Journalist Vladislav Ryazantsev Assaulted in Rostov-on-Don

Vladislav Ryazantsev

Anton Naumlyuk
January 10, 2016
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Vladislav Ryazantsev has been assaulted in Rostov-on-Don. Vlad and I covered the entire Sentsov-Kolchenko trial and Nadiya Savchenko’s Donetsk saga together. I arrived in Rostov the first time a couple of days before the Sentsov trial to get my bearings. The next day, I was joined by cameraman Nikita Tatarsky, and we shot a short report about how even the local opposition knew nothing about the trial that was going to take place in their city. Amongst the people we interviewed was Vlad.

Later on, he, a journalist from Mediazona, and I were often the only reporters at the hearings in Donetsk City Court. When people say that Ukrainian media did a great job of covering the Savchenko trial, I recall Vlad sitting alone in the courtroom with his laptop. Mediazona’s correspondent and I would be sitting just as alone in the room where the trial was broadcast. It wasn’t always like this, of course, but it happened.

I would be remiss not to mention the fact that the attack was literally preceded by threats from Chechnya made to the editor-in-chief of Caucasian Knot, for which Vlad wrote. Another Knot correspondent, Zhalaudi Geriev was sentenced in Chechnya to three years in prison for narcotics possession a day before he was scheduled to attend a conference in Moscow entitled “The Media and the Constitutional Court.” You get my drift? It’s not a fact that the attack was connected with the threats. Maybe the local Center “E” guys did their best: they are active in Rostov. Maybe it was pro-Russian militants and mercenaries, who have flooded through Rostov on their way to Donbass. Vlad had publicly taken a pro-Ukrainian stance, and he had a falling out with Sergei Udaltsov‘s leftists and his wife over this point. Maybe it was these leftists who got to him. Whatever the case, threats and aggression towards journalists, made by people who enjoy a special extrajudicial status, open the way to unchallenged violence by anyone whomsoever.

Translated by the Russian Reader

Read more about the attack (in Russian): “Caucasian Knot Journalist Attacked by Unknown Assailants in Rostov,” Radio Svoboda, January 10, 2017

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Police Show Up to Evening in Support of Political Prisoners
Grani.ru
March 30, 2016

Police showed up at the Moscow cafe Dozhd-Mazhor, where an evening in support of political prisoners had been scheduled. Our correspondent reported that around fifteen officers entered the space, inspected it, and then went outside to the entrance and proceeded to ID everyone leaving the cafe.

Later, police tried to detain activist Habib Poghosyan. They claimed an APB had been issued for his arrest on suspicion of theft. Poghosyan refused to show the officers his internal passport, while they demanded he go with them to a police station. After several minutes of negotiation, the police officers left. The play started a little late.

Show Trial, a fantasy play about how Ildar Dadin‘s upcoming appeals hearing should turn out, and the itinerant exhibition {NE MIR} took place at the Moscow club Dozhd-Mazhor on March 29. Video by Vladimir Borko

“We believe that Ildar’s trial was a show trial, and so we decided to stage Show Trial, with a prisoner of conscience as the defendant. We will show people how such trials should be conducted, not only Ildar’s trial but also the trials of other political prisoners, including Darya Polyudova and Ivan Nepomnyashchikh, whose appeals are pending, and Dmitry Buchenkov and Pyotr Pavlensky, who are under investigation. We will also be recalling Alexei Sutuga, Alexander Kolchenko, and other people in prison on trumped-up charges for their beliefs,” said the evening’s organizers.

In addition to the performance, the art cafe hosted an exhibition dealing with the topic of unlawful arrests and trials. Poets and bard singers performed after the play.

Dadin’s appeals hearing will take place at 10 a.m., March 31, in Moscow City Court. Attorney Henri Reznik will represent Dadin at the hearing.

The hearing, which had begun on March 23, was postponed because the panel of judges had not been informed whether the defense had examined the minutes of the trial, and the defense had not been provided with audio recordings of the hearings.

