Hunting Season

Since no one wants to ask me to comment on [Valery] Rashkin and the moose, I will tell you myself.

This is punishment for disloyalty. Rashkin flirted with the Navalnists and now, after the elections, he is being punished. Punishment is the only means available to the authorities to react to disloyalty and it concerns everyone involved in the process, not just the opposition. Remember what happened to Poklonskaya.

I emphasize that, in this situation, talking about Rashkin’s personal qualities, alcoholism or hunting is simply meaningless, or rather inappropriate, because talking nonsense diverts the conversation away from the main point — the political terror practiced by the authorities.

Anyone who pokes their head up even a little bit is immediately pulled out, strung up and skinned real good. This is a metaphor for animal husbandry, not hunting. Don’t say that I’m exaggerating — it’s still terror, intimidation and the destruction of even minimal nodes of [anti-regime] organization. The authorities don’t need to engage in mass killings yet, because the opposition is peaceful and manageable.

P.S. Hunting should not be banned, but the use of weapons in hunting should be prohibited. if you want to kill a moose, go ahead: you have teeth and two legs.

Translated by the Russian Reader

Valery Rashkin, pictured during a Russian parliament session in March 2020. AP Photo/Pavel Golovkin/Euronews

Valery Rashkin: Russian MP accused of illegal hunting after elk carcass found in car
Euronews
October 29, 2021

A Russian MP has been accused of illegal hunting after the remains of an elk were found in his car.

Valery Rashkin, a politician for the opposition Communist party, told Russian media that he was stopped by police while driving in Russia’s Saratov region.

Rashkin has stated that he and his companion did not shoot the animal and had planned to report the matter to the authorities.

“I believe this is a provocation,” he told the independent broadcaster RTVI on Friday.

Russian police said they were alerted to gunfire in the Lysogorsk district, 900 kilometres east of Moscow, and found a car at the scene of the incident.

“During the inspection of the car, the police found fragments of an elk carcass, an ax, and two knives with traces of blood,” they said in a statement.

The two men inside the car said they had only found the animal’s shot carcass and had “decided to butcher it,” police added.

The driver of the vehicle also refused to undergo a test for alcohol at the scene. Authorities later discovered two weapons cases, hidden in a bush near the remains of the elk.

“In one of them there was a hunting rifle with a night vision sight, and in the second there was a tripod and cartridges,” the police said.

“In addition, the cases contain a weapon permit and a hunting ticket issued in the name of V.F. Rashkin.”

“A criminal case was initiated on the fact of illegal hunting,” the regional interior ministry said in a statement.

Russia’s Investigative Committee said they had taken over the case following “great public outcry”.

“The involvement of the deputy of the State Duma of the Russian Federation, Valery Rashkin, in the incident is being verified,” they added in a statement.

As a Russian MP, Raskhin holds immunity from prosecution but lawmakers can be stripped of that privilege by a vote in parliament.

He could also be dismissed by the Duma if found guilty of hunting without a license, which carries a maximum prison sentence of two years.

Rashkin recently took part in several demonstrations, claiming that the Russian parliamentary elections were marred by electoral voting fraud.

Doppelganger

“It’s kind of a dystopia. In some respects. Of course, it has nothing to do with reality. The world is shrinking and becoming cramped. Something or someone is always offended in close quarters. And there’s always someone pointing a gun at your head. Sometimes it’s you.”

Masyanya, Episode 152: “Doppelganger.” (Toggle the “CC” button for English subtitles)

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The caste of those deprived of their civil rights — foreign agents, undesirable organizations, extremists of all stripes — will constantly expand. Social stigmatization will be strongly encouraged. The number of persons on different registries and lists, and under police watch will grow exponentially. Legal restrictions — bans on participating in elections, serving on various public councils, founding mass media, attending football matches, working in certain areas, and so on — will be supplemented by defamation campaigns. The separation of the estates in terms of legal and social status will be vigorously encouraged by the authorities.

