August 27, 2019 – The Russian Reader

imgbin-islamic-state-of-iraq-and-the-levant-black-standard-boko-haram-syria-others-XD0ZwSqRYuFuazPa6K3kJy23r The Islamic State’s Black Standard was used by Russian state prosecutors as evidence that three Uzbek nationals resident in the Nizhny Novgorod area were involved with the terrorist organization. In fact, the flag that was entered into evidence in the case probably belonged to an FSB provocateur. Image courtesy of IMGBIN

Video Published Showing Nizhny Novgorod FSB Provocateur Recruiting for ISIL
Irina Slavina
Koza Press
August 25, 2019

On August 22, the Russian Supreme Court’s Judicial Board on Military Cases considered an appeal of the sentences handed down to three Uzbek nationals whom the FSB’s Nizhny Novgorod Regional Office had accused of involvement in ISIL, a terrorist organization banned in Russia. The charges against Azamatjon Urinov (b. 1988), Adishun Husanov (b. 1990), and Dilshodbek Yuldoshov (b. 1996) were based on the testimony of another Uzbek, identified as “Ulugbek,” as well as videos shot with a hidden camera in an apartment, allegedly rented by “Ulugbek” in the Bor Urban District. The videos are posted below.

When it heard the case in February of this year, the Moscow Military District Court, chaired by Judge Albert Trishkin, refused to examine the videos during its hearings. Nevertheless, State Prosecutor Vsevolod Korolyov asked the court to sentence each of the defendants to sixteen years in maximum-security penal colonies for the actions captured in the videos.

urinova Defendant Azamatjon Urinov’s wife fainted when she heard the prosecutor ask the court to sentence her husband to sixteen years in prison. Photo courtesy of Koza Press

The court demonstrated how much the evidence gathered by state investigators and the arguments made by the persecution weighed by adding Russian Criminal Code Article 30.1 (“preparations for the commission of a crime”) to the charges against the three defendants. This enabled the court to sentence them to shorter terms in prison than were stipulated by Criminal Code Article 205.5.2 (“involvement in the work of a terrorist organization”). Consequently, Husanov was sentenced to seven years in a maximum-security penal colony, while the other two defendants were sentenced to six years each.

It took the court four days to try the case.

In the video below, shot by a hidden camera in the afternoon, “Ulugbek” puts on a black [New York Yankees] cap at the 7:35 mark, gets up out of bed, goes to the closet, and takes a piece of black fabric emblazoned with Arabic script and the ISIL logo [the so-called Black Standard of the Islamic State], which he then hangs on the wall. This flag would later be entered into the physical evidence in the case against Urinov, Husanov, and Yuldoshov. “Ulugbek” would then persuade his countrymen to swear an oath of allegiance to an Islamic state emir. He then, allegedly, went to confess to law enforcement authorities, who classified his identity, exempted him from criminal charges, and sent him back to Uzbekistan.

He did not attend the trial, even as a witness.

In the second video, recorded in the evening, it is “Ulugbek” who talks about the war in Syria and his plans to travel there to help his fellow Muslims. This was established by Husan’s defense counsel, Shuhrat Hamrakulov, who speaks Uzbek.

“Ulugbek” thus entrapped Urinov, Husanov, and Yuldoshov into committing a crime while avoiding criminal prosecution himself; no charges were filed against him. Accordingly, there is good reason to believe he was a provocateur working for the FSB’s Nizhny Novogorod Regional Office.

The Russian Supreme Court’s Judicial Board on Military Cases rejected the appeal of the sentences handed down to Urinov, Husanov, and Yuldoshov, but it reduced their sentences by six months each, their defense lawyers told Koza Press. Their sentences have thus come into force.

Russian Deputy Prosecutor General Sergei Zaitsev gave Nizhny Novgorod prosecutors a dressing-down for the fact that they had not uncovered a single piece of evidence concerning the financing of terrorism in their region.

Thanks to Two Hundred Fives for the heads-up. In her comment to their reposting of this article, Petersburg Public Monitoring Commission member Yana Teplitskaya noted that all three defendants in the Nizhny Novgorod “Islamic State” case were, allegedly, tortured in custody. Translated by the Russian Reader

Exhibit Opening. Moscow: Gay Cruising Sites of the Soviet Capital, 1920s–1980s
Wednesday, September 4, 2019, 6:00 pm
Harriman Institute Atrium (12th floor, 420 W 118th St., New York), Harriman Institute, Columbia University

Please join the Harriman Institute for the opening reception of the exhibit Moscow: Gay Cruising Sites of the Soviet Capital, 1920s -1980s featuring a series of works photographed in 2008 by artist Yevgeniy Fiks.

The exhibit runs September 3–October 18, 2019. Exhibit hours are Monday–Friday, 9:30 am–5:00 pm, excluding university holidays.

The exhibit documents gay cruising sites in Soviet Moscow, from the early 1920s to the USSR’s dissolution in the early 1990s. Photographed in 2008 in a simple but haunting documentary style, these sites of the bygone queer underground present a hidden and forgotten Moscow, with a particular focus on revolutionary communist and Soviet state sites appropriated by queer Muscovites.

This opening reception will feature a performative reading by actor Chris Dunlop of the 1934 letter to Joseph Stalin by the British Communist and Moscow resident Harry Whyte, in which he attempts to defend homosexuality from a Marxist-Leninist perspective in the face of the campaign of mass arrests that swept Moscow and Leningrad gay circles from 1933 to 1934. After reading the letter, Stalin wrote “idiot and degenerate” in the margins. The letter, which remained unanswered, was kept in the closed Soviet archives until 1990 and translated into English by Thomas Campbell for publication in Fiks’s Moscow (Ugly Duckling Presse).

Yevgeniy Fiks was born in Moscow in 1972 and has been living and working in New York since 1994. He has produced many projects on the subject of the post-Soviet dialogue in the west. His work has been shown internationally and has been included in the Biennale of Sydney (2008), Moscow Biennale of Contemporary Art (2011), and Thessaloniki Biennale of Contemporary Art (2015).