What Matters in Russia

The Facebook post appealing for help in finding missing Bashkir activist Ilham Yanberdin

Environmental activist disappears, his belongings found in forest belt 
OVD Info
October 17, 2021

His associates have been looking for Bashkir grassroots activist Ilham Yanberdin (Ilham Vakhtovik) for a week. They published an appeal on social media, stating that Yanberdin’s relatives had not been able to contact him since October 11.

Idel.Realii reported that, on October 17, passersby found Yanberdin’s phone and personal belongings in the forest belt of the Ufa neighborhood of Inors, near the place where the activist lived. The missing person’s case has been transferred to the criminal investigation department.

The day before the disappearance, Yanberdin told his colleagues he planned to attend a protest in defense of the monument to Salavat Yulaev in Ufa on October 11, at which about ten people were detained. He never showed up for the rally.

Ilham Yanberdin is known in Bashkortostan for his active role in opposition protests. Among these were rallies in defense of the Kushtau shihan and actions by Alexei Navalny’s supporters. He was prosecuted for the protests that took place in January 2021.

In Ufa, the Interior Ministry sought to collect more than two million rubles from Yanberdin, Lilia Chanysheva and Olga Komleva for the “work” of its police officers during the January 2021 protest rallies. A similar decision was made by a court in Omsk. Daniil Chebykin and Nikita Konstantinov were judged to have been the organizers of the January 23 and 31 protests there and ordered to pay the Interior Ministry more than one and a half million rubles.

In June 2021, Yanberdin was detained at a people’s assembly held after the environmental activist Ildar Yumagulov was attacked and beaten by persons unknown on April 18 in Baymak. Yanberdin was later released from court. The case file was sent back to the police for verification due to violations in writing up the arrest sheet.

Translated by the Russian Reader

The monument to Salavat Yulaev in Ufa. Photo courtesy of Wikipedia

9 Moscow Restaurants Awarded Coveted Michelin Stars
Andrea Palasciano (AFP)
Moscow Times
October 15, 2021

French gastronomic bible the Michelin Guide awarded nine Moscow restaurants with its coveted stars on Thursday, unveiling its first lineup of recommended eateries in Russia’s up-and-coming food scene.

Long derided as a gastronomic wasteland, Russia’s restaurant scene has emerged in recent years from a post-Soviet reputation for blandness, with establishments in Moscow regularly making lists of some of the world’s best.

Representatives of the Michelin guide — considered the international standard of restaurant rankings — released the first Moscow edition of their iconic red book at a ceremony at Moscow.

Sixty-nine restaurants were recommended in all.

Two restaurants — Twins Garden run by twin brothers Ivan and Sergei Berezutskiy, and chef Artem Estafev’s Artest — were given two stars.

Seven restaurants were given one star, including White Rabbit, whose chef Vladimir Mukhin featured in an episode of the Netflix documentary series “Chef’s Table.”

None were given three stars — the Holy Grail of the restaurant world.

‘Difficult time’
Moscow Mayor Sergei Sobyanin said at the ceremony that the release of the guide was an important event at a tough time for the restaurant industry.

“It’s big moral support in this time of pandemic, when restaurants are having a particularly difficult time,” he said.

Sobyanin said it also showed Russia had rediscovered a food tradition that had suffered under the Soviet Union.

“Unfortunately during the Soviet period these traditions were lost,” he said.

“I am proud that Moscow’s restaurants have become a calling card for our fantastic city.”

Michelin’s international director Gwendal Poullennec told a press conference that the guide had used an international team of inspectors for its list and there was “no compromise in our methodology.”

Speaking to AFP earlier, he said Russia’s food scene had been “reinventing” itself since the 1991 fall of the Soviet Union.

“There is an evolution of the Russian culinary scene. It is more and more dynamic,” Poullennec said.

He said he was surprised by “the quality and abundance of produce” in Moscow restaurants, highlighting in particular the seafood, such as crab and caviar, that are “exclusive” elsewhere but in Russia are available at a “reasonable price.”