On December 7, 2015, Judge Natalia Dudar of the Basmanny District Court sentenced Dadin to three years in a minimum security prison under Article 212.1 of the Criminal Code (repeated violations at rallies). However, the prosecutor had asked the court to sentence the activist to only two years in a minimum security prison. Dadin was accused of involvement in “unauthorized” protest rallies on August 6, August 23, September 13, and December 5, 2014.

It was the first guilty verdict handed down under the new law, which was inserted into the Criminal Code in 2014.

During his closing statement at the trial, Dadin said the article under which he had been charged was deliberately unconstitutional, “criminal, and political,” and has been designed to crack down on activists.

Translated by the Russian Reader. Thanks to Comrade VZ for the heads-up

People and Nature: Punitive Psychiatry Back in Vogue in Russia

Russia: punishment psychiatry back in vogue
People and Nature
February 17, 2016

The Russian performance artist Pyotr Pavlensky has been sent to the notorious Serbsky Institute of Psychiatry, and his family and lawyers are worried about him.

On November 9, 2015, Pavlensky poured petrol over the doors of the infamous Federal Security Service (FSB) building at Lubyanka Square in central Moscow and set fire to them. He named the action Threat (Ugroza). Friends photographed and filmed him as the flames took hold. (Damage was done, but no one was hurt.) Pavlensky was arrested soon afterwards.

The FSB’s building was inherited directly from the Soviet KGB. Thousands of the regime’s political opponents were tortured and killed behind its austere façade.

Pavlensky has been charged with “vandalism motivated by ideological hatred,” whatever that means, and appeared at the Tagansky District Court several times. At his first appearance he compared his case to those of Crimean activists jailed on false “terrorism” charges – including Oleksandr Kolchenko and Oleg Sentsov – and said he would not address the court further.

Oleksei Chirniy, who was charged along with Kolchenko and Sentsov, was also detained at the Serbsky Institute prior to his trial. His supporters alleged he had been mistreated with psychotropic drugs.

Pavlensky is also awaiting trial for charges arising from an earlier performance, Freedom (Svoboda). In February 2014, days after the removal  of Ukrainian president Viktor

Separation (Otdelenie). Pavel Pavlensky protesting against punishment psychiatry, October 2014. Photo courtesy of Calvert Journal

Yanukovich, he went with collaborators to the Maly Konyushenny Bridge in Saint Petersburg, setting light to car tires and banging dustbin lids, to recreate the atmosphere of the Maidan demonstrations in Kyiv.

Pavlensky was sent to the Serbsky State Scientific Centre for Social and Forensic Psychiatry last month (on January 27) to be observed by doctors. The centre was then closed due to an outbreak of a strong flu-like virus, and Pavlensky’s lawyers have been denied access to their client.

Human rights campaigners are focusing on Pavlensky’s case and Amnesty International have expressed concern about it.

On February 3, in Pavlensky’s absence, the Tagansky District Court extended his detention to March 5. His wife expressed fears for his health in a Facebook post: “We do not know if they are injecting him with drugs, trying to give him pills. We don’t know.”

Meanwhile, artists are protesting a decision by the National Centre for Contemporary Art to throw Pavlensky’s performance out of the contest for this year’s Innovation Prize.

His action at the Lubyanka was included after an online vote by critics. But on February 15, the organizers of the prize struck it off, on the grounds that it had involved an illegal act. Members of the expert committee that advised the organizers were angry; art critic Anna Tolstova quit the committee, saying: “I don’t consider myself obliged to agree with censorship and become part of the repressive machinery of the state.”

Clearly, the Innovation Prize organizing committee has taken a step backwards. In 2010, the prize was won by the Voina group for painting a large phallus on a bridge near FSB headquarters in Saint Petersburg.

Punitive psychiatry has been on the rise in Russia again since the 2011 demonstrations against government ballot-rigging.

