The contemporary musical [kontemporari-myuzikl] Onegin’s Demon is the most successful assault on the classics and the first production in the best traditions of the Russian theater and Broadway.
The creators have decided to call a spade a spade. Few people remember that the poem “The Demon” was written by Pushkin as one of the chapters of Eugene Onegin.
If, as the musical’s libretto has it, in a house of sorrow in Paris you meet an old, crazy Onegin, forgotten by everyone, tormented by memories of past mistakes, then none other than his personal alter ego, his dark essence, his Demon lets him see his whole life again … and maybe change it.
He is Onegin’s Demon, the director and puppeteer of this unique musical. The creators have laid bare leitmotifs in the novel that had previously gone unspoken. The musical Onegin’s Demon is thus a bold artistic revelation that firmly etches itself in your memory.
Thanks to the 3D video content, the musical Onegin’s Demon can be safely called a movie musical, in which, unlike the cinema, there is no room for error. The musical Onegin’s Demon is a rare opportunity to see in person how, with no editing or multiple takes, real people resurrect the era of ardent romanticism in real time.
Tremble Pushkin purists: “Satan rules love”!* The play features a scene with a naked Tatyana… And does she stay with Onegin in the end? To whom will Tatyana be given?
You have the opportunity to find out firsthand!
Onegin – Vasily Turkin and Ivan Ozhogin
The Demon – Sergei Khudyakov
Tatyana – Alina Atlasova and Anastasia Makeyeva
Lensky – Anton Avdeyev
Olga – Natalia Fayerman
Tatiana and Olga’s Mother – Maria Lagatskaya
Nanny – Manana Gogitidze
Music: Anton Tanonov and Gleb Matveychuk
Book: Irina Afanasyeva, Maria Oshmyanskaya, Andrei Pastushenko and Igor Shevchuk
Choreographer: Dmitry Pimonov
Music Director: Anton Tanonov
Creative Producer: Artyom Gridnev
After the third bell, entrance to the auditorium is strictly PROHIBITED!
The musical is performed with one intermission.
Is it possible to produce theater that combines a musical, a movie, a 3D performance and a phantasmagoria, while being based on classical poetry? A few years ago, the idea might have seemed crazy. However, after the incredible, stunning success of the musical Onegin, the trend of boldly genre mash-ups has really taken off. The creators of Onegin’s Demon have gone even further: their new creation has even fewer references to Pushkin’s work and even more deep psychological plot lines that reveal the essence of Onegin’s personality through the lens of his demons. To understand the authors’ intention, you should see the results of their work in person. To make this happen you only need to buy tickets for the musical Onegin’s Demon at a Box Office Directorate ticket outlet or on our website.
The musical Onegin’s Demon undoubtedly risks breaking its predecessor’s popularity records, because this production has even more mystery, mysticism, amazing music, exciting vocal parts and, of course, ultra-modern special effects. The LDM’s New Stage, no matter how spacious it is, will hardly be able to accommodate everyone who wants to watch this show, so if you manage to get tickets to the musical Onegin’s Demon, you can count yourself lucky.
The Pushkin era — its fancy-dress balls, luxurious horse-drawn carriages, duelists and love letters — does not merely come to life on stage. We watch Onegin’s entire biography through the eyes of the character himself, now in his old age. We see with horror and pity what this romantic and slightly bored dandy has become. What are his sins? For what does this half-crazy lonely old man blame himself? And who is he really? Isn’t he the same evil demon who nurtured Eugen’s most negative character traits in his youth?
Many books have been written about alter egos, the individual’s mystical second self, about the ability of soul and body to split: just recall Jekyll and Hyde or the beautiful Dorian Gray. The story of Onegin’s demon is shrouded in the same mysticism and sinister mystery. The creators have made sure that the audience feels the madhouse atmosphere and the painful awareness of their own irreparable mistakes to the tips of their toes. Onegin/The Demon is excruciatingly beautiful, and he is complemented by the musical’s other characters. The stunning voices and fantastic music cause not only the hearts of the audience members who buy tickets to Onegin’s Demon skip more than once. They also make the walls of the LDM tremble.
Translated by the Russian Reader
* The line “Satan rules love” does not appear in Pushkin’s Eugene Onegin. As rendered by James Falen, chapter 4, stanza 21 of Pushkin’s great novel in verse reads as follows:
Of course the love of tender beauties
Is surer far than friends or kin:
Your claim upon its joyous duties
Survives when even tempests spin.
Of course it’s so. And yet be wary,
For fashions change, and views will vary,
And nature’s made of wayward stuff—
The charming sex is light as fluff.
What’s more, the husband’s frank opinion
Is bound by any righteous wife
To be respected in this life;
And so your mistress (faithful minion)
May in a trice be swept away:
For Satan treats all love as play.
Source: Alexander Pushkin, Eugene Onegin: A Novel in Verse, trans. James E. Falen (Oxford UP, 1995). The emphasis is mine.
P.S. Stanley Mitchell’s rendering (Penguin, 2008) of the same stanza is even niftier, as my mom would say:
The love you get from tender beauties
Is surer than from kin or friend:
However turbulent its duties,
Your rights are honoured in the end.
That’s so. But then there’s whirling fashion
And nature’s wayward disposition,
And what the monde thinks is enough…
And our sweet sex is light as fluff.
And then, it is to be expected
That virtuous wives will all be true
To husbandly opinions, too;
Your faithful mistress has defected
Before you know it: love’s a joke
That Satan plays on gentlefolk.