Made in the USSR (May Day 2023)

A man sporting a “Made in the USSR” tattoo, Liteiny Prospect, Petersburg, May 1, 2023.
Photo by Vadim F. Lurie, reproduced here with his kind permission

Victory Day is a memorable holiday for every citizen of St. Petersburg! During the celebration of the Great Victory, each of us remembers the heroic deeds of our grandfathers. In keeping with a long-established tradition, many musicians dedicate their concerts to this important date.

On May 15, the Lensovet Palace of Culture will host “Echo of Victory,” a soulful solo musical performance by Dmitry Pevtsov and the Pevtsov Orchestra.

Dmitry Pevtsov, “Echo of Victory,” 15 May, Lensovet Palace of Culture

“Echo of Victory” is a new themed concert in which poems and songs of the war years and the best songs of Soviet and modern composers will be performed. The program will feature such songs as “Airplanes First of All,” “From Dawn to Dawn,” and, of course, everyone’s favorite song, which has become a symbol of the celebration of May 9—”Victory Day”!

We invite everyone to the “Echo of Victory” concert on May 15 at the Lensovet Palace of Culture. Let’s remember the great songs of that heroic time and once again feel proud of our great nation!

Directed by Denis Isakov

Duration 1 hour 40 minutes (without intermission)

Source: Bileter.ru. Translated by the Russian Reader


The Russian authorities and Russian propagandists have been competing with each other to recreate something outwardly similar to the Soviet system in our country. The message to Russian society is simple: we are different, we have a different path, don’t look anywhere else, this is our destiny — to be unlike everyone in the world. And yet there are more and more traits of our country’s yesterday in its tomorrow.

For some reason, the speakers at the Knowledge educational forum, starting with Prime Minister Mikhail Mishustin, called directly for Russia’s self-isolation. Mishustin demanded that we achieve independence from foreign designs in the information sphere. The word “independence” has been increasingly used to mean isolation and breaking ties.

Deputies in the State Duma have proposed re-establishing the mandatory three-year “repayment through job placement” for university graduates, and prohibiting those who have not served in the army from working in the civil service.

With Ella Pamfilova, head of the Russian Central Elections Commission, on hand as a friendly observer, Uzbekistan held a referendum on April 30 to decide whether to adopt a new constitution that would grant the current president, Shavkat Mirziyoyev, the right to de facto lifelong rule by lengthening presidential terms from five to seven years and nullifying Mirziyoyev’s previous terms. The ballot, which involved digital technologies, produced a turnout of 84.54%, and according to preliminary data, 90.21% of voters said yes to the amendments, which would change two-thirds of the Constitution, while 9.35% of voters voted no, and 0.49% of the ballots were disqualified. Although democratic procedures were seemingly followed, Uzbekistan is moving away from democracy.

Something makes us see Pamfilova’s visit to Uzbekistan not only as a trip “to strengthen friendship and cooperation,” but also as a completely practical exchange of know-how in organizing such referendums. Only by adopting a new constitution can the first and second chapters of the current Russian Constitution be amended, and it is the second chapter that enshrines civil rights and freedoms, we should recall.

Alexander Bastrykin, the prominent human rights activist and chair of the Russian Investigative Committee, has proposed adopting a new Russian constitution that would enshrine a state ideology, completely eliminate international law’s precendence over domestic law, and re-envision human rights as an institution alien and hostile to Russia, as something encroaching on its sovereignty. Uzbekistan’s know-how in voting on a new constitution will come in handy for the Russian Central Election Commission.

At seven o’clock this evening live on Citizen TV, we will talk about why, exactly, the Russian authorities are so enthusiastic about Soviet political practice and the Soviet style, and where such intentions can lead our country.

Source: Citizen TV (YouTube), 1 May 2023. Translated by the Russian Reader


Russian President Vladimir Putin agreed with the need [for Russia] to develop its own communication protocols instead of foreign TCP/IP to ensure the country’s technological sovereignty and independence.

On Thursday, the head of state held an event at the Rudnevo Industrial Park during which the specifics of the development of domestic unmanned aerial systems were discussed. In this context, Alexander Selyutin, board chair of the Technojet group, spoke about the “Internet from Russia” project.

After listening to the proposals, Putin turned to his aide Maxim Oreshkin.

“Maxim Stanislavovich, talk to your colleagues, then report back to me separately, we need to help. This is obligatory, because if you have advanced proposals, your own, of course, we need to do everything to support them. It means technological sovereignty, and better competitiveness, and independence. […] We will definitely help,” the president said.

