Will Smith’s Choice

Will Smith’s Choice

The idol of millions! He went from being an insecure guy who had had a difficult childhood to being one of the highest paid actors in Hollywood. This year it was he who won the Oscar for his role in the biopic King Richard. His unique autobiography will tell you about his road to becoming a superstar, and our selection will give you a chance to look at Will Smith’s bookshelf!

Paolo Coelho, The Alchemist

It is this bestseller by Paulo Coelho that the actor often calls his favorite book. This philosophical novel about dreams that defy fate can change the life of any reader.

Source: screenshot of “What Will Smith reads (and recommends you read),” an email newsletter from LitRes, a popular Russian ebook service, 12 April 2022. Will Smith’s other alleged recommendations are Richard Kiyosaki’s Rich Dad Poor Dad, Malcolm Gladwell’s David and Goliath: Underdogs, Misfits, and the Art of Battling Giants, and Richard Matheson’s I Am Legend. Translated by the Russian Reader, who has purchased and downloaded a good number of ebooks from LitRes over the last several years.


Putin’s is a regional politics: it is aimed at defending a particular region and its alleged ethno-cultural identity. Iran and the Islamist movements in general have served as the model for those seeking to banish all things Western in the hope that when you remove them, your true cultural identity (for example, an Islamic identify) will shine forth with its natural light. The same thing is gradually happening now in China and India. Cultural identity is discovered by purging the “Western abominations” that have accumulated like a dense layer on its surface. Russia has repeatedly evinced the desire to purge itself of the West—of Facebook, McDonald’s, modern art, rock music, of everything that the Russian does not need and can do perfectly well without. The belief is that if this stuff is removed, the divine wisdom of the Russian spirit will shine with its own light.

The only problem is (and it is an old problem that has been around since the nineteenth century) that this process of stripping and purging Russia of everything Western can never end. There is a non-European cultural substrate in Iran, India, and China. So, when you purge everything European, something homegrown, something originally non-European, does emerge. I am not saying whether this exists in Russia or not. I can only say that all attempts to find it have proved futile and suicidal. That is, the movement back to origins and the Russian World have proved completely suicidal.

In this sense, Russia has reproduced a well-known trope of German culture. In the nineteenth century, Germans also argued that German culture was inherently different from Western civilization, that German culture should be purged of Western civilization to be manifested in all its might. Upon closer examination, however, it transpired that this power was purely negative. German thinkers reflected on this, even glorifying these suicidal, self-destructive tendencies to some extent. Russian culture did this to some extent, too. We can read about the suicidal search for one’s foundations in Dostoevsky’s works, for example. From a cultural perspective, the new paroxysm to purge things Western and get back to Russianness, which we are now witnessing, is a purely suicidal operation.

Source: Boris Groys (in conversation with Liza Lazerson), “Putin: Restoration of Destruction,” E-Flux Journal, no. 126 (April 2022). Translated by Thomas H. Campbell

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