Tag: Stacey Patton

MOVE

Source: The Rookie, Season 3, Episode 11: “New Blood.” You can read more on the 1985 MOVE bombing here.

“I’m terrified at the moral apathy, the death of the heart, which is happening in my country. These people have deluded themselves for so long, they really don’t think I’m human. I base this on their conduct, not on what they say. And this means that they have become, in themselves, moral monsters.”
–James Baldwin

LET’S GET THIS OUT OF THE WAY: When it comes to the recent deaths of immigrants being held in detention, it would be wrong to describe the situation as wholly unprecedented. Detainees died under Bush, Obama, and Biden. But detainee deaths have accelerated during President Donald Trump’s second term, with 17 already since his inauguration. During the Biden administration, there were 26 deaths in 48 months—roughly one death every two months. During Trump’s term, that rate has nearly quadrupled. And ICE, now one of the best-funded operations of the federal government, is planning to double detention space before the end of the year.

“It’s absolutely horrific,” Rep. Pramila Jayapal (D-Wash.), the ranking member of the immigration subcommittee, told me before jumping into the numbers above. In July, ICE was awarded $45 billion to expand its operations—its budget is now significantly larger than that of the federal prison system. And now, Jayapal points out, a little-known LLC has been awarded a $1.2 billion contract to build a facility in Texas despite never having previously won a federal contract for more than $16 million. Meanwhile, another $2.25 million contract was given to a Republican donor who received a presidential pardon from Bill Clinton in 2000 after having pleaded guilty to mail fraud.

“Contracts are being distributed to Trump’s buddies and people with no experience running detention centers, many of these contracts are no-bid,” Rep. Jayapal said. “They’re incarcerating people and allowing them to die, not providing medical facilities. There are no standards. It’s horrific.”

Most ICE and border patrol agents will continue working during the government shutdown; their status as “essential” will shield them from the layoffs OMB director Russell Vought has requested in lieu of furloughs from most agencies and departments. But the nature of immigration officers’ “essential” work has significantly changed over the past eight months to become something far more brutal than procedural; in some cases, it has come to appear simply heartless. We have entered a period in which it is becoming important to ask: What happens when our leaders and the people who work for them see immigrants not as human beings but as scum? And what happens when that way of thinking about people starts also to be applied to others, like journalists and political opponents?

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Choice Is Yours, Don’t Be Late

Source: High Potential (TV series), Season 2, Episode 2: “Checkmate”

Every week the headlines blur together: a church in Michigan left in ashes, a North Carolina waterfront bar turned into a war zone, a Catholic school in Minneapolis where children never made it home, an ICE facility in Dallas pierced by sniper fire, a political rally in Utah where a bullet silenced a conservative gun rights activist.

And … and … and …

Different cities. Different motives. Same profile. White. Male. Armed. Deadly.

The news pretends each act is an isolated tragedy: a troubled man, a random eruption, a community blindsided. But line them up side by side and the repetition is too precise to ignore. These aren’t anomalies; they’re a drumbeat. Churches, schools, bars, government buildings. Nothing is sacred. Nobody is immune. The perpetrators are acting out the same choreography and playing variations on a script that ends with bodies on the ground and their names immortalized in headlines.

Humiliation is the through-line.

Strip away the headlines, the manifestos, the mugshots, and what you see is white men who cannot live with being ordinary, ignored, or denied. White masculinity in America was built on the guarantee of centrality, the right to be heard, feared, and obeyed. When that illusion frays, humiliation takes its place. And humiliation, when combined with access to assault rifles and an internet full of cheerleaders becomes combustible.

Enter Donald Trump.

He is not the author of this script, but he is its loudest hype man. He takes that humiliation and translates it into a politics of grievance. He tells white men their despair isn’t failure, it’s theft. He tells them their rage isn’t weakness, it’s patriotism. He baptizes their sense of collapse as a holy war. Trump doesn’t hand them the gun, but he hands them the permission slip to kill. He turns their humiliation into a rallying cry, their despair into his campaign platform, and their death wish into applause lines.

The assassination of Charlie Kirk proves this. Here was no random eruption in a mall or classroom, but a sniper attack staged at a political rally. What we witnessed was violence designed as theater. The accused, Tyler Robinson, was reportedly obsessed with Kirk, surveilled his movements, and turned grievance into spectacle. This wasn’t just about killing one man, it was about sending a message by inscribing grievance onto the national stage. And while Robinson didn’t appear to seek his own death in the same way as other shooters, the logic still holds: collapse turned outward, humiliation converted into performance, violence as a last-ditch claim to visibility. Whether in a schoolyard or at a rally podium, the impulse is the same — make sure the world cannot look away.

That’s why so many of these killings end with the shooter’s own death. Researchers have long noted that mass shooters often carry suicidal intent. Some kill themselves on the spot, others provoke police into finishing the job. Even those who survive often admit they never planned an escape. They weren’t trying to get away with it. They were trying to make sure we all saw them on the way out.

This is suicide turned outward. Instead of a private exit, it is a public performance. It is despair weaponized into punishment. It is a white man who feels invisible deciding that if he must disappear, he will do it in a blaze that makes his enemies, his community, his whole country remember his name. The bullets are not just aimed at bodies, they are aimed at the world that he believes has betrayed him.

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