Source: “Putin supports creation of Russian communication protocols as alternative to foreign ones: head of state held event at Rudnevo Industrial Park where specifics of developing domestic unmanned aerial systems were discussed,” TASS, 27 April 2023. Translated by the Russian Reader. Thanks to Lev Schlosberg for the heads-up.


Those wishing to take part in a virtual LDPR rally at the monument to Vladimir Zhirinovsky created in Minecraft have overloaded the server. The number of applications exceeded twelve thousand, LDPR’s press service informed us.

As Andrei Svintsov, a member of the LDPR faction [in the State Duma], noted, this is only the first such event. The Liberal Democrats plan to continue using [Minecraft] and other gaming platforms to communicate with voters and attract new supporters, becoming in fact “Russia’s first digital party.”

The MP also recalled that experts continue to work on the “Cyber Zhirinovsky” political algorithm, which was previously announced by the party’s current leader Leonid Slutsky.

Photo: Official LDPR Telegram channel

Source: TASS (Telegram), 1 May 2023. Translated by the Russian Reader


In late April, Judge Yevgenia Nikolayeva closed a court hearing at which it was decided how much time to give Alexei Navalny to examine the 196 volumes of the latest criminal case against him. According to the police investigator, this was necessary in order to protect investigatory privilege.

Navalny’s case is not unique. There have been other such decisions recently. Judges closed a court hearing on the killing of the blogger Vladlen Tatarsky, decided the fates of conscientious objectors without witnesses present, ruled on pretrial restrictions in absentia for journalist Ilya Krasilchik, and extended the arrest of politician Vladimir Kara-Murza.

Over the past five years, judges in Russia have increasingly closed court hearings to observers, journalists, and even relatives of defendants. Because of this, defense lawyers cannot inform the public about what happens in these proceedings. Mediazona reviewed the judicial statistics and discovered that, in 2022, judges ruled 25,587 times to hear cases in closed chambers. This was almost twice as often as in 2018, when judges decided 13,172 times to hear cases without outsiders present.

The Constitution actually guarantees that your case should be heard in open court, but there are exceptions. The principal exceptions are cases involving state secrets (which is why all treason and espionage trials are closed), cases against defendants under sixteen years of age, and cases involving sexual offenses. The statistics for all such cases have not changed much in recent years.

But there is one more exception — a trial can be closed to “ensure the safety” of the people involved in the proceedings and their loved ones. This extremely vague wording allows judges to close any court hearing. Judges make vigorous use of it, especially when hearing high-profile cases.

Here’s another example. In September, the Moscow City Court closed the hearing of an appeal against the verdict in the “fake news” trial of municipal district council deputy Alexei Gorinov, who had been sentenced to seven years in prison for an argument over a children’s drawing contest in which he had said that children were dying in the war in Ukraine The judge alleged that the court had received threats, and said that the hearing would have to be closed for the safety of the parties to the proceedings.

Russian judges may be following the lead of their Belarusian colleagues, who have learned how to conduct political trials without outside scrutiny. They cite covid regulations, or fill the gallery with persons unknown, or don’t let anyone except the relatives of the defendants in the courtroom. Russian courts have begun to use many of these methods. And the Belarusian courts can declare a hearing closed without explaining the reasons at all.

The authorities do not want people to know about political trials, to monitor these trials, or to support the accused. That is why, on the contrary, it is important for society today to talk about political prisoners and help them.

Source: I Don’t Get It email newsletter (Mediazona), 1 May 2023. Translated by the Russian Reader


A Russian version of the song by the French left-wing chansonnier Georges Moustaki. Translation: Kirill Medvedev. Guitar: Oleg Zhuravlev. Video: Nikolay Oleynikov

Don’t ask what her name is, she’s
Beloved and tender, but fickle
Very spunky, she’ll wake up and go forward
To a new life that shines and sings

Bullied and branded
Tortured and executed
Well, how much can she suffer!
And she rises up and strikes,
And spends many, many years in prison,
Yes, we betrayed her
But we only love her more and more
And so we want to follow her
Right to the end

What her name is, don’t ask, my friend,
She’s just a mayflower and a wild fruit
She sprouts anywhere, like grass
Her path will take her wherever she wishes

Don’t ask what her name is, she’s
Sometimes beloved, sometimes persecuted, but faithful
This girl that everyone is waiting for
Permanent revolution is her name

Original song by Georges Moustaki

Source: Arkady Kots Group (YouTube), 1 May 2023. Translated by the Russian Reader

Down the Streets the Trams Were Rolling

Ivan Burkov, “Saint Petersburg: Ligovsky Prospekt from the Cab of a Tram,” August 27, 2016. (Thanks to Comrade Koganzon for the heads-up.)

