[Response to a questionnaire]*
I have no objections to the abolition of literary estate rights.
In a person who is really alive, that is, who is moving forward, not backward, any sense of ownership should of course weaken over the years; all the more should it weaken in the intellectual laborer, and especially in the artist, who is absorbed in finding forms capable of withstanding the pressure of incoming creative energy rather than in scraping together capital, finding support in this endeavor from his loved ones, if they are indeed his loved ones.
When I die, may only hands that can best convey the products of my labor to those who need them be found.
1 January 1918
* Originally published in Novyi vechernii chas, 3 January 1918. The questionnaire was prompted by a December 1917 decree of the Central Executive Committee of the Soviets of Workers’, Soldiers’ and Peasants’ Deputies, ceding to the state the exclusive rights to the literary estates of writers after they died. In addition to Blok’s, Novyi vechernii chas published the responses of Fyodor Sologub and Dmitry Merezhkovsky in the same issue: arguing that the decree was “gibberish” and “inadvisable,” they called on writers to unite in protest. The responses of Vasily Nemirovich-Danchenko, Teffi, Anastasia Chebotarevskaya, Alexander Kuprin, Alexander Amfiteatrov, and Mikhail Prishvin were published in subsequent issues of the newspaper.
Source: Sergeyev’s Theater Library. Photo of the ramp in the constructivist tower of Laboratory Building “E” at the Moscow Power Engineering Institute (MEI) courtesy of Elena Krizhevskya/porusski.me. Thanks to Alexandra Vorobyova for the heads-up. Translated by the Russian Reader