic title “August.” Why would they sing about August in November?

This is the explanation that the band wrote on its Facebook page, alluding to the state terror that erupted in Belarus following the failed presidential election of August 9, 2020:

Everything that is happening in our midst cannot fail to move us. So we wrote a new song titled “August.” We wanted the events of that month to stay there, but they, unfortunately, have continued.

The song depicts the parallel lives of two modern Belarusian revolutionaries, whose civic awakening takes place after the government deployed tear gas, water cannons, rubber bullets, and stun grenades against the peaceful protesters.

The lyrics contain the following local references:

  1. Minsk toponyms that have symbolic significance in the geography of protest: the Stela or Minsk Hero City Obelisk, Nyamiha Street, and Masherau Avenue.
  2. Two of the country’s most infamous detention facilities, Okrestina and Zhodzina.
  3. The minivans used by the riot police as transportation.
  4. “Blue fingers”: a meme alluding to the dictator Alexander Lukashenko’s quip that he would not keep his grip on power until his fingers turned blue.
  5. The letter at the end of the video is addressed to “TsIP,” the “offender isolation center” (literally) or “temporary detention facility.”

Жнівень

Здымная хата
На апошняй станцыi метро
Чарговая праца
На якой ен для начальнiка нiхто
Ен цярпеў i нават не марыў
Адарваць чужыя пальцы сiнiя ад шыi
Ды спачатку голас скралi
А потым прабудзiлi
Светлашумавы

Лiчы што не жыў
Лiчы што не жыў
Да гэтага жнiўня

Калi прагучалi
Першыя стрэлы
Ты мог яго бачыць на Стэле
Калi прыпынiлiся бусы паблiзу
Ен быў разам з табой на Нямiзе
Ты дома сядзеў духам упаўшы
Ен iшоў за цябе
Па Машэрава
Маршам

Газ вадаметы на суткi за краты
Ягоныя вочы найлепшы з плакатаў
З яго галавы волас ня ўпала
Анiводзiна
Аднак ен быў сiнi весь
Як выходзiў з Жодзiна
Сцяна сцяна
Дзверы
Насупраць сцяна
Гэта сведкi таго
Што з iм было на Акрэсцiна

Яна паступiла
У сталiчны унiвер
За некалькi курсаў
Да гнiлой сiстэмы страцiла давер
Знiкла прага да жыцця
Знiклi мары
Маркота раз’ядала да той самай суботы

Яе спачатку ўразiлi людзi
А потым прабудзiлi
Газ i вадаметы

Не хацелася жыць
Не хацелася жыць
Да гэтага жнiўня

Калi прагучалi
Першыя стрэлы
Ты мог яе бачыць на Стэле
Калi прыпынiлiся бусы паблiзу
Яна была разам з табой на Нямiзе
Ты дома сядзеў духам упаушы
Яна шла за табой па Машэрава маршам

Газ вадаметы на суткi за краты
Ейныя вочы найлепшы з плакатаў
З яе галавы волас ня ўпала
Анiводзiна
Аднак яна сiняя ўся
Выходзiла з Жодзiна
Сцяна сцяна дзверы
Насупраць сцяна
Гэта сведкi таго
што з ей было на Акрэсцiнa

August

A rented apartment
At the last metro station
Another job
Where he means nothing to his boss
He put up with it and did not even dream
Of tearing someone’s blue fingers from his neck
But first his vote was stolen
And then the stun grenades awoke him

Consider that he didn’t live
Consider that he didn’t live
Until this August

But when the first shots were fired
You could see him at the Stela
When the minivans parked nearby
He was with you on Nyamiha
Crestfallen, you stayed at home
But he marched for you
Down Masherau Avenue

Tear gas and water cannons
They threw him behind bars
His eyes are the best protest art
Not a single hair fell from his head
Not a single one
However, he was all blue
That’s how he left his jail cell in Zhodzina
A wall a wall a door
And another wall opposite
These witnessed
What happened to him
On Okrestina