In October 2013, Mikhail Kosenko, one of the defendants brought to trial after those demonstrations, was sentenced to indefinite psychiatric treatment after the Serbsky Instititue declared him insane. Psychiatric treatment was also used in the recent case of Crimean activists, three of whom are serving long jail sentences in Russia and are widely regarded as political prisoners.

Pavlensky has protested against punishment psychiatry. In October 2014, he sat on the wall of the Serbsky Institute and cut off his earlobe to make his point. He then wrote: “Armed with psychiatric diagnoses, the bureaucrat in a white lab coat cuts off from society those pieces that prevent him from establishing a monolithic dictate of a single, mandatory norm for everyone.”

But punitive psychiatry goes back much further. It was used in the Soviet Union from (at least) the 1940s, to deal with those who defied its tyrannical, misnamed “socialism”, and became widespread in the 1960s. It was the Serbsky Institute that developed the diagnosis of “sluggish schizophrenia” (vyalotekushchaya shizofreniya) which was widely applied to political dissidents.

Not only were internationally known oppositionists, such as the independent trade union organizer Vladimir Klebanov and the Second World War general Pyotr Grigorenko, confined to psychiatric institutions, but psychiatry was used against large numbers of less-well-known Soviet citizens. (Indeed two western writers who studied the phenomenon in Soviet times concluded that the abuse of psychiatry against prominent dissidents was “probably only the tip of an iceberg.” It had a wide-ranging function in dealing with “social deviants,” “suppressing individuality […] so that the state can maintain a stifling social as well as political control.” Sidney Bloch and Peter Reddaway, Russia’s Political Hospitals, Gollancz 1977, pp. 278-279.)

An early (and typical) case was that of Revolt Pimenov, a maths student who resigned from the Communist Party’s Youth League, was diagnosed as schizophrenic and consigned to a psychiatric hospital – the sentence being lifted when he agreed to rejoin the league! His story is recorded in the marvellous archive of the Chronicle of Current Events, a dissident journal. (Thanks to J. who drew that to my attention!)

Revolt Pimenov in his student days. Photo courtesy of the Chronicle of Current Events

Finally, a thought about Pavlensky’s art. I am pretty conservative in my artistic tastes, but it works wonders for me. What is an artist supposed to do when his government becomes increasingly repressive and supports military mayhem in a neighbouring state? Paint landscapes?

In my view, setting fire to the doors of the Lubyanka was a cry of sanity in an insane world. I’m not blind to the limitations of individual protest, but this protest tried seriously to deal with the state machine’s monstrous corrosion of humanity.

If you are a western leftie thinking “Well, this is hardly the worst example of state repression,” give me some credit. I know. I, too, see the sickening irony in the denunciation of Putin for ordering Syrian children’s deaths to gain diplomatic advantage by people who had little to say about Tony Blair and George Bush ordering Iraqi children’s deaths on a vastly greater scale. Well, you know what, it’s not a competition! Putin’s violence is part of the same process as Tony Blair’s, not some sort of answer to it.

For me, this is about the reality with which my friends, activists in social and labour movements in Russia and Ukraine, have to deal.

If you’re a psychiatrist, please get on to your professional association about that institute. If you’re an artist, please get on to that art centre about that competition. If you’re a letter writer, please follow Amnesty’s advice on protesting to the Russian prosecutor, and if you’re fighting for some other cause, big or small, please keep doing what you’re doing. How else can we deal with the inherent madness of the system under which we live? GL, February 17, 2016

Meaningful art: the Lubyanka ablazePeople & Nature, November 2015

■ For the latest on the Crimean political prisoners, read the website of the Kharkiv Human Rights Protection Group

Editor’s Note. A huge thanks to Gabriel Levy for writing this timely and pointed essay and especially for his permission to republish it here.

Contemporary Art Killed My Dog

On a number of issues and events you have opposed Putin’s policies, and now you are at the Moscow Biennale [of Contemporary Art] at the VDNKh, a venue where the order of things is supposed to be questioned [sic]. Do you believe that here, in the current political situation, there can be a place for real criticism that is both anti-Putinist and anti-capitalist?

