Ode on Slate

OSIP MANDELSTAM ||||| ODE ON SLATE

 

Only by ear will we grasp

What scratched and grappled there,

Star with star mightily conjoined,

The old song’s flinty path,

Tongue of air, and tongue of flint,

Horseshoe with ring, water with flint.

The milky sketch in slate

On the clouds’ soft shale

Is no novitiate of worlds

But the delirium of drowsing sheep.

 

We stand asleep in the thick night

Beneath a warm woollen cap.

The spring babbles back to the thickets

A chainlet, a warbler, a spiel.

Fear writes here, here writes the fault line

With a milky stick of lead,

Here mellows the draft

Penned by flowing water’s disciples.

 

Steep towns of goats,

Mighty stratum of flint.

And there’s yet another ridge:

Ovine villages and churches!

The plumb line preaches to them,

Water schools them, time whets them,

And they’ve long since had their fill

Of the air’s transparent woods.

 

Like a hornet dead outside a hive,

The motley day is swept out in disgrace.

And night the vulture bears

Burning chalk and feeds the slate.

To erase the day’s impressions

From the iconoclastic icon

And brush from the arm like a chick

Visions already transparent!

 

The fruit was bursting, the grapes grew ripe.

The day raged as rage it does.

And a gentle game of knucklebones,

And vicious sheepdogs’ coats at noon.

Like debris from icy heights,

The seamy side of green icons,

The hungry water flows,

Winding, frisking like a cub.

 

And like a spider it crawls over me,

Where every joint is spattered by the moon,

In the stupefied heights

I hear the screeching of slate.

I break the night, the burning chalk,

To make a solid record of the instant.

I swap noise for the song of arrows,

I swap formation for an angry bustard.

 

Who am I? Not a righteous mason,

Nor a roofer, nor a shipwright.

I am a double dealer, and my soul is deceitful,

I’m a friend of the night, the day’s ramrod.

Blessed is he who dubbed flint

Flowing water’s disciple.

Blessed is he who cinched a belt

To solid ground on the sole of the mountains.

 

And now I’m perusing the logs

Of the leaden summer’s scratches,

Tongue of air, and tongue of flint,

Seam of darkness, seam of light.

And I want to poke my fingers

In the old song’s flinty path

As into a sore, joining

Flint with water, horseshoe with ring.

 

Source: mandelshtam.let-info.ru. Translated by the Russian Reader


 

Led Zeppelin, “Poor Tom” (1970; released, 1982)

Here’s a tale of Tom
Who worked the railroads long
His wife would cook his meal
As he would change the wheel

Poor Tomseventh son
Always knew what was going on
Ain’t nothing that you can hide from Tom
Ain’t nothing that you can hide from Tom

Worked for thirty years
Sharing hopes and fears
Dreaming of the day
He could turn and say

Poor Tom, work is done
Been lazing out in the noonday sun
Ain’t nothing that you can hide from Tom
Ain’t nothing that you can hide from Tom

His wife was Annie Mae
With any man a game she would play
When Tom was out of town
She couldn’t keep her dresses down

Poor Tom, seventh son
Always knew what was going on
Ain’t nothing that you can hide from Tom
Ain’t nothing that you can hide from Tom

And so it was one day
People got to Annie Mae
Tom stood, a gun in his hand
And stopped her running around

Poor Tom, seventh son
Gotta die for what you have done
All those years of work are thrown away
To ease your mind is that all you can say?

But what about that grandson on your knee?
Them railroad songs, Tom would sing to me
Ain’t nothing that you can hide from Tom
Ain’t nothing that you can hide from Tom
Ain’t nothing that you can hide from Tom
Ain’t nothing that you can hide from Tom
Hey
Keep-a truckin’
Keep-a truckin’
Hey