She enrolled in a Minsk university
During the first years
She lost her faith in a rotten system
Her desire to live was gone
And her dreams were gone
The depression held her until that Saturday

At first, she was surprised by her people
And then the tear gas and water cannons
woke her up

She didn’t want to live
She didn’t want to live
Until this August

But when the first shots were fired
You could see her at the Stela
When the minivans parked nearby
She was with you on Nyamiha
Crestfallen, you stayed at home
But she marched for you
Down Masherau Avenue

Tea gas and water cannons
They threw her behind bars
Her eyes are the best protest art
Not a single hair fell from her head
Not a single one
However, she was all blue
That’s how she left her jail cell in Zhodzina
A wall a wall a door
And another wall opposite
These witnessed
What happened to her
On Okrestina

Introduction, commentary and translation from the Belarusian by Sasha Razor

The Murder of Roman Bondarenko

Dmitry Strotsev
Facebook
November 12, 2020

The Chorus of My People

it is not a public event

the unauthorized
supplications and groans of those tortured
by nkvd hoodlums
by kgb and mvd scum
in the torture chambers of police stations and prisons

it is not a public event

the death rattles
of those hanged in forest parks
buried alive
by the riffraff from the riot police

it is not a public event

it is my country’s ruptured womb
the chorus of my people’s birth trauma

September 10–18, 2020

Roman Bondarenko, who was beaten by men in plainclothes in Minsk, has died in intensive care
Current Time
November 12, 2020

On the evening of November 11, Bondarenko was seized by persons unknown dressed in plainclothes and masks in the courtyard of his house on so-called Change Square and taken away. Neighbors who got through to the Minsk central police department were told that Bondarenko had taken ill and was in hospital. At midnight, Bondarenko was taken to the emergency hospital in serious condition: he was in a coma.

TUT.BY reports that the doctors operated on Bondarenko for several hours: his chances of survival were estimated as one in a thousand. He was unconscious the entire time. He needed another operation, but it was impossible to perform it given his condition.

Bondarenko’s sister Olga Kucherenko told TUT.BY that someone came to the hospital and took all of her brother’s belongings. The family does not know who it was.

In the evening, Bondarenko’s condition deteriorated. He died soon after.

Kucherenko also told Radio Liberty’s Belarusian bureau that she doubted that her brother could have provoked someone into a fight.

“Roma did not provoke anyone: I know this for sure from the the witnesses, and not just one of them. Everything that happened to him happened after Change Square, I know that. I am recording this video so that a large number of people will know what is happening in this country, that people are absolutely defenseless. I very much hope that the law enforcement agencies will open a criminal case. Roma is a very calm person, he never got into any conflicts, even in family relationships. He was very calm and always saw the positive, humorous side of things. I very much hope that justice will prevail and those who did this to him will be punished by real law.”

After the news of Bondarenko’s death, concerned citizens gathered at Change Square. They brought flowers and candles.

Late in the evening on November 11 in the Minsk courtyard known as Change Square, persons unknown tried to remove white-red-and-white ribbons. Bondarenko went out to find out what was going on. People in plainclothes and balaclavas attacked him. A fight broke out. Bondarenko was captured and taken to the central police department. Two hours later, he was in a coma in the intensive care unit of the emergency hospital

The Interior Ministry called the incident a “neighborhood conflict” and a “conflict of opinion.” According to the ministry, “concerned citizens have been trying to restore order and prevent violations of municipal beautification rules.”

The Mingorispolkom police department reported that the security forces arrived on the scene after the brawl: allegedly, the police had received a report about persons unknown fighting in the courtyard on Chervyakov Street.

“Police officers found a 31-year-old citizen with injuries. Subsequently, law enforcement officers called him an ambulance. The man has been hospitalized,” they said.

However, the surveillance video clearly shows persons unknown dragging Bondarenko into a minibus and driving away.