Yanis Varoufakis, anti-anti-Putinist
Yanis Varoufakis, anti-anti-Putinist

[Yanis Varoufakis:] Absolutely. But let me clarify something. I am not an anti-Putinist.  Anti-Putinism is too strong a word. I am very critical of Putin, but his demonization in the West is something I also resist. We should be smarter and think about what it means to be critical. I am extremely critical of what Putin did in Chechnya, and I have not forgiven him for it. But on the other hand, Putin was absolutely right about what happened in Georgia, and the West was absolutely wrong. I think that the West’s position on Crimea has also been inconsistent. Russia was surrounded [sic] by NATO when Latvia, Lithuania, Estonia, and other countries were included in the alliance. And for Russia it was an insult, as well as something close to violating the agreement between Reagan and Gorbachev [sic]. And Putin has been right about this, too. So I have never supported the policy of demonizing Putin. And I am afraid that Russians will have to suffer the awful consequences of this process, consequences which they do not deserve.

So I believe that spaces like this give us hope for the existence of another, rational, critical approach that does not take one side or the other and allows people from the West and Russia to get together and develop a more sophisticated optics for seeing the world and politics, for being critical without demonizing.

—Excerpted from Sergei Guskov, “Yanis Varoufakis: ‘Being critical without demonizing,’” Colta.Ru, October 2, 2015. Translated, from the Russian, by the Russian Reader

__________

There are only a few things I would add to Mr. Varoufakis’s remarks, above. First, he presumably made them in English, not Russian. Since he is an extremely persuasive speaker and conversationalist, it is quite possible some nuances in what he said at the Moscow Biennale of Contemporary Art were flattened or distorted when translated from English (?) into Russian, and these distortions have only been amplified further in my back translation.

But I doubt this is the case. The point of his remarks seems quite plain, so they are either a fabrication on the part of Colta.Ru or what Mr. Varoufakis more or less said in the event, minus the “static” of two consecutive translations.

If this is what he said, then Mr. Varoufakis is only another in a long line of Western leftist thinkers and activists who, seemingly, have found something “anti-hegemonic” or “anti-imperialist” or “productively” anti-American or, God forbid, “anti-capitalist” about Putin’s policies and actions, or have found it possible to hobnob with or shill for Putinists, on the Putinist dime, in the name of some kind of “criticality” or “third position” above the current fray, or just because they were bored and wanted an all-expenses-paid junket to Moscow or Petersburg or Rhodes.

A smarter person than me (and an actual Russian leftist activist to boot) has pointed out that Putin is nothing remotely like an anti-imperialist or anti-capitalist. On the contrary, my smart friend has argued, folks in the west should make an effort to find out about grassroots social and political activism and activists in today’s Russia and look for ways to make common cause with them. Or, at least, not stab them in the back by supporting Putin explicitly or implicitly.

Because Russia, like “the West,” is not a monolith. And that is the second way in which Mr. Varoufakis went wrong in his remarks in Moscow. “The West” is not a single entity, even among its political, intellectual, and media elites. It is not an organism singularly hellbent on “demonizing” Putin, whatever that means. It requires no effort at all to compile a very long league table of Putin’s wholehearted or partial supporters in “the West,” from Stephen Cohen to Donald Trump, from Silvio Berlusconi to Mary Dejevsky, from Nick Griffin to any number of leftist and centrist politicians in Europe. For reasons I haven’t been able to explain, that table has been growing fatter as Putin’s actions have become more aggressive and “demonic,” both at home and abroad.

Neither is Russian society nor the fabled (and utterly imaginary) “Russian people” monolithic, but over the past fifteen years the Russian state apparatus, the Russian mainstream media (especially television), and Russian mainstream political parties have become a monolith, one of whose primary goals, especially in the last two or three years, has been to demonize “the West” and the domestic opposition any way it can, no holds barred.