Source: Pavel Chikov, “Not a Tyranny Yet: A Prognosis for the Rest of Putin’s Fourth Term,” Republic, 19 October 2021. Translated by the Russian Reader

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Artist unknown, Russian National Guardsmen in Their Free Time. Posted by Dmitry Vrubel on Facebook. Thanks to Sergei Damberg for the heads-up

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Security forces raided a gathering to write letters to political prisoners at the Vogel Bar. They showed up along with Rospotrebnadzor officials for a surprise inspection on the evening of October 24. After managing to tally forty-five people on the premises and not find markings on the floor mats, the officials sealed the establishment prior to a court hearing. The bar’s management fears bankruptcy and plans to open a new bar in a new location.

The latest gathering to letters to political prisoners at the Vogel this time ended with a visit by regulatory authorities. The police officers who arrived twenty minutes after the event started immediately stated that the 76th police precinct had received a complaint alleging that the bar was not in compliance with the mask mandate. At that moment, the gathering, at which attendees were to write letters to the performance artist Pavel Krisevich, jailed on charges of disorderly conduct after a performance on Red Square in which he pretended to shoot himself, had just begun. That evening, Krisevich’s friends and acquaintances, as well as former political prisoners, were to speak to the guests. One of the bar’s co-founders, Valentin Khoroshenin, told Zaks.Ru that the complaint claimed that a “meeting of anti-covidniks” was planned for that evening at the Vogel. He believes that this was just an excuse to find non-existent violations and close the bar.

The inspection report indicated that more than forty-five people were present in the room at the time. The bar’s management are adamant that this was not the case. The Vogel’s owners have already studied surveillance camera tapes and counted less than forty people on the premises, including the police officers.

Other violations included the absence of markings on floor mats and an insufficient supply of medical masks. According to regulations, such establishments should have a five days’ supply of personal protective equipment. The available supply was only enough for one day. Rospotrebnadzor officials did not enter the kitchen. According to Khoroshenin, they claimed they were too tired to do so.

Vogel Bar has been in business since March 2021. From the very beginning it advertised itself as a venue for activists: political lectures, discussions and debates were held there. During this entire time, Rospotrebnadzor never carried out inspections. But the Interior Ministry regularly sent its people there. For example, Center “E” officers attended the debates. The security forces showed up for other letter-writing gatherings, but everything had ended without trouble.

Text & photos: Konstantin Lenkov, Zaks.ru, 25 October 2021. Translated by the Russian Reader

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We have been preparing an investigation into torture in Russian prisons for almost a year. It took a lot of time to track down, earn the trust of, and obtain testimonies from former inmates of the penal colony in Krasnoyarsk Krai, Siberia, thousands of kilometers from central Russia. Simultaneously with The Insider’s investigation, Russian human rights activists published an archive of video footage depicting torture being inflicted on prisoners across Russia. The clips, obtained from the FSB and FSIN secret archive, show prisoners from Irkutsk, Saratov, Belgorod, Rostov and other Russian regions being raped, beaten and humiliated. Torture victims explain their torturers’ motives by their desire to break their will in order to obtain material for blackmailing other prisoners, make them confess to crimes, pay tribute, or even to start torturing other prisoners themselves. This all takes place in the modern world, in a country where there is no war, where torturers are not tasked with extracting valuable military information from prisoners at any cost. Torture is rampant in Russia, a country that has signed a number of human rights and anti-torture conventions and seems to enjoy a peaceful life. We have long known that in Russia, prison is not a place of correction, but rather a strange world separate from everything else, where guards and inmates resurrect on a daily basis the practices of the Stalinist Gulag. This has not always been the case. As early as ten years ago there was serious talk in Russia about the need to reform and humanize the penitentiary system. Now things are different. The authorities have been clearly and unambiguously showing how they prefer to rule the country. That is mainly by fear. Investigations into torture have hardly been a revelation, but in a split instant, they made it impossible to ignore torture and pretend it only concerns those behind bars. Of course, the situation will not change overnight, but one thing is certain – this knowledge has now become an integral part of our society. In the following article, we bring you the raw testimony of people who have experienced torture in Russian prisons. They share their thoughts on why it is used, the impact on them, and recount the involvement even of doctors in their ordeal.