Russia became the 35th country to have a Michelin guide and Moscow is the first city of the former Soviet Union to be awarded stars.

The selection of restaurants will appear in print and also be available via an app in 25 languages, including Russian.

Crab, smetana and borscht
Michelin in December said that chefs in Moscow had set themselves apart by highlighting Russian ingredients, including king crab from the Far Eastern city of Vladivostok and smetana, the sour cream used in preparing beef stroganoff.

Moscow restaurants have increasingly turned to local ingredients after Western sanctions following Russia’s annexation of Crimea from Ukraine in 2014 resulted in a scarcity of many European foods.

A number of restaurants that relied on meat, cheese and fish imported from the West were forced to close, while those that strived to source their ingredients from Russian regions became more competitive.

In explaining why it chose Moscow, the guide last year pointed to the “unique flavors” of the “nation’s emblematic first courses such as borscht.”

Another leading French restaurant guide, Gault et Millau, launched its first Russian edition in 2017. In 2019, Gault & Millau was sold to Russian investors.

Twins Garden and White Rabbit have previously featured on the World’s 50 Best Restaurants list.

Michelin also recently expanded to Beijing, Slovenia and California.

Russia Sets New ‘Anti-Records’ for Covid But ‘Somehow This isn’t Agitating Anyone’
Window on Eurasia (Paul Goble)
October 18, 2021

Staunton, Oct. 12 – Russian officials continued to report unprecedentedly high numbers of infections (28,190) and deaths (973) over the last 24 hours, with other statistics equally devastating including a surge of new cases over the last week by 16 percent for Russia as a whole and more than 30 percent in 11 regions.

Twenty-six regions have imposed QR requirements for entrance to public places, and 605 Russian schools have gone completely over to distance instruction. Many more have done so in part. More than 90 percent of Russia’s covid beds are full and 6,000 patients are on ventilators.

And the pandemic is hitting members of the Russian elite, not only in the regions but in Moscow, where 11 Duma deputies are now hospitalized with coronavirus infections, even though 70 percent of the members of the lower house of the legislature have received their shots.

But despite all this and the fact that it is being widely reported, a Rosbalt commentator says, “everything in Russia is calm: people are digging their graves without particular noise … and one has the impression that somehow this isn’t affecting anyone.”

Meanwhile, in other pandemic-related developments in Russia today,

N.B. In the original article, the links were inserted in parentheses in the body of the text. I have embedded them for ease of reading. TRR

Kontemporari-myuzikl (Onegin’s Demon)

The contemporary musical [kontemporari-myuzikl] Onegin’s Demon is the most successful assault on the classics and the first production in the best traditions of the Russian theater and Broadway.

The creators have decided to call a spade a spade. Few people remember that the poem “The Demon” was written by Pushkin as one of the chapters of Eugene Onegin.

If, as the musical’s libretto has it, in a house of sorrow in Paris you meet an old, crazy Onegin, forgotten by everyone,  tormented by memories of past mistakes, then none other than his personal alter ego, his dark essence, his Demon lets him see his whole life again … and maybe change it.

He is Onegin’s Demon, the director and puppeteer of this unique musical. The creators have laid bare leitmotifs in the novel that had previously gone unspoken. The musical Onegin’s Demon is thus a bold artistic revelation that firmly etches itself in your memory.

Thanks to the 3D video content, the musical Onegin’s Demon can be safely called a movie musical, in which, unlike the cinema, there is no room for error. The musical Onegin’s Demon is a rare opportunity to see in person how, with no editing or multiple takes, real people resurrect the era of ardent romanticism in real time.

Tremble Pushkin purists: “Satan rules love”!* The play features a scene with a naked Tatyana… And does she stay with Onegin in the end? To whom will Tatyana be given?

You have the opportunity to find out firsthand!