Who Was Roman Bondarenko?
Roman Bondarenko lived on Chervyakov Street near Change Square. Periodically, he spent time with neighbors in the yard. He was an artist by education and had graduated from the Belarusian State Academy of Arts. Recently, he had been working as manager of a store in the Island of Cleanliness chain. He was married. He had served in special forces unit 3214 of the Interior Ministry troops, Belsat reports.

According to relatives, Bondarenko never had any problems with the police, and he did not attend protests or opposition marches.

“He told me that he knows what they can do to him if they detain him, because he served in the special forces,” Bondarenko’s sister told Nasha Niva.

Change Square in Minsk is the name for the courtyard formed by Smorgovsky Tract and Chervyakov Streets. Residents of the nearby residential buildings have created a very close-knit community: in the evenings, tea parties, concerts, and performances are held in the courtyard. For a long time, there was a mural entitled DJs of Change on the transformer vault, and white-red-and-white ribbons constantly hang on the fence. In September, local resident Stepan Latypov was detained there. He demanded that persons unknown who were erasing the mural identify themselves and show their documents. Since September 15, Latypov has been behind bars, accused of “organizing mass riots” and “intending to poison the security forces.”

Thanks to Sasha Razor for the heads-up and other assistance. Photo courtesy of RFE/RL. Translated by the Russian Reader

The Arrest and Framing of Mikola Dziadok

Tatsiana Chulitskaya
Facebook
November 12, 2020

My good friend and former student, the very honest person and true patriot Mikola Dziadok has been detained and beaten in Belarus. The video shows that he was severely beaten. There is no point in commenting on the fact that bundles of money were found in Mikola’s flat. Anyone who knows him at all understands what nonsense this is. And I’m even afraid to imagine what these inhumans did to make Mikola talk about “love for the Motherland” in such interiors. We can only hope that we will see Mikola released very soon.🤍❤️🤍

Belarusian Interior Ministry, “A Leader of the Country’s Anarchist Movement Has Been Detained”

Belarus on the Brain
Telegram
November 12, 2020

Reports of Blogger Mikola Dziadok’s Arrest Confirmed

Dziadok ran the increasingly popular Telegram channel Mikola, where he published political analyses of the situation in Belarus and gave his opinion on what should be done to security victory for the peaceful revolution. Now his channel has obviously been hacked and is in the hands of the security forces.

The purge of the Belarusian political blogosphere began in the summer with the arrest of bloggers Sergei Tikhanovsky (A Country for Living), Vladimir Tsyganovich (MozgON), Igor Losik (Belarus on the Brain), Brest blogger Alexander Kabanov, and others.

Dziadok was one of the few Belarusian political bloggers who did not leave the country. Now he is suspect of violating Article 342* of the criminal code of the Republic of Belarus.

* “The organization and preparation of actions that grossly violate public order, or active participation in them, is punishable by a fine, or arrest, or restriction of liberty for up to three years, or imprisonment for the same term.”

________________

Thanks to Tatsiana Chulitskaya for permission to translate and post her message here, and to Sasha Razor for the heads-up and introductions. As soon as I have information about how you can show your support to Mikola  Dziadok, I will publish it here. Translated by the Russian Reader

Mikola Dziadok in happier times. Courtesy of his Facebook page

People and Nature: Labour Protests in Belarus (Rage Against the Machines)

Belarus: labour protest as part of political revolt
People and Nature
November 12, 2020

The popular revolt against the autocratic regime in Belarus and its thuggish security forces is now going into its fourth month. On Sunday, mass anti-government demonstrations were staged for the 13th week in a row – and more than 1000 people were arrested.

A first-class analysis of the relationship between the street demonstrations and the Belarusian workers’ movement was published last week in English, on the Rosa Luxemburg foundation site.

The article, by two researchers of labour movements, Volodymyr Artiukh and Denys Gorbach, compares the labour protests against the Belarussian regime, which they call “state capitalist”, with those in Ukraine, where private capital dominates.