Source: The Insider, 19 October 2021. Thanks to Antti Rautiainen for the heads-up

Five Years Ago Today

This is one of the pleasantest pictures I’ve seen in a long time: former Russian political prisoner Alexei Gaskarov walking in the woods.

Gaskarov was released from prison this past Thursday after serving a three-and-a-half-year sentence for being involved in a peaceful opposition march that was attacked by police and provocateurs, for being truncheoned and kicked while lying on the ground by a policeman who never paid for his crimes, and for being Alexei Gaskarov.

That sounds absurd, but it’s the truth.

Why was the opposition march attacked by police and provocateurs?

Because it took place the day before Putin reinstalled himself as president, this time, apparently, for life. The protesters were ruining his party by showing the country and the world that not all Russian were happy about this semi-legal coup d’etat.

So three dozen people, some more or less famous, like Alexei Gaskarov, some complete strangers to grassroots politics, had to be taught a lesson about what happens to the nominally powerless when they spoil the festivities for the most powerful man in the country.

This is only one of the reasons why those of us know who really know what has been going on in Russia the past seventeen years feel bemused, at best, and furious, at worst, when the snake oil salesman known as Donald Trump praises Putin for his leadership.

In reality, Putin has brought the country to the brink of moral, political and economic ruin. ||| TRR, 29 October 2016. Photo courtesy of Alexei Gaskarov’s Facebook page

Anti-Coders (#SegregationInAction)

This Instagram post by Roebuck Cafe in Petersburg, explaining that it would be serving only customers with QR codes showing they have been vaccinated against the coronavirus or recovered from covid-19, and urging people to telephone 122 and sign up for a jab, elicited the ire of user Izarets, for example, who said they wouldn’t be darkening the cafe’s door anymore, even if they did have a “peekaboo code.”

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Opponents of QR codes stage flash mob on social networks, tagging the posts of companies #WeDon’tPatronizeThem. Etazhi in Petersburg has been targeted ||| Bumaga ||| October 27, 2021 ||| Translated by the Russian Reader

Opponents of the QR code system have launched a flash mob on social media, commenting on the posts of shopping malls, cafes and cultural clusters with the hashtags #WeDon’tPatronizeThem and #SegregationInAction.

The flash mobsters dub the QR codes “peekaboo codes” and “cuckoo codes,” criticizing businesses that have agreed to check whether their customers and patrons have them. The action has touched different cities in Russia, from Noyabrsk, located in the Yamalo-Nenets Autonomous District, to St. Petersburg.

For example, the flash mobsters commented a post on Instagram by the Petersburg cultural center Etazhi, announcing that it would be open during the lockdown, but people would be admitted to its exhibitions and observation deck only by presenting a QR code. “It is a pity that you support segregating the population too. We won’t be patronizing you anymore,” wrote one female user. Similar messages appeared under posts by Roebuck Cafe, the Youth Theater on the Fontanka, and other establishments.

Bumaga has explained in detail how the QR code system in St. Petersburg will work.

Read more about it:

  • Why do Russians not get vaccinated? How does the anti-vaxxer community operate? How do you argue with an opponent of vaccines? An anti-pseudoscience campaigner and a scholar who researches fakes answer these questions.

“He is adored by women and respected by men”

He has been called one of the last romantics of the Russian variety stage, a performer with a gorgeous vocal range and a rare timbre. He is adored by women and respected by men.

In his more than twenty years as an artist, Valery Meladze has won many variety stage competitions and prestigious awards in the world of popular music. Valery Meladze is currently one of the ten most popular Russian performers.