You would have to have been in the middle of this properly demonic media hysteria, moral panic, and “cold civil war” to appreciate just how thoroughgoing and thoroughly frightening it has been, and since I have been following Mr. Varoufakis’s own adventures over the past year or so, I can imagine he simply has no clue about what has really been happening in Russia since the blocks came off completely post Maidan, because he was very busy with more important matters.

One job this blog has taken on has been to provide little snapshots of that awfulness while also, more importantly, giving non-Russian speakers a chance to hear Russian voices other than Putin’s, however unimpressive or inaudible they might seem to big shots like Putin and Mr. Varoufakis.

Finally, I would like to address the question of why Mr. Varoufakis imagines, apparently, that big hoedowns like the Moscow Biennale of Contemporary Art are such perfect places for elaborating a “sophisticated optics for seeing the world and politics, for being critical without demonizing.”

Just a year ago, my hometown of Petrograd hosted Manifesta 10, another such prominent venue for “criticality.” In the midst of an occupation and invasion of a neighboring country by the host country, the host country and host city’s continuing legal demonization of LGBT, and a local election campaign, for the city’s governorship and district councils, that involved making sure the non-elected incumbent in the gubernatorial race would face no real opposition in his bid to legitimize his satrapy and, on election day, threatening independent election observers with murder, the Manifestashi did absolutely nothing that would really ruffle anyone’s feathers, least of all their sponsors from city hall and the State Hermitage Museum, and they barely reacted to the maelstrom of neo-imperialist hysteria and officially authorized criminality raging around them. Basically, they partied like it was 1999, while providing their fellow citizens with the welcome illusion that the shipwreck wrought by fifteen years of Putinism in politics, the economy, civil society, culture, education, medicine, science, industry and, most painfully, people’s minds could be conjured away or endured and understood a little better by taking a sip of contemporary art’s renowned and heady “criticality” and pretending Petersburg was Helsinki or Barcelona, if only for a summer.

10497395_10152669630307289_178016388250142251_o

What has got better on Russia’s broken social, political, and art scenes since last autumn to make it even more desirable to engage in “criticality” at a biennale in one of Russia’s capitals, this time with the Russian Federal Ministry of Culture footing the bill?

Latterly, a cynical lunatic named Dmitry Enteo has smashed up a bunch of sculptures by the late Soviet sculptor Vadim Sidur and gotten off almost scot-free for his crimes. On the other hand, the list of political prisoners in Russia has continued to grow, and it now includes Crimean activists Oleg Sentsov and Alexander Kolchenko, sentenced to hard time in prison for no particular reason.

And then there is Alexei Gaskarov, who, if he lived in a more democratic country, would be running a party like Syriza or Podemos (minus the “criticality” and verbal cuddling up to other people’s dictators), but instead looks to be facing another two and half years in a penal colony, again, for no particular reason other than his own staunch opposition to Putin’s regime.

In the current dreadful “conjuncture,” a good day is a day that goes by without news of yet another anti-Putinist activist being arrested, an art exhibition’s being trashed by “Orthodox activists” or otherwise shut down because it might offend the sensibilities of someone’s grandmother, or a new law’s speeding down the State Duma assembly line so as to tighten up the screws on dissent and “treason” yet again.

In fact, I had a bit of such good news earlier today, when I learned that Andrei Marchenko, a Khabarovsk blogger whose case I have been following, was only fined 100,000 rubles (approx. 1,350 euros) instead of being sent down for two years to a work-release prison, as the prosecutor had demanded, for the horrible crime of writing one untoward sentence about Putin’s Ukrainian misadventure on his Facebook page in 2014.

Where does Mr. Varoufakis fit into this picture? Probably nowhere, which is probably where he should have stayed instead of playing to Moscow’s art and hipster crowd, always happy to let itself off the hook when it comes to taking responsibility for the ongoing disaster, and to the invisible figure up in the emperor’s box, especially at an opera with the almost deliberately ham-fisted and parodical title of Acting in a Center in a City in the Heart of the Island of Eurasia.