In Belarus, the falsification of results in the presidential election in August first gave rise

Medical students demonstration in Vitebsk on 20 September. Polina Nitchenko is carrying the sign, which reads: “You can’t just wash away blood like that, I can tell you”. Photo: Ales Piletsky, TUT.By

to monster street demonstrations, and then to a wave of strikes, mass meetings and other workplace actions. (I published what information I could find herehere and here.)

This was not only “the most numerous, geographically diverse, and most sustained labour unrest” since 1991, Artiukh and Gorbach write, but also “the first large-scale labour protest to happen within the context of a broader political mobilisation”.

Three months on, the unrest has “gained a more individualised, sporadic and invisible form”, they argue. The workers’ acts of defiance “have been effective, but more on the symbolic level than in material terms”.

Workers “became an inspiration for the broader protesting masses” and were greeted on the streets with banners and chants – “a significant exception in the region, for in no other Eastern European country including Ukraine, have workers gained such symbolic prestige among society at large”.

Workers, Artiukh and Gorbach argue, derive their confidence from the streets, not from their workplaces where they suffer atomisation and strict management control.

Belarusian workers protest as citizens rather than workers. This is, however, an ambivalent process: the very experience of uniting and standing up to the bosses is vital for workers to overcome atomisation and gain organisational experience, but at the same time they have not yet learned to articulate politically their demands within a broader social agenda.

In fact work-related demands have been “only sporadically articulated”. Artiukh and Gorbach see a parallel with Poland and the Soviet Union in the 1980s: “political demands take precedence over bread-and-butter grievances”.

They discuss at length the post-Soviet history of “bureaucratic despotism in the workplace” that is now being challenged. Official unions act as an arm of state control; free and independent unions are small and weak.

In the near future, they expect that the opening-up of Belarus to Russian capital will impact workers.

On the one hand, it will increase the precariousness of workers’ living conditions: wages will not rise, enterprises will slowly be sold off to Russian capitalists, ‘optimised’ or closed. On the other hand, bureaucratic control over workplaces will also increase, while the state-affiliated trade unions will prove incapable of channelling workers’ discontent. This combination of workers’ newly gained politicisation and organisational experience, combined with a deteriorating economic situation, may spark new waves of labour unrest, perhaps more autonomous from larger political protests.

I hope readers will look at the whole article.

Now that Belarus has gone out of mainstream media headlines, it is hard to find insightful reports from the protest movement.

Judging by the Belarussian news site TUT.By, the focus of much anger this week are the Minsk police officers who on Sunday forced detainees to stand for several hours facing a wall in a police station courtyard.

Residents in flats overlooking the courtyard filmed the detainees in the afternoon, and again several hours later as night fell. The videos circulated on line, provoking outrage.

The police tactic of mass arrests and detention has led to a procession of court appearances against demonstrators. One that hit the news this week was Polina

Video, circulated on line, of detainees in a police station courtyard. They were forced to stand in this position for several hours

Nitchenko, who participated in a picket of the state medical university at Vitebsk singing protest songs. She was found guilty of participation in an unsanctioned demonstration and fined; she intends to appeal.

Medical staff and students played a prominent role in the early weeks of the movement by speaking out against the savage injuries inflicted by police thugs on demonstrators. And they have not gone quiet.

The speaker of the upper house of parliament, Natalya Kochanova, said last week that there would be “no dialogue on the streets” with protesting medical staff.

Nikita Solovei, a doctor and adviser to the Minsk health authorities, shot back in a facebook post that health workers had finished with being treated like “slaves” by officials. He denounced the “unlimited violence of the security forces against peaceful citizens”, the “imitation elections”, official “lying” about the coronavirus epidemic and repressive measures against medical staff and students alike.

As for there being no dialogue on the streets, he concluded, the dialogue “would be where the people of Belarus want it to be”.

The political strike at the Belaruskalii potash fertiliser plant, which People & Nature reported in August, led to the detention of strike committee members.

Anatoly Bokun, the committee chairman, was released last month after 55 days’ imprisonment. Sergei Cherkasov, a strike committee member and vice president of the Belarusian Independent Trade Union, was released last week along with Yuri Korzun and Pavel Puchenya: they all served 45 days. The union reported that they are all at home and in good spirits.