Valery, as always, remains true to himself, behaving freely and sincerely towards the viewer. He delights everyone with his pure and unique singing, giving his fans warm feelings and endless emotions, and receiving in return loud applause, grateful smiles, and the sincere, sensual, loving eyes of the audience.

Source: Bileter.ru. Translated by the Russian Reader

More Die of Heartbreak

St. Petersburg Photo Diary
Facebook
October 23, 2021

Orthodontist jumps from 9th floor of Elizabeth Hospital

The young woman made the jump in front of her fellow patients in the ward. The fact was that she had buried both of her parents in the past two weeks. They were also doctors, by the way.

Darya Khorovskaya followed in the footsteps of her parents: she had worked in her field for 10 years.

She was admitted to the Elizabeth Hospital with complications from an infectious disease just a few days after her mother’s death.

Her fellow patients in the ward said that the young women was heartbroken. She constantly talked about the deaths of her loved ones, blaming the coronavirus.

After the fall, she was taken to the intensive care unit, but they could not save her.

Photo courtesy of St. Petersburg Photo Diary. MK.RU Sankt-Peterburg reported this same story on 17 October 2021. They made clear, however, what is not clear from the Facebook post above: that Khorovskaya was being treated for covid-19 when she took her own life, and that her parents had also died of covid-19. P.S. This is a more typical post on St. Petersburg Photo Diary, which partly explains the self-censorship in their post about Khorovskaya’s suicide. Translated by the Russian Reader

Fourteen Years Before the Mast

“I grew up really appreciating a curated journey.”
– Young pop star, “Weekend Morning Edition,” NPR, 23 October 2021

It was fourteen years ago today that I began my own “curated journey” in blogging. For my first post, I translated this little gem of paradoxical “geopolitical” thought by the artist and writer Pavel Pepperstein.

Since that day, there have been 2,945 more entries (including this one) on this website, a very long detour on Chtodelat News, which I edited and almost completely wrote for over five years, generating another 793 posts in the process, and Living in FIN, a place for my occasional forays into Finnish poetry and South Karelian living, where I’ve made an even 200 scratch marks on the wall so far. So quite soon, maybe this year even, I will have reached out to the wide world 3,000 times in this peculiar roundabout way.

Knowing that these anniversaries were around the corner, I’ve been making speeches in my head, some more structured and constructive, others more grandiloquent and sentimental. But now that one of these anniversaries has actually dawned, I don’t feel like preaching to the choir. If you’re already here, it means you get it, whatever “it” is.

That means you might want me to keep making this website. How can you help me do that?

1. Ensure a steady flow of new “Russian readers” by getting the word out via social media. Every time any of you reposts what I write here, I immediately see the number of readers double, triple, quadruple and so forth. Last year, for whatever reason, you and I were grooving on the same inner plane more often than not, and I had nearly 175,000 views at the end of it. This year, though, the reposting — and thus the influx of new readers — has seemingly dried up, so I’ll be lucky to reach a third of last year’s encouraging audience numbers.

2. Donate money to me via PayPal or Ko-Fi. In addition to paying for hosting, internet and subscriptions to the Russian independent media I read and share here in translation, I would like to be able to pay the occasional guest translator a fee as well. And, if there is money left over, even pay myself a bit. Making this website, especially the translating, is a lot of work.

3. Follow me on social media (Facebook, Telegram, Twitter, Ello, Tumblr) and repost those heads-up whenever you can, thus getting more folks hooked on this funny website and letting me know that what I do here has value for more than just me and a few other people.

Thanks for your support!

Photo and text by the Russian Reader

COVID-free

Dear viewers,

Due to the spread of the coronavirus, a period of non-working days will be in effect in Moscow from October 28 to November 7. There will be no changes in our repertoire: we plan to hold all scheduled performances.

