Anna Tereshkina: At the Court Hearing

tereshkina-11

Anna Tereshkina
Facebook
June 19, 2018

*This text is not an objective reflection of the “hearing.” Rather, I see its value as therapeutic in the light of what happened today.

This was my second time at a remand extension hearing for Viktor Filinkov.

There were more people, and their voices were louder. But I still left feeling as if I had been hit with a shovel, which was no surprise.

tereshkina-2.jpg

This time round, the court bailiffs immediately herded everyone down to the first floor, but they were unable to drive anyone completely out of the courthouse.

People stood near the stairway.

Our way down the long corridor was blocked by three beefy bailiffs, who were the centerpiece of a genuine commedia dell’arte.

At first, they used a bench to block the way into the corridor. Folks sat down on the bench. Then they decided to remove the bench. One young woman, however, refused to get up, and the three muscleheads threatened to drag her forcibly from the bench. They left the bench where it was, but turned it around. I managed to squeeze through and sit down on it.

Folks were pushing from one side, as during rush hour in the subway, while on the other side an amphitheater opened up. Knights in bulletproof vests outfitted with tons of pockets stood in this amphitheater. They were nearly motionless, like the best sitters during life drawing classes at the Academy of Arts.

I tried to make a stupid joke that snuggling up against young women like that, not letting them walk down the corridor, was the only joy in their dull jobs. A tall, thin bailiff (I had sketched him at the previous hearing) kept running back and forth, trying to cuddle up to T., pushing his more broad-shouldered colleague away from her.

The broad-shouldered bailiff, who bore a resemblance to Ramzan Kadyrov, smiled reservedly when I joked, while the other bailiff (I memorized his name: Anton) went so far as to say it was not their choice to wear the bulletproof vests, but they were under orders to wear them. He kept pulling at the neck of his t-shirt, as if he wanted to tear off his entie sweaty get-up.

But my jokes and attempts to see something human about them collapsed when all of them went after reporter David Frenkel, elbowing their way through the crowd. We tried to squeeze past them, but they had the right to employ violence. I sensed the tension in their elbows. But if someone like me had tensed their elbows like that, they would have been charged with “disobeying” officers of the law. It was scary.

Amid the stuffiness of the corridor, a ball consisting of the swearing gorillas and skinny David rolled down the stairway. (It transpired later the brave young men broke David’s glasses.)

The crowd seethed with despair and resentment.

“Look at yourselves! How you behave! You are violating the right of citizens to exercise their right to . . . ,” a female court clerk in a blue dress kept repeating at us.

tereshkina-1“I have every grounds!”

The bits of bureaucratese clawed at each other. Words stumbled and snapped, turning into feckless curses.

“What grounds do you have for kicking us out?”

“I have every grounds!”

“Who the heck are you?”

“I’m the locum!”

“Whose locum? What’s your name?”

“I’ve already told you everything!”

This had all happened somewhere before, either in a story by Kafka or during my schooldays.

Ultimately, I really resent the fact I cannot draw Viktor or Yuli Boyarshinov or the lively crowd, constantly in motion, but am forced to draw the faces of the bailiffs, frozen in the stupid frenzy of their work. Violence is such a habitual part of their work they have ceased noticing it.

I would rather not have the opportunity to draw them. I would rather this hearing had not taken place. I would like to have magical powers and make it all go away. I would snap my fingers and, instead of a court bailiff, a marvelous violinist would be standing there or a waste recycling engineer who was a feminist and vegan to boot.

tereshkina-5

But, alas, the bailiffs pushed us back by another ten centimeters, and Ninja Turtles in balaclavas escorted Viktor into the courtroom. Our only magical powers were yelling and clapping as loudly as we could.

Like last time, I could not take it anymore. I left before the hearing was over. Where can I find the strength to endure this?

Drawings by Anna Tereshkina. I thank Ms. Tereshkina  for her kind permission to reproduce them here as well as publish a translation of the accompanying text.  All images © Anna Tereshkina, 2018. Translated by the Russian Reader.

***************

What can you do to support the Penza and Petersburg antifascists and anarchists tortured and imprisoned by the FSB?

  • Donate money to the Anarchist Black Cross via PayPal (abc-msk@riseup.net). Make sure to specify that your donation is earmarked for “Rupression.”
  • Spread the word about The Network Case aka the Penza-Petersburg “terrorism” case. You can find more information about the case and in-depth articles translated into English on this website (see below), rupression.com, and openDemocracyRussia.
  • Organize solidarity events where you live to raise money and publicize the plight of the tortured Penza and Petersburg antifascists. Go to the website It’s Going Down to find downloadable, printable posters and flyers. You can also read more about the case there.
  • If you have the time and means to design, produce, and sell solidarity merchandize, please write to rupression@protonmail.com.
  • Write letters and postcards to the prisoners. Letters and postcards must be written in Russian or translated into Russian. You canfind the addresses of the prisoners here.
  • Design a solidarity postcard that can be printed out and used by others to send messages of support to the prisoners. Send your ideas to rupression@protonmail.com.
  • Write letters of support to the prisoners’ loved ones via rupression@protonmail.com.
  • Translate the articles and information at rupression.com and this website into languages other than Russian and English, and publish your translations on social media and your own websites and blogs.
  • If you know someone famous, ask them to record a solidarity video, write an op-ed piece for a mainstream newspaper or write letters to the prisoners.
  • If you know someone who is a print, internet, TV or radio journalist, encourage them to write an article or broadcast a report about the case. Write to rupression@protonmail.com or the email listed on this website, and we will be happy to arrange interviews and provide additional information.
  • It is extremely important this case break into the mainstream media both in Russia and abroad. Despite their apparent brashness, the FSB and their ilk do not like publicity. The more publicity the case receives, the safer our comrades will be in remand prison from violence at the hands of prison stooges and torture at the hands of the FSB, and the more likely the Russian authorities will be to drop the case altogether or release the defendants for time served if the case ever does go to trial.
  • Why? Because the case is a complete frame-up, based on testimony obtained under torture and mental duress. When the complaints filed by the accused reach the European Court of Human Rights in Strasbourg and are reviewed, the Russian government will be forced to pay heavy fines for its cruel mockery of justice.

***************

If you have not been following the Penza-Petersburg “terrorism” case and other cases involving frame-ups, torture, and violent intimidation by the Russian Federal Security Service (FSB) and other arms of the Russian police state, read and repost the recent articles the Russian Reader has translated and published on these subjects.

 

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s