The federation is hoping to expand its international contacts: if you are in a union, please get in touch. Another support network, Bysol, set up by Belarusians working outside the country, conveys financial support to victims of repression. GL, 12 November 2020.

Belaruskalii strike committee members Yuri Korzun, Sergei Cherkasov and Pavel Puchenya after their release. Photo: BITU

________________________________________________________________________________________

Gabriel Levy
Facebook
November 11, 2020

Rage against the machines

Plenty of lies on facebook. Donald Trump’s lying page is working fine. And Breitbart News’s. And Fox news presenter Tucker Carlson’s. And Trump’s former press secretary’s Kayleigh McEnany’s. And Trump’s former adviser Steve Bannon’s (although, to be fair, facebook has stopped him adding posts, after he called for the execution of Anthony Fauci, the White House medical science adviser).

But facebook has blocked anyone from posting links to peoplenature[dot]org, my humble web site where I write about socialism, ecology, the labour movement in eastern European countries and stuff like that.

It’s certainly a computer that decided to block me (for “breaching community standards”. As if). I’ve complained to the computer. And the computer may eventually notice its mistake. Or not …

So if you usually follow peoplenature[dot]org on facebook – as many of you lovely people do – please let’s use alternatives:

■ Join the whatsapp group to get updates. https://chat.whatsapp.com/FLJtISmn1ew9Bg2ZcR5fDl

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Autazak

Several years ago, the autazak—the vehicle that the police use to transport detainees—became a paradoxical symbol of Belarusian art protest culture.

Autazak, by the art collective Hutka Smachnaa, published November 17, 2016

“Autazak,” a song by the band Partyzanski Praspekt (Guerrilla Avenue) that was written in Belarusian and recorded on the eve of the August 9, 2020, presidential election, continues this trend.

Partyzanski Praspekt consists of two people: its frontman, poet Uladzimir Liankievič and guitarist Raman Zharabcou. By August 2020, both men already had firsthand experience riding inside these vehicles and being detained overnight by the police.

“I used to write more metaphorical texts that were often contemplative,” says Liankevič, “but now the time has come for straightforward and clear messages. Raman and I chose the garage-rock form and recorded the song very quickly.”

Zhabracou was arrested a few days after the song’s release. Liankevič was arrested on September 8 during a march in support of opposition leader Maria Kolesnikova, who had been abducted a day earlier. Liankevič spent six days in the Zhodino Temporary Detention Facility and was released on September 14, 2020.

On September 16, Liankevič wrote the following on his Facebook page:

Basically, what happened is that I was illegally detained and convicted, not as a musician, writer, TV presenter, showman, leader,  activist, journalist, activist, philosopher, Instagram influencer, champion athlete, generalist, or something else very important, not for my activities or my inaction, but as a mere citizen. More precisely, I was detained and tried as if I were not a citizen, but as a person without status. (Although, generally speaking, I lucked out). Today, people are taking to the streets, flying flags, and singing “Kupalinka” in the name of ordinary civil rights and even universal human rights.

At such moments, I simply do not care about any of my identities, except for one—my identity as a human being.

Co-ed, programmer, resident of stairwell no. 4, chemist, surgeon, poetess, friend, enemy, female passenger, pedestrian, random drunk, Israeli national, geologist, cyclist, demobbed soldier, vocational college student, unregistered person, cap wearer, bag toter, backpack schlepper, female opera employee, flower holder, posterless, professor, minor, disabled person, birthday girl, hot-tempered lout, post-surgical recoverer, deceiver, handsome man, deadbeat, ex,  show-off, foolish woman, smart-ass, intellectual, believer, classmate, talented lady, goofball, long-haired hippie, childless man, prostitute, drug addict, and freeloader, what is it that you want?

To be called people.