Nol, “Down the Streets the Trams Were Rolling”

Early in the month of May one spring
Rumbling, screeching, dusty godsends
Down the streets the trams were rolling
They were going off to die
Down the streets the trams were rolling
They were going off to die

But up ahead the rumbling cars were racing
The cars were smelly, the cars were filthy
And the trees they cried and sobbed
While, spitting shit, the tires whispered

And the trees they cried and sobbed
While, spitting shit, the tires whispered

Such, my friends, was the whim of nature
Everyone had to run to work on foot
Down the streets the trams were rolling
They were going off to die
Down the streets the trams were rolling
Heading down to the depot to die

Fyodor Chistyakov and Nol performing “Trams” in 1992

Fyodor Chistyakov: Why I Left Russia

Fyodor Chistyakov: Russia Is the Freest Country—You Can Adopt a Constitution and Then Throw It Out
Musician Fyodor Chistyakov has left Russia because of his religious beliefs, but promises to come back. True, only on tours. The newly minted New Yorker told Fontanka.Office what happened.
Nikolai Nelyubin
Fontanka.ru
July 31, 2017

Федор Чистяков: Россия самая свободная страна – можно принять Конституцию и выбросить ее
Fyodor Chistyakov

Have you really emigrated to the US?
It’s not quite like that. Circumstances are such in Russia at the moment that make it difficult for me to live there. But that doesn’t mean I’m planning to cut all the ropes and drown everything there. In the fall, for example, Nol [Chistyakov’s band] is planning to play concerts we promised to play long ago, and they should come off unless there is an act of God. We’re playing November 18 in Moscow, and November 23 in Petersburg. Otherwise, I will be spending more time in a different place.

Have you requested political asylum?
I’m not going to discuss that. I’ll just say things are in order on that front. I have an employment contract.

Did the ban on Jehovah’s Witnesses in Russia influence your decision to stay in the US?
That decision turned all members of the organization, including me, into outlaws. How can I live in a country where I’m an outlaw? The answer is simple: there’s no way I can. Hence everything that has happened.

Did you or your friends get any signals or threats after the Jehovah’s Witnesses were outlawed?
Yes, we did. For example, the authorities came to a friend’s house, confiscated all his computers, and searched the place, because he is a Jehovah’s Witness. I think this is a nightmare. I have a music recording studio at home. I can’t allow the state to dig around in computer files looking for signs of “extremism.” At the end of the day, it’s simply humiliating. It’s not a matter of danger, but of your state of mind: you’re always waiting for something to happen. I do long-term musical projects. It takes six months to record and release an album. But with things like this I can’t promise anything. What if I’m arrested tomorrow, say. Then I won’t be able to fulfill my obligations.

Fyodor Chistyakov, Live interview via Skype on Fontanka.Office, July 31, 2017

But earlier you did not publicly identify yourself with the organization or did you? What are you afraid of, if you’re not promoting anything? 
A Danish citizen has been arrested and jailed in the city of Oryol. When you look into the matter, you discover law enforcement has not even formulated the charges, but the man sits in jail. This is lawlessness. There are no laws or norms, no Constitution that protects human rights. As long as no one has taken an interest in you, you are free to party, so to speak, but if something controversial comes up, you won’t be able to prove anything. You’ll be ruined.

Yes, but now that you’ve openly said why you left, how are you going to give concerts in Russia? How can you avoid the risks you’ve mentioned?
According to my beliefs, every week I have scheduled events for worshiping God. This is what the Russian authorities consider “extremism.” If, for example, I come to Russia to give concerts, that is a specific goal. I come and go. But if I live in Russia, I would have to do all this somewhere on the sly.

Meaning the corpus delicti is the religious ritual, which you will not be performing in the Russian Federation? 
Yes.

How have your friends in Russian and colleagues in the US taken the news of your move?
There are different opinions. There are people who support me, and people who openly mock me. Opinions are quite polarized.

What about the musicians in your band?
I think we’ll continue working together. There will be collaborations.