Thanks to Comrade AW for the heads-up. Images courtesy of BBC News and the Manifesta Biennial Facebook page

Alexander Kolchenko and Oleg Sentsov Are Hostages

On Kolchenko and Sentsov’s Sentences
August 26, 2015
www.shiitman.ninja

179003Alexander Kolchenko and Oleg Sentsov

It is important to realize that the sentences that Kolchenko and Sentsov received are a fiction.

No one actually takes the charges against them seriously.

Even the most loyal Putinists do not take the charges seriously. What terrorism? What does the Right Sector have to do with any of this?

Kolchenko and Sentsov are hostages. Their being held in a Russian prison is an act of intimidation directed at the Crimeans who stayed home but could have fought back. Their being held in prison is an act of intimidation directed against all the people of Ukraine and those Russian citizens who could have supported them.

The trial was a fiction. The verdict is a fiction. That is why I reacted without emotion to the sentences, although I understand the shock felt by many comrades, among whom there are close friends of both Kolchenko and Sentsov. Twenty years and ten years in prison? The Russian judges could have give them sentences of forty years and twenty-five years. Or given both of them life sentences. Or given them each six months in prison, then retried the case. Or they could have not announced the verdict at all, but just laughed and made faces. Or mannequins dressed in judicial robes could have replaced the judges. Nobody would have noticed the difference.

Kolchenko and Sentsov are in prison as long as the Russian Federation is ruled by Putin’s repressive, aggressive authoritarian regime. They cannot be freed using lawyer’s tricks. They cannot be freed via “diplomatic channels.” They can be freed only by defeating Putinist Russia. Or if it “defeats” itself by choking on its own rage and madness.

And when that happens, it will not matter a whit what numbers have been written in Kolchenko and Sentsov’s sentences. It doesn’t matter what the judges whip up in Savchenko’s sentence. The release of the hostages does not depend on the actions of lawyers. It depends on politicans and military men. And, in part, on the price of petroleum.

As soon as the “Russian bear,” who has turned out to be a rabid rat, finally kicks the bucket, all the regime’s hostages will be freed.

Translated by The Russian Reader. As is nearly always the case, my opinions might not coincide entirely with those expressed by the authors whose texts I translate and post here. But it has been strange to read the angry reactions of leftist progressive Russian comrades to this particular text given the almost total lack of any visible, public solidarity with Sentsov and Kolchenko on their part.

I won’t even go into the haziness they and many other “ordinary” “apolitical” Russian citizens experience when figuring out who to blame for the whole mess in Ukraine. But this is the privilege all imperialist, metropolitan peoples enjoy: pretending not to know or understand what is being done in their name somewhere else in the world.

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Russia’s Sentsov–Kolchenko case “an absolutely Stalinist trial”
Halya Coynash
August 21, 2015
khpg.org

The prosecutor has demanded 23 years for Ukrainian film director Oleg Sentsov, and 12 years for civic activist Oleksandr Kolchenko in a case with no crime and where all evidence was obtained through torture. Russian human rights activist Zoya Svetova likens this to Stalinist repression, not a court trial.

Svetova has seen a huge number of trials over the last 15 years, but nothing like the “absolutely insane hearing” on Aug 19. She can’t remember a case where, with no elements of a crime, or criminal (terrorist) acts, the prosecutor should be seriously demanding 23-year and 12-year sentences. This, the fact that everybody expects the court on August 25 to convict two innocent men, and much more, she says, is reminiscent of Stalinist repressions where people were arrested for nothing.

Sentsov is charged with leading a ‘terrorist organization,’ Kolchenko of taking part in it and involvement in one specific firebomb attack on a pro-Russian organization active in helping Russia seize control of Crimea in 2014.  There is no evidence that an organization even existed, and the only specific charge against Kolchenko is one that has not previously been classified by any Russian court as ‘terrorism.’