Аўтазак

Па горадзе гойсаюць банды ў цывільным,
Твары схаваныя, позірк звярыны.
Пакуюць карціны, пакуюць людзей –
Няправільна стаў, не так паглядзеў.
Душаць, загадваюць, рукі ламаюць.
Час разагнаць незаконную зграю!

Краіну спакавалі ў аўтазак,
Яны за гэта мусяць адказаць.

Мы сёння разам, і нішто не спыніць гэтай хвалі.
Мы вернем тое, што ў нас забралі.
Пасля дажджу гуляюць промні па небакраі,
Мы вернем тое, што ў нас забралі.

Крадуць галасы без сораму, стабільна
Чыняць беззаконне, судзяць нявінных.
Ганяць, прыніжаюць, хлусяць кожны дзень.
З суддзямі таксама сустрэнемся ў судзе.
Святкуюць перамогу занадта рана –
Ніхто не застанецца беспакараным.

Краіну спакавалі ў аўтазак,
Яны за гэта мусяць адказаць.

Мы сёння разам, і нішто не спыніць гэтай хвалі.
Мы вернем тое, што ў нас забралі.
Пасля дажджу гуляюць промні па небакраі,
Мы вернем тое, што ў нас забралі.

Autazak

Gangs in plainclothes roam the city,
Their faces hidden, their eyes like beasts.
They pack away pictures, they pack away people:
You stood the wrong, you gave the wrong look.
They choke us, shout orders, twist our arms.
It’s time to drive away this lawless herd!

The country has been packed into an autazak.
They must answer for this.

We are together today, and nothing will stop this wave.
We will get back what was taken from us.
After the rain, rays shine across the sky
We will get back what was taken from us.

They steal our voices, our votes without shame,
They violate the laws, they persecute the innocent.
They chase us, humiliate us, and lie every day.
Our judges will also face us in court.
It is still too early to celebrate:
No one will escape unpunished.

The country has been packed into an autazak.
They must answer for this.

We are together today, and nothing will stop this wave.
We will get back what was taken from us.
After the rain, rays shine across the sky
We will get back what was taken from us.

Introduction, commentary and translation from the Belarusian by Sasha Razor

You Go, Girl! (Reading about the Belarusian Women’s Protests)

Sasha Razor
Facebook
October 10, 2020

In solidarity with the International Women’s March for Belarus, which is taking place today, I am offering this collection of texts about the Belarusian women’s protests. If I overlooked some sources, send me your suggestions.

August 31, 2020
Ousmanova, Almira. “Belarus’s quest for democracy has a female face.”

September 16, 2020
Laputska, Veranika. “From Beauty Queens to Freedom Fighters: Belarusian Women’s Political Evolution.”

September 17, 2020
Moore, Ekaterina. “Despite Women-Led Resistance, There is a Long Road to Gender Equality.”

Solomatina, Irina, and Luba Fein. “Women and Feminism in Belarus: The Truth Behind the Flower Power.” An Interview with Irina Solomatina by Luba Fein.

September 20, 2020
Shparaga, Olga, and Elena Fanailova. “‘Avtoritarizm — ne takaia prostaia shtuka’: Belarus i zhenskii protest.” An Interview with Olga Shparaga by Elena Fanailova.

September 22, 2020
Fürst, Juline, Anika Walke, and Sasha Razor. “On Free Women and Free Belarus. A Look at the Female Force Behind the Protests in Belarus.”

September 23, 2020
Tikhanovskaya, Svetlana. “I was a Stay-at-Home Mom. Now I’m Leading a Revolution.”

October 6, 2020
Solomatina, Irina and Nina Potarskaia. “U protesta ne zhenskoe litso: Interviu s Irinoi Solomatinoi.”

Belarusian Environmentalist Marina Dubina Abducted by Unknown Men in Uniform in Minsk

Marina Dubrina

Marina Dubina, Director of NGO Ekodom, Detained, Unknown Men Used Teargas
Incident took place around 4 p.m. at Korpus Cultural Center in Minsk
Zjaljony partal
October 6, 2020

According to witnesses, unidentified men in uniform with no identifying marks, dragged the executive director of the NGO Ekodom outside, employing a tear gas canister in the process. She was dragged from building no. 6 at the Gorizont factory towards a bus stop before being forced into a Volkswagen passenger vehicle on Kuibyshev Street.