PLEASE NOTE!
🔻 From October 28, all performances for viewers over the age of 18 will be COVID-free [in English in the original]: you can attend these performances only if you have a QR code (confirming you are protected from COVID-19).
🔻 A QR code can be obtained:
🔻 after you have been vaccinated.
🔻 by doing a PCR test (valid for 72 hours)
🔻 after recently being ill with COVID-19 (valid for 6 months from the date of recovery).

If you do not have time to get a QR code before your planned outing to the theater, you can present a certificate showing you have received the first dose of a vaccine.

Our partners for ticket refunds:

RAMT website – https://ramt.ru/orders/
Yandex.Afisha – https://widget.afisha.yandex.ru/refund
Kassir.ru – https://msk.kassir.ru/pages/refund
Listim.com – https://listim.com/pages/for_clients_e_ticket
Ticketland.ru – return by registry tickets@ramt.ru

Please accept our apologies for the inconvenience and be healthy!

Source: email newsletter from RAMT (Russian Academic Youth Theater), 22 October 2021. Translated by the Russian Reader

Why Russia Is in No Hurry to Get Vaccinated
Kirill Martynov
Rosbalt
October 15, 2021

Vaccination in Russia is at a shamefully low level: according to official statistics, 31.4% of the country’s residents have received two doses of a covid-19 vaccine. By comparison, this figure is now 64% in Germany. In our country, this has translated into a record number of deaths and the transformation of Russia into a reservoir for the virus’s further evolution. The 42% vaccination rate among older Russians is an especially frightening figure: although they’ve had a whole year to do it, they and their relatives could not be bothered to take care of themselves. It’s as if our national motto were Viva la muerte!

But the behavior of anti-vaxxers in a country like ours is apparently rational. The main source of information about the benefits of the vaccines are government agencies and state media, about which everyone knows that, first, they lie constantly, and second, that they are never called on the carpet for their lies. They lied about the absence of Russian troops in Ukraine, and many rejoiced at this military trick. They lied about pension reform, “which will never happen, because the president is against it,” but in this case no one rejoiced.

Russians know that there is no mechanism for punishing liars. If it turned out that the vaccine was dangerous or useless, no one in the Russian government would be held responsible for it. They would just start lying about something else.

Free and fair elections, which liars can lose, are a basic institution for ensuring responsibility, but we don’t have this institution in Russia, nor is it anywhere on the horizon.

When there is a high level of distrust of everything related to the state, it is not surprising that people are in no hurry to get vaccinated. Without trust, the only way to solve this problem is by force, as was done in the Soviet Union.

On the societal scale, trust is even more fragile and valuable thing than in relationships between individuals: it has to be carefully fostered for decades. The Germans managed to pull it off after the Second World War, but we have not even have formulated this task.

This is also not surprising. A high level of trust within society makes a dictatorship impossible: it is instantly opposed by growing solidarity. For example, in Soviet Poland, this happened in particular because the authorities failed to destroy the influence of the Catholic Church and the network of parishes.

Accordingly, it is vital for a dictatorship to keep trust at a minimum level. That’s why Russia is in no hurry to get vaccinated now. It is a byproduct of authoritarianism’s self-defense against “internal enemies.”

Thanks to Paul Goble, a personal hero of mine, for flagging Martynov’s article on his website Window on Eurasia, which has been essential reading for post-Sovietologists and Russianists for the past seventeen years. Get well soon, Paul! Photo by Aleksander Avilov/Moskva News Agency, courtesy of the Moscow Times. Translated by the Russian Reader

What Matters in Russia

The Facebook post appealing for help in finding missing Bashkir activist Ilham Yanberdin

Environmental activist disappears, his belongings found in forest belt 
OVD Info
October 17, 2021

His associates have been looking for Bashkir grassroots activist Ilham Yanberdin (Ilham Vakhtovik) for a week. They published an appeal on social media, stating that Yanberdin’s relatives had not been able to contact him since October 11.