Cast:
Onegin – Vasily Turkin and Ivan Ozhogin
The Demon – Sergei Khudyakov
Tatyana – Alina Atlasova and Anastasia Makeyeva
Lensky – Anton Avdeyev
Olga – Natalia Fayerman
Tatiana and Olga’s Mother – Maria Lagatskaya
Nanny – Manana Gogitidze

Music: Anton Tanonov and Gleb Matveychuk
Book: Irina Afanasyeva, Maria Oshmyanskaya, Andrei Pastushenko and Igor Shevchuk
Choreographer: Dmitry Pimonov
Music Director: Anton Tanonov
Creative Producer: Artyom Gridnev

After the third bell, entrance to the auditorium is strictly PROHIBITED!

The musical is performed with one intermission.

Bileter.ru’s review:

Is it possible to produce theater that combines a musical, a movie, a 3D performance and a phantasmagoria, while being based on classical poetry? A few years ago, the idea might have seemed crazy. However, after the incredible, stunning success of the musical Onegin, the trend of boldly genre mash-ups has really taken off. The creators of Onegin’s Demon have gone even further: their new creation has even fewer references to Pushkin’s work and even more deep psychological plot lines that reveal the essence of Onegin’s personality through the lens of his demons. To understand the authors’ intention, you should see the results of their work in person. To make this happen you only need to buy tickets for the musical Onegin’s Demon at a Box Office Directorate ticket outlet or on our website.

The musical Onegin’s Demon undoubtedly risks breaking its predecessor’s popularity records, because this production has even more mystery, mysticism, amazing music, exciting vocal parts and, of course, ultra-modern special effects. The LDM’s New Stage, no matter how spacious it is, will hardly be able to accommodate everyone who wants to watch this show, so if you manage to get tickets to the musical Onegin’s Demon, you can count yourself lucky.

The Pushkin era — its fancy-dress balls, luxurious horse-drawn carriages, duelists and love letters — does not merely come to life on stage. We watch Onegin’s entire biography through the eyes of the character himself, now in his old age. We see with horror and pity what this romantic and slightly bored dandy has become. What are his sins? For what does this half-crazy lonely old man blame himself? And who is he really? Isn’t he the same evil demon who nurtured Eugen’s most negative character traits in his youth?

Many books have been written about alter egos, the individual’s mystical second self, about the ability of soul and body to split: just recall Jekyll and Hyde or the beautiful Dorian Gray. The story of Onegin’s demon is shrouded in the same mysticism and sinister mystery. The creators have made sure that the audience feels the madhouse atmosphere and the painful awareness of their own irreparable mistakes to the tips of their toes. Onegin/The Demon is excruciatingly beautiful, and he is complemented by the musical’s other characters. The stunning voices and fantastic music cause not only the hearts of the audience members who buy tickets to Onegin’s Demon skip more than once. They also make the walls of the LDM tremble.

Source: Bileter.ru

Translated by the Russian Reader

*  The line “Satan rules love” does not appear in Pushkin’s Eugene Onegin. As rendered by James Falen, chapter 4, stanza 21 of Pushkin’s great novel in verse reads as follows:

Of course the love of tender beauties
Is surer far than friends or kin:
Your claim upon its joyous duties
Survives when even tempests spin.
Of course it’s so. And yet be wary,
For fashions change, and views will vary,
And nature’s made of wayward stuff—
The charming sex is light as fluff.
What’s more, the husband’s frank opinion
Is bound by any righteous wife
To be respected in this life;
And so your mistress (faithful minion)
May in a trice be swept away:
For Satan treats all love as play.

Source: Alexander Pushkin, Eugene Onegin: A Novel in Verse, trans. James E. Falen (Oxford UP, 1995). The emphasis is mine.

P.S. Stanley Mitchell’s rendering (Penguin, 2008) of the same stanza is even niftier, as my mom would say:

The love you get from tender beauties
Is surer than from kin or friend:
However turbulent its duties,
Your rights are honoured in the end.
That’s so. But then there’s whirling fashion
And nature’s wayward disposition,
And what the monde thinks is enough…
And our sweet sex is light as fluff.
And then, it is to be expected
That virtuous wives will all be true
To husbandly opinions, too;
Your faithful mistress has defected
Before you know it: love’s a joke
That Satan plays on gentlefolk.