“The prosecutor is demanding 23 and 12 years for people accused of crimes they didn’t commit. Today Sentsov and Kolchenko’s lawyers clearly demonstrated that there are no elements of a crime in this case, nor any criminal act. On August 19, 2015, I saw a totally Stalinist trial. Three judges were sitting there, a real ‘troika,’ with cold, virtually dead eyes who were listening to the prosecutor and the lawyers,” Svetova writes here.

Another of the disturbingly Stalinist features of this case has been the fixation on some demonized organization, in this case the far-right and nationalist Right Sector. Russia has constantly exaggerated this organization’s role in both Euromaidan and subsequent events in Ukraine.  There was even a Russian media attempt on the night of the Ukrainian presidential elections on May 25, 2014, to claim distortion of the election result after the Right Sector candidate gained a pitiful 0.9% of the votes. It was therefore no surprise that five days after those elections, the FSB should have claimed that it had uncovered a supposed Right Sector ‘terrorist plot.’  It has never produced any evidence at all, nor did any of the witnesses for the prosecution even demonstrate a clear understanding of what the Right Sector is, although they were all convinced it was dangerous, etc.  There is nothing to link Sentsov, the left-wing and anarchist Kolchenko or Gennady Afanasyev with the far-right organization. In court on Wednesday, the prosecutor Oleg Tkachenko changed their story, saying that Sentsov and Kolchenko are not accused of membership in Right Sector, but of having “taken on the ideology of this organization as a guide for action.” What this means remains a mystery since the court has not demonstrated any interest in seeking clarification on this subject or with respect to the numerous other discrepancies in the prosecution’s case.

At the final hearing on Wednesday, the defence demolished all of the charges against the two men, then Dmitry Dinze, Sentsov’s lawyer, read out the account given by Gennady Afanasyev of how he had been tortured to get him to testify against Sentsov.

As reported, Afanasyev and Oleksy Chirniy were arrested at the same time as Sentsov and Kolchenko.  Their ‘confessions’ and testimony are literally all that the charges against Sentsov are based on. It is therefore of critical importance that Afanasyev retracted his testimony on July 31, stating that it had been given under duress.  He then spoke for the first time to a lawyer not provided by the investigators and gave a detailed account of the torture applied immediately after his arrest, and also the pressure placed on him to repeat this testimony in court. As well as threats against him, a FSB officer who appeared at the prison warned him that his mother “could have an accident” if he didn’t cooperate.

All of this information was read to the court. The judges simply looked down and did not react in any way, and the prosecutor continued to demand 23 and 12 years.  It should be stressed that the details in Afanasyev’s account fully coincide with those given by Sentsov, and Chirniy is also known to have told the Ukrainian consul that he had been forced to ‘confess.’

Unlike the players in this modern-day show trial, the renowned Memorial Human Rights Centre has taken Afanasyev’s account seriously.  On August 19, it issued a statement recognizing Afanasyev as a political prisoner and warning of the danger he is now in. This follows a similar statement and damning assessment of the ‘trial’ of Sentsov and Kolchenko.

Sentsov’s final statement was, as all previous statements, courageous and moving. So too was Kolchenko’s, who spoke of the fact that the court had heard about the use of threats and torture by the FSB against Sentsov and Afanasyev.

“It’s interesting that people using such methods to obtain testimony have no qualms about accusing us of terrorism.”

He called the charges against them fabricated and politically motivated, and said that this trial, like those against Nadiya Savchenko, the Bolotnaya Square protester, and others are aimed at extending the life of the current regime.

“Yet throwing us in prison, this regime speeds up its end, and those people who still yesterday believed in law and order, today, watching such trials, have lost that faith. And tomorrow or the day after tomorrow, those people who are part of the 86 percent [supposedly supporting President Vladimir Putin – HC] will overturn this authoritarian regime.”

Kolchenko noted that, in the letter read out to the court, Afanasyev said that the FSB officer had told him that the day he gave testimony in court would be the most important day in his life.

“Seemingly, Afanasyev took those words to heart and interpreted them in his own way. I was very taken with this great and powerful act of his.”