Idel.Realii reported that, on October 17, passersby found Yanberdin’s phone and personal belongings in the forest belt of the Ufa neighborhood of Inors, near the place where the activist lived. The missing person’s case has been transferred to the criminal investigation department.

The day before the disappearance, Yanberdin told his colleagues he planned to attend a protest in defense of the monument to Salavat Yulaev in Ufa on October 11, at which about ten people were detained. He never showed up for the rally.

Ilham Yanberdin is known in Bashkortostan for his active role in opposition protests. Among these were rallies in defense of the Kushtau shihan and actions by Alexei Navalny’s supporters. He was prosecuted for the protests that took place in January 2021.

In Ufa, the Interior Ministry sought to collect more than two million rubles from Yanberdin, Lilia Chanysheva and Olga Komleva for the “work” of its police officers during the January 2021 protest rallies. A similar decision was made by a court in Omsk. Daniil Chebykin and Nikita Konstantinov were judged to have been the organizers of the January 23 and 31 protests there and ordered to pay the Interior Ministry more than one and a half million rubles.

In June 2021, Yanberdin was detained at a people’s assembly held after the environmental activist Ildar Yumagulov was attacked and beaten by persons unknown on April 18 in Baymak. Yanberdin was later released from court. The case file was sent back to the police for verification due to violations in writing up the arrest sheet.

Translated by the Russian Reader

The monument to Salavat Yulaev in Ufa. Photo courtesy of Wikipedia

9 Moscow Restaurants Awarded Coveted Michelin Stars
Andrea Palasciano (AFP)
Moscow Times
October 15, 2021

French gastronomic bible the Michelin Guide awarded nine Moscow restaurants with its coveted stars on Thursday, unveiling its first lineup of recommended eateries in Russia’s up-and-coming food scene.

Long derided as a gastronomic wasteland, Russia’s restaurant scene has emerged in recent years from a post-Soviet reputation for blandness, with establishments in Moscow regularly making lists of some of the world’s best.

Representatives of the Michelin guide — considered the international standard of restaurant rankings — released the first Moscow edition of their iconic red book at a ceremony at Moscow.

Sixty-nine restaurants were recommended in all.

Two restaurants — Twins Garden run by twin brothers Ivan and Sergei Berezutskiy, and chef Artem Estafev’s Artest — were given two stars.

Seven restaurants were given one star, including White Rabbit, whose chef Vladimir Mukhin featured in an episode of the Netflix documentary series “Chef’s Table.”

None were given three stars — the Holy Grail of the restaurant world.

‘Difficult time’
Moscow Mayor Sergei Sobyanin said at the ceremony that the release of the guide was an important event at a tough time for the restaurant industry.

“It’s big moral support in this time of pandemic, when restaurants are having a particularly difficult time,” he said.

Sobyanin said it also showed Russia had rediscovered a food tradition that had suffered under the Soviet Union.

“Unfortunately during the Soviet period these traditions were lost,” he said.

“I am proud that Moscow’s restaurants have become a calling card for our fantastic city.”

Michelin’s international director Gwendal Poullennec told a press conference that the guide had used an international team of inspectors for its list and there was “no compromise in our methodology.”

Speaking to AFP earlier, he said Russia’s food scene had been “reinventing” itself since the 1991 fall of the Soviet Union.

“There is an evolution of the Russian culinary scene. It is more and more dynamic,” Poullennec said.

He said he was surprised by “the quality and abundance of produce” in Moscow restaurants, highlighting in particular the seafood, such as crab and caviar, that are “exclusive” elsewhere but in Russia are available at a “reasonable price.”

Russia became the 35th country to have a Michelin guide and Moscow is the first city of the former Soviet Union to be awarded stars.

The selection of restaurants will appear in print and also be available via an app in 25 languages, including Russian.