Can you explain the rationale behind the banning of the Jehovah’s Witnesses in Russia? Why was it done?
The most terrible thing is there is no rationale. It’s inexplicable. The Jehovah’s Witnesses have lots of enemies. But I don’t understand why the Russian authorities had to adopt this ruling. There is talk of property they plan to confiscate. But this amounts to kopecks on the scale of the Russian state. The Witnesses were persecuted in Nazi Germany. But in the US, you ride the subway and read an ad that says if you encounter racial or religious discrimination, you can contact so-and-so.

But if someone promised you that everything here in Russia would be cool, would you come back?
That’s the thing. That’s the essence of life in Russia: there is no law. Someone says one thing today, and tomorrow he forgets it. Or he is replaced altogether. And who cares about me?

I’ll put it more simply. What must change for you to return?
I haven’t disappeared. I plan to visit. I plan to make music, only remotely.

What if the ban in Russia were overturned?
Hard to say. Right now the circumstances in Russia are quite alarming, and not only for the Witnesses. What’s alarming is that all the foundations have fallen and crumbled. Until a certain order emerges, it will be dangerous to live in Russia.

I recently read that a lawyer was unable to get a response from the court on a case. They failed to respond to his requests. He published an open letter in a newspaper, in which he described how the case had been handled by the judicial authorities. The courts should try and figure out the truth, but there is no objectivity in Russian courts. Russia is the freest country. You can adopt laws and then not enforce them. You can adopt a Constitution and then throw it out. Anything is possible. But that makes things a bit tricky if you want to have rights.

You will be told it’s like that everywhere in the world, but on a different scale.
I wouldn’t argue with that. But as long it doesn’t affect anyone personally, you can philosophize. But when the problems kick off, you just have to make a decision that will solve the problems. This is completely different.

What do think about how things in general are shaping up on the planet? You felt alarm in Russia. Is there no alarm in the US?
Things in Russia are quite disturbing. The main cause are the media. When you open a news website and read the headlines, the headlines are enough to flip your wig. Completely. But here [looks out window] life is calm. There is nothing like that here, in fact. You can avoid thinking about it if you don’t want to, if you don’t open your browser. In Russia, this is hard to pull off. You walk outside and immediately read something printed on banners. Here, on the contrary, you get the sense that politics is god knows where. The police are also god knows where. They are somewhere round the corner, but you don’t see them. I’m talking about New York. It’s calmer. As for real threats, the situation is unpleasant. It resembles the Cold War again. You could say it’s already underway. We’ve gone full circle. Everything is happening all over again, and I’m quite tired of it all, in fact. Generally, I have hope, of course, but I won’t talk about, because it is now considered forbidden in the Russian Federation. For the time being, there is little of this hope in the Russian Federation.

Okay, what are your future musical plans. “Time to Live,” the first track from the resurrected Nol, has been released. Is an album the obvious next step? Will it be nostalgic, like your previous LP, Fyodor Chistyakov: Nol + 30? Or will it be something different?
Yes, aside from the fall concerts in Russia, we have the idea to record a Nol LP. I’ll start working on it in the very near future. In any case, it will be a new album with new songs. The new song “Time to Live” I recorded with Alexei “Nichols” Nikolayev [a member of the classic Nol line-up]. It was just the two of us who recorded the track. I really liked it. It turned out quite well. I would like to keep working and record the whole album in this vein.

Will you be recording in the States or Petersburg?
It’s going to be an intercontinental project.

Better intercontinental Nol albums than intercontinental missiles, eh?
Probably. [Laughs.]

Will the new Nol album be as militant as your last songs, from the LP No Fools, and the new singles “Went Mental” and “Time to Live”? Or will it be more lyrical? How much material do you have and what is it about?
I wouldn’t say the material is ready. Some songs are more or less ready, while others are still only sketches. But, ultimately, I think the material will be good. It won’t leave you bored.

Thanks, Fyodor, for this “intercontinental” conversation.
It’s just like from a space station.

The voting in our official group broke down as follows. 84.8% of users said they understood people who leave Russia. (“Yes, it’s everybody’s right.”) Only seven percent agreed with the statement, “No, who then will be left?” An interesting outcome?
Quite interesting, and quite encouraging that there are so many people who respect the rights of others—at least, on Fontanka. Office.