Gennady Afanasyev is in danger; Oleg Sentsov and Oleksandr Kolchenko are facing long sentences on preposterous charges.  And Russia is descending into a frightening Soviet tradition in which people are tortured for ‘confessions’ with neither the prosecutor nor the judges even batting an eyelid when this is demonstrated to the world.

Please write to all three men!

The website of the Solidarity Committee with the Crimean Hostages will try to get messages to them.

solidarityua.info

In the first box, write one of the following names one at a time:

Олег Сенцов (Oleg Sentsov)

Олександр Кольченко (Oleksandr Kolchenko)

Геннадий Афанасьев  (Gennady Afanasyev)

Then in the next box, write your name.

The next box asks for a telephone number if you wish to give it. An email address is, however, needed (the fourth box).

Finally, in the fifth box, write your message.

The key aim is to ensure that all three men know that they are not forgotten. The following would be quite sufficient (if you do write in Russian, please avoid anything controversial or overly political).

Мы восхищаемся Вашим мужеством и надеемся на Ваше скорое освобождение.

Спасибо, что нашли в себе силы остаться честным с самим собой.

Держитесь!

(We admire your courage and hope for your speedy release. Thank you for finding the strength to remain true to yourself. The last word is a word of support, like “take care!”)

The question under the last box asks whether you are on social networks: yes, no, in that order (or leave it blank)

Then hit SEND.

Thanks to Comrade SP for the heads-up. I have lightly edited the text to make it more readable.

Tolokonnikova and Alyokhina on the Sentsov-Kolchenko Verdict

Masha Alyokhina
August 25, 2015
Facebook

“I don’t know what is worth doing if you cannot die for it,” said Sentsov.

“We are discussing narrow questions,” said the judge, interrupting him.

Our “twofer” was piddly shit compared with this. Just imagine being locked up in a prison colony not for two autumns, but twenty, and for just as many winters. Sentsov is a single father who has been sentenced to twenty years in a maximum security prison by Russia.

His sister says, “We fear Oleg will be forgotten.”

If convicts in Russia can be forgotten by those on the outside, inside they can be killed. I hate this system under which it is so easy to kill.

The anarchist Kolchenko was sentenced by Russia to ten years hard time.

We must not forget them. They laugh at the verdict of a country that took them hostage.

Ten and twenty years in prison.

Hang in there, please, we are with you.

11889477_1182943075054229_5283665799208464809_nAlexander Kolchenko and Oleg Sentsov

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Nadya Tolokonnikova
August 25, 2015
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“Well, what did you need to go and do that for? You’re a young, pretty girl, and what have you got yourself into? When you get out, who’s going to remember you? Who’s going to want you, silly goose? Why are you so stuck on politics?”

Coppers and screws always talk this way, because they don’t understand how someone could not break down and admit their guilt. After all, if you confess, they promise to reduce your sentence.

Oleg, you will get out earlier, of course. And whatever they say to you in there, we will not forget you.

Translated by the Russian Reader. Photo courtesy of Masha Alyokhina

Askold Kurov: The Importance of Solidarity

Askold Kurov, filmmaker:

I have been shooting the film Release Oleg Sentsov for over a year, since Oleg was brought to Lefortovo Remand Prison in Moscow, and the first hearings in his case were held. The case is an unbelievable absurdity, an absolutely Kafkaesque story. I hope that the film will draw attention to these terrible events. Unfortunately, however, hopes for a favorable outcome, for Sentsov and Kolchenko’s acquittal, are nil.

But this does not mean we should all keep quiet and give up on attempts to do something. It is clear that the lives of Sentsov, Kolchenko, and Afanasiev hinge on people who ignore appeals from cultural figures and people’s public expressions of support for the arrested men. Maybe the appeals and protests even anger and irritate them. But sooner or latter they will have an effect. The time will come when the regime will no longer be able to hold the men hostage. Due to the fact that directors, filmmakers, and the public showed their solidarity and constantly brought up the case, the men might be freed from prison.

Source: snob.ru

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