Crab, smetana and borscht
Michelin in December said that chefs in Moscow had set themselves apart by highlighting Russian ingredients, including king crab from the Far Eastern city of Vladivostok and smetana, the sour cream used in preparing beef stroganoff.

Moscow restaurants have increasingly turned to local ingredients after Western sanctions following Russia’s annexation of Crimea from Ukraine in 2014 resulted in a scarcity of many European foods.

A number of restaurants that relied on meat, cheese and fish imported from the West were forced to close, while those that strived to source their ingredients from Russian regions became more competitive.

In explaining why it chose Moscow, the guide last year pointed to the “unique flavors” of the “nation’s emblematic first courses such as borscht.”

Another leading French restaurant guide, Gault et Millau, launched its first Russian edition in 2017. In 2019, Gault & Millau was sold to Russian investors.

Twins Garden and White Rabbit have previously featured on the World’s 50 Best Restaurants list.

Michelin also recently expanded to Beijing, Slovenia and California.

Russia Sets New ‘Anti-Records’ for Covid But ‘Somehow This isn’t Agitating Anyone’
Window on Eurasia (Paul Goble)
October 18, 2021

Staunton, Oct. 12 – Russian officials continued to report unprecedentedly high numbers of infections (28,190) and deaths (973) over the last 24 hours, with other statistics equally devastating including a surge of new cases over the last week by 16 percent for Russia as a whole and more than 30 percent in 11 regions.

Twenty-six regions have imposed QR requirements for entrance to public places, and 605 Russian schools have gone completely over to distance instruction. Many more have done so in part. More than 90 percent of Russia’s covid beds are full and 6,000 patients are on ventilators.

And the pandemic is hitting members of the Russian elite, not only in the regions but in Moscow, where 11 Duma deputies are now hospitalized with coronavirus infections, even though 70 percent of the members of the lower house of the legislature have received their shots.

But despite all this and the fact that it is being widely reported, a Rosbalt commentator says, “everything in Russia is calm: people are digging their graves without particular noise … and one has the impression that somehow this isn’t affecting anyone.”

Meanwhile, in other pandemic-related developments in Russia today,

N.B. In the original article, the links were inserted in parentheses in the body of the text. I have embedded them for ease of reading. TRR

Kontemporari-myuzikl (Onegin’s Demon)

The contemporary musical [kontemporari-myuzikl] Onegin’s Demon is the most successful assault on the classics and the first production in the best traditions of the Russian theater and Broadway.

The creators have decided to call a spade a spade. Few people remember that the poem “The Demon” was written by Pushkin as one of the chapters of Eugene Onegin.

If, as the musical’s libretto has it, in a house of sorrow in Paris you meet an old, crazy Onegin, forgotten by everyone,  tormented by memories of past mistakes, then none other than his personal alter ego, his dark essence, his Demon lets him see his whole life again … and maybe change it.

He is Onegin’s Demon, the director and puppeteer of this unique musical. The creators have laid bare leitmotifs in the novel that had previously gone unspoken. The musical Onegin’s Demon is thus a bold artistic revelation that firmly etches itself in your memory.

Thanks to the 3D video content, the musical Onegin’s Demon can be safely called a movie musical, in which, unlike the cinema, there is no room for error. The musical Onegin’s Demon is a rare opportunity to see in person how, with no editing or multiple takes, real people resurrect the era of ardent romanticism in real time.

Tremble Pushkin purists: “Satan rules love”!* The play features a scene with a naked Tatyana… And does she stay with Onegin in the end? To whom will Tatyana be given?

You have the opportunity to find out firsthand!

Cast:
Onegin – Vasily Turkin and Ivan Ozhogin
The Demon – Sergei Khudyakov
Tatyana – Alina Atlasova and Anastasia Makeyeva
Lensky – Anton Avdeyev
Olga – Natalia Fayerman
Tatiana and Olga’s Mother – Maria Lagatskaya
Nanny – Manana Gogitidze

Music: Anton Tanonov and Gleb Matveychuk
Book: Irina Afanasyeva, Maria Oshmyanskaya, Andrei Pastushenko and Igor Shevchuk
Choreographer: Dmitry Pimonov
Music Director: Anton Tanonov
Creative Producer: Artyom Gridnev

After the third bell, entrance to the auditorium is strictly PROHIBITED!