There is no more information at this time, but this article n will be updated.

Earlier, on September 8, persons unknown tried to force their way into Dubina’s house.

Thanks to Sasha Razor for the link. Translated by the Russian Reader

Belarusian Children’s Writers Call for End to Violence

Belarusian Children’s Writers Against Violence
Oleg Grushetsky
Novy Chas
September 27, 2020

Belarusian children’s writers have recorded a video message in which they condemn the violent actions of the authorities, demand an end to the violence, and ask for restoration of the law.

Well-known Belarusian children’s writers, poets and translators, playwrights, publishers and illustrators, winners of numerous literary awards and creative competitions have made a video message demanding that the Belarusian authorities stop violence and restore the law. Anna Yankuta, Vera Burlak, Nadezhda Yasminska, Natalka Kharitonyuk, Nadya Kandrusevich-Shidlovskaya, Diana Balyko, Olga Akulich,  Andrey Zhvalevsky and Evgeniya Pasternak, and Maria Martysevich recorded the video message. The appeal was supported by Andrey Khodanovich, Maria Bershadskaya, Yuri Nesterenko, Anna Zenkova, and Oleg Grushetsky.

The appeal made by the children’s writers differs from a number of others: it was recorded in a way that resembles the manner of story or fairy tale.

We suggest that you read the text of the message.

Anna Yankuta

Writers can’t be outside of politics, because what we write is politics, even if we write for children. If we don’t fight evil and injustice in life, how will we write about it in books?

Vera Burlak

Children believe books. That’s why it’s important for writers to tell children what they themselves believe. I believe that freedom is necessary: freedom of thought, freedom of imagination, freedom from fear.

Nadezhda Yasminska

Children not only believe in fairy tales, but they also call writers wizards. Their faith is touching and quite precious to us. And we are ready to fight evil, violence, and lawlessness, even though in real life we don’t have magic wands.

Natalka Kharitonyuk

I don’t have a magic wand. But I have a way to take revenge on the security forces and falsifiers, and all the forces of darkness that have gone on the rampage in Belarus. The freedom of children will be my revenge—the freedom that children find in stories and fairy tales. Freedom that cannot be shot or sent to the jail on Okrestin Street.

Nadya Kandrusevich-Shidlovskaya

Children’s literature is a real art that does not tolerate censorship and ideology. Only in a free country can authentic children’s books be freely written, illustrated, and translated. We are against violence, deception and captivity.

Diana Balyko

As it is never too late to have a happy childhood, so it is never too late to realize yourself as a person, as a citizen, and start living in a free country of happy people. And we don’t have to leave Belarus to do this. All we need to do is stop the dictatorship.

Olga Akulich

Children know very well that an adult is not the one who is the strongest, the most evil, or the most cunning. Adults are objective, fair and willing to cooperate. Adults, be adults!

Evgeniya Pasternak and Andrey Zhvalevsky

In fairy tales, good always vanquishes evil. It’s the same way in real life. The evil dragon will slink back into its dungeon. Harry Potter will defeat Voldemort. The Belarusian people will find their fern flower. And a good fellow shall break Koschei’s needle. We will win!

Maria Martysevich

Quiet, mice, quiet, quiet:
We’re being held hostage by a psycho.
Don’t wake the cat with a squeak,
Don’t rock the boat with your paw—
The wolves will come out of the dark,
They’ll kick everyone’s tails.
Only our mice are punks,
Lullabies won’t put them to sleep.
Our mice are flower children,
You can’t break their bouquet like that:
Without the cat, we are in charge.
Shame on you, cats. Long live [Belarus]!

Thanks to Yulya Tsimafeyeva for the heads-up. Translated from the Russian and the Belarusian by the Russian Reader with some assistance from Yandex Translate.