Translated by the Russian Reader. Thanks to Comrade Uvarova for the heads-up

Fyodor Chistyakov and Nol (Zero), “Time to Live” (2017)

* * * * *

No article about Fyodor Chistyakov and Nol would be complete without this oldie but goodie from a much better time, whatever the wiseguys says about it now. It was a free country then. Just listen to the lyrics. Back then the song was in constant rotation on just about every radio station, at least in Chistyakov’s hometown of Petersburg. TRR

Nol, “Song about a Real Indian” (1991)

Lenin Street

Fyodor Chistyakov and Nol (Zero), “Lenin Street.”
Live performance on Petersburg TV, 1991

 

You ask me why sometimes I’m silent,
Why I don’t laugh, why I don’t smile.
Or, vice versa, why I joke grimly,
And grimace just as grimly and madly.

It’s just that I live on Lenin Street
And I freak out from time to time.
It’s just that I live on Lenin Street
And I freak out from time to time.

What do you want from a sick mind?
In childhood kind folk pounded nails into my head.
At school they douched my ears and mouth.
So I got the useful knowledge I needed.

After all, I was born and raised on Lenin Street,
And I freak out from time to time.
After all, I was born and raised on Lenin Street,
And I freak out from time to time.

It’s just that I live on Lenin Street
And I freak out from time to time.
It’s just that I live on Lenin Street
And I freak out from time to time.

How I hate and love my motherland,
And there’s really nothing surprising here, comrades.
She’s so blind, deaf, and ugly,
But I have nothing else to love.

And that’s how I live on Lenin Street,
And I freak out from time to time.
And that’s how I live on Lenin Street,
And I freak out from time to time.

It’s just that I live on Lenin Street
And I freak out from time to time.
It’s just that I live on Lenin Street
And I freak out from time to time.

_________

The Big Zero
By Sergey Chernov
St. Petersburg Press
July 18–24, 1995

The work of a St Petersburg musician who lived a wild life, was thrown into prison and then a mental asylum before joining the Jehovah’s Witnesses is now on general release. “Polundra” (“Stand from under”), the 1992 recording of the now defunct and much missed local rock band Nol, fronted by Fyodor Chistyakov, has finally found its way onto cassette and CD. Nol (Zero) was formed in the fall of 1985, making its debut at the Leningrad Rock Club in December 1986. By that time they had a home-produced tape called “Music of Rough Files,” featuring styles varying from traditional rock and roll to art rock.

The group provided a striking contrast to St Petersburg’s other leading rock bands. Most of them were dominated by 30-year olds, while the two original founding members of Nol were only 16. The trend of the day was to write philosophical and metaphorical lyrics, but Nol’s songs were distinctly street-level. The band’s leader Fyodor Chistyakov turned out to be the original folk poet, writing lyrics about what he saw around him at that time — food shortages, over-populated communal flats and shameless Soviet propaganda. Still he was dealing with these subjects in his own very unique way. The song “A Fairy-tale About Sausage” explored the sexual dimension of this then much sought after foodstuff. “Tools Ahead!” again combined sex with workshop terminology. “School of Life” was a parody on military marches. Later Chistyakov moved on to write more mature and dramatic material. Chistyakov’s singular and somewhat out-of-tune singing and the fact that he played button accordion — an instrument totally ignored by local rock musicians at that time — made the band stand out. The fresh folk-punk spirit of the resulting mixture has invited belated comparison with the Pogues, who originated at roughly the same time.

No other Russian band could really compete with Nol in terms of energy. Legend has it that at one concert Chistyakov played so vigorously that he tore his accordion in two. Performances given by Nol in the late eighties invariably attracted crowds of shouting fans. The band was featured in Western documentaries on Russian rock music and was invited to play in Germany, Ireland, France and Finland. The success of Nol led to the formation of several groups, which followed the same formula. The most interesting and popular is Ukrainian band Vopli Vidoplyasova (VV), which combines punk rock with Ukrainian folk music. And its leader, Oleg Skripka, also plays button accordion. Nol folded in 1992 when the fast living and excesses of his rock lifestyle led Chistyakov first to the infamous Kresty prison and then to a mental asylum. As was recently reported, Fyodor Chistyakov joined Jehovah’s Witnesses, and has subsequently refused to have anything further to do with rock-n-roll.

Polundra CD and cassettes, as well as Nol’s previous release, Pesni o bezotvetnoy lyubvi k rodine, are available from local music shops and music kiosks.

Editor’s Note. Fyodor Chistyakov resumed his musical career in 1997.