The musical is performed with one intermission.

Bileter.ru’s review:

Is it possible to produce theater that combines a musical, a movie, a 3D performance and a phantasmagoria, while being based on classical poetry? A few years ago, the idea might have seemed crazy. However, after the incredible, stunning success of the musical Onegin, the trend of boldly genre mash-ups has really taken off. The creators of Onegin’s Demon have gone even further: their new creation has even fewer references to Pushkin’s work and even more deep psychological plot lines that reveal the essence of Onegin’s personality through the lens of his demons. To understand the authors’ intention, you should see the results of their work in person. To make this happen you only need to buy tickets for the musical Onegin’s Demon at a Box Office Directorate ticket outlet or on our website.

The musical Onegin’s Demon undoubtedly risks breaking its predecessor’s popularity records, because this production has even more mystery, mysticism, amazing music, exciting vocal parts and, of course, ultra-modern special effects. The LDM’s New Stage, no matter how spacious it is, will hardly be able to accommodate everyone who wants to watch this show, so if you manage to get tickets to the musical Onegin’s Demon, you can count yourself lucky.

The Pushkin era — its fancy-dress balls, luxurious horse-drawn carriages, duelists and love letters — does not merely come to life on stage. We watch Onegin’s entire biography through the eyes of the character himself, now in his old age. We see with horror and pity what this romantic and slightly bored dandy has become. What are his sins? For what does this half-crazy lonely old man blame himself? And who is he really? Isn’t he the same evil demon who nurtured Eugen’s most negative character traits in his youth?

Many books have been written about alter egos, the individual’s mystical second self, about the ability of soul and body to split: just recall Jekyll and Hyde or the beautiful Dorian Gray. The story of Onegin’s demon is shrouded in the same mysticism and sinister mystery. The creators have made sure that the audience feels the madhouse atmosphere and the painful awareness of their own irreparable mistakes to the tips of their toes. Onegin/The Demon is excruciatingly beautiful, and he is complemented by the musical’s other characters. The stunning voices and fantastic music cause not only the hearts of the audience members who buy tickets to Onegin’s Demon skip more than once. They also make the walls of the LDM tremble.

Source: Bileter.ru

Translated by the Russian Reader

*  The line “Satan rules love” does not appear in Pushkin’s Eugene Onegin. As rendered by James Falen, chapter 4, stanza 21 of Pushkin’s great novel in verse reads as follows:

Of course the love of tender beauties
Is surer far than friends or kin:
Your claim upon its joyous duties
Survives when even tempests spin.
Of course it’s so. And yet be wary,
For fashions change, and views will vary,
And nature’s made of wayward stuff—
The charming sex is light as fluff.
What’s more, the husband’s frank opinion
Is bound by any righteous wife
To be respected in this life;
And so your mistress (faithful minion)
May in a trice be swept away:
For Satan treats all love as play.

Source: Alexander Pushkin, Eugene Onegin: A Novel in Verse, trans. James E. Falen (Oxford UP, 1995). The emphasis is mine.

P.S. Stanley Mitchell’s rendering (Penguin, 2008) of the same stanza is even niftier, as my mom would say:

The love you get from tender beauties
Is surer than from kin or friend:
However turbulent its duties,
Your rights are honoured in the end.
That’s so. But then there’s whirling fashion
And nature’s wayward disposition,
And what the monde thinks is enough…
And our sweet sex is light as fluff.
And then, it is to be expected
That virtuous wives will all be true
To husbandly opinions, too;
Your faithful mistress has defected
Before you know it: love’s a joke
That Satan plays on gentlefolk.